This week’s template has a bit of everything that is ‘Angela’ in style. Entangled art, Zentangle patterns, florals and botanicals, cute and whimsical. Something for everyone. The template is available to members of the Angela Porter’s Coloring Book Fans facebook group.
Unusually, it’s in landscape format, and a strange set of dimensions too. I can only say I wasn’t feeling too well yesterday – upset digestive system, extremely tired. That meant I didn’t pay much attention to the size of the paper I decided to draw upon.
I am feeling somewhat better today, but still incredibly tired after another disturbed night with an upset tummy.
I know I’ll be getting my sketchbook page for Inktober Tangles 2021 Day 14 done after I’ve had a very late breakfast. I’ll post that later in the day.
This morning, I recorded drawing the final part of the template. I did some drawing yesterday evening, but didn’t record it, so there is a gap in the process. Here it is:
This week is a fabulous fungi fantasia. I really enjoyed drawing this one, and adding colour really brings it to life. I’ve chosen rather bright, almost psychedelic colours, as is often the case! So, I’m intrigued to see how others will use colour magic to bring the drawing to life.
The design was drawn with a Tombow Fudenosuke pen on marker paper. This version is coloured digitally in Clip Studio Paint.
This week, I ran with a kind of request from a member and created two drawings which feature a rectangular area into which a photobooth photo would fit. Or anything else you can think of putting there – a precious button or coin mounted on card, a single earring kept for sentimental value, a ticket, a clipping from a magazine or newspaper, a tiny piece of embroidery, or needlefelting, or polymerclay, or fossil, or a tiny envelope containing a precious note/letter, or, or, or. You’re only limited by your creativity, and the sizes of the nested rectangles!
I’m going to be intrigued to see what people produce with these. I can be tagged in posts as @Artwyrd on Instagram or Twitter. And as Angela Porter on Facebook.
I’ve also added a geometrical pattern in the middle of the sets of nested rectangles if you don’t want to add anything to this space.
Both images would fit on an A5 card (metric/UK size), or a folded letter sized sheet of card for those of you in the US. They also could be mounted on card and framed if wished.
I’ved used Arteza Ever Blend markers from the Gray Tones set to add colour to the designs. And, for the design on the left, I’ve added white highlights with a Sakura Soufflé pen.
In today’s vlog on Youtube, I talk about the designs, and add the highlights to the left hand design.
Instead of one large image, I created a sheet of eight, slightly smaller than ATC sized drawings.
ATCs (Artist Trading Cards) are 3½” x 2½” in size. The original idea was for artists, crafters, creatives to make small pieces of art and to swap them with other artists as a way to share and collect art. The idea was to swap and not sell, though people do sell them now, but many more do swap and collect work from other artists.
In today’s vlog, I colour and embellish one of the designs. Then, I turn it and another into first ATC cards and then into greeting cards.
This idea came about through a conversation with a group member who asked permission to create ATCs from my coloring templates for the group.
I do not have an Angel Policy for any of my templates in the group to allow them to be sold in any form. However, gifting or swapping them, or items made using them, is fine so long as the artist (me) is credited and the items are not sold.
For the individual coloring books, terms and conditions are mentioned in the books and should always be referred to.
I added colour digitally, using Clip Studio Paint. Also, I added a grey background. I much prefer using a coloured background, it’s easier on my eyes. Also, the colours seem more vibrant against the grey background.
The template is a typically ‘Angela’ entangled, stylised, abstract one, with some inspiration from Zentangle patterns too.
I always enjoy the way that colour brings the drawing to life, and helps to enhance the layers in the drawing as well. It’s a bit of magic in my daily life for sure.
I’m not entirely sure about my colour choices. I wasn’t trying to keep within a colour palette, just having fun with colour and figuring more about Clip Studio Paint brushes. I really enjoy adding colour to my artwork with both digital art and a limited range of traditional media. I enjoy digital and traditional for different reasons. Digital work takes away the stress of making sure the right colours are chosen. If I mess up, it’s easy to change things without having to start over. It’s relaxing to do, just as art with traditional media, apart from colour choice.
I filmed this process and turned it into a vlog. I speeded the footage up, as the original colouring took over an hour and a half.
I then spent another half hour or so experimenting with fineliners and white, metallic and glitter gel pens to add texture and pattern to the coloured areas. I didn’t film that though, but the results are in the photo above.
I set myself three intentions for this morning: a) enjoy the process of working with the media b) experiment with fineliners and pens to add pattern, highlight/shadow and texture c) to not invest in the outcome or fret about colour choices
I think I achieved those intentions.
Sometimes, often even, just enjoying the process of creating, with no expectations or pressures of any particular outcome is so important. To be able to relax and enjoy the process, the colours, the way the media work is as valuable an experience as producing for a specific purpose.
It’s nice to be able to take the time to do this, without worrying about any particular project. Being able to put aside the “I should be doing x, y and z” and realising that just taking time to do something that makes me smile inside is as important as doing projects that fulfill a contract or business thingy.
This week’s template is a template I created for the Whimsical Cats book that didn’t make the cut. So, what a better way to make use of it than to release it for the members of the group to colour.
I did the inking in of the sketch in Autodesk Sketchbook. The colour was added using Clip Studio Paint.
I do have a timelapse video of how I added colour to part of this sample. Unfortunately, I forgot to record sound so it’s just video with music.
I like working on a darker, or coloured, background. The colours seem to much more alive than on white. Also, it saves me some eye strain!
It’s always fun to see how the template comes to life with colour. I’m often really unsure about my templates. Are they too simple, too naive, too intricate, not intricate enough. Adding colour helps me to see that they’re good enough, and also that they are created in my own artistic style. Cute, whimsical, imaginary. Places to play with colour and not worry too much about realism, if you wish. A skeleton that can be fleshed with colour however you wish.
I like that. It ties in with my exploration of abstract art. That’s on hold until later today, maybe tomorrow. I first need to focus on getting the last couple of templates inked in, though I am awaiting the review of the final one submitted. I have three to do, plus that last one. So, it shouldn’t take me all day to do!
It’s always exciting coming to the end of a book. Though not quite the end. I will still have three templates to colour in. I let the editorial team choose them; I never can! Also, they have a more objective view about what images will best represent the book.
Each of those images will take me a couple of days to add colour to, each! Not a quick process at all.
So, It’s time for me to finish my social media posts for today, get some breakfast while my computer installs and update, and then settle to work.
This week, the design is botanical, entangled and a tad on the abstract ‘mechanical’. As is my want, I’ve partly coloured the template to start to breathe life into it.
Drawn with Unipin pens on Claire Fontaine Paint On mixed media paper. Digitally coloured in Clip Studio Paint Pro.
I’ve also created a video. The drawing and colouring took me over 3 hours this morning, so I’ve sped the video up so it takes just a few seconds over 20 minutes.
Still not too well…
I’m feeling better today, but I’m still not right. My stomach/digestive system is still delicate and I have a headache on and off. I did get a bit more sleep last night, but not enough really.
Still, I’m on the mend and taking it easy again today.
Having said that, while this video was processing and then uploading and processing again in YouTube, I managed to edit two templates I drew on Tuesday and then ink in the one I wanted to use a symmetry tool to draw it. So, I’ve got some more templates done for the book I’m working on. The total is now 13 out of 31.
I don’t know if I’ll get any more done today. I’m flagging badly now and feel the need to sleep. I may have another mug of tea before I take a nap and see if that perks me up a tad.