Entangled Cards and Envelopes

Entangled Cards and Envelopes © Angela Porter | Artwyrd.com
Entangled Cards and Envelopes © Angela Porter | Artwyrd.com

I’ve woken to a grey, wet, fresh day here in the Welsh Valleys. The coolness is actually quite delicious on my skin. The rain is freshening the air and world up, clearing the dust away. What a way for the weather to see out August!

It’s a perfect morning to do some artsy crafty stuff. For me, that meant finishing off a pair of cards with coordinating envelopes.

Making the larger entangled seed pods card.

The top panel measures 3″ x 3.75″, mounted on an A6 card (UK sizes). 

I coloured The envelope, top panel and the border of the middle panel envelope and the edge of the middle panel with Crushed Olive, Forest Moss and Shabby Shutters Distress inks. I used a mini foam blending tool to achieve a gradient. 

I sprayed water onto the top panel. Distress Inks react with water and results in some interesting textural patterns. I didn’t spray water onto the envelope; the paper is too thin to take such treatment.

My next task was to draw the entangled designs; I chose to go with some seed pods, leaves, a geometric pattern and some little flowers too. I added some ‘sparkle’ patterns around the main elements to give the illusion of little things floating in the air.

Next, I added some sparkle and shine with some gold and copper ink. I placed ink inside the sparkles, the seeds inside the larger seed pods and the flowers too.

I used a brush and Distress inks to add some depth of colour to the design on the card. I decided not to do this on the envelope, again because of the quality of the paper.

Once I have someone to send the card to, I will address the envelope and seal it with Distress Micro Glaze so that moisture won’t damage the envelope.

The colour choice on this card is unusual for me, but it’s worked out nicely, particularly with the gold and copper accents.

The tiny floral card.

This card is tiny, measuring just 2.25″ x 3.25″. It’s envelope is a little larger than needed, but the We R Memory Keepers Envelope Punch Board didn’t have measurements on it for a card this size, so I just used the closest available.

The panel on the card measures 1.75″ x 2.375″. It is one of the panels from the Foursquare background frames I messed up while making yesterdays cards.

I used one of my ideas from yesterdays musings on the cards I’d made. I drew a simple design on both the card panel and the envelope front and flap using Uniball Unipin pens and then coloured it with Copic markers. I added some gold glitter dots with a Uniball Signo gel pen.

Once all was dry, I used a Versamark Pen to colour over the flowers, leaves and gold sparkles. Versamark ink is colourless and sticky and is made by Tsukineko; it comes in ink pads but also in double-ended pens – a bullet point at one end and a brush tip at the other. The ink takes a little while to dry. 

I covered the sticky areas with WOW super fine clear embossing powder and used a heat tool from Ranger to melt it, giving the design elements a glossy, protective and slightly raised finish. It also intensifies the colours somewhat, which I rather like.

So, I could now colour the background and envelope with Distress Inks without affecting the colours of the flowers, leaves and gold dots. I used a mini foam blending tool along with Pine Needles, Mowed Lawn, Tumbled Glass and Salty Ocean Distress Inks.

The final task was to glue the card panel to the card blank as well as the envelope flaps.

Again, once I’ve addressed the envelope, I’ll use Distress Micro Glaze to seal the inks and prevent any damage to the artwork while journeying to the recipient.

Reflecting on the cards.

I enjoyed making these cards. I particularly like the simplicity of the small card and the effect of the embossing powder. There’s something about teeny-tiny cards that really pleases me. I think it’s that their size makes them just so darned cute!

The larger card I am also pleased with, particularly in my use of colours that are unusual for me. I’m glad I added colour to the seedpods on the card; it helps them to stand out. I do love the copper and gold ink on this darker background too and how well they stand out.

Making envelopes that coordinate with the card is also something I enjoy doing; hopefully, the recipients see them as something a bit special dropping through their letterbox.

So, what’s on the cards for today?

It’s the last day of August, so I need to get a wiggle on to create a September colouring template for the Angela Porter’s Coloring Book Fans facebook group. I feel the need to include some autumn imagery in this one as we are in the dog days of summer for sure.

Tell me, Angela, how are you feeling today?

I’m tired but feeling quite content and optimistic again. I slept well last night; the weighted blanket really is working wonders for me as far as sleep is concerned. One problem is that I don’t want to get out from under it in the morning, so it must be comforting or soothing me.

I seem to have turned in a magnet for people who have escaped narcissistic abuse of all kinds. It’s nice to be able to help others by giving them space where I will believe their experiences, and I can help them, hopefully, to understand that they are not at fault but are victims.

Synchronicity pointing out to me how much I have learned and understood and healed and am now able to help others, perhaps?

Hello Gorgeous – A dangle design card

©Angela Porter 2019

Friday is dangle day! Well, it is for me. I like to finish the working week off with a cute dangle design, and today I chose to do a greetings card or note card with a decorated envelope.

The media I used were :

  • pencil and ruler
  • 05 Uniball Unipin pen
  • Copic markers
  • Kuretake Zig Wink of Stella brush pen
  • Claire Fontaine mixed media paper
  • Distress ink and sponge applicator
  • Kraft card and envelope
  • Sticky foam squares
  • Two self-adhesive gems
  • White Uniball Signo gel pen

As it’s still winter I thought some snowdrops would be appropriate, along with some crocus buds along with an evergreen wreath. Stars and hearts are always favourites of mine to include, as well as some swirls and spirals.

I chose quite cool and pastel colours for the design, along with very simple shading. The Wink of Stella added a little sparkle to the hearts, stars, beads and snowdrops in the design. A couple of self-adhesive gems added a touch of interest to the ribbon banner.

I used faded jeans Distress Ink to edge the paper panel, which I adhered to another slightly larger panel which I found in my stash of Distress Ink coloured papers ready to use. This one was also edged with faded jeans Distress Ink.

I then used Tombow Mono glue to stick the panel to the card blank.

I drew a simple arrangement of snowdrops and buds on the envelope in white ink and added some spirals and swirls to ‘ground’ the pot. I’m not happy with the spirals/swirls though, but it’s only an envelope so if I send this card to someone I can always decorate another envelope!

Replace the wreath with a photo of the recipient and you’d have a lovely, personalised keepsake of a card.

This design would also make a lovely page in a bujo (bullet journal), planner, scrapbook, or journal too.

My hand lettering is a little rusty; I’ve not done much in the past week or so as my focus has been on mandalas and work for my next book.

My book ‘A Dangle A Day’ shows how you too can create lovely dangle designs like this one, with ideas of how to use them.

Inktober 2018 Day 12 ‘Whale’

Angela Porter Inktober Day 12 Whale

Today’s Inktober drawing has turned out differently, a lot differently, to how I thought it would while sketching in Hay on Wye yesterday.

I woke up this morning and had some fond memories both of my white pusscat Cuffs and a sweet, large, cuddly (read overweight) ginger and white cat called William who was also known as ‘Willie the Whale’. He was a huge cat, even without his extra weight, but he had this sweet, high-pitched purr that was totally incongruous with his size.

So, today’s drawing had to be about Willie the Whale, who also loved to sniff flowers and definitely enjoyed his food.

As it’s Friday, it’s also #dangleday, so the drawing also needed to be a dangle design. And that’s what’s above.

This time, I sketched the design out on Rhodia Dot Grid paper, scanned it in, then did the inking digitally, as well as the colouring. My digital tools are a Microsoft Surface Pen along with a Microsoft Surface Studio along with Autodesk Sketchbook Pro.

Regardless of any skill or not skill in the design, it makes me smile, lots, even if there are still tears and heartache, with memories of William, Cuffs my beautiful furrpurrball who passed away last May and who I still miss terribly, and other cats who have chosen to spend their lives with me – Gormless, Spotty Baby Girl, Tabitha, Whiskey and Toby. Quite apt as it’s furbaby friday across the interwebs, including on the facebook group ‘Angela Porter’s Coloring Book Fans’.

Just a little reminder that my book ‘A Dangle A Day‘ is available to preorder. In the book I show you how to draw and design dangle designs for yourself for use as greetings cards, notecards, bookmarks and framed pictures, as well as spreads for bullet journals, planners, scrapbooks and more!

Dangle Day Friday

Angela Porter Dangle Day 14 September 2018

Here’s two dangle designs for dangle day Friday. Simple designs, perfect for getting into the weekend vibe.

These are both experiments where I’ve worked on vellum/parchment, the kind that is used for Pergamano.

The one on the left – the monogram A – is nowhere near as garish in colour in real-life; I really don’t know what the scanner has done to the colours. I drew the design with a metallic gold Sakura Gellyroll pen. I then used Tombow Dual brush pens to colour the design on the reverse. I used shades of yellow, orange, red and magenta, but the scanner seems to have removed much of the red. I also managed to smudge the colours too. I don’t think I’ll be using Tombows on Vellum again.

I do like the gold linework and I think I’ll draw this design out again and colour on the reverse with coloured pencils, like in the dangle design on the right.

You may recognise the design on the right as last weeks dangle design. I traced that design onto vellum using a white Uniball Signo pen. I altered some of the details and the style of lettering.

Next, I did a little bit of ‘whitework’ on the reverse. This gave the highlights on the design that help to give the illusion of dimension as well as some texture. I let the design rest under a heavy book for an hour or so.

Finally, I used my Chameleon coloured pencils to colour the design in, again doing this on the reverse.

I like the colours on this one. The vellum mutes the colours somewhat, but it also softens any imperfections in the colouring.

I’m not sure about the white lines though. I need to try this one with some coloured paper underneath to help the lines stand out a bit more. I’ll post an image of it if it works.

I’d like to draw this design in gold and see how that looks. I may try black too. As well as using coloured pencils, I want to try using Copic  or Chameleon markers to colour the designs in, to see how they work on vellum.

These certainly were experiments, which I’ve learned from. Not only that, I’ve got some ideas to try out the next time I use vellum. I’m trusting I’ll find the combination of line colour and colouring medium that works for me and my style of working.

What would I do with these designs? Well, they would both work really well as spreads in Bujos, planners, journals and scrapbooks. I also think the monogram would make a lovely bookmark. They’d both make nice greetings cards or notecards. I’m sure there’s lots of other things they could be used for, such as framed pictures.

If you have any suggestions for how they could be used, leave a comment.