This week’s template is a combination of dangle designs and little pictures. Not one large and often intricate image to colour this week, but a series of little ones so that the template can be coloured in one little bit at a time. This is great for people who get overwhelmed by large, overly-complex colouring pages.
Just as a note, my book “A Dangle A Day” is available. It’s a tutorial book showing how you too can create your own cute and whimsical dangle designs. The dangle designs in the book are a lot smaller than this template!
This design was drawn on Rhodia Dot grid paper using a “F” Faber-Castell Pitt Artist Pen and then cleaned up digitally. I then added a wintry background and added some colour to some of the motifs.
I always love to see the many different and unique ways colorists bring my designs to life. Colour really does make all the difference to the templates.
I woke this morning, refreshed after a long, deep sleep, and wanted to draw something relatively simple, something I could work on in the future.
I used a Uniball Vision Elite pen on a sheet of dot grid paper from Claire Fontaine. If you zoom in, you can still see the dots of the dot grid.
I had no idea of what I was going to draw. All I knew was I wanted to draw, and I wanted to start with a flower. Which I did.
I then started to grow the design by adding the swirls. Those swirls had shapes in them perfect to add some round seeds.
Next, I thought a rectangular background panel, filled with a geometric design, would be a good counterpoint to the more organic flower and swirls. So, I did draw in a pencil grid to use as a guide for my inked lines.
After adding a narrow border to the panel, I decided to add some simple dangles to the lower swirls. I thought the design needed to be lengthened a little.
When I’d finished the dangles, I knew the design was complete. I felt no need to add anything more to it, despite having a lot of white space! So, I scanned it in and prepared it for posting to social media.
I’d like to work this one with some colour to the flower and swirls, maybe the dangles too. The geometric pattern I’d like to add shading to bring out a more dimensional appearance to it. I may add that shading as shades of grey, or maybe as lines.
If you’d like more ideas about drawing dangles, then my book “A Dangle A Day” is a good place to start.
That’s where I have to leave it for now as I have a busy day away from home today.
Today, I have a simple dangle design greeting card along with a coordinating envelope. If you’d like some more ideas, inspiration and step by step instructions for drawing dangle designs then my book, A Dangle A Day, is a good place to start.
Materials and dimensions
4″ x 4″ Strathmore Bristol paper with a vellum finish 5″ x 5″ acid-free white card blank White envelope that card will fit in Distress inks in Tea Dye and Rusty Hinge Small piece of foam and a mini foam blending tool A piece of card with a 1.5″ x 0.75″ window cut in it to use as a stencil. Faber-Castell Pitt artist pens in F, S and XS Ruler and pencil Adhesive Glass pen and coppper ink by J Herbin
Making the card.
Use the card stencil and a small sponge dauber to apply a rectangle of Distress Ink in the top left of the 4″ x 4″ top layer. I used Tea Dye to colour the whole rectangle in, followed by a subtle gradient of Rusty Hinge from the bottom up.
Use a mini foam blending tool to add Tea Dye Distress ink to the edge of the top layer.
Use a pen to draw the rectangles around the colour block. I like to do this free-hand as it gives a more organic, human feel to the design.
Draw the sprigs and add the lines to the border. Dots help to add some interest to the more empty parts of the design.
Use a ruler and pencil to lightly draw a vertical line as a guide for the dangle. Also, draw pencil lines as guides for the position and size of the hand lettering. Sketch in the letters of the greeting.
Draw round and diamond shaped beads to form the dangle. I like to finish my dangles with a ‘heavier’ or larger bead.
Ink the letters in. I did some faux calligraphy where I made the down-strokes thicker. I added some lines and shading to the top line.
Carefully erase the pencil lines.
Attach the top layer to the card blank.
I used a glass pen and copper ink to add copper dots to highlight the dangle design and the hand lettering. I also drew a box just inside the top layer and another just outside it on the card blank. Again, I free-handed the lines, embracing the wobbliness.
Making the envelope
I used Tea Dye Distress Ink and a mini foam blending tool to edge both the front and back of the envelope.
I then used a sponge dauber and the card stencil to add a rectangle of Tea Dye ink in the top left.
I drew the design on the envelope as I had on the card, including adding a line border in copper ink.
Finally, I drew similar sprigs on the envelope flap, using the glass pen and copper ink.
Once I’ve addressed the envelope, I’d apply a thin layer of Distress MicroGlaze to the front and back of the envelope to protect the Distress Ink and drawing from the elements. I’ve done this to other cards and they have traversed the UK and US postal systems with no problems.
Ideas for using the design.
Although I’ve presented this dangle design as a greeting card, which is, I think, a lovely way to share a little bit of artistic loveliness with others, there are many other ways the design could be used, with or without any hand lettering.
In a BuJo, journal, planner or diary it would make a lovely little design to fill in a blank space.
This is a design that would work really well as a bookmark.
I’m sure it would look charming as part of a scrapbook spread.
I also think it would look lovely on a ‘with compliments’ slip or decorating the edge of a hand-written letter.
I’m sure there are many other ways and media that this design would be suited to.
I’m really enjoying drawing these kinds of dangle designs. They’re simple and elegant, to my mind anyway. They’re also quite easy to draw.
I do prefer to free-hand the lines and let the wobbliness be part of my signature style. It gives that human, hand-made, hand-crafted feel to the finished project, and a warmth to the finished project.
I work hard at finding a way of drawing digitally that lets me keep this uniquely ‘Angela’ way of expressing myself through line and pattern. I’m still working on it and sometimes get frustrated that, to my eye, my digital art seems too, well digitally perfect.
It’s all part of the process though – learning, developing, experimenting, trying out new ideas, techniques and methods. That’s what helps me grow as an artist.
If you’d like to find out more about drawing dangle designs, then my book “A Dangle A Day” is a good place to start. I’ve created over 120 designs, with step by step instructions, for you to use and inspire you.
It’s Friday, so that means it’s dangle designs today!
I drew these on postcard sized (148mm x 105mm) acid free heavy cartridge paper using a mixture of Tombow fudenosuke and Faber-Castell Pitt Artist pens. I then used Chameleon Color Tones and Color Tops to add some colour to the designs.
Again, I’ve drawn some really simple, cute and whimsical dangle designs that leave plenty of space on the paper for hand lettering or a hand-written note or letter.
Dangle designs are, of course, very versatile. I put these on the edge of a postcard sized piece of paper. However, they could be used as the focal point of a greeting card or note card. Lengthen the dangle, and they’d make cute bookmarks. They’d make interesting designs to fill spaces in a BuJo or scrapbook page. They’d also make interesting focal points on art journal pages.
I’d love to see how you use dangle designs – just tag me in social media!
Friday means it’s time for another dangle design, this time a ‘thank you’ card and coordinating envelope.
In previous weeks I’ve had some fun adding patterns to small blocks of colour. So, I thought I’d run with that idea and turn one into a simple dangle design. The steps I used were the same for the card and envelope.
The card is an A6 card and I cut a piece of Winsor and Newton Bristol paper to 5″ x 3.5″ for the card topper. The envelope came with the card blank so is A6 in size too.
I started by drawing a square of colour using the BL3 (Sky Blue) Chameleon Color Tone pen – no gradient, just pure colour.
Then, I added a gradient of BL6 (Royal Blue) over the base colour. I added pure blender to the Royal blue bullet nib using the mixing chamber. I didn’t use the Color Tops to add Royal Blue to the tip of the Sky Blue pen as I wanted a more subtle colour gradient.
Next, I used a Tombow Fudenosuke pen to draw around the block twice. Then, I added a filler pattern of spirals to the colour block. On the card I used a gold Uniball Signo sparkle gel pen. On the envelope I used the fudenosuke pen.
Now the colour block was decorated I turned my attention to the dangle.I decided to draw one dangle as I thought the design would look too crowded if I ad more. Sometimes, less really is more!
After drawing a faint pencil guide-line, I used a combination of beads, daisy-like flowers and a heart for the dangle. I wanted to keep it nice and simple.
Then it was time to add colour to the outline and design elements. I used the Chameleon Colour tops to add very simple colours. I didn’t do any gradients as the designs were so small. Instead I coloured them in the lightest colour, added a touch of darker colour where I wanted shadow and blended that out with the lighter colour.
I decided to hand letter ‘Thank you’ on the card using a soft nib Fudenosuke pen. I also added some tiny daisies to some of the loops and swirls to tie the hand lettering in with the dangle design.
I then mounted the card ‘topper’ on the card blank and added some gold glitter gel dots around the designs. I also added a gold line around the card topper.
Before I post the card, I’ll use some Micro Glaze from Ranger on the envelope to protect the Tombow pen from water damage.
Reflecting on the project…
Overall, I’m quite pleased with this. In hindsight I wish I’d used the Tombow Fudenosuke pen to draw the spiral pattern on the card. I think it’s a cute, simple and versatile design.
It would make lovely stationery, such as note paper or note cards, along with coordinating envelopes. There are lots of ways the design could be used in BuJos, Planners, Journals, Scrapbooks, and Art Journals. The vertical nature of the design means it would make a lovely bookmark.
How would you use this design? I’d love to hear, so leave a comment!
If you have a go at drawing and using this design then please share your finished products with me – I’d love to see how people use dangle designs!
If you want to learn more about drawing dangle designs then my book ‘A Dangle A Day’ is a good place to start. There’s over 120 designs for you to use as they are or for inspiration for your own designs.
Nearly every Friday I publish a new dangle design on my blog for more inspiration.
Today, I have a simple tutorial for a Remembrance dangle design.
To draw and write the design and instructions I used Faber Castell Pitt artist pens and Claire Fontaine Dot Grid Paper. I also used a Tombow Fudenosuke pen for the broader ‘Remembrance’ to the bottom right of the page.
I did colour the design digitally using a very simple colour scheme and colour gradients.
I do hope you have a go at drawing your own version of this design. I’d love to see what you create with it – maybe a greeting card, or in a scrapbook spread about a loved one lost during a war. Perhaps you’ll change the sentiment for a birthday or other occasion, and change the colour scheme with that.
I based this design on the one that is in my book “A Dangle A Day”. There are over 120 dangle designs in the book for you to learn to draw or as inspiration for your own designs.
Hello to November, and farewell Inktober. My blog post today looks a bit bare compared to my Inktober creations. However, I have neglected my dangle designs during October, so now’s the time to get back on track with them
Today, I’ve created a simple and elegant dangle design with an autumn colour scheme that could be used in so many different ways. I’ve also put together a step by step set of instructions how you too can create this design (and hoping that it’s not so simple that I come across as patronising).
This is my first time posting a set of instructions – post a comment to let me know what you think of them and if you’d like to see more of them in the future.
I’ve put the dangle design on one side of a slip of paper that would make a perfect compliment slip or a note to slip in with a gift, or just as a short letter to a friend. It would also be perfect for a coordinating piece of envelope art!
This dangle design would be absolutely charming as an embellishment in a BuJo, planner, scrapbook or art journal. It would also make a darling bookmark.
It would be easy to turn this design into a greeting card as well.
So many possible uses for such a simple design.
I do hope that you will give drawing dangles a go – no matter whether you think you’re good at drawing or not! This design is made out of just simple shapes; it’s the colour that brings it to life and masks all kinds of imperfections.
If you’d like more ideas for dangle designs, then please take a look at my book ‘A Dangle A Day’ – it’s filled with examples of dangle designs with step by step instructions and helpful and encouraging words of advice.
One step at a time to a dangle design.
Step 1 Draw a square in the top left corner of a piece of paper. I used a piece of paper measuring approx 8.25″ x 3.5″. I used a Tombow Fudenosuke brush pen to draw the box, and outline it. I deliberately made the squares less than perfect to give that human touch as well as a uniquely ‘me’ way of drawing boxes. The Fudenosuke pen allows me to draw lines of variable width quite easily, which adds to the charm of the box. The ink in the pen is also alcohol marker friendly. Letting your drawings be less than perfect is what makes them uniquely yours.
Step 2 I used Chameleon marker pens (BR3 “Cinnamon” and YO3 “Warm Sunset”) to colour the inner box. Autumn is definitely here in the UK, and the combination of these colours reminded me of the leaves. However, you could use any colour combination you like and any medium you prefer to use. Chameleon pens make it so easy to create a colour gradient – I prefer them to other alcohol marker pens, even Copics.
Step 3 I added a simple leaf pattern to the coloured box using a Sakura Pigma Sensei 04 pen.
Step 4 Add the dangle! For this dangle I used the same kind of leaves as in the box for a consistent design. I added some round beads as ‘spacers’. Finally, I added my ‘symbol’ to the end of the dangle. Also, I did draw a faint pencil line with a ruler to help me keep my dangle hanging straight, more or less!
Step 5 I coloured the beads and leaves in using the same colours of Chameleon Markers. I then decided I needed to add some shimmer and shine; I used a Uniball Signo gold glitter gel pen to colour in the border of the box and to add some dot highlights here and there. The Chameleons caused the Sakura Pigma Micron ink to smear a little – I always forget that happens! I should’ve used the Tombow pen again. Oh well, you live and learn, eventually!
I thought it would be fun to do a really simple turtle skull drawing along with those Xerocomus fungi and turn them into a dangle design.
I kept to simple line drawings, focused on ocean-themed charms for the dangle, and added really simple colour in places just to give an idea of how it could look fully coloured in.
I worked digitally, with Autodesk Sketchbook Pro along with a Surface Pen and Surface Studio by Microsoft.
The splashes of colour show how the line drawing, as simple as it is, just comes to life with colour.
If you’d like to know more about drawing dangle designs, then my book “A Dangle A Day” is a good place to start. I show you how, one step at a time, you too can draw dangle designs and I have over 150 examples of dangle designs you can copy or use for inspiration.
Inktober – day 5
My prompts for day 5 are owl skull and Favolaschia calocera. The prompt lists I’m using are from two people on instagram – @book_polygamist and @nyan_sun.
I’m partway through my design – the owl skull is drawn and I’m rather pleased with it. I have yet to draw the Favolaschia and other design elements around it.
Again, I’m working digitally for day 5 and pushing stylised design just a little bit more with this one.
Reflecting on Inktober so far.
Five days in and I am really enjoying it. The hardest thing for me is to not let it dominate my arty work each day. For three out of the four days so far I have also managed to get my goal of at least two illustrations for the coloring book I’m working on done. The Inktober drawings are also giving me some ideas for the illustrations for the book as well.
I’m also finding I’m ‘rediscovering’ styles of art that I haven’t done for a long time; the owl skull is an example of this and I will write more about that when I post day 5’s ink.
It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!
There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.
I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.
I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.
After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.
These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.
My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!
So, Angela, how are you feeling today?
I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.
I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.
It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.
I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.