I’ve enjoyed creating this sketchbook sampler page. I drew the designs with a mixture of Uniball Unipin pens, Faber-Castell Pitt Artist pens, a medium nib Schaeffer fountain pen, and an extra-fine nib Faber Castell fountain pen. I used dot grid paper from Claire Fontaine.
After scanning the page in, I removed the dot grid and added a grungy paper background. I then decided I’d like to add some colour and shadow/light to the designs. To do this, I used a messy chalk brush, so my colouring isn’t as precise as I usually like it. However, it’s loosened up my expectations of myself as I went with it.
Pastel colours were my palette of choice as I like the way they seem to almost glow against the grungy kraft background. I also like the way they help to enhance the 3-D appearance of the designs. I do enjoy playing with shadow and light.
Some of the designs are examples of my organic, entangled style of drawing. Others are repeating, geometric zentangle-style patterns. And then there’s some inspired by Medieval illuminated manuscripts.
I also enjoy working within a clear border. I like the sense of structure it brings to my work. It also satisfies some kind of aesthetic need within me. Every now and then I try work without a border, but the artwork I produce just never feels quite right to me. So, it’s time for me to accept the need for borders is part of my artistic voice.
There is a purpose for me creating these borders. I’m building up a library of them that I can use to embellish quotes and other projects.
Some of these borders would look fab as greeting cards note cards, bookmarks, and to use in other paper craft projects. They’d also work well as embellishments for BuJo, planner, diary, scrapbook and journal pages.
Others would be a great foundation for dangle designs (my book “A Dangle A Day” is a good place to start drawing dangle designs).
What I do know, is that I find drawing soothing and relaxing. So, I’m going to be spending the rest of my Sunday drawing more borders.
This morning, I made a video of me drawing and colouring this festive dangle design and turning it into a card.
This video shows me drawing in real time, and I hope you enjoy it, despite the wobbliness in places.
Here’s a list of materials I used:
8″x 8″ Winsor and Newton Bristol Board folded to make an 8″ x 4″ card
7″ x 3″ piece of Winsor and Newton Bristol Board to draw the design on
Faber-Castell Pitt Artist Pen, medium
Pencil and ruler
Various Chameleon Color tones marker pens
White Uniball Signo gel pen
Tombow Mono glue
Tumbled Glass Distress Ink and a mini foam blending tool
I hope you have a go at drawing this dangle design and making your own papercraft or craft projects with it. If you do, I’d love to see them!
If you’d like to know more about drawing dangle designs, or would like more inspiration, step by step instructions, and encouraging words, then my book “A Dangle A Day” is a good place to start.
Yesterday was a crazy busy day with no time for art, let alone blogging!
This morning, I finally had some time to myself. As it’s Friday I wanted to do a dangle design, and I ended up doing four!
I cut the card into the wrong dimensions to create a card, so I thought I’d just make use of the pieces I had and make some custom card blanks and envelopes for them another time.
I coloured the pieces of card with Distress Inks in shades of blue and green. I used Chipped Sapphire, Tumbled Glass, Broken China, Evergreen Bough, Cracked Pistachio and Salty Ocean in various combinations.
These colours gave the card a frosty kind of feel, so I went with some snowy, icy, wintry designs.
I drew the designs and completed the hand lettering with Faber-Castell Pitt Artist pens, which are waterproof.
Plain black lines on the coloured background did look a tad lacking. So, I added some shimmer and colour using Cosmic Shimmer watercolour paints.
I’m not so fussed on the ‘Let it snow’ design. However, I am quite pleased with the others.
I am going to mount them as greeting or note cards. However, the designs would look charming in a BuJo, journal, planner, diary or scrapbook. They could easily be adapted to make bookmarks too, or place cards for a special meal.
I hope you’ll give drawing these designs a go, or use them as inspiration for your own projects. I’d love to see what you create – please tag me on social media so I don’t miss them!
If you’d like to know more about dangle designs and have some guidance and inspiration for them, then my book ‘A Dangle A Day’ is a good place to start.
It’s been nice to have a couple of hours to indulge myself in art. The past four weeks or so have been crazy busy with other projects being quite demanding of my time, mind and energy. However, they will soon be over and my focus can return, properly, to art.
Today, I have a simple dangle design greeting card along with a coordinating envelope. If you’d like some more ideas, inspiration and step by step instructions for drawing dangle designs then my book, A Dangle A Day, is a good place to start.
Materials and dimensions
4″ x 4″ Strathmore Bristol paper with a vellum finish 5″ x 5″ acid-free white card blank White envelope that card will fit in Distress inks in Tea Dye and Rusty Hinge Small piece of foam and a mini foam blending tool A piece of card with a 1.5″ x 0.75″ window cut in it to use as a stencil. Faber-Castell Pitt artist pens in F, S and XS Ruler and pencil Adhesive Glass pen and coppper ink by J Herbin
Making the card.
Use the card stencil and a small sponge dauber to apply a rectangle of Distress Ink in the top left of the 4″ x 4″ top layer. I used Tea Dye to colour the whole rectangle in, followed by a subtle gradient of Rusty Hinge from the bottom up.
Use a mini foam blending tool to add Tea Dye Distress ink to the edge of the top layer.
Use a pen to draw the rectangles around the colour block. I like to do this free-hand as it gives a more organic, human feel to the design.
Draw the sprigs and add the lines to the border. Dots help to add some interest to the more empty parts of the design.
Use a ruler and pencil to lightly draw a vertical line as a guide for the dangle. Also, draw pencil lines as guides for the position and size of the hand lettering. Sketch in the letters of the greeting.
Draw round and diamond shaped beads to form the dangle. I like to finish my dangles with a ‘heavier’ or larger bead.
Ink the letters in. I did some faux calligraphy where I made the down-strokes thicker. I added some lines and shading to the top line.
Carefully erase the pencil lines.
Attach the top layer to the card blank.
I used a glass pen and copper ink to add copper dots to highlight the dangle design and the hand lettering. I also drew a box just inside the top layer and another just outside it on the card blank. Again, I free-handed the lines, embracing the wobbliness.
Making the envelope
I used Tea Dye Distress Ink and a mini foam blending tool to edge both the front and back of the envelope.
I then used a sponge dauber and the card stencil to add a rectangle of Tea Dye ink in the top left.
I drew the design on the envelope as I had on the card, including adding a line border in copper ink.
Finally, I drew similar sprigs on the envelope flap, using the glass pen and copper ink.
Before mailing…
Once I’ve addressed the envelope, I’d apply a thin layer of Distress MicroGlaze to the front and back of the envelope to protect the Distress Ink and drawing from the elements. I’ve done this to other cards and they have traversed the UK and US postal systems with no problems.
Ideas for using the design.
Although I’ve presented this dangle design as a greeting card, which is, I think, a lovely way to share a little bit of artistic loveliness with others, there are many other ways the design could be used, with or without any hand lettering.
In a BuJo, journal, planner or diary it would make a lovely little design to fill in a blank space.
This is a design that would work really well as a bookmark.
I’m sure it would look charming as part of a scrapbook spread.
I also think it would look lovely on a ‘with compliments’ slip or decorating the edge of a hand-written letter.
I’m sure there are many other ways and media that this design would be suited to.
Final thoughts…
I’m really enjoying drawing these kinds of dangle designs. They’re simple and elegant, to my mind anyway. They’re also quite easy to draw.
I do prefer to free-hand the lines and let the wobbliness be part of my signature style. It gives that human, hand-made, hand-crafted feel to the finished project, and a warmth to the finished project.
I work hard at finding a way of drawing digitally that lets me keep this uniquely ‘Angela’ way of expressing myself through line and pattern. I’m still working on it and sometimes get frustrated that, to my eye, my digital art seems too, well digitally perfect.
It’s all part of the process though – learning, developing, experimenting, trying out new ideas, techniques and methods. That’s what helps me grow as an artist.
It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!
There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.
I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.
I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.
After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.
These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.
My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!
So, Angela, how are you feeling today?
I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.
I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.
It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.
I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.
Congratulations to you all as you’ve made it through another week and the weekend is upon us!
I made it a cute and simple design today. Easy motifs to draw. Simple hand lettering. Even the colouring is simple as I used flat colours with the only gradient being behind the sentiment.
My first step is to write the sentiment; I use this as the anchor for the rest of the design. I just used simple letters today; I made them all the same height. Actually, this is my favourite way of lettering sentiments; I think it looks quite cute and whimsical.
Also, I used squared paper as a guide for my design. It helps to keep my lettering on the level (and the letters the same height in this case). It also helps to keep the dangles vertical and the design symmetrical.
My sketch was really basic. I used concentric semi-circles for the leafy bush the flowers are growing out of. I used circles for the flower placement. I drew really sketchy butterflies. I drew lines for the dangles and placed the main motifs on them.
Once I was happy with the sketch, I inked it in using a digital brush pen in Autodesk Sketchbook Pro. Varying pressure on the pen varies the line width. I think it adds a bit more human character to the drawing, and a bit more interest.
During the inking phase, I refined my sketch – adding petals to the flowers, detail to the leaves and groups of beads to complete the dangle.
Once I was happy with the inked design, it was time to add colour.
I chose fairly pastel colours with a summery feel for the design. Also, I used the same colours above and below the sentiment to give a more coherent design. I did add two extra colours to the dangles to give some more variety in the beads that join the dangles.
My final task was to add a bit of colour behind the dangle design. This is a simple gradient from a pale yellow, to aqua to blue.
I didn’t add any drop shadows this week – I wanted to keep the design simple.
And it really is simple to draw, honestly! Have a go! I’d love to see what you create using this as inspiration, be it a card, BuJo page, journal page, in a scrapbook, diary or any other way you can think of to use dangles. Post on my facebook page or tag me on Instagram!
Just a little reminder that I have a book called ‘A Dangle A Day‘ if you’d like to find out a little more about drawing and using dangle designs.
For today’s whimsical and cute dangle design, I used one of the designs from my tutorial book “A Dangle A Day”, altered the hand lettered sentiment and changed the colour scheme.
I used just five colour schemes in the design itself – blues, yellow-orange, pinks, peachy-orange and yellow-greens. I used a blue and green from the design to create the background colour gradient.
By using the same colour gradients throughout the design it brings the design together.
I added a simple drop shadow to the whole design to give it a little dimension. I could have added drop shadows to the lettering and the flowers in the rectangular charm, but I chose to keep it quite simple today.
I think this would make a lovely note card or greetings card. I also think, perhaps with a different sentiment, make a lovely page for a BuJo, journal, diary, planner, and it would be lovely as part of the design of a scrapbook page.
How would you use a design like this?
I drew, handlettered and coloured the design digitally using my Microsoft Surface Pen on the screen of my Microsoft Surface Studio as if I was working with pens on paper. My preferred art software is Autodesk Sketchbook Pro.
So Angela, how are you today?
I’m content with that background level of anxiety. I feel motivated to work even though I’m really tired again. This time it was from a late night conversation with a friend in need. I can nap later if I need to. The tiredness is actually giving me a headache.
My Nikita Gill books of poetry arrived yesterday and I spent some time reading one, “Wild Embers” from cover to cover.
I cried at some poems as they really touched something inside me, when she describes in words things I’m only beginning to recognise within me.
With other poems it was like a light bulb came on as understanding was ignited within me.
Yet others highlighted the difference between how girls and women are viewed to boys and men, and treated differently, and brought up to believe different things about themselves.
You can tell in her writing she has survived some serious trauma; she writes not just from her heart and soul, but from experience.
I can recommend her work to anyone who has experienced abuse, trauma and who, like me, struggles to describe what is emerging from the Pandora’s box of the past as the healing progresses.
It helps to show I am not alone. It helps to show other survivors of abuse that they are not alone.
I felt alone as I had no one to turn to when I needed someone most. I withdrew within myself, isolating myself, being lonely even when surrounded by a loud, extrovert-filled family. Desperate to join in, to be part of it, but scared to be noticed as that left me open to being the one who was made fun of, blamed for anything and everything. It was horrible to be ignored too when I’d spoken; that happened often. I never learned to speak up for myself, to ask for help, to say what I needed. I suffered long in silence.
I make no apologies for speaking up now. For talking about what happened to me, not in any great detail as I don’t have that myself.
I make no apologies for trying to raise awareness about the damage that emotional neglect does, how worthless being ignored and uncared for made me feel, and has made and does make others feel. How it grinds a person down day after day after day…
I make no apologies for doing what I can to help others to not minimise the effect these things have had on them. To stop telling themselves, like I did, that I was weak, an attention seeker, a whiner, a whinger, a liar when I was in need of help or support.
Someone made me believe that was what I was as children are not born believing that of themselves.
I make no apologies for writing about these things if it helps people understand that someone made them believe these things about themselves and they can unlearn them and replace them with more positive beliefs.
A thought just came to me then. As I teacher I focused on teaching students with additional learning needs. My first focus was to build their self-esteem and self-belief, always. I was shocked at how little so many of them thought of themselves and I found that incredibly sad.
I could see that in them and I could see how I helped them believe in themselves more, one tiny step at a time.
I can see now how I knew I too felt the same way about myself but believed myself too damaged to be healed or not worth thinking better of myself.
Now, with the help of EMDR, I am changing those beliefs about myself little by little.
That inner critic is mostly silent these days, I think. I still suspect it is still creating a very quiet susurrus deep in the depths of my conscious mind. However, it’s malignant murmuration becomes louder when I’m overly tired, emotionally drained, or my anxiety is increased by some trigger.
However, I have to say it’s power over me seems to have diminished.
That’s not to say I’m healed enough yet. I still have those negative beliefs about myself – ugly, unloveable, self-loathing of myself and my body – and of course there’s the inability to feel safe a lot of the time, sometimes even in my own home.
Of course there may be other things that arise during EMDR.
However I do think I have made a lot of progress over the years. Slow and steady for sure, but progress all the same.
Anyway, back to Nikita Gill.
I can recommend her work to those who are friends, partners, family members of those who have been abused to help to understand what someone is going through.
I can recommend her work to all, for her words are thought provoking in a gentle but descriptive manner.
I think I may be lending this book to my therapist…that’s how valuable I think it is.
It is the Summer Solstice here in the Northern Hemisphere, the longest day of the year and from here on in the days will slowly get shorter. Still, it’s lovely to have daylight well into the evening with the sky still being fairly light at 10pm or so.
Yesterday evening I had a bit of an idea to try creating a dangle design on parchment, and this is the result. I needed a bit of a break from digital art after the hours and hours spent on my most recent mandala.
Parchment craft, or Pergamano, is an old craft and a lot of the work done, while beautiful, is really not my style. So I thought I’d try my style of art with it.
I used some ball tools to emboss the parchment with my design and then to add some shading. I drew the design directly onto the parchment with the embossing tools.
I started with the stylised flowers and worked out from there. Once I was happy with my design, I added a simple dangle consisting of round, heart-shaped and diamond shaped beads with a tear-drop bead to add some weight to the dangle.
I then added colour with some Kuretake Zig Writer pens on the reverse of the design. I chose colours that remind me of summer – the mature greens of summer foliage along with the bright colours of tropical flowers. I thought these would work well for the Solstice. Of course the hearts needed to be pink and I added some teal-blue to the small diamond beads for a bit of variety.
On top of the dots around the design I added tiny dots of gold glittery loveliness using a Uniball Signo glitter gel pen. I also added some tiny dots in the centres of the stylised flowers.
To give an idea of the size of this design, the black paper behind the parchment is A4 (approx US letter) in size.
Adhering the parchment to the black paper was a problem as glue shows through, so I had to use some tiny dots where the white lines were thick enough to disguise the glue.
I really think that the white lines of the parchment create something that is equally as lovely and maybe a bit more delicate than my usual black line art.
The uses of this design are many – greeting cards, note cards, framed artwork or used in Bullet Journals, journals, planners, scrapbooks, and more. In fact, I may replicate the design for my July cover spread in my BuJo.
If you’d like to learn more about drawing your own dangle designs, then my book “A Dangle A Day” is, perhaps, a good place to start.
So, Angela, how are you feeling today?
I’m feeling quite content today. Tired still, but content.
It seems the anti-stigma talk for Time to Change Wales and the anxiety I had around doing it on Wednesday has taken it’s toll on me just a bit. I do know, however, that I will recover in the fullness of time for sure.
This is part of the emotional/mental weather that is part of life. Beneath this weather is a calmer, more content Angela. I find this version of me from time to time; indeed I’m content in myself on many more days than I am discontented. Even with the bout of anxiety on Wednesday there was still a sense of being content.
It’s a strange thing to feel both at the same time. A bit like feeling the firm ground beneath my feet as a wild wind is buffeting me and trying to blow me down. I can feel that firm footing even when my emotions are a bit on the wild and windy side.
That’s progress on my journey to recover from CPTSD. Even more progress that I can recognise and describe this feeling.
This realisation makes me smile.
It’s progress, but it’s not where I want to be. I want to be able to go out and about without being scared of my own shadow. To be able to travel to unfamiliar places and actually get out of my car when I don’t have an appointment of some kind. To be able to go into an unfamiliar cafe or eatery when I’m by myself when I’m hungry and thirsty. To not go into full flight mode when something small has spooked me. To not be startled by loud noises. I want to be able to reach out to people without fear of rejection or to allow people into my home. To have all kinds of relationships with healthy boundaries where my needs and boundaries are respected by myself. To be able to go shopping without being overwhelmed by the choices available so I end up leaving without getting anything that’s needed.
These are but a few of ways that CPTSD affects my life and that I’d like to change through the healing journey I’m undertaking with the help of EMDR and therapy.
I’ve never been anything other than this permanently scared, extremely self-conscious person. Different events and places result in different levels of fear/anxiety in me. Even sat here, at my familiar desk, I feel anxious about writing about it.
The progress is that I recognise it now. I have identified it. Although it’s still there, it’s slowly being dis-empowered. Slowly means it’s being done properly and that I have time for the new level of anxiety or the increased self-awareness has time to become familiar to me before the next step forward is made. Familiar means it’s the more healed me. Healing bit by bit.
As it’s Friday it’s time for a dangle design, and here it is. All in monochrome, well nearly. I added some subtle colour to the photograph.
If you’d like some ideas and step by step instructions on drawing your own dangle designs then my book “A Dangle A Day” is a good place to start. Just saying like.
I decided to use one of the images from the ‘Photobooth’ collection in the Idea-ology range by Tim Holtz. I thought that around it it would be nice to create an entangled frame, and to add a simple dangle design to this frame.
With the vintage nature of the photo I thought that the hand lettered sentiment of ‘golden memories’ would be a good one to add.
In keeping with the vintage design I thought a monochrome colour scheme would be appropriate. Mind you, a color palette of subtle vintage colours would work quite nicely too. It would be nice if I’d changed the colours from greys and blacks to sepia tones.
I drew the design and did the hand lettering with Unipin pens on Winsor and Newton Bristol board. I then cleaned up the scanned image, and added the subtle colours to the photo, using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. I also added some subtle grey shadows to the design.
This would look absolutely charming framed, a lovely way to display cherished photo-booth images. I drew this image on a sheet of A4 paper (approx. letter size).
However, this would work on a smaller scale for a scrapbook, journal or even a BuJo. It would also make a lovely greeting card or note card for someone too.
It’s also an idea that can easily be altered for a more masculine tone, perfect for father’s day or a male birthday.
Elsewhere on the interwebs it’s #furbabyfriday, but here, in the tiny corner of the web that is Artwyrd.com it’s dangle day.
It’s getting close to the end of May, so I thought today I’d create a dangle design for June. This would work really well as the monthly cover page for a BuJo or in a scrapbook, journal, planner, diary, greeting card, or anything else you can image it being used.
I did sketch this out in pencil on paper, but then I re-drew, hand lettered and coloured digitally using my usual trifecta of Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro.
On Wednesday I had a trip to Hereford for a meeting in the evening. On the way I stopped at my most favourite Romanesque church in Kilpeck to do some drawing. I included some patterns based on this visit in the charms and also the border under the plant pots.
As the Summer Solstice occurs in June, I wanted to include a lovely golden Sun, as well as plenty of golden tones. Also, the clear blues of summer skies and the aquas of sea and lake were a must as well. Cacti, succulents and flowering plants reside in the simple plant pots, with simple monograms on each pot. Of course I have beads and a heart as part of the design too.
I added a textured background upon which I layered a drop shadow for the dangle design.
So many ways that this design could be coloured. I’m quite happy with my design. I’m certainly happy with the line art, but I’m really not confident about my choices of colours. I do feel I’m struggling with colour at the moment.
Wednesday I was surprisingly content and managed to stop at Kilepeck Church, just outside Hereford. I usually visit the church once a year to soak up the awe and wonder and joy I feel looking at the Romanesque sculpture of this tiny three celled church.
I had my Dingbats quadrille A5 notebook with me, which is my current sketchbook. I spent a happy or or so inside the church taking my time to look at patterns and textures and to deconstruct then reconstruct them in thumbnail sketches.
It was really quiet and serene there; just what I needed.
Also, I’d packed up a light meal in a cool bag so I could have a late tea before going on to my meeting in the evening. I thought this was wise as the problems I have eating out when on my own could preclude me getting something to eat/drink. I found somewhere quiet with lovely views to park up and enjoy my light meal and some more quiet time.
My evening was long and I didn’t return home until nearly midnight. The stress being around people I don’t know also took its toll on me. So yesterday I was wiped out yet again.
I had to find my strength to get out to go and vote in the EU elections and to do some shopping, but this absolutely drained me.
When I’m this tired it is all too easy for me to be emotionally fragile and for this to impact on my mental health.
I caught myself having thoughts that were very unkind and hateful towards myself at times yesterday.
I’m still tired today, but feeling a bit more emotionally resilient. I’ve found the confidence to create art, something I didn’t have yesterday.
The ripples from EMDR and other stuff over the past couple of weeks still have energy, sometimes they’re more like storm waves. Storms pass. Waters calm eventually, with ripples that are easy to ride.
I think I’ve had a couple of storm waves approaching the size of tsunamis in the past couple of weeks and they’ve really drained me.
However, it’s all part of the healing journey. After all, I am a lot better now than I was a few weeks ago, a few months ago, a year ago, a few years ago …
Angela Porter 