Drawn with Unipin Fineliner pens on A4 Canson Imagine paper. Colour added digitally using ClipStudio Paint.
This is such a typical ‘Angela’ style of entangled art, kind of Zentangle Inspired too. Unusual colour choices for me. I particularly like the moss-green and cream in the arches towards the top right. Though the dusky blues filling in the basket weave pattern to the top left I find nice too. I felt like using coppery tones for the fine borders in the arches rather than gold this time.
This week’s colouring page is a little different. It has four designs on it. Each one would look adorable when coloured and mounted on a blank or postcard card. They would make a lovely decoration for a bullet journal, journal or diary.
I spent some lovely time this morning starting to draw this week’s coloring template. I decided to edit some oopsies and add some colour to the part I drew in today’s video.
It was fun to use a different kind of digital brush than I usually do to add colour. There’s a lot more texture that is a little like watercolour. I definitely need to spend more time with these brushes, and others, to understand them though.
Still, after a late breakfast, actually lunch as it’s now midday, I’ll finish drawing the template.
Hand-drawn typography. Stylised botanicals. Some of my favourite things to draw along with one of my core beliefs!
I’m not at all sure about my colour choices. I think I could’ve done the gradient rainbow first, then taken my palette from that to use with the outer border of botanica. It’ll be easy to sort out though. I added colour digitally, but drew the design with pen on paper.
It’s going to be interesting to see how people add colour to this design. My example here is the third attempt to find colours that I liked, and even then I really am not fussed on the stuff to the left. I do seem to have an ongoing issue with colours this week.
Drawn with a Tombow Fudenosuke pen, coloured digitally in Clip Studio Paint Pro.
This week is a fabulous fungi fantasia. I really enjoyed drawing this one, and adding colour really brings it to life. I’ve chosen rather bright, almost psychedelic colours, as is often the case! So, I’m intrigued to see how others will use colour magic to bring the drawing to life.
The design was drawn with a Tombow Fudenosuke pen on marker paper. This version is coloured digitally in Clip Studio Paint.
It’s the last Wednesday in the month, so it’s the end of this month’s color palette challenge.
I chose to add colour to the first coloring page of the month for Angela Porter’s Coloring Book Fans facebook group. The colours are bright, cheerful and tropical. I always enjoy a limited palette, though I also mix colours to add some variation in colours, particularly the greens.
I spent the morning drawing this week’s template for the facebook group. If you’d like a sneak peek of some of it, have a look at today’s vlog.
Instead of having an outer frame, I’ve included a frame, but behind the drawing. I wanted the elements to grow out of the frame in places, just for a change. And I’ve just noticed where I’ve not coloured a little piece of that frame! Oops! Still, I think that by colouring the frame in, it helps any colourist to work out some of the more intricate and fiddly places where it lies.
I’ve chosen a vintagey, halloweeny colour palette. As we’re nearing the end of August, autumn won’t be far away here in the valleys of South Wales, and the rest of the northern climes. I’m quite eager for nature’s change of clothing. Indeed, I’ve spotted some small changes in colour here and there, a quiet heralding of autumn.
Yesterday, I completed colouring the cover for the book I’m starting on soon for Creative Haven. It was proclaimed as being ‘the cutest thing ever!’ by my editor.