My new facebook profile banner.

Just a quick bit of fun this morning. I thought it would be nice to create a little banner for my facebook account and page, and this is the result. Something a bit mystical in nature.

Digital art created with Autodesk Sketchbook Pro along with the usual Surface Slim Pen and Surface Studio from Microsoft.

I used this as an opportunity to try out some new ideas, and it’s worked out well enough I think.

Today, I’m feeling content, at ease and that inner smile is back. It’s nice, once again, to have the windows open a little and to feel the gentle flow of cooler air into my work space warmed by hazy sunlight.

Being creative certainly does help me to find and keep my sense of contentment and to keep the anxiety and fear at bay.

Now, it’s time for me to go get my breakfast. I was so determined to create this new border that I got lost in it!

Hello December!

Hello December! ©Angela Porter | Artwyrd.com

With a new month comes a new colouring template for the members of the Angela Porter’s Coloring Book Fans facebook group, and above is my partly coloured version of it.

Of course, December brings Christmas and the start of winter in the Northern Hemisphere. Familiar motifs are stars, hearts, holly, fir trees, gifts, sweet treats, poinsettias, Santa hats, baubles. I’ve included these in this month’s coloring template, though there are many more motifs to consider – ivy, bells, angels, hot chocolate, socks, gloves, scarves, hats, ice skates, sleighs, reindeer, pine cones, fairy lights, to name but a few.

If you’d like to download and print this template then pop along to the facebook group. It’s free to join and free to download the template. All I ask is that you follow the terms and conditions of use and don’t share the uncoloured template. A mention of myself as the artist would be most welcome when you share your gloriously coloured version.

Happy coloring!

So long September

October Coloring Template for the Angela Porter’s Coloring Book Fans facebook group
© Angela Porter

October-eve

Can you believe that September is nearly over? I swear that the older I get the faster time seems to go.

Anyway, a new month on the horizon means a new colouring template for the members of the Angela Porter’s Coloring Book Fans facebook group. There just has to be a Hallowe’en theme for October’s page, and you can see a sneak peek of it above. I couldn’t resist colouring some of it in as a way of trying out some new digital brushes and some ideas too.

I put some of my favourite All Hallows’ Eve motifs into the drawing, including a raven, skulls, fungi and a vampire cat! I always enjoy drawing stuff to do with Hallowe’en; it’s my favourite time of year because I don’t have any past traumas associated with it.

If you’d like to colour this template, pop over to the Angela Porter’s Coloring Book Fans facebook group and become a member; each month I do one drawing exclusively for group members (terms and conditions of use and sharing apply).

About the art

I used a combination of fountain pens and fine-line pens to draw the design on dot grid paper. I then scanned the drawing in and cleaned up smudges and smears digitally.

Then, I set about adding colour digitally using my usual tools – Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. I also added a background and surface texture that I had purchased via Creative Market.

I am really quite pleased with how the colour is bringing the illustration to life, especially the skull in a jar. I hope to be able to continue to add colour as the month progresses, though I do know I have quite a bit of work to do and focus on.

To Inktober or not Inktober, that is the question.

Last year, I really enjoyed taking part in Inktober. Inktober has become a really popular social media event where artists and creatives use a daily prompt to draw (or create) something based on that prompt and share it on social media.

There is an official prompt list, but people do create alternative lists and I may look at some of them as there may be variations that might be less time intensive than last years’ was!

I shall see what I find and go from there I think.

So, Angela, how are you today?

Tired. However, I’m am quite content, my mood is good enough today. I do have EMDR later on, and I often feel ‘flat’ before my therapy session. I think my unconscious mind starts to bring stuff up in preparation for EMDR.

I know that the likelihood of me being exhausted later is rather high, so I’m not planning to do loads of stuff later on. Self care will be the order of the late afternoon and evening.

Whimsical Autumn Dangle Designs and More.

Autumn dangle designs and more © Angela Porter

About the art.

It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!

There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.

I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.

I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.

After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.

These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.

My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!

So, Angela, how are you feeling today?

I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.

I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.

It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.

I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.

Now, that’s a nice metaphor!

Seedpod Landscapes – Art and Card Making

I had a lovely time this morning making the card on the left. Before I started drawing, I added a moon or planet to the background. It really adds something to the card, I think. Something like this is needed on the card to the right I think. However, as I’ve assembled the card it’s not going to be easy to alter!

How I made the cards.

I used Distress Inks and a mini-foam blending tool to colour the backgrounds. I used a circle of paper as a mask for the moon/planet in the left-hand card. To create the land, I used a torn piece of paper to mask off part of the card.

Once I was pleased with the backgrounds, I sprayed the image with a mixture of Perfect Pearls and water and let it dry.

The next step was to draw the designs. I used black and grey Pitt Artist Pens by Faber Castell.

Metallic/iridescent highlights were added; I used Cosmic Shimmer watercolour paints and a fine brush.

The final steps were to adhere the top layer to a black mat, and then this to the card base. Finally, I edged the mat and the top layer with a gold glitter Uniball Signo gel pen.

I have made coordinating envelopes for each card.

My thoughts on the cards.

I think you can tell that the card on the left is the second made. I can see how I’ve learned from the first card. I do like them both.

I would, if I could, add a moon/planet to the right hand card. It would fill that space rather nicely and give a more magical, mystical, ethereal feel to the landscape.

As to the left hand card, I wish I hadn’t done the pods all in black; they appear a tad ‘flat’. In hindsight, I could have used just black outlines and then filled the pod with a colour gradient before adding the metallic highlights.

I also am glad I didn’t try to add a spine to each leaf as I did on the right hand card. However, a highlight at the top of each leaf, suggesting the moon/planet light is reflecting from them.

Oh the whole, however, I am pleased with these cards. They are a new style of working for me. leaving open space is never easy for me, but I’ve managed it with these cards.

Would you like some happy mail?

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

I had a lovely time this morning making the card on the left. Before I started drawing, I added a moon or planet to the background. It really adds something to the card, I think. Something like this is needed on the card to the right, I guess. However, as I’ve assembled the card, it’s not going to be easy to alter!

How I made the cards.

I used Distress Inks and a mini-foam blending tool to colour the backgrounds. I used a circle of paper as a mask for the moon/planet in the left-hand card. To create the land, I used a torn piece of paper to mask off part of the card.

Once I was pleased with the backgrounds, I sprayed the image with a mixture of Perfect Pearls and water and let it dry.

The next step was to draw the designs. I used black and grey Pitt Artist Pens by Faber Castell.

Metallic/iridescent highlights were added; I used Cosmic Shimmer watercolour paints and a fine brush.

The final steps were to adhere the top layer to a black mat and then this to the card base. Finally, I edged the mat and the top layer with a gold glitter Uniball Signo gel pen.

I have made coordinating envelopes for each card.

My thoughts on the cards.

I think you can tell that the card on the left is the second made. I can see how I’ve learned from the first card. I do like both cards, though.

I would, if I could, add a moon/planet to the right-hand card. It would fill that space rather nicely and give a more magical, mystical, ethereal feel to the landscape.

As to the left-hand card, I wish I hadn’t done the pods all in black; they appear a tad ‘flat’. In hindsight, I could have used just black outlines and then filled the pod with a colour gradient before adding the metallic highlights.

I also am glad I didn’t try to add a spine to each leaf as I did on the right-hand card. However, a highlight at the top of each leaf, suggesting the moon/planet light is reflecting from them.

Oh the whole, however, I am pleased with these cards. They are a new style of working for me. Leaving open space is never easy for me, but I’ve managed it with these cards.

Would you like some happy mail?

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

I’ve already got some recipients in mind for these cards. However, if you’d like some happy mail then send me a message.

Dangle Design Greeting Cards

Dangle Design Greeting Cards © Angela Porter | Artwyrd.com
Dangle Design Greeting Cards © Angela Porter | Artwyrd.com

Today I have two card designs for you, both featuring dangle designs, but in different ways.

If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day” of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them. 

Love Ya and With Love Card.

I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.

Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.

My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.

So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.

I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.

I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.

I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.

To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.

I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!

Black and white floral card.

Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.

To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.

Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.

I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.

It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.

Things I’ve learned and techniques I want to try.

The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering. 

I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system. 

Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.

I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.

I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!

So, there are lots of possibilities for going forward with this.

So, Angela, how are you feeling today?

I’m feeling the more content and optimistic than I have for the past two or three weeks.

I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.

I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time. 

Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing. 

As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.

Entangled landscape

Entangled Landscape © Angela Porter 2019 - Artwyrd.com
Entangled Landscape © Angela Porter 2019 – Artwyrd.com

I’ve really not been myself the past few days. With a couple of busy days this week, the emotional fallout from EMDR on Tuesday finally caught up with me as I slowed down Thursday afternoon. I’m so tired, and my mood isn’t the brightest to say the least.

It’s always a sign that even when I’m tired I can usually draw and create, but not much this week. I haven’t been able to find the inspiration to draw, nor have I found the interest or energy.

Today, around a meeting, I managed to draw this.

It’s a throwback to the more familiar art of earlier days. It has given me a chance to use some new motifs, as well as some favourite ones that crop up often.

The process of drawing was soothing, and I did my very best not to be too judgemental, though I did want to throw it out and restart several times as I wasn’t at all happy with what was coming out of the nib of my fountain pens or Uniball Unipins.

I switched to the Uniballs as the fountain pen ink was smudging lightly. I’ve fixed that, mostly, by digital wizardry. I also added the Distress Ink background digitally.

I know my inspiration and energy to draw will return, I’m just not feeling at all myself at the moment.

I do have a new self-care activity, which is sitting in/on the bed, crocheting shawls and listening to audiobooks – currently working my way through the Harry Potter series.

The rhythmic nature of crocheting is soothing. The familiarity of the Harry Potter story is also soothing. Being upstairs makes me feel safe, secure and it’s also comforting.

The memory being worked on in EMDR certainly has stirred some stuff up. I’ve had some very upsetting insights into how I’ve viewed myself. Releasing the trauma associated with this particular memory will be accompanied by a better view of myself. I may not fully believe it, but if I can believe a little of it then that is good enough for now.

I have to believe that with each memory and its associated traumatic experiences that are processed via EMDR I’ll believe the healthier, more positive statements about myself more and more.

These are some quotes I’ve found recently that are helpful to me in understanding me, helping me through this.

Trauma creates changes you don’t chose. Healing is about creating change that you do choose.

What happened to you was not your fault. The struggles you have today, like your cPTSD symptoms, are a normal response to abnormal events. So, please be kind to yourself.

The poison leaves bit by bit, not all at once. Be patient. You are healing.