Digital colouring

Entangled Art WIP

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A new month today, and with it I’m adding colour to this drawing.

The drawing was done with pen on paper (05 Unipin fineliner). I’m adding colour with Clip Studio Paint. So, this makes this #tradigital – a combination of traditional and digital methods.

It’s taken me several attempts to settle on a colour palette to use. The brighter, more vibrant colours represent the way the world is starting to come alive this spring, for us in the Northern Hemisphere at least. Nature is quickening and lacy leafy green delicately cloaks the the skeletal winter trees and the ground. All the wonderful shades of green of spring make a beautiful tapestry , with texture added by the darker trunks and branches still peeping through. I delight in the variety of greens, that will soon darken to the truly monochrome green of summer.

Colouring Page – 1 April 2023

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Drawn with Unipin Fineliner pens on A4 Canson Imagine paper.
Colour added digitally using ClipStudio Paint.

This is such a typical ‘Angela’ style of entangled art, kind of Zentangle Inspired too. Unusual colour choices for me. I particularly like the moss-green and cream in the arches towards the top right. Though the dusky blues filling in the basket weave pattern to the top left I find nice too. I felt like using coppery tones for the fine borders in the arches rather than gold this time.

Entangled Colouring Page – 26 January 2023

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I had a lot of fun drawing this colouring page in my entangled style. It was so lovely getting back in the ‘entangled’ groove for colouring pages; there is a reason for me needing to do this. I also had some fun with adding colour. Though, as is usual for my colouring pages, it’s a partial colour! My attention needs to be turned towards other things.

This template is available to the members of the Angela Porter’s Coloring Book Fans Facebook group.

Drawn with a 0.5 Unipin pen on dot grid paper. Colour was added digitally using Clip Studio Paint.

Aww, shucks…

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Aww, shucks…

Another daily creepy cute critter. Well, almost daily. I’ll explain more in a moment, first to this lovely bunch of pals, or not lovely, depending on your interpretation.

I’m not sure what the possible story is or what stories are here. But that’s part of the fun. I suspect we’ll each see what makes sense to us, given where we are at any particular moment. I feel the tall one is having an aww shucks moment, especially as the ears are blushing (not the cheeks!). Is it a celebration? Or surprised someone would think of them, and the little one is rolling their eyes… again! Is tall always blue in colour, or is it a sign of their low mood and the others have thought to cheer them up?

But, of course, that is just one interpretation. It’s fun to muse about what’s going on for sure.

‘Puter Probs…

I’ve been missing from blog posts, social media and YouTube for a few days thanks to some computer problems. But all seems to be fine now, and I have a shiny new laptop that will function as a backup for digital art should my main computer have problems again. I have no idea what went wrong, but I went into full flap and panic mode. Or, an enormous flap and panic mode as I was already overwhelmed with a second deadline looming at the end of this week. The only problem with the new one is the pen on the screen is not as good as my main puter. So, I see a drawing tablet in the future, just in case…

I still have a lot of anxiety left over from this flap and panic, which is tiring me out. But that will fade. Tea will definitely help this morning! As will some art just for art’s sake too.

Trust me, I know where I’m going…

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But who is leading, and who is doing the trusting? Little, big, bird or balloonist?

And how many times have we all heard that particular statement, only to find out they didn’t know where they were going. Sometimes that ends in disaster, but sometimes it results in a fantastic adventure!

All I know is there are multiple possible tales to be told from this illustration. And that kind of excites me!

Drawn with a Tombow Fudenosuke pen on paper. Colour added using Clip Studio Paint. Tradigital art.

A Grand Day (Creepy Cute Style!)

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Where has this monstrous mushroom been? And why has the raven accompanied him? The sun has set on the day, and the stars twinkle in an alien sky. Yet the mushroom has managed to acquire a cute heart balloon and a rainbow lollipop, and a bit of a sickly complexion too. Where in the galaxy have these companions been and what have they been up to?

I’m sure there’s a story to tell, but if there is, these unlikely companions are keeping it to themselves… for now. And if I know the tale, and I’m not saying I do, then I will have been sworn to secrecy too!

I could be accused of having too much fun with my creepy cuties (Kreepy Kuties?). Does that bother me? Not one tiny bit! I’m enjoying drawing, exploring a new kind of style to add to my toolbox, and just plain indulging myself in some creepy, crazy, cute, critter-y, klutzy monsters!

I finally turned to digital art to colour in my pen drawing. What a sigh of relief I gave as I did so. Yes, it’s fun to add colour with traditional media, to a degree in my case. But it’s so much more satisfying for me to add colour and texture digitally.

Traditional pen drawing on paper combined with the addition of digital colour makes it tradigital art!

Doodleworlds Colouring Page

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This week’s colouring page is cute, whimsical and silly. It’s one in my Doodleworlds style. Although it has a kind of wintery, Christmassy kind of theme, Hallowe’en has to make an appearance too! After all, the mushrooms, monsters and drunken party skull would be most upset if they didn’t ‘art bomb’ the drawing!

It’s been a long time since I drew some Doodleworlds art, and I’m tad out of practice. But I think it’ll do.

If you’d like to print the colouring page, then you need to head over to the Facebook group called “Angela Porter’s Coloring Book Fans“. It’s available for free there.

“Thistle” – An Art Nouveau Inspired Drawing

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I’ve spent some time over the last day or two looking at Art Nouveau flower designs. I was particularly fascinated by a thistle design.

This is my interpretation of the design drawn with Copic Multiliner SP pens (0.1, 0.25 and 0.5) on paper. Then, after scanning the drawing, I added colour digitally using Clip Studio Paint. So, this counts as ‘tradigital’ art!

I chose a simple colour palette; I was inspired by William Morris, the Arts and Crafts Movement and Art Nouveau. And, the colours are more mellow than is, perhaps, characteristic of my work.

The version on the left has just flat colours, no shade or highlight; I let the contour lines suggest volume. This is more true, I think, to the Arts and Crafts Movement and Art Nouveau.

To the version on the right, I added some shadows and highlights, but subtly for me. And even though they are subtle, they have a distinct effect, which surprised me.

These show just two of the many coloured backgrounds I tried out. This is why I love adding colour digitally! It’s so easy to try out different colour combinations, methods of adding colour, and so on.

Which version do you prefer?

I like them both, but I think the one on the right is my favourite; I like the stronger background colour which allows the flower to ‘pop’. I also think the subtle shadows and highlights do add a little something to it too.

Illustrated Journal Page and Lettering Practice

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Sunday morning (and Saturday evening, which was when this page was started) is the perfect time to practice my lettering, a quirky kind of illustrated journal page, and digital art practice.

I had intended to use just three, maybe four, basic colours for this page, but the vegetables threw me a tad!

I drew the page on paper with a fine Zig Mangaka Flexible pen. The Colour was added digitally after scanning the page. And I had a lot of fun as ideas clicked into place to add colour to the lettering.

Admittedly, some of the inking work is a tad clunky, but that could be fixed if I wanted to. It is a sketchbook page, and so perfection isn’t required. Giving myself permission to work with what I deem as less than perfect is an important lesson I’m trying to learn. Expressing myself in this wobbly, wonky, imperfect, quirky, eccentric, whimsical kind of way is a work in progress.

Oh, I’ll still draw detailed, intricate black and white pen designs. But I suspect I’ll do much more of this style of art. I have much to learn about it, using colour with no black lines, for instance. But I know it’s all a process, and I’ll get to where I need to be. I know that I’m really enjoying the combination of traditional ink drawing with digital colour – tradigital?

I’m not sure my Doodleworlds critters belong, but I just couldn’t resist popping them in to fill an awkward space!

Template Thursyay! Doodleworlds.

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It’s Thursday, so that means it’s time for a new colouring page (template) for the facebook group Angela Porter’s Coloring Book Fans.

I was in a bit of a whimsical mood this morning, so spending some time visiting Doodleworlds was just perfect. I also got a tad lost in adding colour to this template.

These are a lot of fun to draw, and to colour. Because of their cute, whimsical and imaginary nature, any colours go! These are drawings I find easy to add colour to; it seems the brighter, more vibrant and varied the colours are the better! Unline a lot of my other art,w which can become confused and incoherent looking.

So, I lost myself in adding colour to this drawing, even though I’ve not totally coloured it in.