Monogram D entangled design (with some little dangles)

I had a day or two of subconscious reflection on how to pattern around a letter after not being all that happy with the lower case b design. So, I wanted to put my vague ideas into practice.

Yes, they were vague ideas, no clear idea of how I wanted things to look, but I just wanted to try them out and see where they led.

I started with a faint pencil outline of an uncial style letter d, and then used a fine nibbed Rotring Art Pen with black ink to draw the design with.

I used the pencil line as a guide to where the entangled designs would either butt up to the edge, spill over the edge or curl over it and I just let the designs flow and grow. I also left the design in an organic shape rather than working to a square or rectangular shape.

I did work on a piece of A4 paper, but the design is a little over a quarter of the size of the paper. I can’t believe I did such teeny-tiny drawings again! I really enjoyed it!

In some places I’ve made the edge too hard, too linear. In one place I tried to correct that (lower left of the d) by adding more bits to the pattern, but that linear line is still evident. However, it’s all learning.

After scanning in, I wanted to add some texture and a bit of colour to that letter to help it stand out more. I may try doing the reverse as in colouring the design in and leaving the letter plain later. I may even try using some watercolour brushes in Autodesk Sketchbook Pro, using my Microsoft Surface Pen and Microsoft Surface Studio.

I have designated friday as #dangleday, and I did add some tiny, fine danglesto the design. Dangles don’t always have to be big and fancy or a prominent feature of designs, like in my book ‘A Dangle A Day‘.

Entangled Art ‘b’

© Angela Porter 2-19

Yesterday, I just felt the need to do a bit of an entangled drawing. So, I started with the lower case b and added designs around it.

Not at all sure this works. The letter just looks ‘plonked’ on top of the design rather than part of it.

I do like the entangled stuff though.

Always something to learn – that’s my piece of Wednesday Wisdom. If you don’t try something, you never know if you can either do it or if it’ll work out. This one isn’t one of my better lettering adventures, but, I can reflect on what I like and what I don’t like and then try again another time.

I’m not at all sure I can ‘fix’ this one, but I can try again.

For this one I used Daler Rowney Bristol Board along with 08 Unipin Uniball and 04 Sakura Pigma Sensei pens.

Inktober 2018 Day 15 Weak

Angela Porter Inktober 2018 Day 15 Weak

Another day in Inktober and another hand lettered and illustrated quote.

My hand lettering really does need work/practice!

I just had to include a rude little monster tucked away in the intricate pattern around the quote.

I drew this on dot grid paper using Faber Castell Broadline and Fineline pens. I then scanned it in, removed the dot grid and created a transparent background in GiMP. I then used Autodesk Sketchbook to add a colour background and my watermark.

The drawing took a couple of pleasurable hours to do; it is smaller than my previous ones,being a round 17cm x 17cm in size (the overspills make it awkward to measure!

The design reminds me of the work I used to do before I became so immersed in coloring book design. I know this creeps out from time to time, and when I get a chance to do it I really enjoy drawing this kind of detail.

One thing I’d do, perhaps, if I were to go back and do this again I would definitely pay more attention to the hand lettering and I’d add some shadows to the line art to add some more depth/dimension to the design.

 

 

Inktober 2018 – Day 9 ‘Precious’

Angela Porter Inktober 2018 Day 9 PreciousInktober 2018 Day 9 – What’s precious to you?

That’s what I thought I’d go with once I started drawing this one.

Yes, it’s another doodleworlds type image. I’m quite enjoying them as a change from my usual style of art.

I drew this on Frisk Bristol Board with Sakura micron pens. Scanned it into Gimp so I could create a transparent background. Then, I threw it (not literally) into Autodesk Sketchbook Pro and added colour and texture there.

I actually finished drawing this this morning. I had to leave it uncoloured to go out to do an anti-stigma talk for Time to Change Wales this morning. That left me feeling emotionally drained.

After the talk I had to make my way to Neath for a spot of lunch before my counselling/EMDR therapy appointment. That drained me even more and I’m still reeling from it now. A very intense session today.

I came home shell-shocked from it and I had to sleep. Which I did. On waking I turned my attention to colouring this in.

The colours aren’t quite as vibrant and bright as others I’ve used recently. I think that reflects my state of tiredness and emotional exhaustion.

All the same, I had fun coloring, which I don’t get to do often.

Inktober 2018 – Day 8 – Star

Angela Porter Inktober 2018 Day 8 Star

Migraine gone, slept well, started this around 7am and have just finished at noon!

I drew the black line art on Rhodia Dot Grid paper, scanned in it, removed the dot grid and created a transparent background in GiMP and then coloured it in Autodesk Sketchbook pro.

My tools were – Sakura Micron pens on the paper, and a Microsoft Surface Pen on the Microsoft Surface Studio screen.

I did pencil in the letters before handlettering them, and I also penciled in the outer border for the artwork.

I did make use of gradient tools in Autodesk Sketchbook Pro, as well as a glow airbrush tool and layers.

I did want to try to colour it in in a more traditional style with the digital tools, but it just didn’t happen this time …

Now, I need to get my shower and sort myself out for the remainder of the day, which does include starting work again on my next Entangled book for Dover Publications’ Creative Haven series of adult coloring books.

The Inktober 2018 challenge has helped me to get my hand/eye coordination back in some kind of shape after a week or more away from drawing when I took my trip oop t’Yorkshire Dales.

Oh, I just knew I had to include a quote about stars! Goes without saying.

My hand lettering does need some working on, but it’ll do in this instance.

Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.

Abstract botanical 13 September 2018

Angela Porter 13 September

I managed to finish colouring my WIP from yesterday. I have changed the colours of some elements and darkened the background.

Now, I’m working on the drawing for the next one.

One day, I’ll work on completing one or more of these with just colour and not black outlines, maybe.

Line art drawn with Sakura Micron pens on paper.

Scanned art coloured using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.