This week, my offering harks back to my ‘Entangled’ style of drawing – abstract, with swirling lines, spirals and organic motifs. And fairly detailed with zero or little white space. It’s still a style I like to return to; it’s one of my comfort drawing styles.
For this one, I worked digitally – Autodesk Sketchbook Pro with a Surface Slim Pen and Surface Studio, both by Microsoft.
I started to add colour to it, and the colours are softer, more muted than is usually the case for me. I think those represent my mood at the moment, as well as it being spring time.
If you’d like to download a copy and colour this template, then you do need to become a member of the Angela Porter’s Coloring Book Fans facebook group. It’s free and all I ask is that you follow a few reasonable terms and conditions for use! I’d love to see how you’d colour this one in.
What else could I do for dinner other than have the etymology of the word along with a collage of just a few of my favourite foods! And I do mean only some.
I looked up the etymology of ‘dinner’ on Etymology Online, did a little bit of typography using Affinity Publisher.
I then drew the foods on Claire Fontaine dot grid paper using an 0.8 Uniball Unipin pen.
I scanned the drawing in and removed the dot grid and removed smudges and so on in Autodesk Sketchbook Pro.
My next step was to add a coloured background and some colour to some of the drawings. Only to some, as this was a ‘for fun’ project as part of the #Inktober52 challenge organised by Jake Parker, the founder of Inktober.
Missing in action…
It’s been a couple of days since my last blog. It seems that life and demands on me have taken over arty pursuits. And when I wasn’t seeing to the life demands, I was taking some time out by needlefelting.
I managed to needlefelt a cute rabbit and owl over the last two or three days. I’ll post pictures of them in another post.
This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.
I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.
I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.
I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.
I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.
After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.
I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.
My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.
My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.
I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.
By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.
This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.
Today, I’ve been drawing little flower motifs and borders to go along with a lovely quote about flowers and hope.
The line art was drawn using Tombow Fudenosuke pens on ClaireFontaine dot grid paper. Colour, typography and background texture have been added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
Flowers are some of my favourite things to draw, whether they be highly stylised or more realistic.
My snowdrops and crocus have the feel of being wood cut or lino cut and printed, that kind of vintage feel. The flexible nibs on the Fudenosuke pens help me achieve this look. Also, the fairly simple colouring and addition of texture help too.
I’ve left the colouring as is, maybe for now. However, I now have these motifs ready to use in other projects, as they occur to me. Colour certainly helps to lift them off the background and bring them to life.
The days are slowly lengthening here in the Northern Hemisphere. The first signs of nature waking up can be seen in the form of snowdrops and crocuses. It can also be heard in the raucous and beautiful birdsong.
To the template. I drew this on Rhodia dot grid paper using a Sakura Pigma PN pen. For my partially coloured version, I added a coloured background and colour digitally.
I managed to miss #Inktober52 weeks 3 and 4 so I thought I’d combine them into a sketchbook page along with week 5.
The prompts were *week 3 – brick *week 4 – snake, and *week 5 – balloon.
I’ve not been imaginative with those prompts. I’ve included some sinuous snake borders and bricks. Some classic brick patterns. I’ve only added a smattering of balloons, and a repeating balloon pattern.
Of course, I’ve also practised my hand lettering.
I hand lettered and drew this page on ClaireFontaine dot grid paper and I used Uniball Unipin pens to do so.
I added the kraft paper background and colour digitally. It never ceases to amaze me that, as much as I love my line art, colour really brings it to life. I especially like the way the colours seem to glow against the kraft paper.
I’ve just had a giggle. I realised I coloured the balloon that is hanging down in leaden greys, almost like it’s filled with mercury. That was a totally unconscious decision of mine!
I finished this artwork off this morning, finding a perfect quote about shadow, this week’s prompt for #inktober52.
Border design drawn using Unipin pens on dot grid paper. Typography was done using Affinity Publisher. Colour, background and composition were achieved in Autodesk Sketchbook Pro using a Surface Pen and Surface Studio by Microsoft.