I’m still on the seed-pod kick as far as Sketchtember goes. Today, I sketched out some lovely heart-shaped nuts/seeds.
After drawing and adding colour to the first couple with Arteza EverBlend markers, I re-drew more stylised versions. Finally, I had a go at designing some Zentangle style ribbon patterns. I particularly like the one on the bottom right.
A quiet Sunday morning has been had, and the afternoon is likely to be pretty much the same.
I have a video on youtube, catching up with the last few days’ art as well as starting to colour this template with chalk pastel pencils. Disaster struck as I continued after the video, so turned to digital colouring.
The template will be available in the facebook group tomorrow. Now, I need to take a nap as I really haven’t had enough sleep the past three nights and I’m barely keeping my eyes open.
I added colour digitally, using Clip Studio Paint. Also, I added a grey background. I much prefer using a coloured background, it’s easier on my eyes. Also, the colours seem more vibrant against the grey background.
The template is a typically ‘Angela’ entangled, stylised, abstract one, with some inspiration from Zentangle patterns too.
I always enjoy the way that colour brings the drawing to life, and helps to enhance the layers in the drawing as well. It’s a bit of magic in my daily life for sure.
I’m not entirely sure about my colour choices. I wasn’t trying to keep within a colour palette, just having fun with colour and figuring more about Clip Studio Paint brushes. I really enjoy adding colour to my artwork with both digital art and a limited range of traditional media. I enjoy digital and traditional for different reasons. Digital work takes away the stress of making sure the right colours are chosen. If I mess up, it’s easy to change things without having to start over. It’s relaxing to do, just as art with traditional media, apart from colour choice.
This one contains some zentangle patterns, some of my typically entangled designs, and some cute and whimsical elements that are reminiscent of Doodleworlds.
I posted somevideos yesterday showing me drawing this coloring template, or colouring page.
The good news bit is that Lacy Mucklow, the art therapist I worked with for the Color Me books, alerted me to the fact that our “Be Stress Free and Color” book is one of the best adult colouring books listed by The Independent, a UK newspaper. The book contains illustrations and text from the original books in the Color Me series.
I had a wee bit of trouble doing this week’s template for the Angela Porter’s Coloring Book Fans facebook group. This is either the third or fourth I drew, and the only one I think is just about good enough. I think that’s a reflection of the stress-comedown I’m experiencing after a week of trying to make a decision, which is actually more like months. I finally did it, and now I have to find that sense of inner balance and peace again.
Anyway. I drew this design on Bristol board with a 05 Sakura Pigma Micron pen. The colours have been added digitally. And after my messing around with Chameleon markers yesterday, I really enjoyed adding colour digitally.
I think it may be more or less time for me to abandon traditional coloring media! I always get so frustrated in using them very quickly.
Pen and paper is still something I love to use for drawing, so that’s not going to change!
I was potching around last night with how to add colour to a drawing with traditional media. You’d think I’d’ve learned not to do this by now, wouldn’t you? I was getting nowhere except to the land of frustration and feeling useless.
This morning, as I tried wrangling still further, I thought to myself, “let’s break out the Chameleon markers”. I did, and I also dug out some marker paper and started to draw. And I was happy with the design.
And then I started to add colour … and that’s where it all went to pot.
Oh the colours are lovely, individually. Just not when put together.
I’d also forgotten how much I like to use Chameleon markers. However, I really need to stick to monochrome! And, I think the Chameleons will work well in a monochrome manner. But not just yet. First I need a nap.
Lack of sleep was the usual overly hot at night stuff and also the early morning Wednesday wake-up for my Abel & Cole groceries delivery. What energy I had has now gone. I’m starting to go cross-eyed with tiredness, so I think I’ll need to nap very, very soon.
Do you know the kind of days where it’s hard to get out of bed? Days when your body and soul need a day cwtched up safe and warm in bed? Well that was today for me.
A day spent doing very little. A bit of art. Watching geology videos on youtube. Playing games on my phone.
I’m now vertical, at my desk. I’ve scanned in one of my little drawings (approx 3¼” x 4″, or 8cm x 10cm) and digitally added a background, shadow and highlight. The shadow and highlight are a tad patchy, but they do help to bring the drawing to life.
My sketchbooks have been the focus of my attention during the waning days of 2020 and the start of 2021. I’ve done pages of zentangle-type patterns, borders and ‘fragments. I’ve been trying out monograms, and I’ve been drawing in more of my signature style, as above.
This page shows some experiment with colour and texture in the sketchbook. I used fineliner pens for the textures and Pitt Artist Brush Pens, both ‘neat’ and with a waterbrush.
I had to work hard with myself to do this. I didn’t want to mess up the drawing, which I quite like, with colour and so on. But then I told myself I can always re-draw it, along with losing the elements I’m not keen on. I really like the bird-like design at the top of this coloured image.
The others were drawings done for the sheer joy and comfort of drawing. All intuitive, though I did pay attention to a reference photo of a meso-American pot for the face in the right-hand drawing.
All drawings were done with an 05 Unipin pen in my A4 Artway Enviro sketchbook. The 05 pen nib has become worn, and usually I’d bin it, but I’m working with it and seeing how I can vary the width and intensity of line. I’m trying to allow myself to embrace the perfectly imperfect quality of the line and the character it brings to my drawings. I find that I like it, which surprises me. Now, all I need to do is to work to replicate this digitally; maybe not a perfect replication but something that is similar enough.
I have three sketchbooks on the go at the moment.
The A4 and A5 Enviros are for drawings and designs, as above. Fairly polished and starting points for further work. I can try different things out – such as colour and texture – knowing that I can either scan the drawings in before I try these experiments out, or I can always re-draw the design, altering the parts I’m not happy with.
The third is an A4 SeaWhite all-media sketchbook. Although I have done some drawings in there, it’s been repurposed into a zentangle/pattern experimentation and record book. I use colour and shading with the drawings as they are purely for reference and the pleasure of drawing them. Not surprisingly, many of the pages are aesthetically pleasing in the way that needlework or cross-stitch samplers are. You can look at the page again and again and still find designs or sections of designs that surprise you.
The past few days I’ve needed to find an activity that comforts me. I find this time of year emotionally difficult as I’m triggered by Christmas and New Year and all the hoo-haa around it. The short days and lack of sunshine doesn’t help much. My daylight therapy lamp helps somewhat, but it isn’t as good as working at my desk or taking a walk bathed in winter sunlight. I also find myself bone-weary a lot. Mind you, not sleeping properly at night isn’t helping me either.
As an introvert, I tend to retreat into a world of my own at these times, or to immerse myself in other worlds through films and books. And of course art. I limit my social media activity to the absolute necessary. This way, the societal pressures I feel fade away, and before long the world is back to the way it is for the vast majority of the year.
This year, my main haven of peace and contentment has been in my sketchbooks. I’ve found particular comfort and delight indulging myself in zentangle patterns. The patterns are familiar, but working on them to create unique variations that are my own has been something new and different for me. As has allowing myself to draw them in my own way.
As well as comforting me, I’ve discovered that I find it hard to be uniquely me in my artistic expression. Accepting that the way I draw something is just fine as long as I’m happy with it. The videos from the Zentangle family have been incredibly useful in helping me see this, as well as making me determined to change it too. Not just with zentangle type stuff, but with my art in general. Also, I realised that I do this for other people, but never for myself. Time to change that, methinks!
I’m still in ‘comfort art’ mode for the next couple of days. I’m still not ‘right’ emotionally, and I’d like to be before I turn my attention to the example coloured templates for Entangled Starry Skies and sketches for the cover of the next colouring book.