Dangle Design Greeting Cards

Dangle Design Greeting Cards © Angela Porter | Artwyrd.com
Dangle Design Greeting Cards © Angela Porter | Artwyrd.com

Today I have two card designs for you, both featuring dangle designs, but in different ways.

If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day” of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them. 

Love Ya and With Love Card.

I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.

Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.

My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.

So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.

I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.

I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.

I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.

To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.

I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!

Black and white floral card.

Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.

To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.

Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.

I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.

It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.

Things I’ve learned and techniques I want to try.

The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering. 

I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system. 

Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.

I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.

I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!

So, there are lots of possibilities for going forward with this.

So, Angela, how are you feeling today?

I’m feeling the more content and optimistic than I have for the past two or three weeks.

I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.

I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time. 

Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing. 

As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.

Thinking of you – dangle design card and envelope

Thinking of you © Angela Porter | Artwyrd.com

Dangle designs

Today, I have a dangle design card along with a coordinating envelope for you. I’ve kept the construction of the card simple with just one layer on the card blank. The dangle design and hand lettering are also quite simple as well as whimsical in character.

If you’d like to find out more about drawing dangle designs, then
A Dangle A Day is my book about dangle designs with plenty of inspiration and suggestions.

Materials and dimensions of the card and envelope

The yellow card blank is 5½” x 4″ in size with a top fold. So, I started with a piece of card measuring 11″ x 4″.

I also cut a piece of Winsor and Newton Bristol board to 5″ x 3½” for the top panel.

Next, I used some thick printer paper to make an envelope. I used the We R Memory Keepers Envelope Punch Board. The size of paper needed and the position of the first score line are printed on the board. This tool from WRMK makes it so easy to create custom envelopes.

To make an envelope to fit a 5½” x 4″ card I needed to cut a piece of paper measuring 7⅞” x 7⅞”. I used 120gsm white printer paper for the envelope.

Pencil guide-lines

Before I started, I used a ruler and pencil to draw in some faint guide-lines for the banner ribbon and the hand lettering on the top layer. I also pencilled in the hand lettering.

On the envelope, I added some guide-lines on the left and bottom to give me a border.

Hand-lettering and drawing the design

I started by hand-lettering the sentiment, then I drew the ribbon banner around it.

My next task was to draw the dangle comprising of beads and hearts.

Finally, for the top layer, I drew in the arrangement of plants and added some shells and butterflies.

I didn’t use a pencil to sketch the design before I drew it in ink simply because I’m confident in drawing these kinds of designs. However, it is a good idea to do so if you’re less than confident. I started with the central flower pot and let the design grow out from there.

I then took my attention to the envelope. I started by drawing in the ledge on the bottom. Next, I added the plants, flowers, shells and butterflies. I then drew a black border around the envelope, just inside the edge. This line gave me something to hang the dangle from; I added a dangle similar to the one on the card.

Adding colour

With all the drawing complete, it was time to add some colour.

I’d received my Chameleon fineliners yesterday, so I thought I’d try them out as there are lots of small areas in this design. I love my Chameleon markers, but using them to add colour to tiny spaces can be a little tricksy.

I did try the Chameleon fineliners out yesterday for drawing lines and hand lettering. I found that they give a very long gradient, even with the shortest of touches of the cap to the pen. I thought this might work well in colouring the flowers in. I achieved a pleasing change of colour of the petals on each bloom from just one blending process. This blending also worked well for the butterflies.

What I did notice is that the fineliners moved some of the black pigment from the Uniball Unipin pens that I used to draw the design with. That was a bit disappointing. It may be that in the future I will need to draw, scan and then laser print the design out. That’s a bit of a faff, but it’s doable.

I’ve never been a fan of fineliners for colouring; I find they leave lines and tend to pill the paper. This is just a personal gripe about all fineliners.

The Chameleon fineliners are pleasant and comfortable to write with – comparable to other fineliners. So, unless I want to add colour using lines and cross-hatching, writing is going to be my primary use for these pens.

To colour the pots, banner, leaves, cacti, shells and ledge, I used some of my Copic Ciao markers. I chose to use these as the brush nib lets me colour tiny areas. Also, I wanted to use pastel-ish colours to tone in with the colouring from the Chameleon fineliners.

I did add some very simple Copic shading to the design.

The Chameleon fineliners had spread the black dots I’d added to the flower centres. So, I broke out a gold Uniball Signo pen to colour in the centres of all the flowers. I also used it to add a sprinkling of little dots around the design.

Reflections

I enjoyed creating this card and envelope. It was a quick, simple project. I also do enjoy drawing whimsical designs.

I like the sunshiny yellow card blank; it makes me smile, especially as it is currenty a grey and rainy day here in the valleys of Welsh Wales.

I think the card may benefit from the use of a bit of Wink of Stella to add some shimmer and shine to the wings of the butterflies and maybe the hearts.

I could’ve ink blended a background to the design using Distress Inks. I also could’ve added a drop shadow around the design to give it some dimension. Today, I chose not to do these things to keep the card relatively simple.

I also only added one layer to the card. I could’ve cut a piece of contrasting colour to go beneath the top layer to give a bit more of a layer. Alternatively, I could’ve used amarker to colour the edge of the layer to give a border, or ink blended some distress ink around the edge. Again, I chose not to do so; I wanted to keep the card simple and easy to do.

I think the result is cute and whimsical. I now have to find someone to send it to! I think that I’ll use some Distress Micro Glaze to protect the artwork on the envelope before posting it though.

Hand writing matters!

In a blog post called “Handwriting matters!” by Marie Celine she discusses why she thinks handwriting still matters in this age of digital communication.

I agree that handwriting does matter. Handwriting is as unique and individual as the person creating it. It’s also a much more personal way to communicate with others. It takes longer to handwrite a letter, note or memo and then deliver it either to the person or the post office.

It’s always nice to receive chatty, friendly emails from friends, and of course this is a quick and instant communication. However, there’s something to be said about the slower nature of communication by traditional post and that personal touch that handwriting gives.

I make these cards but rarely send them to another person, let alone include a handwritten note or letter. The cards sit around my home and never get shared with another person.

I think that needs to change, don’t you?

Not sure how to go about it, but if anyone who reads this would like to receive one of my cards and maybe a letter then leave a comment or contact me via social media or email.

I actually do love to hand-write; I always have and I’ve always taken a lot of pride in my handwriting. I remember making a huge effort to change it when I realised it was looking like my mother’s writing.

My preferred way of learning was to write and re-write my notes, condensing them into just a few lines of ‘memory joggers’. If my notes in lessons or lectures were messy, I would make it my task to tidy them up as soon as I could, which was also a way for me to review, consolidate and learn.

I have the facilities to hand-write digitally. I could keep a journal by writing on the screen. However, such activities frustrate me as I can’t turn the writing area to the angle I like to write at!

Also, as much as I love working digitally in so many artistic pursuits, there’s nothing quite like the feel of pen on paper, and I do love pens! I have a bit of an obsession with stationery, even though much of my work is digital these days.

Handwriting and therapy

Nowadays most of my handwriting is in my journals. It’s not as neat as I’d like it to be. I make mistakes. I like to hand-write my journals as the process of putting pen to paper slows my mind down. It gives me a chance to reflect and review what’s been going on in my life and also with my emotions.

Of course, reflecting on my thoughts and emotions, catching them in action is important to me as I continue with my journey to recovery from CPTSD. It also helps me to record events, emotions and thoughts that need to be discussed in EMDR therapy.

Handwriting vs Hand Lettering

Handwriting is that almost unconscious way we write things down – thoughts, notes, memos, to-do lists etc, as well as our signatures.

Hand lettering is a much more deliberate activity. It is like drawing the shapes of letters, not writing the whole word in one go. It’s consciously deciding what the shape, size and embellishments of a letter should be.

I enjoy hand lettering and I do tend to use the shapes of letters that I use in my handwriting. But that’s where the similarities end for me.

Do you still hand-write? How do you make use of handwriting? Do you think it’s still an important skill?

Leave a comment, I’d be really interested to hear what you think?

Congratulations – A Dangle Design

Congratulations Dangle Design ©Angela Porter | Artwyrd.com
Congratulations Dangle Design ©Angela Porter | Artwyrd.com

Friday means it’s dangle day!

Congratulations to you all as you’ve made it through another week and the weekend is upon us!

I made it a cute and simple design today. Easy motifs to draw. Simple hand lettering. Even the colouring is simple as I used flat colours with the only gradient being behind the sentiment.

My first step is to write the sentiment; I use this as the anchor for the rest of the design. I just used simple letters today; I made them all the same height. Actually, this is my favourite way of lettering sentiments; I think it looks quite cute and whimsical.

Also, I used squared paper as a guide for my design. It helps to keep my lettering on the level (and the letters the same height in this case). It also helps to keep the dangles vertical and the design symmetrical.

My sketch was really basic. I used concentric semi-circles for the leafy bush the flowers are growing out of. I used circles for the flower placement. I drew really sketchy butterflies. I drew lines for the dangles and placed the main motifs on them.

Once I was happy with the sketch, I inked it in using a digital brush pen in Autodesk Sketchbook Pro. Varying pressure on the pen varies the line width. I think it adds a bit more human character to the drawing, and a bit more interest.

During the inking phase, I refined my sketch – adding petals to the flowers, detail to the leaves and groups of beads to complete the dangle.

Once I was happy with the inked design, it was time to add colour.

I chose fairly pastel colours with a summery feel for the design. Also, I used the same colours above and below the sentiment to give a more coherent design. I did add two extra colours to the dangles to give some more variety in the beads that join the dangles.

My final task was to add a bit of colour behind the dangle design. This is a simple gradient from a pale yellow, to aqua to blue.

I didn’t add any drop shadows this week – I wanted to keep the design simple.

And it really is simple to draw, honestly! Have a go! I’d love to see what you create using this as inspiration, be it a card, BuJo page, journal page, in a scrapbook, diary or any other way you can think of to use dangles. Post on my facebook page or tag me on Instagram!

Just a little reminder that I have a book called ‘A Dangle A Day‘ if you’d like to find out a little more about drawing and using dangle designs.

Summer Solstice Dangle Design

Summer Solstice Dangle Design © Angela Porter 2019 Artwyrd.com
Summer Solstice Dangle Design © Angela Porter 2019 Artwyrd.com

It is the Summer Solstice here in the Northern Hemisphere, the longest day of the year and from here on in the days will slowly get shorter. Still, it’s lovely to have daylight well into the evening with the sky still being fairly light at 10pm or so.

Yesterday evening I had a bit of an idea to try creating a dangle design on parchment, and this is the result. I needed a bit of a break from digital art after the hours and hours spent on my most recent mandala.

Parchment craft, or Pergamano, is an old craft and a lot of the work done, while beautiful, is really not my style. So I thought I’d try my style of art with it.

I used some ball tools to emboss the parchment with my design and then to add some shading. I drew the design directly onto the parchment with the embossing tools.

I started with the stylised flowers and worked out from there. Once I was happy with my design, I added a simple dangle consisting of round, heart-shaped and diamond shaped beads with a tear-drop bead to add some weight to the dangle.

I then added colour with some Kuretake Zig Writer pens on the reverse of the design. I chose colours that remind me of summer – the mature greens of summer foliage along with the bright colours of tropical flowers. I thought these would work well for the Solstice. Of course the hearts needed to be pink and I added some teal-blue to the small diamond beads for a bit of variety.

On top of the dots around the design I added tiny dots of gold glittery loveliness using a Uniball Signo glitter gel pen. I also added some tiny dots in the centres of the stylised flowers.

To give an idea of the size of this design, the black paper behind the parchment is A4 (approx US letter) in size.

Adhering the parchment to the black paper was a problem as glue shows through, so I had to use some tiny dots where the white lines were thick enough to disguise the glue.

I really think that the white lines of the parchment create something that is equally as lovely and maybe a bit more delicate than my usual black line art.

The uses of this design are many – greeting cards, note cards, framed artwork or used in Bullet Journals, journals, planners, scrapbooks, and more. In fact, I may replicate the design for my July cover spread in my BuJo.

If you’d like to learn more about drawing your own dangle designs, then my book “A Dangle A Day” is, perhaps, a good place to start.

So, Angela, how are you feeling today?

I’m feeling quite content today. Tired still, but content.

It seems the anti-stigma talk for Time to Change Wales and the anxiety I had around doing it on Wednesday has taken it’s toll on me just a bit. I do know, however, that I will recover in the fullness of time for sure.

This is part of the emotional/mental weather that is part of life. Beneath this weather is a calmer, more content Angela. I find this version of me from time to time; indeed I’m content in myself on many more days than I am discontented. Even with the bout of anxiety on Wednesday there was still a sense of being content.

It’s a strange thing to feel both at the same time. A bit like feeling the firm ground beneath my feet as a wild wind is buffeting me and trying to blow me down. I can feel that firm footing even when my emotions are a bit on the wild and windy side.

That’s progress on my journey to recover from CPTSD. Even more progress that I can recognise and describe this feeling.

This realisation makes me smile.

It’s progress, but it’s not where I want to be. I want to be able to go out and about without being scared of my own shadow. To be able to travel to unfamiliar places and actually get out of my car when I don’t have an appointment of some kind. To be able to go into an unfamiliar cafe or eatery when I’m by myself when I’m hungry and thirsty. To not go into full flight mode when something small has spooked me. To not be startled by loud noises. I want to be able to reach out to people without fear of rejection or to allow people into my home. To have all kinds of relationships with healthy boundaries where my needs and boundaries are respected by myself. To be able to go shopping without being overwhelmed by the choices available so I end up leaving without getting anything that’s needed.

These are but a few of ways that CPTSD affects my life and that I’d like to change through the healing journey I’m undertaking with the help of EMDR and therapy.

I’ve never been anything other than this permanently scared, extremely self-conscious person. Different events and places result in different levels of fear/anxiety in me. Even sat here, at my familiar desk, I feel anxious about writing about it.

The progress is that I recognise it now. I have identified it. Although it’s still there, it’s slowly being dis-empowered. Slowly means it’s being done properly and that I have time for the new level of anxiety or the increased self-awareness has time to become familiar to me before the next step forward is made. Familiar means it’s the more healed me. Healing bit by bit.

Golden memories – a dangle design

Golden memories dangle design ©Angela Porter 2019 Artwyrd.com
Golden memories dangle design ©Angela Porter 2019 Artwyrd.com

As it’s Friday it’s time for a dangle design, and here it is. All in monochrome, well nearly. I added some subtle colour to the photograph.

If you’d like some ideas and step by step instructions on drawing your own dangle designs then my book “A Dangle A Day” is a good place to start. Just saying like.

I decided to use one of the images from the ‘Photobooth’ collection in the Idea-ology range by Tim Holtz. I thought that around it it would be nice to create an entangled frame, and to add a simple dangle design to this frame.

With the vintage nature of the photo I thought that the hand lettered sentiment of ‘golden memories’ would be a good one to add.

In keeping with the vintage design I thought a monochrome colour scheme would be appropriate. Mind you, a color palette of subtle vintage colours would work quite nicely too. It would be nice if I’d changed the colours from greys and blacks to sepia tones.

I drew the design and did the hand lettering with Unipin pens on Winsor and Newton Bristol board. I then cleaned up the scanned image, and added the subtle colours to the photo, using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. I also added some subtle grey shadows to the design.

This would look absolutely charming framed, a lovely way to display cherished photo-booth images. I drew this image on a sheet of A4 paper (approx. letter size).

However, this would work on a smaller scale for a scrapbook, journal or even a BuJo. It would also make a lovely greeting card or note card for someone too.

It’s also an idea that can easily be altered for a more masculine tone, perfect for father’s day or a male birthday.

“Happy Birthday Brett” – An Entangled Design

"Happy Birthday Brett" An Entangled Design ©Angela Porter 2019
“Happy Birthday Brett” An Entangled Design ©Angela Porter 2019

Happy Birthday Brett!

Today is Brett’s birthday. Brett is a lovely person who works hard with the Angela Porter’s Coloring Book Fans facebook group.

So, I thought I’d design an entangled design for her birthday and ask members of the group to colouring using some or a lot of pink and shower the facebook group with pink in the coming hours and days (Brett loves pink!). I will be adding colour to the design in the coming day or two as well, to join in the colourful coloring celebration!

If you’d like to join in, just pop over and sign up to the group – you’ll be made most welcome there!

Dangle design

As it’s Friday it’s also dangle day and I sneaked a couple of dangles into the design, just for a bit of fun and also to make sure there’s some white space.

My tutorial book “A Dangle A Day” shows you how, step by step, to draw your own dangle designs.

To draw this design I used a 0.8 Uniball Unipin pen and an A4 sheet of Winsor and Newton Bristol board. I added the colour gradient digitally.

So, how are you today Angela?

My day started off rather flat and a tad ‘meh’ as I woke. It was raining-pouring and the skies were dark and leaden. The clouds have now broken and some sunshine is streaming through. As the sun has shone my mood has improved to a fairly content status.

I think I’ve confirmed what I finally noticed earlier this week – the weather really does affect my mood. I may have to get some lamp bulbs that mimic the qualities of sunlight for gloomy days to prevent gloomy moods.

Off I go now to add some colour to the design above!

Dangle Day Friday and the end of an emotionally exhausting Mental Health Awareness Week.

Daisy © Angela Porter 2019 - Artwyrd.com
Daisy © Angela Porter 2019 – Artwyrd.com

Dangle Design – Daisy

I woke up this morning with an idea, which was to use a dangle design of a flower along with some words about that flower. I chose to start with Daisy and you can see what I’ve come up with so far.

I’ve included a fair bit of etymology concerning the word Daisy; I find etymology (the origins and evolution of words) fascinating.

I drew the dangle design on paper and then scanned it into Autodesk Sketchbook Pro on my Surface Studio.

Next, I re-drew the design digitally using my Microsoft Surface Pen on the screen just like pen on paper. I set the brush to have a width that varied with pressure.

My plan was then to hand letter the title and the words about the daisy.

I tried again and again and again and I was never happy with what my pen put on paper (or screen). So, in frustration with myself and the knowledge I have other things that I really need to get done today, I decided to foray into the realms of Microsoft Publisher.

I did choose a font that is very similar to my own basic hand lettering style. I think I may need to look at how I can convert my hand lettering into custom fonts to use in the near future for days like today.

I do quite like the simplicity of the layout, but I do think I could’ve done a bit better with the text. I’m quite happy with the dangle design – the simplicity suits the simplicity and innocence of lovely daisy itself.

If you’d like to learn how to draw dangle designs, step by step, then my book “A Dangle A Day” is now published.

My Emotional well being

I am emotionally exhausted. I’ve not had much of a chance to recover from my EMDR session on Tuesday which left me absolutely poleaxed.

Wednesday and Thursday I took care of a stand for Time to Change Wales, and though they didn’t take up all the day it still drained me.

I’d said to myself on Wednesday I’d not put the happy smiley mask on over my exhaustion and emotional ‘flatness’ as I had little energy to spare for the effort it takes to keep that mask in place.

I had no choice about the mask; it appeared automatically, draining me further on Wednesday and very much so yesterday.

What didn’t help was that I had a commitment on Wednesday evening which I couldn’t cancel. So I had very little time between the stand and dashing out again to have some self-care time.

The result of all this is that when I got home after the stand and then running a couple of important errands that couldn’t be put off was that I was absolutely running on empty. I had something to eat and ended up sleeping for a couple of hours.

This has all taken it’s toll on my digestive system which has been upset since EMDR on Tuesday. It’s still not right today even though I went to bed early and woke up later this morning than I usually would.

I know I have a busy day tomorrow, one I can’t cancel on and I have lots of things to get ready for that today. All I want to do is sleep. My mind doesn’t want to work but it has to work.

You may be wondering why I do all this to myself. Well, Time to Change Wales (TTCW) with it’s goal to end stigma and discrimination around mental health by getting people to talk about it to gain more understanding and compassion is very important to me. I’ve faced that stigma, discrimination and total lack of understanding by so many people.

Mental Health Awareness Week happens but once a year (though it should be mental health awareness week every week!) and TTCW are so busy everyone who can help does to make sure the message gets out.

Also, I had no idea that EMDR would floor me this week, but it did.

I knew about my commitment for tomorrow, but didn’t think that everything else in the run up to Saturday would drain me.

You may think I’ve let myself down by not taking care of myself.

Perhaps that is true. However, I think it’s worth it for just this one week. I’ll recover, most probably just in time for EMDR on Monday!

Even though I do have a fair amount of stuff to do in preparation for tomorrow, I can stay at home and take a nap if I need to. I also don’t have to answer the door – I already ignored a knock from someone who seemed to be trying to sell double glazing; I saw him and his mate walking down the street with a handful of leaflets each.

Even though I am very tired, emotionally and mentally, it was important to me I took time to do some art and I’m quite pleased with my drawing, and disappointed in myself that I just couldn’t hand letter it myself.

So, as much self-care as I can do in the next couple of days is absolutely essential for me, and art is part of my self-care toolbox.