Dangle Design Card and Envelope

© Angela Porter 2019

Here’s a pretty pair of whimsical and cute dangle designs card and envelope.

For the focal point of the card I used a butterfly from a pack of Ephemera from Tim Holtz called Botanical. I added some metallic gold ink highlights to the butterfly as I knew I’d be adding gold to the design. I also edged the butterfly with some Peeled Paint Distress Ink using a sponge ink applicator.

I then cut my paper to fit the card blank I wanted to use; I learned my lesson from the the last card I made! The card blank measured 8½” by 4¼”. So, I cut a piece of Claire Fontaine Mixed Media paper 7¾” by 3¾” to create the dangle design on.

I used the butterfly as a guide as to where I wanted to add some flowers upon which it could alight. I also drew pencil guidelines in for the centre of the design and the sentiment banner.

Then it was drawing the design. I used a 05 Unipin pen from Uniball.

I started by drawing the flowers at the top of the design.

Next, it was the hand lettering for the sentiment ‘Just for you’.

Flowers, hearts, stars and spherical and teardrop shaped beads are my goto choices for dangles. I did add a charm that was based on some jewellery, as well as a square charm with a geometric pattern inside it.

When I’d drawn the main dangle I realised I wanted to add a bit of width to it. So, I added two bars stretching out from the side of the square charm and used the ends to hang dangles made up of hearts and beads.

Colouring was the next task. I used Tombow Dual Brush pens to colour the design in. The colour gradients weren’t strong enough for me, so I used Chameleon Duotone Pencils to add depth to the colours.

Then, it was time to attach the butterfly using some foam squares.

I then used a dip ink pen to add some dots of gold FW Pearlescent ink around the design. I also used gold to fill in the lettering of the sentiment and various elements of the dangle design.

Next, I added white dots highlights to some of the design elements using a Sakura Souffle pen.

I also used a blue-grey Chameleon pencil to add shadows to the design at this point.

Before affixing the design to the card blank I used a sponge ink applicator and Peeled Paint Distress Ink to edge the design. That was the card done.

I then thought it would be fun to create an example of an addressed envelope using a dangle design as a monogram. I used some of the charms from the card for this design. I also drew some simple, whimsical butterflies above the monogram. I used Chameleon Duotone Pencils to colour the dangle design and to add a shadow to the dangle.

Pencil guidelines helped me to keep my lettering evenly spaced and of a consistent size. In this case I just guesstimated them, but in future I think I will need to measure the spacing of the lines!

Finally, I added some glittery golden stars with a gold glitter Uniball Gel pen as well as some white dot highlights using a white Sakura Gelly Roll pen.

One thing I realise I didn’t do was to make the colours in the dangle more harmonious with the butterfly. The color tones of the butterfly are quite antique and grungy and I used rather bright, clean colours to colour the design with. I also am not happy with the monogram on the envelope; it’s too small and the lettering style doesn’t seem sympathetic to the rest of the lettering.

I’m going to put these down to me still suffering the lingering effects of the stinking cold I’ve had for the past three days. It’s definitely broken now, but I’m still not 100%.

It’s also a learning experience. I’m not a wonderful card maker; I do dabble in it from time to time, however dangle cards are fun to make and with the decorated envelopes it’s double the fun! I think I need to start sending happy mail to people! I’d be happy to receive this card with a letter inside – how would you feel about it?

‘A Dangle A Day’ was published on 15 Jan 2019 and many of the dangle design elements can be found in this book.

‘Hello Friend’ – A Dangle Design Card

‘Hello Friend’ ©Angela Porter 2019

‘A Dangle A Day’ is released on 15 Jan 2019. I show you how, in easy steps, you too can draw your own dangle designs!

A couple of days ago I was musing about using a photograph instead of a monogram in a dangle design. That idea stuck with me and so I set out to make a card.

I had seen somewhere the Photobooth Ephemera by Tim Holtz and I was able to source a set at a sensible price. This pack contains thirty strips of three passport-sized, vintage, copyright free photos. Perfect for me as I have very few photos and none are a small enough size to be used in this way. Also, the photos are printed on fairly sturdy card.

I first started by trimming the photo and then tracing around it on a sheet of thick white printer paper. It was then easy to draw pencil lines to give a border or two around the photo as well as a pencil guide line for a central dangle.

My next job was to draw the flowers at the top of the design. I started with the big central blue flower and worked my way out, adding leaves and swirls as I went. The design here is symmetrical, but not perfectly so. I had to add some butterflies to finish this part of the design off.

My next steps involved drawing the borders. I wanted a black and white chequerboard pattern around the photo. I also added a thinner border around it.

My next step was to create a ribbon for the hand lettered sentiment ‘Hello friend’. I drew a pencil box, added some pencil guidelines for the height of the letters, then wrote the greeting in pencil so I could get the placement of the letters good enough.

My next step was to ink in the letters using a black Sakura Pigma PN pen, which I used for the rest of the drawing. I wasn’t concerned about perfection here. I wanted a kind of cutely whimsical feel to the lettering. For some reason, I always think adding wonky and uneven serifs to the letters helps a little with this. The final job was to draw the ribbon box with the cute ends.

I then needed to decide on the charms I’d use to build the dangle. Hearts are a foregone conclusion. When I think of time I spend with friends, tea and cake are often involved, so adding a coffee/tea cup along with a cupcake (or fairy cake as we used to call them here in the UK) was perfect. I joined the charms with small beads and a circular charm containing another heart.

To colour the dangle design I used copic markers. I did use two shades of pink for the greeting and the cupcake case. Everywhere else I used just one flat colour.

I used a fine brush and some black ink to fill in the square at the centre of the design. Next, I trimmed the paper around the design. I then used a foam ink applicator with Vintage Photo Distress Ink to edge the paper. I always feel that edging paper in this way not only gives a little bit of a vintage feel to it, which is in keeping with the photo, but it also gives a finished edge to the paper.

To mount the photo here I used some adhesive foam squares. These lift the photo above the paper, adding a little bit of dimension to the card. The photo was a little bit smaller than the square I’d drawn and so the black background gave black border around the photo. I then used a golden yellow copic marker to colour some clear adhesive gems and I attached three of them to the photo, just to add a bit more sparkle.

I used Chameleon duotone pencils to add shadow to the design elements. I also used a dip pen and gold FW ink to add some little dots here and there around the design as well as on the photo. Not sure that on the photo was such a great idea though. But once the dots were there, they had to stay there. The gold dots, however, did match the gold gems I’d added to the photo.

The final step was to affix the design to a blank card. I didn’t think to cut my paper to the size of blank cards I had in my stash before I started to work on the dangle design. I found that my design was too long. So, I just took a piece of A4 bristol board, folded it in half along the short edge. I burnished the fold and then attached the dangle design to the paper using strong double sided sticky tape.

To add a bit more dimension to the card, I could’ve used foam squares or a piece of fun foam cut to a little smaller than the paper the design is on. Fun foam would support the paper better, especially as I had a relatively weighty photo adhered to the paper already.

Instead of foam, I could’ve cut a piece of metallic card a little bigger than the design to give a metallic edge to it.

I decided, though, that there was enough dimension on the card with the photo.

I also could have used a Wink of Stella brush pen or a Spectrum Noir sparkle pen to add some shimmer to the design elements, but I decided that the gold dots were enough. However, I may go back and add some to the butterfly wings; butterflies should always shimmer and shine wherever possible as far as I’m concerned!

The only other thing I’d need to do is to make a custom envelope to fit the card.

I enjoyed making the card. My card making skills aren’t brilliant, but I kept it fairly simple, as I did for the dangle design itself and the colouring.

Oh, the patterned background for the photo is one I created from one of my mandala designs using Repper Pro, just in case you were curious! I thought it’s vintage feel would go nicely with the card.

On the whole, I’m quite happy with this card. I had serious doubts that it wouldn’t work out. It has, better than I thought it would. I think I need to make more of these in the future!

‘A Dangle A Day’ Dangle Design Mandala

‘A Dangle A Day’ Dangle Design Mandala © Angela Porter 2019

Dangles can be turned into mandalas! And ‘dangle-dalas’ satisfy my love of symmetry in an unusual way.

In this one, I have two rings to which dangles are attached. In the centre ring, they point towards the centre of the mandala. On the outer ring, they point out into space.

Then, there’s two central rings. One, I coloured in a pastel rainbow and added ‘A Dangle A Day’ in my weird take on hand-lettered uncials. The lettering isn’t perfect, but then neither am I, and neither were celtic/anglo-saxon/medieval manuscripts.

Ok, the manuscripts are more perfect than my hand lettering, but it’ll do. It’s perfectly imperfect. That is an idea I’m becoming to embrace more and more easily as time goes on, and an idea that I encourage you to adopt in my book ‘A Dangle A Day’.

I used rather graphic black and white geometric designs to separate the three main rings of the design. This contrasts nicely with the brightly colourful design elements.

I felt the need to draw cacti, flowers and some weird seeds today, so that’s what I did. Of course it goes without saying that I’d have to include stars and hearts in my design! There’s some beads in there too, particularly those teardrop shaped ones that remind me so much of medieval jewellery.

Mind you, medieval in character this design is not. It is rather cute and whimsical, which is one of my signature styles – the other is intricacy.

For this design, I hand drew and coloured it digitally using a Microsoft Surface Pen on the screen of my Microsoft Surface Studio. As always, my chosen art software was Autodesk Sketchbook Pro.

Yes, I really do draw on my Surface Studio with the Surface Pen as if I’m drawing with, say, a fountain pen on paper. Colouring I often do as if I’m colouring with traditional media, though sometimes I do use gradient fills. It just depends on the feel I want in the final artwork.

Being able to work in layers means I can do things that would be very difficult or time-consuming working traditionally. It also means that I can play with colour combinations – I love colour, but I don’t always make good choices of colour palettes, see yesterday’s Q monograms for evidence of that!

Of course, there’s so much more to digital art than this, and I’ve not discovered everything yet. But over time my experience is that I discover, workout or learn how to do what I need to do at that time when I’m ready to do that.

Monogram ‘Q’ dangle designs

Monogram ‘Q’ Dangle Designs – ©Angela Porter 2019

Following on from yesterday’s blog post (One dangle design, four colourways) I thought I’d do another monogram dangle design, but this time adding some embellishments.

The design for the Q monogram comes from my book ‘A Dangle A Day’ (published on 15 Jan 2019). I printed the design out on heavyweight printer paper and used a combination of Chameleon markers, Copic Markers and Chameleon pencils to colour the designs. The original drawing was hand drawn using a Microsoft Surface Pen on a Microsoft Surface Studio using Autodesk Sketchbook Pro.

Once I’d finished the colouring, I then added some embellishments. I’m not a good photographer and sparkly and shiny elements are not easy to photograph, and even worse to scan!

Here’s the details of the embellishments I added:

  1. Aqua coloured Nuvo Glitter drops can be seen dotted around and within the design. These really sparkle and catch the light; they also dry raised, like a sparkly water drop. I also used a Wink of Stella brush pen to add subtle sparkle to the hearts and flower. Then, I realised that the Q was lost in the blue background which was similar in tonal value to the letter. So, I used an extra fine fountain pen to add a pattern made of various sizes of tiny circles to the background.
  2. I just used gold Nuvo drops to embellish the design as well as Wink of Stella to add some subtle shimmer to the hearts and flower.
  3. I used a Spectrum Noir clear sparkle pen to add shimmer and shine to the letter and the hearts. Dots of silver Nuvo glitter drops were added around the design. I also used a gold glitter Uniball Signo pen to add dots to the letter and the centre of the flower. Finally, I used an extra fine fountain pen with black ink to add the patterns in the frame. This helps the letter to stand out in the design. I also used Sakura Stardust Gelly Roll pens to colour in the arrow feathers. These pens allow the underlying colour to show through in a subtle way.
  4. Orange-gold Nuvo glitter drops were added around the design. The clear Spectrum Noir sparkle pen was used to add shimmer and shine to the letter and the dark blue ‘bars’ in the frames around the Q. Finally, I used the extra fine fountain pen with black ink to add patterns to the bars and the letter as well as a solid drop shadow to the left and bottom of the design elements to help them stand out.

These designs could be used for note cards or greetings cards, bookmarks and more. However, they’d make a beautiful ‘drop capital’ at the start of a quote or message.

Of course, it would be easy to substitute the Q for another letter or numeral, or even a cute doodle drawing. Instead of a drawing, you could affix an object such as a dried flower, a metal charm, a dimensional sticker, an inchie, or anything else you can think of. You could even put a small photograph in the frame instead of the letter, and this would make a unique, charming card or feature on a scrapbook, journal or bujo page.

Your options are only limited by your imagination and creativity!

One dangle design, four colourways

One dangle design, four colourways © Angela Porter 2019

In my book, ‘A Dangle A Day’, I mention that just by changing the colour scheme you can easily change the appearance of a dangle design for an occasion or to match someone’s favourite colours. So, I thought it would be nice to show an example of this.

I chose a simple monogram dangle design from the book; you can see it in the top left corner. This dangle design has a very spring-like feel to it with the lovely bright pinks and greens of the new, fresh flowers and leaves that blossom and bloom at this time of year.

Taking my cue from this, I coloured in three versions of this design in the seasonal colours.

At the top right is a summery version, with a lovely warm sunrise as the background to the letter, blue summer skies, warm golden sun, and the bright and warm colours of the flowers. A golden summer glow could be achieved by using a hint of gold Wink of Stella brush pen from Kuretake, or by adding dots of gold glittery wonderfulness.

Autumn tones were used in the bottom left version. Fiery oranges, reds and yellows and clear autumnal sky blues were used. Enamel dots, glitter pens or stickles would add sparks of autumnal glory to this design.

The final design has a definitely cool wintry colour scheme – icy blues, cool purple and the blue-green tones of evergreens, along with silver. To this I could add white snowflakes or stars with a gel pen, or dots of silver glitter with Stickles from Ranger or Nuvo Drops or a glitter gel pen. Using a Wink of Stella brush pen from Kuretake to colour over the design would result in a lovely, sparkly, frosty finish.

Of course, there are many, many ways that the designs could be embellished to suit your taste, supplies or the recipient. So much fun can be had adding embellishments which also personalise the design even more.

I hand drew the original design on paper and then digitally for the book. My tools were Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro, which I also used for the colour variations above. I set the ‘brush’ pens up for the book so they mimicked the shapes/patterns pens on paper create and left lines a little wobbly and imperfect, just as I would when drawing on paper. Indeed, I very much treat my Surface Pen and Surface Studio screen as if they’re pen and paper in the way that I draw (and colour).

I do hope you’ll give dangle designs a go, and that you’ll show me the results of your work. You can find me online here:

Monogram B Dangle Design

©Angela Porter 2019

Originally, I drew the original version of this design with pen and ink on paper. I wanted to edit the design and add a dangle to it, so decided to work digitally (Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro).

By working digitally, I could edit and amend the design easily, using the original sketch as a guide. You can see that I made quite a few changes. I’m much, much happier with the blue version. The pink one is pretty and a good start, a way to experiment, but the blue one is the more polished, finished version, and not just because it’s been drawn digitally!

For the original sketch, I used a copic marker to draw out the basic letter shape and then used Unipin and Pigma Sensei pens to add the lie details. The copic is patchy, but that’s because it was a quick sketch.

I like the increased amount of white space in the new version – it does add a bit of a stained glass look to the design. I also like the stylised roses inside the ‘B’ in the revised version; adding the patterns inside the rose rather than on the edge helps the rose to stand out from the coloured section by giving a mostly white border.

Once I’d thickened the main beams of the letter, I added dots to carry the lines on. Then, I decided it could be fun to echo these dots by carving out dots in the flared ends of these lines. These dots have lightened those lines up, adding some airiness as well as interest.

Oddly, as I look at them I am minded of a very Old  Bridge here in my home town. The bridge was built by William Edwards in 1756. When it was built it was the longest single span bridge in the world. The addition of 3 holes at each end of the bridge allowed it to bear the weight of the stone and not collapse. It is these holes, the lightness they gave to the design that I recalled when I was thinking about those ‘holes’ in my blue B.

I really wanted to add a simple dangle to this monogram – the letter is ornate enough that it could be too fussy if I’d added more than one dangle, or made the dangle ornate. Of course one of the charms had to be a heart! Simple beads and a diamond charm complete the dangle. My dangles often remind me of jewellery!

It’s not very often I show any kind of editing or reworking of my artwork, that’s because I do tend to work very intuitively and don’t really draft my work. Sometimes, I may do a pencil or pen sketch for an illustration for one of my colouring books, especially if it’s a kind of ‘scene’.

Since I’ve been working digitally, however, I do seem to be doing a lot more of the sketching out or working more roughly and using this as the sketch for the digital art.

An added advantage is that this satisfies my need to work with traditional media. Also, by working on paper I get a better idea of the scale of the finished artwork.

I think I’ve said it before that I do struggle with a sense of scale when working on a screen due to the ease of zooming in and out. Paper is a fixed size so I can appreciate the scale far more, and it seems easier for my brain to get a better idea of the whole design.

It’s all part and parcel of my artsy journey, figuring out what is best for me and not trying to work like others or being worried about how others judge me and my process. More than anything though, it’s about me learning not to be such a harsh judge and critic of myself. One negative review, and my inner critic gives itself a rocket boost and any belief in myself is kicked to the outer edges of the known universe. That’s why I don’t read reviews – I struggle enough with my own inner critic without battling others’ opinions.

I’m learning it’s far more important that I appreciate my own work rather than looking to others for approval. It’s always wonderful when people tell me they love my work. It’s always valuable when people, particularly my editors, give me honest feedback on what needs to be changed to improve things – they see things I miss by working all too close to the artwork.

I’m learning that it’s more important for me recognise that what I create is mostly good enough, sometimes I’m really pleased with what I’ve done, sometimes I can see something is truly awful or that there is room for improvement.

Reflection on my work is important as it helps me to learn, grow and develop, and helpful input is always welcome.

When I look at this blue B monogram dangle design, I can honestly say I smile. It’s an example of a design I am pleased with. It’s intricate, but not overly so. There’s empty space within the design

Less than a week now until ‘A Dangle A Day’ is released – my book showing how you too can create dangle designs, one step at a time!

Hello January! A Dangle Design

©Angela Porter 2019

What a bright, sunshiny morning it is here in South Wales in the UK. The first sunshine of the new calendar!

I’ve been up for around 3 hours and have had a fairly artsy time.

My first job was to print out the lineart for this dangle design, which is one of many in my book ‘A Dangle A Day’ which is due for release on 8 January 2019 – just a week away!

In the book, I take you through how to draw this design, one step at a time. Not only this design, but well over 100 more – designs for all seasons and many, many celebrations and occasions.

This design I drew in Autodesk Sketchbook Pro using a Microsoft Surface Pen and Microsoft Surface Book. For the book, I coloured it digitally. Today, I printed out my black and white lineart and then coloured it using Chameleon Color Tones and Color Tops marker pens. I also added some details to some elements of the design using a 08 Uniball Unipin pen and a white Sakura Gelly Roll Pen.

Yesterday, I said I need to to spelunking through my stash of mixed media and cardmaking supplies to find forgotten supplies I could use to embellish my designs.

This dangle design would make a lovely monthly cover page for a BuJo (bullet journal), planner, diary or journal. It would also make a pretty greetings card or notecard to drop a line to a friend wishing them a wonderful January. Change the words and colours to suit the occasion or recipient! It would also be a lovely, whimsical, cute design for a winter party invitation.

I realised then that my old watermark wouldn’t do for this year. So I hand lettered a new one. I made my symbol, the one I hide away in my artwork, part of the design, along with a little intricate but simple geometric pattern around it. A little touch of the uncials for my blog address, along with a typed copyright statement and it’s done and saved! I may end up changing it a little, or having variations on the theme, as time goes on. But I’m fairly happy with it.

So, I’ve already had a productive morning! It may be a Bank Holiday in the UK, but I really do need to focus on those templates that need colouring for Entangled Forests…and I may venture forth into the peopley world later on today, maybe.