I stuck to a fairly limited palette of blues and teals, oranges and terracotas for this one.
I wasn’t aware until I added colour of the circular objects trapped beneath the triangles! It never ceases to amaze me now colour can bring out unexpected structures in a mandala or zentangle style design.
“Ivily” by Debbie New CZT – Day 20 #FYIC2022
Part of me wants to call this fragment ‘evilly’ because I was really, really vexed and frustrated by the original fragment. I just couldn’t get my head around it.
Don’t get me wrong, the fragment is lovely, but I just couldn’t work out how to draw it. It took me ages and ages of looking and working with it to even to be able to see the ivy leaves!
That’s all to do with how my mind works, nothing to do with Debbie’s beautiful fragment.
Eventually, I decided to cut my losses and just see how I could put ivy leaf motifs a la Angela into fragment shapes. That was a bit more of a fruitful journey with some unexpected results for sure.
Once my head is clear of my vexations, I may very well return to this fragment to see what I can do then.
In the spirit of the day, I’m so grateful for everyone who supports me in my artistic journey, who so kindly communicates with me, who brings my drawings alive in so many, different, wonderful ways. Thank you once and all!
There are so many other people in my life I’m grateful for too. And, there’s so much else I have to be grateful for.
Draw with me … Seed Pods
My day started with, unsurprisingly, some drawing. This time of some seedpods that turned out rather ornate and fancy-schmancy! Of course, I created a video showing how I did these.
Even though I’m feeling totally overwhelmed by Adorable Dogs at the moment, I still think it’s important I take the time to do art that is entirely for me. Making these videos, sharing my thoughts, materials, methods is part of that practice now it seems. I’m so grateful to all who watch, comment, subscribe, like and/or share these videos.
This week’s template has a bit of everything that is ‘Angela’ in style. Entangled art, Zentangle patterns, florals and botanicals, cute and whimsical. Something for everyone. The template is available to members of the Angela Porter’s Coloring Book Fans facebook group.
Unusually, it’s in landscape format, and a strange set of dimensions too. I can only say I wasn’t feeling too well yesterday – upset digestive system, extremely tired. That meant I didn’t pay much attention to the size of the paper I decided to draw upon.
I am feeling somewhat better today, but still incredibly tired after another disturbed night with an upset tummy.
I know I’ll be getting my sketchbook page for Inktober Tangles 2021 Day 14 done after I’ve had a very late breakfast. I’ll post that later in the day.
This morning, I recorded drawing the final part of the template. I did some drawing yesterday evening, but didn’t record it, so there is a gap in the process. Here it is:
This week is a fabulous fungi fantasia. I really enjoyed drawing this one, and adding colour really brings it to life. I’ve chosen rather bright, almost psychedelic colours, as is often the case! So, I’m intrigued to see how others will use colour magic to bring the drawing to life.
The design was drawn with a Tombow Fudenosuke pen on marker paper. This version is coloured digitally in Clip Studio Paint.
This week, I ran with a kind of request from a member and created two drawings which feature a rectangular area into which a photobooth photo would fit. Or anything else you can think of putting there – a precious button or coin mounted on card, a single earring kept for sentimental value, a ticket, a clipping from a magazine or newspaper, a tiny piece of embroidery, or needlefelting, or polymerclay, or fossil, or a tiny envelope containing a precious note/letter, or, or, or. You’re only limited by your creativity, and the sizes of the nested rectangles!
I’m going to be intrigued to see what people produce with these. I can be tagged in posts as @Artwyrd on Instagram or Twitter. And as Angela Porter on Facebook.
I’ve also added a geometrical pattern in the middle of the sets of nested rectangles if you don’t want to add anything to this space.
Both images would fit on an A5 card (metric/UK size), or a folded letter sized sheet of card for those of you in the US. They also could be mounted on card and framed if wished.
I’ved used Arteza Ever Blend markers from the Gray Tones set to add colour to the designs. And, for the design on the left, I’ve added white highlights with a Sakura Soufflé pen.
In today’s vlog on Youtube, I talk about the designs, and add the highlights to the left hand design.
Instead of one large image, I created a sheet of eight, slightly smaller than ATC sized drawings.
ATCs (Artist Trading Cards) are 3½” x 2½” in size. The original idea was for artists, crafters, creatives to make small pieces of art and to swap them with other artists as a way to share and collect art. The idea was to swap and not sell, though people do sell them now, but many more do swap and collect work from other artists.
In today’s vlog, I colour and embellish one of the designs. Then, I turn it and another into first ATC cards and then into greeting cards.
This idea came about through a conversation with a group member who asked permission to create ATCs from my coloring templates for the group.
I do not have an Angel Policy for any of my templates in the group to allow them to be sold in any form. However, gifting or swapping them, or items made using them, is fine so long as the artist (me) is credited and the items are not sold.
For the individual coloring books, terms and conditions are mentioned in the books and should always be referred to.
I added colour digitally, using Clip Studio Paint. Also, I added a grey background. I much prefer using a coloured background, it’s easier on my eyes. Also, the colours seem more vibrant against the grey background.
The template is a typically ‘Angela’ entangled, stylised, abstract one, with some inspiration from Zentangle patterns too.
I always enjoy the way that colour brings the drawing to life, and helps to enhance the layers in the drawing as well. It’s a bit of magic in my daily life for sure.
I’m not entirely sure about my colour choices. I wasn’t trying to keep within a colour palette, just having fun with colour and figuring more about Clip Studio Paint brushes. I really enjoy adding colour to my artwork with both digital art and a limited range of traditional media. I enjoy digital and traditional for different reasons. Digital work takes away the stress of making sure the right colours are chosen. If I mess up, it’s easy to change things without having to start over. It’s relaxing to do, just as art with traditional media, apart from colour choice.
I filmed this process and turned it into a vlog. I speeded the footage up, as the original colouring took over an hour and a half.
I then spent another half hour or so experimenting with fineliners and white, metallic and glitter gel pens to add texture and pattern to the coloured areas. I didn’t film that though, but the results are in the photo above.
I set myself three intentions for this morning: a) enjoy the process of working with the media b) experiment with fineliners and pens to add pattern, highlight/shadow and texture c) to not invest in the outcome or fret about colour choices
I think I achieved those intentions.
Sometimes, often even, just enjoying the process of creating, with no expectations or pressures of any particular outcome is so important. To be able to relax and enjoy the process, the colours, the way the media work is as valuable an experience as producing for a specific purpose.
It’s nice to be able to take the time to do this, without worrying about any particular project. Being able to put aside the “I should be doing x, y and z” and realising that just taking time to do something that makes me smile inside is as important as doing projects that fulfill a contract or business thingy.