Dimensions : 8cm x 8.5cm (3¼” x 3¾”) Smooth cartridge paper (acid free) Uniball Unipin pens (05 and 01) Digital editing and colour in Autodesk Sketchbook Pro
I drew this little drawing yesterday, but spent some time this morning scanning, cleaning and adding colour and shading digitally.
I deliberately left some ‘white space’ so I could fill it with colour. This contrasts rather well with the graphic black and white entangled art design. The coloured background adds depth to the image, and the subtle shading by grey and textural lines adds volume to the design elements and layers.
I often think I struggle with colour, unless I use a limited palette. This is a way to make use of colour in a way that adds interest to the design without detracting from the line work.
Yesterday and today my focus has been on colouring some templates for my Entangled Gardens coloring book that is due out next year – March 1st 2021 here in the UK to be precise.
This is just a small part of the second of three templates I need to colour. I thought I’d go with a night sky for this one. The first one I’ve given a sunshiny sky to, the third I’m going to go with a sunset colour scheme for the background.
It takes me quite a few hours to colour each template, which is a nod to how intricate and detailed my artwork usually is.
This template, like many in the book, was drawn with pen on paper. However, I like to colour the templates digitally, so I’m using Autodesk Sketchbook Pro along with my Surface Studio and Surface Slim pen to add colour.
I’ve spent so long working at my computer that I’m feeling a bit stiff and uncomfortable. I’m able to tilt the screen of my Surface Studio so that’s at a comfortable position to work at with pen on screen. Still, I’m feeling somewhat stiff. So as soon as I’ve finished my social media stuff for the day, I’m going to take a walk to ease some of the stiffness before I return to the task.
I decided to do Slowtember. I like having prompts to challenge me, take me a little outside of my usual style. However, Inktober can be a bit full on with daily prompts. Slowtember gives that breathing space, and I can work it in around my other commitments.
Thanks to @megaelod on twitter for the idea and prompts!
So, the first prompt was a choice betwixt pothos and chill. I decided to combine them! I like foliage, and the word gives me a chance to try out some hand drawn typography/hand lettering.
I sketched the quite stylised design on dot grid paper, inked it with Unipin pens and then scanned it in. after some digital clean up and slight adjustments, I added some simple colour and shadow.
You’d think adding simple colour would be easy, yes? Nope! Choosing the right greens wasn’t easy for me. And then there was the typography. I lost count of how many times I tried different ways to colour the letters. Eventually I decided enough was enough and the gradient I had was good enough.
As I think now, after breakfast and some mocha, I could’ve done the word as a flower pot, or used it to add shadow to a flower pot. Maybe I’ll give that a go for the next prompt (monstera and water).
Complex drawings are my stock in trade. Going simple and stylised is not quite so easy! Still, it was fun to do, a bit frustrating at times, but the result is perhaps good enough, though I’m not sure about that.
Yesterday turned out to be an incredibly stressful and tiring one. By the time a crisis was sorted out, it was late evening and, try as I might, art just wasn’t going to happen.
So, I did what I do when I’m emotionally overwhelmed – watched a Star Wars film or two! Sadly, I had no Ben and Jerry’s in the house, and just couldn’t be bothered to order any in as a take-away order. But Star Wars always soothes me.
I didn’t get enough sleep last night, so a nap may be in order shortly. However, when I finally came around enough to turn my attention to art, I knew I wanted to try a digital art version of the watercolour painting “Seeking Calm” that I posted yesterday.
I’ve been working on the image for the last four hours, give or take a half hour. It’s been lovely to work digitally once again, and fascinating to workout how to achieve a similar kind of ‘feel’ to this as I had in “Seeking Calm”.
I know that, for now, I’m not going to be able to replicate digitally the way watercolour paints move and blend. I need to work out how to set up and use brushes that will let me at least capture a flavour of that. My head isn’t working well enough this morning to work on that.
Watercolors are transparent, but I didn’t want to work with transparent colours today. I have worked with rather delicate colours, just as I tend to do with watercolors, which is odd for me given that I usually love bright, vibrant colours.
Today, I think the soft, gentle, warm colours are just what my soul needs to soothe my frayed emotions. I even have ClassicFM on, which is unusual for me. I started by listening to the audiobook version of “Shatterpoint”, a Star Wars novel about Mace Windu. However, I realised I wasn’t really listening. So, I switched to ClassicFM.
Anyway, I also used white ‘ink’ to draw in details on the shapes along with various brushes to add shadows. The white ink adds to the delicate feel of the image; black would be just too stark and heavy I think.
I’m not sure if the background will remain as it is. I like how the colours almost glow against it, but it’s not the right colour or tone yet. But it’ll do for now.
I’ve made a bit of a mess of the colours in the centre of the bottom right motif, I think. I need a break from that to work out how to correct them. It may be that the colours are just too saturated and I need to desaturate them a tad.
I’ve had quite a serious break from digital art over the past couple or few weeks. It’s nice to return to it with fresh ideas for ways of working digitally.
So, I look forward to finishing this image sometime soon. But for now I’ll need some tea and I fancy some toast to nibble on, and maybe I’ll take a nap as my eyes feel really heavy.
The designs are typically ‘Angela’ and ‘entangled’. I used a Tombow Fudenosuke along with an 04 Pigma Sakura Sensei pen to draw the designs. After scanning and cleaning up, I’ve partially coloured the designs, as well as adding a pale kraft paper background.
To use them as bookmarks, I suggest printing them on some card. If that’s not possible, then gluing the whole sheet to some card and then cutting out the book marks would make them sturdier. Of course, a laminator could prove most useful in preserving your beautiful coloring, as well as making really long lasting book marks that could be given as beautiful gifts, or used to mark the coloring page you’re working on too.
This week, my offering harks back to my ‘Entangled’ style of drawing – abstract, with swirling lines, spirals and organic motifs. And fairly detailed with zero or little white space. It’s still a style I like to return to; it’s one of my comfort drawing styles.
For this one, I worked digitally – Autodesk Sketchbook Pro with a Surface Slim Pen and Surface Studio, both by Microsoft.
I started to add colour to it, and the colours are softer, more muted than is usually the case for me. I think those represent my mood at the moment, as well as it being spring time.
If you’d like to download a copy and colour this template, then you do need to become a member of the Angela Porter’s Coloring Book Fans facebook group. It’s free and all I ask is that you follow a few reasonable terms and conditions for use! I’d love to see how you’d colour this one in.
Last week, I said I’d do a template a week during the Covid-19 crisis to help people take some time out of worrying and fretting to relax with coloring.
If you’d like to grab the template, just pop along to the group, join, and it’s completely free! All I ask is you follow the terms and conditions of use.
The Fudenosuke pen has a flexible brush nib so I can produce lines of varying thickness. This isn’t something I do often for coloring templates. However, I do like the effect that I get. It’s so easy to give an illusion of depth and dimension.
Of course the template has a white background, but the version I’m sharing has a blueish-grey background which helps the colours to glow against it.
The design is typically my ‘entangled’ style. Abstract but with stylised motifs from nature and architecture and more.
So, how are you doing Angela?
I’m OK. The sun is shining. I have windows open to let some fresh air into the home, but they’re upstairs windows so no one can get within six feet of them! I also live in a very quiet, small, dead-end street (cul-de-sac if you want to be posh) so there’s very little foot fall here.
Reports are that people aren’t heeding the instructions to stay home here in the UK. That makes me fearful that the NHS will soon be overwhelmed by their selfishness and thoughtlessness.
The situation is surreal and feels unreal to people who’ve not had Covid-19 touch them personally – someone developing the disease, being hospitalised, or, sadly, dying. I hope that’s the reason that they’re playing russian roulette with everyone else’s health and well-being. I hope they don’t think that it’s a hoax, or that they’re invulnerable because of whatever reason they think they are.
Sadly, these people are helping to spread the virus. There’s sound reasons to follow the advice, instructions, orders to stay home.
Anyway… I’ve not yet had a text, email or snail-mail to tell me I’m counted as ‘vulnerable’ and will need to ‘shield’ for at least twelve weeks. I don’t know if I shall get one, but it will be in the next day or two if I do. Even if I don’t get one, I’m staying at home, as frustrating as it is on gloriously sunny spring days like this one here in the Welsh Valleys.
What else could I do for dinner other than have the etymology of the word along with a collage of just a few of my favourite foods! And I do mean only some.
I looked up the etymology of ‘dinner’ on Etymology Online, did a little bit of typography using Affinity Publisher.
I then drew the foods on Claire Fontaine dot grid paper using an 0.8 Uniball Unipin pen.
I scanned the drawing in and removed the dot grid and removed smudges and so on in Autodesk Sketchbook Pro.
My next step was to add a coloured background and some colour to some of the drawings. Only to some, as this was a ‘for fun’ project as part of the #Inktober52 challenge organised by Jake Parker, the founder of Inktober.
Missing in action…
It’s been a couple of days since my last blog. It seems that life and demands on me have taken over arty pursuits. And when I wasn’t seeing to the life demands, I was taking some time out by needlefelting.
I managed to needlefelt a cute rabbit and owl over the last two or three days. I’ll post pictures of them in another post.
Today, I’ve been drawing little flower motifs and borders to go along with a lovely quote about flowers and hope.
The line art was drawn using Tombow Fudenosuke pens on ClaireFontaine dot grid paper. Colour, typography and background texture have been added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
Flowers are some of my favourite things to draw, whether they be highly stylised or more realistic.
My snowdrops and crocus have the feel of being wood cut or lino cut and printed, that kind of vintage feel. The flexible nibs on the Fudenosuke pens help me achieve this look. Also, the fairly simple colouring and addition of texture help too.
I’ve left the colouring as is, maybe for now. However, I now have these motifs ready to use in other projects, as they occur to me. Colour certainly helps to lift them off the background and bring them to life.