I matter. I matter equally. Not ‘If only’, not ‘as long as’. I matter. Full Stop.” – Chimamanda Adichie, Nigerian writer.
A balanced world is a better world. How can you help forge a more gender-balanced world? Celebrate women’s achievement. Raise awareness against bias. Take action for equality. www.internationalwomensday.com
Today is International Women’s Day, Furbaby Friday and Dangle Day so what else could I do but combine them all into one design?
I started by sketching them out on dot grid paper. My favourite sketching tool at the moment is any one of the darker tones in the Koh-I-Noor Magic multicoloured pencils range. The thickness of the lead encourages me to be bold in my hand lettering and drawing. It also encourages me to draw on a larger scale than I usually do.
Something else I’ve noticed is that drawing with such a thick (but fun and coloured) pencil,I can’t put all the small details in that appear in the final image in the sketch. It really is a sketch which I can then use as the skeleton, the framework, the architecture for the final design.
The thickness of the pencil also means that my hand lettering is bigger than usual. I can also deliberately wear the lead down into more of a chisel shape which helps with the thick downstrokes and thin upstrokes.
It’s also a pleasure to write with pencil and my writing always feels neater when I do write with a pencil. I have no idea why that is, but it just is.
Anyways, once the design was sketched out, I scanned the design into the Microsoft Surface Studio and used Autodesk Sketchbook Pro and a Microsoft Surface pen to first ink in the outlines and then add colour, details and texture.
For the colours I kept to a fairly simple colour scheme with pink and purple for the flowers and hearts and the Women’s Day symbol. I just had to use a rainbow to fill the hand lettering (apart from the word ‘women’s’). And the pusscat just had to be mainly white, but I thought peachy-pink stripes would be quite nice.
Can you believe there are just a few hours of February left and March is nigh? Time seems to be just flying by for me.
I’ve spent the last 4 hours or so sketching then drawing this design. It’s yet to be coloured. I need to get some other stuff done first.
I sketched the dragon loosely out on paper, scanned the sketch in, then digitally inked it in using various thicknesses of drawing pen brushes.
I just felt some giant daffodils were needed behind the dragon. Or is it a miniature dragon lounging beneath some daffodils?
It’s been a long, long time since I’ve drawn any dragon. At one time, many years ago, I used to draw them a lot. Often it was a sign that something wasn’t right with my mental or emotional health. As I’m getting better and better thanks to EMDR and some effort on my part, I draw dragons and other fantasical things less and less. Though I guess you could argue that a lot of my art is rather abstract and not realistic.
It’s going to be interesting colouring this one in. Of course the dragon has to be red as tomorrow is St David’s Day. The red Welsh dragon is iconic of Wales. Daffodils are too.
As I’ve said, I need to do some other things for a while. Not just because the other things need doing but because I need a break from this. I may very well add some more elements to the design before I get around to adding colour. I think I’d like the colour to bring up the feel of stained glass or perhaps a lino or wood cut. I’ll see when I do it. I may also use this design and add dangles to it too, as Fridays are when I do tend to post a dangle design (A Dangle A Day is now published and available – my tutorial book on how to draw dangle designs).
Tools used – Pencil and Rhodia dot grid paper. Microsoft Surface Pen. Microsoft Surface Studio. Autodesk Sketchbook Pro. Backgrounds purchased via Creative Market.
Over the last couple of days we’ve had some glorious late winter, sunny, mild weather. The kind of weather that can uplift my spirits.
It’s also lovely to see the late winter flowers bursting into bloom – snowdrops, crocuses, daffodils – and even celandines and daisies showing the heads in the sunshine. I also spotted the first signs of pussy willow about to burst into its furry delightfulness. The cascading catkins always lift my spirits. They’re all signs that winter is coming to an end and spring is waiting ready to burst forth.
I woke this morning with the idea of a simple monogram dangle design in my head. I knew it had to have a pusscat in it along with a snowdrops. It’s been a while since I included a cat in a dangle design, but today is the perfect day for that. Actually, every day is a perfect day to draw a cute, cuddly cat. A white cat to match the white snowdrops. I also included a paw print charm; my beautiful white cat, Cuffs, certainly left very deep paw prints on my heart and though I said goodbye to him last year after over 16 years with him as my companion he lives on in those paw prints and my memories of him.
The monogram had to be an S for snowdrops and spring. The monogram also had to have a spring flower as part of it’s design.
I’ve chosen quite a pastel and simple colour scheme for this dangle design to reflect the more pastel colours of spring. I also included a black and white chequerboard frame for the monogram, to add some contrast and some ‘weight’ to the design, grounding it onto the paper.
A sunny blue background with the cooler sky colours of winter but with the warmth of the sun seemed appropriate. It reminds me of these glorious days we’ve had that are presaging the coming spring.
I started by sketching my design out with pencil on paper. I scanned this sketch in and then re-drew the design with a technical pen ‘brush’ in Autodesk Sketchbook Pro using a Microsoft Surface Pen on the screen of a Microsoft Surface Studio. Then it was time to colour, again working digitally in this instance.
My final job was to choose a square background and I wanted one that spoke of sunshine and the threshold of spring, so I went for a soft yellow watercolour wash.
The whole task has taken me around 2 hours to do. It’s a simple design, with simple colouring.
If you like this dangle design and would like to learn how to draw your own then my book ‘A Dangle A Day’ takes you through the steps and has lots of dangles you can use to create your own designs as well as suggestions for where you could use them.
designed a template for Time To Talk day which is 7th Feb 2019 – a day where people are asked to start a conversation about mental health
designed and coloured a dangle design for the lunar new year
got my emotions, feelings, thoughts somewhat back into near balance after a brutal EMDR session yesterday for my cPTSD; as is often the case the session appears gentle, but it’s not till afterwards I feel the exhaustion, upset, and so on of the traumas being processed
get my Instagram account disabled for a breach of their rules, guidelines or something.
I’m not sure which is the most noteworthy or the biggest success!
I have no idea why Instagram have disabled my account. I’ve tried to contact them but the email address just bounces back, though the Messenger message has gone through. I suspect it may be to do with my rant about copyright infringement, but it was never directed at Instagram or anyone on instagram that I know … sheesh.
So, I guess if Instagram no longer want me there, then so be it. I shan’t be setting up another account with them that’s for sure if I don’t get some idea about what it is I’m supposed to have done!
Anyways, it’s Lunar New Year and the lucky colours for the year are red, green and purple, so that’s why that’s the colour scheme for the dangle. I thought a gold background would go with the opulence of the colours; I’m not so sure about that now!
It was a very quick drawing and colouring session for the dangle design.
Talking of dangle designs, my book A Dangle A Day is now published. In the book I show how to create dangle designs, one step at a time and there’s a whole host of different dangle designs you can use for various celebrations and events throughout the year.
The world is still in the grip of winter; I woke up this morning to a coverlet of snow covering everything. Yet again, I’m am so grateful that I work at home and don’t have to go out until it clears, even if that takes a day or so.
I wanted the colours in the dangle to reflect winter, but I also made Valentine’s Day a focus for the design, and I used that as an opportunity to include some more bits of hand lettering.
I did sketch the design out on Rhodia dot grid paper then scanned it in. I then re-drew the design digitally using my usual trio of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Book.
Today, I have a template or two to create for a colouring day at the Welsh Office in Cardiff on Time to Talk Day next Thursday. Time to Talk Day is the day where we’re encouraged to talk to people about mental health and well being. I don’t have anything to do on this day for Time to Change Wales, yet, or at any point in the week. I do have other projects to work on as well.
My own anxiety seems to have slid back to it’s usual constant background level after a stressful time earlier this week. It takes time. Mindfulness meditation helps somewhat, but it does take time for those stress response chemicals/hormones to leach out from my body even when I calm myself down.
This little card and envelope took me around 3 hours to make. I had to remember how to do various things and find my supplies to do them with!
My first task was to make the sentiment banner. I had the idea for this one after someone asked me for recommendations of good books for learning hand lettering as they’re not at all happy with their handwriting.
Hand lettering and handwriting are not the same thing. Hand lettering is something you unconsciously do. Hand lettering is the conscious and deliberate drawing of letters, one by one. Practice, like everything else you want to learn and become good enough at, is important. I suggested that they try printing the sentiments out on their computer or using words cut out of books or magazines or stickers or stamps and ink pads used by card makers until they’re comfortable with their own lettering style.
That led me to thinking that rather than writing the sentiment directly onto the paper that I’m going to draw the dangle design on, what about if I hand lettered it on paper again and again until I’m happy with it and then cut that version out. I could then layer it onto coloured card to make a border, or onto the paper or or or…
So, that’s what I wanted to use here. A variation on what I’ve done in previous cards. I cut two trips of mixed media paper, one around 1cm wide, the other around 0.7cm wide.
On the narrow strip I wrote my sentiment. I did this confidently as I knew if I got it wrong I could always write it again – I’d not ruin my dangle design in any way. I then trimmed the strip close to the start and end of the sentiment.
Next, I coloured the wider strip of paper with victorian velvet Distress Ink. I trimmed one piece so it was just a little longer than the sentiment. Then, I cut two rectangles from the coloured strip. I cut triangular notches into one end of each of the rectangles. I used the sponge applicator to make sure the edges of the coloured pieces, including inside the notches, and the sentiment strip coloured. By doing this, there’s a darker edge to the pieces and this defines them against the background. The final step in making the banner was to glue the pieces together as shown in the photo.
I cut two pieces of mixed media paper for the front of the card. The smaller one I made a little narrower than the sentiment banner; I wanted the ribbon to hang over the edge a little. I used a pencil to mark where I wanted the banner to sit on the card. I then used a pencil to mark out the centre of the card so I could position my dangle centrally.
Above where the ribbon would sit I wanted to place an arrangement of pot plants – succulents and a cacti. Below I wanted a fairly simple dangle, but one that had elements that appeared in the arrangement of pot plants. I drew these with a 05 Uniball Unipin Pen.
I then wanted to colour the two pieces of mixed media paper before I coloured the designs in.
For the larger one I used Peacock Feathers, Bundled Sage, Weathered Wood and Tumbled Glass Distress Inks to colour the whole of the paper panel. I edged this panel with Faded Denim Distress Ink. Then, I lightly sprayed the panel with water so that I’d get some faded watermarks as a texture in the colour.
For the upper panel, I used a very light hand to add the same Distress Inks to the paper, but in a much paler shade. I also edged this panel with the Faded Denim Distress Ink. I realised it hadn’t erased the pencil guidelines before I added the Distress Ink so when I went to erase them they wouldn’t fully erase. I’d forgotten that I had to do that! Still, it adds a bit to the distressed feel of the cards, that and the damage marks that were on the larger panel too.
To colour the dangle design I used Mitsubishi Uni coloured pencils. I used a fairly limited palette across the design.
The last two steps before assembling the card were add dots of gold ink and some shiny adhesive crystal gems.
To assemble the card I used glue to adhere the lower panel directly to the card. I then used foam squares to adhere the dangle design panel to the lower panel and the sentiment ribbon to the dangle design panel. This card has quite a bit of dimension to it.
My final job was to decorate the envelope. I decided to draw some pot plants and some of the daisies along the bottom. I added some butterflies to the left as the area above the pot plant seemed empty, unbalance. I haven’t coloured the envelope in as I’m in two minds whether to or not. Also, it would be nice to edge the envelope with the Faded Jeans Distress ink too, maybe even colouring the envelope with the same Distress Inks as the card. There’s also the back flap of the envelope that would benefit from a little potted succulent drawing I think.
Distress Inks are water-reactive, so if I do this, once the envelope is addressed a light application of Micro Glaze would seal the colour in so it wouldn’t be damaged in the mail.
I’m actually quite pleased with this card. It’s got me thinking about how to do more of this kind of stuff – card making the ‘Angela’ way!
If you give making cards like this a go, I’d love to see what you create! Happy art-ing, lettering and crafting!
Here’s a pretty pair of whimsical and cute dangle designs card and envelope.
For the focal point of the card I used a butterfly from a pack of Ephemera from Tim Holtz called Botanical. I added some metallic gold ink highlights to the butterfly as I knew I’d be adding gold to the design. I also edged the butterfly with some Peeled Paint Distress Ink using a sponge ink applicator.
I then cut my paper to fit the card blank I wanted to use; I learned my lesson from the the last card I made! The card blank measured 8½” by 4¼”. So, I cut a piece of Claire Fontaine Mixed Media paper 7¾” by 3¾” to create the dangle design on.
I used the butterfly as a guide as to where I wanted to add some flowers upon which it could alight. I also drew pencil guidelines in for the centre of the design and the sentiment banner.
Then it was drawing the design. I used a 05 Unipin pen from Uniball.
I started by drawing the flowers at the top of the design.
Next, it was the hand lettering for the sentiment ‘Just for you’.
Flowers, hearts, stars and spherical and teardrop shaped beads are my goto choices for dangles. I did add a charm that was based on some jewellery, as well as a square charm with a geometric pattern inside it.
When I’d drawn the main dangle I realised I wanted to add a bit of width to it. So, I added two bars stretching out from the side of the square charm and used the ends to hang dangles made up of hearts and beads.
Colouring was the next task. I used Tombow Dual Brush pens to colour the design in. The colour gradients weren’t strong enough for me, so I used Chameleon Duotone Pencils to add depth to the colours.
Then, it was time to attach the butterfly using some foam squares.
I then used a dip ink pen to add some dots of gold FW Pearlescent ink around the design. I also used gold to fill in the lettering of the sentiment and various elements of the dangle design.
Next, I added white dots highlights to some of the design elements using a Sakura Souffle pen.
I also used a blue-grey Chameleon pencil to add shadows to the design at this point.
Before affixing the design to the card blank I used a sponge ink applicator and Peeled Paint Distress Ink to edge the design. That was the card done.
I then thought it would be fun to create an example of an addressed envelope using a dangle design as a monogram. I used some of the charms from the card for this design. I also drew some simple, whimsical butterflies above the monogram. I used Chameleon Duotone Pencils to colour the dangle design and to add a shadow to the dangle.
Pencil guidelines helped me to keep my lettering evenly spaced and of a consistent size. In this case I just guesstimated them, but in future I think I will need to measure the spacing of the lines!
Finally, I added some glittery golden stars with a gold glitter Uniball Gel pen as well as some white dot highlights using a white Sakura Gelly Roll pen.
One thing I realise I didn’t do was to make the colours in the dangle more harmonious with the butterfly. The color tones of the butterfly are quite antique and grungy and I used rather bright, clean colours to colour the design with. I also am not happy with the monogram on the envelope; it’s too small and the lettering style doesn’t seem sympathetic to the rest of the lettering.
I’m going to put these down to me still suffering the lingering effects of the stinking cold I’ve had for the past three days. It’s definitely broken now, but I’m still not 100%.
It’s also a learning experience. I’m not a wonderful card maker; I do dabble in it from time to time, however dangle cards are fun to make and with the decorated envelopes it’s double the fun! I think I need to start sending happy mail to people! I’d be happy to receive this card with a letter inside – how would you feel about it?