Doodleworlds design 12 November 2018

Angela Porter 12 November 2018

After the emotions surrounding Remembrance Day and all the heart-tugging posts on social media concerning issues around veterans and families and so on, I needed to create something that was a little fun.

I drew the design yesterday and I’ve spent the past 4 hours colouring it using my set of Chameleon Color Tones and Color Tops.

Not digital art this time, just some fun doodleworlds style critters and monsters and objects, along with some geometric designs as well as my trademark arches and swirls and spirals.

I love how all my critters are different and yet close together getting along, even if some of them look a bit grumpy, fierce or angry. We all have emotions, a whole range of them from ecstatic, happy to sad, angry, miserable. It’s like a weird kind of family, friendship photo. Even the single kitty to the left of the tower is part of this group, even though it’s keeping its distance.

Sometimes I need that distance from people, even groups of people I care for. I get overwhelmed so easily. I then need some quiet alone time and space to rest, recoup and recharge. I enjoy time with people I care about; the trade off is feeling drained and tired and exhausted afterwards.

It’s the same with overly emotional days. When I need to rest, recoup and recharge sometimes drawing overly whimsical, cute, simple designs with cheesily cute critters and monsters helps to soothe what’s going on inside me.

I really need a bit of that before I head out for EMDR therapy later on today.

Dangle Day Friday

Angela Porter Dangle Day 14 September 2018

Here’s two dangle designs for dangle day Friday. Simple designs, perfect for getting into the weekend vibe.

These are both experiments where I’ve worked on vellum/parchment, the kind that is used for Pergamano.

The one on the left – the monogram A – is nowhere near as garish in colour in real-life; I really don’t know what the scanner has done to the colours. I drew the design with a metallic gold Sakura Gellyroll pen. I then used Tombow Dual brush pens to colour the design on the reverse. I used shades of yellow, orange, red and magenta, but the scanner seems to have removed much of the red. I also managed to smudge the colours too. I don’t think I’ll be using Tombows on Vellum again.

I do like the gold linework and I think I’ll draw this design out again and colour on the reverse with coloured pencils, like in the dangle design on the right.

You may recognise the design on the right as last weeks dangle design. I traced that design onto vellum using a white Uniball Signo pen. I altered some of the details and the style of lettering.

Next, I did a little bit of ‘whitework’ on the reverse. This gave the highlights on the design that help to give the illusion of dimension as well as some texture. I let the design rest under a heavy book for an hour or so.

Finally, I used my Chameleon coloured pencils to colour the design in, again doing this on the reverse.

I like the colours on this one. The vellum mutes the colours somewhat, but it also softens any imperfections in the colouring.

I’m not sure about the white lines though. I need to try this one with some coloured paper underneath to help the lines stand out a bit more. I’ll post an image of it if it works.

I’d like to draw this design in gold and see how that looks. I may try black too. As well as using coloured pencils, I want to try using Copic  or Chameleon markers to colour the designs in, to see how they work on vellum.

These certainly were experiments, which I’ve learned from. Not only that, I’ve got some ideas to try out the next time I use vellum. I’m trusting I’ll find the combination of line colour and colouring medium that works for me and my style of working.

What would I do with these designs? Well, they would both work really well as spreads in Bujos, planners, journals and scrapbooks. I also think the monogram would make a lovely bookmark. They’d both make nice greetings cards or notecards. I’m sure there’s lots of other things they could be used for, such as framed pictures.

If you have any suggestions for how they could be used, leave a comment.

Artwyrd at Etsy

Last night I bit the marker pen and uploaded two sets of small greetings cards to my Etsy shop, Artwyrd.

Each set has ten cards featuring a coloured flower/mandala design stored in a small, custom made box along with matching envelopes.

The flower/mandala designs I drew myself in Autodesk Sketchbook Pro on my Microsoft Surface book.  I printed out multiple copies of the designs and then used my Chameleon Markers and Copic Markers to colour them.  Distress Ink was used to add colour around the designs.

The next step was to create colour mats for the designs; I used my marker pens to colour some Centaura Pearl card.

Before mounting them on the 3″ x 3″ (7.5cm x 7.5cm) card blanks, I embellished the designs with dots of metallic and pearlescent acrylic paint, as well as adding coloured gems.

Of course the cards sparkle!

The boxes are made from cardstock with the lids decorated with designer series paper; the colour ways chosen are complementary to the colours of the cards. I also used Distress Inks to distress the edges and corners of the boxes.   I’ve yet to embellish the boxes.

These are my fifth and sixth attempts at making the boxes.  I had to purchasing a new paper cutter that’s more accurate than the one I had been using.  I had used a template for a box that would take ten 3″ x 3″ cards, but wasn’t big enough for the envelopes.  So, I also had to work out and adjust the measurements needed for the base and lid so that the envelopes would fit in the box!  Frustrating, especially as maths isn’t my strong point …but I got there in the end.

I do have a couple of jobs to do to the cards/boxes; the boxes need some embellishment, and I need to add makers labels to them too.

The boxes will be nice for other things once the cards are used up – the lids are a snug fit.

All of the designs I have stored and may, in the fullness of time, put them together as a pack of digi-stamps so people can use them to create their own cards!

Shell Drawings and Chameleon Pens

AngelaPorter_6June_2017_ColouredShells

Between counselling and errands today, I’ve managed to create over 30 shell ‘digi stamps’ or individual images I can re-size and print out as needed by me, though I am considering putting them together as sets of digi-stamps, though I do need to add line detail to quite a few; that’s a job for another day.

I printed out a few of them on A4 paper, and used my Chameleon Pens to colour them in, and here’s the result – very brightly coloured.

My only problem is to work out what to do with them!  Do I use them in some mixed media index cards or bigger work?  Do I use them to make greetings cards?  Is there something else I could do with them?

At the moment I don’t quite know, but I’ll work it.  First I need to cut them all out.  Hopefully, my scissor skills will improve …

Oh, I drew the shells on my Microsoft Surface book in Autodesk Sketchbook Pro.

Mixed media index cards – 3 June 2016

AngelaPorter_3June2017_MixedMediaIndexCard1

Two more index card done!

I drew the fungi then coloured them with the Chameleon Color Tones and Color Tops pens.  Cogs have appeared in the background once again – gotta have a lil bit of steampunkishness!

I’ve used 3D Crystal Lacquer on the fungi caps and on the stars in the background.

I’m liking the slightly bigger format of the index cards compared to ATCs.

Chameleon Color Tones, Color Tops and a Coloured Mandala

SixColoured_AngelaPorter_3June2017

Yesterday, I recieved a big box filled with goodies – a full set of the Chameleon Color Tops to go with my Chameleon Color Tones markers, as well as a full set of ink refils for them

I couldn’t wait to try them out, and did on a couple of small fungi I’d drawn, which you’ll see in another blog post as I want to use them on some mixed media index cards.  I loved using them, and so wanted to do something a bit bigger, and the mandala above was the result.

What I love is the ability to create smooth gradations between one colour and another, with out the fuss of using two color tone pens to achieve this.  Of course, I still love the original colourless to full colour color gradation, and have used this in the mandala on parts of the butterflies.

However, I love strong, bright colours, and the Chameleon Color Tops are fab for doing this!

Now, I do have a full set of Copic Ciao markers, which are great.  However, achieving a smooth colour blend is quite difficult, especially with colours that are far apart in intensity or colour.  You can use the tip to tip method of transferring colour from one pen to another and use the pen to blend the colour a bit better, but I still struggle, even on specialist marker paper.

Not any more!

What I haven’t done is to look at how the pens blend when the colours are from different colour groups, such as blending a green to a red, but you can guarantee I’m going to try them out.  Apart from them maybe creating some mud where the colours overlap (which would happen anyway), I have confidence they’ll do this just fine and dandy.

Colorist app update

Doodleworlds1

I was pleased to be told by Shelly and Kelly at Faction Apps that there’s been an update to the Colorist app.  That means I had to have another play!

The image above is one from my first book for the Colorist app – Doodle Worlds.  Many areas have been filled in using the original pencil tool, which is great as it allows for overlaying of colours as well as being pressure sensitive if your device allows for that (my Microsoft Surface Book certainly does!).

It took me a while to get used to how the pencil works in the app, but that’s not a problem as either the undo or eraser tools allow you to completely remove anything you’re not happy with.  (The eraser is also useful for removing colour to create a highlight!).

Bucket Tool

One of the new tools is a bucket-fill, which is great for filling areas with flat, solid colour.  I used this tool for the pink monster.  The pencil tool can then be used to add shading/highlights over the base colour.

A useful tool is the bucket tool as it allows for quickly filling areas with a solid colour, even teeny-tiny areas thanks to the ability to zoom in on the image! This saves some time and effort, which can then be spent on carefully adding the shading and highlights to the area.

Marker Tool

This is my favourite addition to the tool box in the Colorist app!  I love the solid colour it lays down. The colours aren’t transparent, however, so blending isn’t yet possible with them ( perhaps that’ll appear in a future update of the app).  Markers (especially Chameleon pens) are my favourite way of adding colour to drawings like this on paper, so I look forward to this tool being developed more in the future (fingers crossed and maybe a bit of pleading from me!).

What I love most about this tool is that I can draw and doodle and add texture and pattern to the image with the solid lines that I prefer in my art. I did this with ease on the flower next to the orange and white stripey twisty thing.

The wide range of colours available in the colour palette mean that highlights and shadows can be achieved, so long as a subtle blend from one colour to another isn’t required.  However, I’ve just thought that a clever use of the pencil tool may allow this to happen.  I’ll have to try that out!

Eyedropper tool

I didn’t make any use of this tool, but I’m likely to in the future as it means that you can easily select a colour you’ve previously used in the image being coloured without going to the palette and ttrying to remember just which shade of, say, blue it was you used.

Sketching in the Colorist App

Angela one

The ability to sketch within the app, and save the drawings too, is the fab new feature.  I really like this, especially with the marker pen tool.

Usually, I use Autodesk Sketchbook  for drawing on my Surface book.  One of the weird things about drawing on the Surface with the pen is that there always seems to be some wobble in the line, even if the line drawn is smooth.  Autodesk has a smoothing tool, which in the Pro version you can set to a level that suits the art  you are doing at the time.

Although the Sketch function in Colorist doesn’t have the smoothing tool (yet?) it works just as well as Sketchbook for the kind of doodly, abstract, whimsical art I do.  The image above is a drawing I did in Colorist last night, it took an hour or so to achieve.

I enjoyed using this function, though not being able to rotate the digi-paper meant it was a tad awkward for me to draw certain things.  However, Colorist isn’t designed as a  dedicated drawing/art app, but I do wonder if a ‘pro’ version could be developed where a small fee is paid for such a functionality. The latest updates certainly suggest to me that there’s a possibility that this could be a direction the app could take in the future.

My verdict

I really like the updates, especially the marker and the sketch function. Congratulations to all at Faction Apps!

The suggestions I’ve made above for extending the additions in the future are not criticisms of the great updates made, but they would take this app beyond that of being just a colouring app, so I’m well aware they may not happen.

However, I do believe this app could evolve from being a colouring app into something more…