Thursday seems to come around both quickly and as if it’s been an age since last Thursday. As it’s Thursday, that means it’s time for a new colouring template /coloring page for the members of Angela Porter’s Coloring Book Fans facebook group.
This week’s template is a typically ‘Angela’ entangled style drawing. A stylised dragonfly floats above an entangled background containing arches and seed pods, flowers and foliage, along with various patterns and an intricate border.
I’ve chosen to part colour the template in a monochrome scheme of greens. I don’t really pay attention to light source much. mostly I use light and shadow as part of the patterns and a way to introduce a sense of depth and dimension to my art. This is something I realised only recently.
Today I’m feeling a tad ‘meh’ to say the least. I’m tired despite sleeping plenty last night and yesterday. The weather is gloomy – leaden grey skies and rain. At least the autumn colours are glowing a little in the gloom.
So, today I just needed some arty fun. Nothing too big and overwhelming, something with a little whimsy, and no pressure for anything other than making art for art’s sake.
Hallowe’en is my favourite festival, so that’s where I started, along with pen and paper.
The drawing isn’t all that big – 8cm x 10 cm approx (3.25″ x 4″),s o it was relatively quick to complete. I scanned it in to tidy it up, but decided to add a spooky border around it, which I did digitally.
Then, I set to colouring the image, in Hallowe’en colours, mostly.
I played with texture brushes and how I can work with colour. I’m pleased to get some areas that seem to glow eerily. My brain won’t let me fully process that or go back to the image to add this effect to other design elements.
It was, after all, a few hours of fun, arting for art’s sake, and to do what I can to lift my mood.
I spent sometime yesterday afternoon playing with polymer clay. The Sculpey clay I purchased is soft enough to work with almost straight out of the packet, which is a good thing.
I’m not entirely sure how I’m going to work with it. What I thought would work just didn’t for me. So, I’m going to let the ideas rumble around my subconscious and come up with how I could work with the clay my way.
I was disappointed with myself, but worked hard be easy on myself as this is a new skill to learn and develop. It won’t happen overnight. Also, there’s no rush or panic to get it done either.
In the meantime, I’m wrangling with myself as to whether I should invest in a pasta machine to roll out the clay or whether that’s a decision that can wait until I work out if polymer clay is for me or not.
Here, in the Valleys of South Wales, the sun is shining, autumn is gradually taking over the land and Hallowe’en is fast approaching. So, this week’s template has some Hallowe’en elements to it. It’s also a cute and whimsical template for people to have fun with colour.
Today, I continued with the entangled art I started yesterday. The drawing is still not complete, but I wanted to add a background colour/texture and add some shadow and light to see how it’s working out.
The shadow and light bring the drawing to life. I’m not entirely sure about the colour I’ve chosen for the background – maybe a bit to saturated and dark. I can always alter that though. I also think there’s not enough contrast betwixt shadow and light. Again, that’s something I can work on.
I’ve drawn inspiration from various things – fossils, seed pods, botanicals, crochet-covered pebbles, architecture, nature, shells, Mayan glyphs to name a few.
Leaving some more open spaces is proving difficult for me once again. It’s something I need to consider as I continue to work on this drawing.
The design is being drawn with Unipin and Sakura Micron pens on marker paper. Background texture/colour, light and shadow are added digitally.
An entangled smorgasbord of fossils, stylised fossils, and some of my favourite patterns and motifs.
I enjoyed creating this one, though I feel I rushed the highlights and shadows a bit. However, I can always go back and edit or re-work them. I’m so much happier adding those highlights and shadows digitally than I am with Copics or other media.
Today, my colour scheme is monochrome, with many shades of grey, along with black and white. Those colours echo a conversation I’ve been having about how life isn’t always black and white, that sometimes no matter how you try to find the right path, make the right decisions, not everyone will agree, either totally or in part.
Art is something I do mainly for my own pleasure. Yes, I do work on adult colouring books, but within the broad topic it’s up to me what I create. I guess enough people like my art as I’m asked time and again to create another book and another.
My biggest problem is believing in myself, recognising that what I do is good enough, and that my own way of expressing myself, in drawings like this one, is good enough too. This way of drawing comes all too easy to me, and that lack of struggle makes me think it’s not worthy of consideration.
That is why I end up experimenting with different media, different ways of creating art, of expressing myself. Yet I always return to this style.
In the past, I’ve described it as my ‘comfort art’. I’m beginning to understand that it is my main artistic voice, the tune. Everything else is me just trying to find harmonies that add to that voice. Perhaps the voice itself is enough, as with Gregorian chants.
That is an insight that I need to dwell upon for a while, but it feels right to me.
Drawn with Unipin pens on marker paper. Background, highlights and shadows added digitally.
This week I’ve done a pretty yeuchy job on the colour scheme. It happens. I do struggle with colours, more at some times than others, and today is one of those days.
The template itself has lots of my favourite motifs in – pumpkins, leaves, flowers, seedpods, seeds, berries, shells, mushrooms and stones. Not to mention arches and geometric patterns along with a sprinkling of stars.
I’ve gone with a weirdly autumnal colour scheme, but I think this would work for any kind of colour scheme you’d like. I may revisit this template and add linework and keep it monochrome at some point in the future. It would be good practice to redraw it digitally and work on my digital linework skills at the same time.
I used Unipin pens and Canson Marker paper to draw the template. Next, I used Autodesk Sketchbook Pro to clean up the image and then add the colour.
To Inktober or not Inktober? Nah, let’s Paleotober instead!
I may do an Inktober challenge this year, but again choosing an alternative prompt list. I enjoyed last year’s month of daily drawings focusing on art I’d not usually do, particularly the skulls. However, I found the pressure to draw every day a bit much and a bit manic to work in around everything else I needed to do.
I like that each theme covers a few days, so less pressure. I have been thinking of working on drawings of fossils, dinosaurs and so on in the way I have my recent drawings of moths. So, this is the push I need to get me to follow those thoughts!
I must admit, the sight of an ammonite, icthyosaur and pterodactyl, three of my favourite fossils, on the prompt list just did it for me!
I think I’m going to struggle with the imagined and speculative prompts, but I may just use those days to add to one of the others. We’ll see.
In other times, I’d visit my local musuems to view fossils and such like for myself, sketchbook and camera in hand. But not now.
Seven more days of the pandemic over and done with and gone to the past. That means seven less days before it comes to some kind of end! Always trying to look on the plus side of things, not always succeeding.
In the past week we’ve also left August behind us and entered September.
This week, I’ve created one of my signature ‘Entangled’ designs that includes seed pods, flowers, berries, foliage and plenty of arches with abstract, geometric patterns.
I drew this template on Canson Bristol Board with 05 and 03 Uniball Unipin pens. I’ve added colour digitally.
As I can feel autumn ready to burst forth soon, I’ve chosen colours that represent that season. Of course, any colour palette will work well. The aim is to have fun, relax, and take time out for creativity. There’s no coloring police to tell you you’ve done wrong, apart from our own inner critics.
As always, I look forward to seeing how everyone brings this template to life with colour!
I started doing the Inktober52 challenge at the start of the year, but quickly fell off the wagon, so to speak.
I really enjoyed doing Inktober last year, though I didn’t use the official prompt list as it really didn’t do anything for me. Instead, I used two alternative lists – one of skulls, the other of fungi.
I’m thinking of using this year’s list to practice typographic art. Mind you, that depends on what alternative lists I stumble upon, as I may use one of them instead.
I also discovered this Slowtember challenge on twitter from @megaelod:
I am tempted to use this for this month. I’ll see what happens!
March the 1st is St David’s Day, the patron saint of Wales, which is where I live. The daffodil is one of his emblems and so it was fitting I included some in this month’s template. As we are heading towards the spring equinox and the official start of spring here in the Northern Hemisphere, I’ve also included plenty of flowers that would be lovely coloured in spring colours. They’d be lovely in colours of all the seasons, however. Flowers are beautiful no matter what season we’re in.
The template is drawn in my signature ‘Entangled’ style of line art, with very stylised flowers, foliage, and even butterflies and shells, along with patterns derived from architecture, sculpture, pottery, and more. Lots of my favourite things all in one abstract image.
If you’d like to print and colour this template, then please pop along to the facebook group where the members, and I, would love to see how you bring it to life with your own kind of colour magic.