A few, simple terms and conditions apply. All I ask is that you follow them and mention myself and the facebook group when you share the coloured template on social media. Tag me in your posts and I’ll definitely get to see them!
Autumn is well established here in the UK, so I wanted to combine leaves, berries and some acorns in a mandala.
I used an autumnal colour palette to bring the template to life. I think mine looks like a rich, decorative rug. However, I love to see how creative you people are with your colour schemes, particularly those of you who are heading into Spring or who don’t really experience Autumn in your part of the world.
I did draw and colour this mandala digitally, using Autodesk Sketchbook Pro along with my Microsoft Surface pen and the paper that is the screen of my Microsoft Surface Studio.
Hello to November, and farewell Inktober. My blog post today looks a bit bare compared to my Inktober creations. However, I have neglected my dangle designs during October, so now’s the time to get back on track with them
Today, I’ve created a simple and elegant dangle design with an autumn colour scheme that could be used in so many different ways. I’ve also put together a step by step set of instructions how you too can create this design (and hoping that it’s not so simple that I come across as patronising).
This is my first time posting a set of instructions – post a comment to let me know what you think of them and if you’d like to see more of them in the future.
I’ve put the dangle design on one side of a slip of paper that would make a perfect compliment slip or a note to slip in with a gift, or just as a short letter to a friend. It would also be perfect for a coordinating piece of envelope art!
This dangle design would be absolutely charming as an embellishment in a BuJo, planner, scrapbook or art journal. It would also make a darling bookmark.
It would be easy to turn this design into a greeting card as well.
So many possible uses for such a simple design.
I do hope that you will give drawing dangles a go – no matter whether you think you’re good at drawing or not! This design is made out of just simple shapes; it’s the colour that brings it to life and masks all kinds of imperfections.
If you’d like more ideas for dangle designs, then please take a look at my book ‘A Dangle A Day’ – it’s filled with examples of dangle designs with step by step instructions and helpful and encouraging words of advice.
One step at a time to a dangle design.
Step 1 Draw a square in the top left corner of a piece of paper. I used a piece of paper measuring approx 8.25″ x 3.5″. I used a Tombow Fudenosuke brush pen to draw the box, and outline it. I deliberately made the squares less than perfect to give that human touch as well as a uniquely ‘me’ way of drawing boxes. The Fudenosuke pen allows me to draw lines of variable width quite easily, which adds to the charm of the box. The ink in the pen is also alcohol marker friendly. Letting your drawings be less than perfect is what makes them uniquely yours.
Step 2 I used Chameleon marker pens (BR3 “Cinnamon” and YO3 “Warm Sunset”) to colour the inner box. Autumn is definitely here in the UK, and the combination of these colours reminded me of the leaves. However, you could use any colour combination you like and any medium you prefer to use. Chameleon pens make it so easy to create a colour gradient – I prefer them to other alcohol marker pens, even Copics.
Step 3 I added a simple leaf pattern to the coloured box using a Sakura Pigma Sensei 04 pen.
Step 4 Add the dangle! For this dangle I used the same kind of leaves as in the box for a consistent design. I added some round beads as ‘spacers’. Finally, I added my ‘symbol’ to the end of the dangle. Also, I did draw a faint pencil line with a ruler to help me keep my dangle hanging straight, more or less!
Step 5 I coloured the beads and leaves in using the same colours of Chameleon Markers. I then decided I needed to add some shimmer and shine; I used a Uniball Signo gold glitter gel pen to colour in the border of the box and to add some dot highlights here and there. The Chameleons caused the Sakura Pigma Micron ink to smear a little – I always forget that happens! I should’ve used the Tombow pen again. Oh well, you live and learn, eventually!
It’s been a while since I did any whimsical dangle designs, so here’s an A4 sheet full of ideas!
There are six complete dangle designs on this sheet along with lots of ideas for motifs to use. I’ve also done some hand lettering, something I don’t do often enough these days.
I know there are likely to be things associated with autumn missing from the sheet, but it is a collection of some of my favourites. I had a lot of fun filling in some of the space around the dangle designs with the lettering and design elements.
I used Tombow Fudenosuke and Faber-Castell Pitt Artist pens to draw and hand letter on an A4 sheet of dot grid paper by Claire Fontaine.
After scanning in, I decided I’d like to add some colour digitally. I used a different kind of brush setting – natural blend with an airbrush. I’ve not quite worked out how it works, but I like the way it’s turned out here. The colour blends turn out quite soft and gentle, however this brush setting does need some more experimentation by me.
These are lovely, simple designs that would be perfect for using in bullet journals (BuJos), planners, diaries, scrapbooks and journals as well as for greeting cards, bookmarks and more.
My book “A Dangle A Day” is a great resource for dangle designs and design elements (called ‘charms’ in the book), even if I say so myself. It also has easy to follow step by step instructions for beginners to more confident creatives, as well as lots of inspiration – there’s nearly 200 dangle designs in the book!
So, Angela, how are you feeling today?
I’m feeling content, fairly upbeat and the exhaustion of the past few days seems to have mostly subsided. There’s still some tiredness there, but I feel more able to cope with the demands of daily life.
I do have to venture forth into the world; in my rather emotionally fragile state the thought of going grocery shopping filled me with, well not horror but trepidation. Fortunately, I keep a fairly well stocked fridge, freezer and cupboard, but now I do need to go get some fresh fruit and veg, which I will do in a short while I expect.
It is good to be back to having the contentedness the dominant feeling – it’s not as strong as it has been which tells me there’s still some emotional distress lingering. However, it is the prevalent emotion.
I’ve weathered another emotional storm. I do try to remind myself that I’ve come through plenty of hurricane force emotional and mental storms in the past and I can come through them again. Nowadays, I know what contentedness feels like and during emotional storms it acts a lighthouse to guide me back to emotionally calm waters.
It’s the first day of astronomical Autumn in the Northern Hemisphere – Spring for those of you in the Southern Hemisphere.
The signs of autumn are all around me. leaves are starting to don their fiery autumn hues. Shiny-red rowan and hawthorn berries festoon the branches. Shiny purple-black bramble-fruits mask the sharp thorns on their canes. Nuts of all kinds are changing from green to brown – a veritable feast for all kinds of critters. Bunches of sycamore helicopters and ash keys can be seen peeking out from the dark-green-tinged-with-brown leaves. Fluffy seed-heads of clematis coat the hedgerows like some kind of Hallowe’en web-like decoration.
It is my favourite season of the year. I love the colours. I am fascinated with how nature reveals it’s underlying architecture as the foliage falls, creating piles of colourful, crunch leaves that remind me of glowing embers.
Nature really does prepare for the long winter sleep by donning her party clothes for a final blaze of glory , a memory that will stay with us throughout the cold, dark Winter months to remind us that she merely slumbers and will reawaken in the Spring.
So, given my current fascination with freeform crochet, I have created some seed pods; at least that’s what I had in mind as I created these forms.
I do want to add some beads to them; I can’t resist adding some sparkle!
Of course, seed pods are quite apt for the season the world is entering; they are in abundance. I do love seed pods; they feature in my artwork quite a lot. So, it’s quite natural that I’d want to try to recreate some of my weirder ones in crochet.
This kind of crochet is turning out to be a bit easier to do than I thought it would. I do have a lot to explore and discover and a lot more confidence to gain, but I think I’m making a good start. I do need to learn some more textural stitches as well how to create spirals just to start.
To give you an idea of size, the largest seedpod is approx. 12″ in length. I used a 3.50mm hook with DK yarn. I will make some more pods in four-ply yarn with finer hooks. They should work out smaller.
I suspect that on my travels I may come across some interesting yarns with various textures and finishes that I can use to add some interest. However, for now I will just focus on how I can achieve the shapes and curves that I’d like to form seedpods.
Don’t tell me it’s all about maths – I’m absolutely a nightmare at maths. I have to figure it all out my way.
Now, if anyone should ever like to create seed pods or anything else I create, I will try to work out a written pattern. But just not yet. I’m still working this all out myself!
Yesterday evening I had a pleasant hour or so using Distress Oxide and Distress inks to make some backgrounds for future card projects.
I used a soft rubber Brayer roller to add distress oxides to a small Gelli Plate. I then spritzed the Gelli plate with water containing either pearl, copper or gold Perfect Pearls before lifting the print with some Claire Fontaine Mixed Media paper. The water in the spray reacts with the inks to give an oxidised look. The Perfect Pearls in the spray add some subtle shimmer to the finished background.
Once the Distress Oxide background layers were dry, I used a rectangular die to cut a section from them.
To create backgrounds with Distress Inks, I used a mini foam blending tool to cover the card with colour. I then sprayed the card with some water containing pearl, copper or gold Perfect Pearls. Again, the water reacts with the Distress Inks, but this time creating small watermarks. The Perfect Pearls again add shimmer.
Making the card.
I chose a background coloured with Wild Honey, Tea Dye, Old Linen and Walnut Stain Distress Inks which were then spritzed with pearl Perfect Pearls infused water.
I wanted to create a dangle design card. From experience, I know that drawing on backgrounds with added Perfect pearls that my fine-liner Uniball Unipin pens can become clogged by the tiny flakes of mica that comprise Perfect Pearls.
So, I tried using a Uniball Vision Elite rollerball pen. The ink in it is supposed to be water-resistant, tamper-proof, fade-proof. It’s also very black, which suits me just fine.
I was surprised at how well the pen wrote on the background – not just because of the Perfect Pearls and Distress Ink, but also because the mixed media paper is lightly textured.
Once I’d completed the design, I used a needle=tip Pentel Energel Liquid Ink Gel pen to add smaller details.
While the plain black line on the coloured background looked OK, I thought it needed some colour to help lift it from the background.
I launched myself into using Copic markers, using somewhat darker colours than I usually would. That meant it wasn’t until I was adding some colour to the ribbon banner that I discovered that the Copic reacts with the inks in the pens and smears them. I was so disappointed in myself for not checking the pens were Copic safe. Oh well, you live and learn!
Rather than start again, I carried on with the card. I wanted to add some clear embossing powder to help the colours of the Copic markers stand out even more. So, I used a Versamark pen to colour over the designs, and then I sprinkled on the clear Wow Embossing Powder. I used a heat tool to melt the Embossing powder and achieve a glossy, dimensional finish on the dangle design.
The final step was to adhere the dangle design to a card blank, after adding some gold dots with a Uniball Signo glitter gel pen.
Fancy having a go at drawing your own dangle designs and not sure where to start? Well, you could start with my book “A Dangle A Day” where I lead you through the process. I have over 100 designs in the book where I take you step by step through drawing them. I have also included ideas for where you can use them including as cards, bookmarks, in BuJos, journals, scrapbooks and more.
Making the envelope.
I used the pre-made envelope that came with the card blank. I decided to keep the envelope white and add a border using some of the motifs from the dangle design.
I did use the Uniball Vision Elite gel pen and Pentel needlepoint pen to draw the design. This time, I coloured the design with some Mitsubishi Uni coloured pencils.
The low quality of the paper envelope wasn’t conducive to really amazing colouring, but it worked well enough.
Reflecting on the card and envelope.
I could’ve kicked myself for not testing the pens to see if they were Copic friendly. I don’t think I could send this card to anyone as it just isn’t up to scratch. I need to remember this in future projects.
Also, the Versamark pen smeared the ink a little too, but nowhere as much as the Copics did.
I used much darker Copic colours than I usually would without thinking that heat embossing them would intensify the colours even more. The colours aren’t as dark as in the photo, but they are still darker than I would like.
The coloured pencils colouring worked much better and perhaps I would’ve been better off using them on the card panel. Again, something to remember for the future.
I also noticed that the anti-static powder I used before using the Versamark and embossing powder has either removed or covered the Perfect pearls. I used the anti-static powder so prevent the embossing powder sticking to places it didn’t belong. This is always a possibility, especially when using Distress Inks to colour the background.
In hindsight, I may have been better drawing, colouring and heat embossing the design before colouring the background. However, I do like to have pre-coloured backgrounds to use for arty projects.
So, Angela, how are you?
I’m OK, still tired from a busy few days at the weekend and start of the week. I also have a flare-up of an ovarian cyst which is rather painful and achy. I’m feeling content and optimistic otherwise, though still tired even though I slept well last night. The exhaustion that comes with interacting with people, therapy and not enough me-time can linger for a good while — the joys of having CPTSD and being an introvert.
Yesterday, I was fatigued, and the flare-up ramped up in intensity as the day progressed. I wasn’t in the right place to create art or focus on work. I needed to practice self-care.
I chose to do some crochet after hearing about Crochyay, the online presence of a young woman called Olivia who makes flowers and leaves them with a little message tag for people to find and keep – random acts of kindness. She uses crochet to help manage her anxiety and depression as well.
I thought it was a beautiful idea and I thought flowers or little amigurumi hearts or similar would be lovely to make. Small, quick to finish projects that I feel I could manage. I’ve lost the oompf to do larger crochet projects such as shawls and blankets, but some little ones would be lovely to do.
I do find crochet and other crafts quite soothing and calming. I also feel I’m doing something, and they can stop me from just sleeping my day away. Little projects like flowers are fab for me when the thought of anything bigger fills me with procrastination and disinterest. Also, I find it much more motivating to do projects for other people than for myself, even if I don’t know those people.
So I managed to make quite a few flowers yesterday. I now need to make leaves and assemble them into little posies. Then, there are tags to make.
I’m also looking forward to making the tags as I can draw and decorate them too! So, little projects in their own right.
Finally, I’ll need to overcome my self-consciousness and anxiety about leaving them for people to find them.
The first day of a new month means I add a colouring template to the “Angela Porter’s Coloring Book Fans” Facebook group. I make the template an exclusive freebie for members of the group. The group is free to join. Why not pop over get access to this and all other group templates.
I drew the template on Winsor and Newton Bristol Board using a couple of Uniball Unipin pens. I scanned it in, cleaned up some smudges overruns.
As it’s September, my mind is on the changing seasons; we’re heading into autumn here in the UK. The rowan and hawthorn trees are laden with red berries already. The sycamore helicopters and ash keys are turning golden and are visible amongst the still-green foliage.
It is my favourite time of year. I love the comfortably warm days and the chilly nights. It’s a delight to snuggle down in bed with a warm body and a cool head. I sleep so much better too. Mind you, I think my weighted blanket is helping with that.
I love the change in the colour and quality of light – the golden hue delights me. I’m also looking forward to seeing the relatively rapid colour-changes that happen as the dull, dark greens of summer give way to the fiery conflagration of autumn.
So, my September template has autumnal motifs in it, though they’d work for any season no matter where you are in the world.
I will continue to add colour to this template throughout the month, hopefully. Then, at the close of September, I’ll show the finished coloured version.
I always look forward to seeing how different people colour the drawing. I love to see the different colours, media and techniques they use.
This has taken me a couple of days to complete, mainly because of appointments but also a big need for some self-care.
I don’t get to create many mandalas at times. So, On Sunday, after creating the cute angel kitty dangle design, I put my creative energy into drawing and starting to colour a mandala.
I worked directly on my Surface Studio screen with the Surface pen using Autodesk Sketchbook Pro and it’s fab symmetry tool to outline the the design in black ink.
Next, I used a marker brush and a blender brush to colour the design.
It’s the colouring that takes a lot of time.
I wanted to keep the colour scheme fairly simple, so I chose some vibrant shades of blue, green, yellow, orange and red.
Finally, I added a beautiful blue background and texture to the finished artwork.
On the whole, I’m quite pleased with it. The bright colours have been needed today as it’s a rather grey and damp day here in the Valleys of South Wales. Someone has a bonfire burning on the hillside opposite my home and the smoke is floating down the valley. There’s a temperature inversion that’s trapping the smoke quite low.
Add to that all the smoke and particulates from the plethora of fireworks that have been set off in the past few days and the air is rather fuggy, hazy.
However, the golden hues of the autumn trees glow all the more brightly against the grey skies, especially with a dusting of rain on them.
What I absolutely love to see are the dark trunks and branches becoming more visible as the leaves fall from the trees. The architectural contrast fascinates me; it’s being able to clearly see the skeleton that gives the tree form.
I didn’t have autumn in my mind when I was drawing or coloring this mandala, even though autumn is my favourite season. However, the jewel tones and the gradual predominance of the autumnal golds, oranges and reds on the outside of the mandala give it that kind of autumnal feel. The greens gradually change from blue-greens to more yellow-greens from the centre out, adding to that sense of a seasonal progression.
The coloured mandala also has a feeling of stained glass. I love stained glass windows and this one would make a very interesting ‘rose’ window! That I adhere to using black lines to delineate my design only reinforces the suggestion of stained glass.
What I haven’t done is add detailed patterns to the mandala. I don’t think this one needs it, though the leaves may need a bit of shadow and highlight to make them feel less ‘flat’.
On the whole, I’m quite pleased with this one. I think I’ve manged to get enough contrast from dark to light in each section to give that sense of dimension – something else I like to incorporate into my artwork.
The need for self-care
I’ve been rather emotional over the past few days. The post about remembrance and my Dad tapped into some grief, a door that had never opened before I had to say goodbye to my beautiful white cat Cuffs back in May.
I took time out of things to watch some Harry Potter films. I do get emotional when I watch them (or read the books) even though I know what’s going to happen. However, this weekend I was more emotional than I’ve been before.
Yesterday, was EMDR therapy day, and various memories had cropped up and one we worked with yesterday. That left me absolutely pole-axed, emotionally that is.
Part of my mental health – the CPTSD – is that I avoid emotions and when I get emotional I have shoved it aside and locked the emotions in a box, symbolically. I also shove the memories away, something referred to as dissociation.
I have very few memories of my childhood, adolescence or even adulthood. That’s because many of them are painful in some way or another and they have been locked away.
Locking them away means I have never worked through, processed, them and the trauma or emotions that go with them. The trauma is still there and is still hurting my emotional and mental health.
EMDR is helping to unlock memories, sometimes very painful memories I don’t want to believe happened or believe certain things about people. I always want to see the best and believe the best in people, except when it comes to myself; then, it’s always the worst possible.
I’ve been experiencing some cognitive dissonance and some very uncomfortable times as I try to come to terms with various realisations.
Add into the mix a busy week or so with appointments and events and I’m emotionally tired. Oh, not to mention the constant jumpiness with all the fireworks going off.
So, self-care is important. I watch films. Knit. Drink lots of tea. Snuggle up under a cosy throw. Nap if I need to. Eat healthily, when I can. Create art that I want to create rather than any that I feel I have to to meet a contract or some deadline or other, either real or self-imposed. Have some alone time – being an introvert beneath the face I present to the world I need alone time to recharge.
I know I’m on a jolly tomorrow with my pal Liz, so it’s even more important I recharge before that day out.
Autumn is my favourite time of year and Hallowe’en is my favourite ‘festival’. Not the dressing up or trick or treat and rowdiness, though I do appreciate the excitement that the little ones have about the spookiness and slight scariness that it all brings.
I just enjoy the atmosphere at this time of year that the darker nights and changing colours and falling leaves bring. It’s the time of year where I really appreciate candle light during the evenings, creating a cosier environment at home.
There’s a little more to it than that, but I can’t quite find the words for it at the moment.
Anyhoo, this whimsical, cute colouring template is available only to members of the Angela Porter’s Coloring Book Fans facebook group. It’s free to join. I create one template a month just for the members (sometimes I surprise them with a second one, and in the run up to Christmas I try to do a couple a week to help with de-stressing). Pop over and join a fair number of like-minded, friendly people.
We’re a week into September and autumn is nearly here in the Northern hemisphere, so I thought my dangle design should be one for this season. I think this would be a lovely BuJo page to separate the autumn months. I also think it would make a pretty notecard or greetings card. The hand lettering could be changed for another sentiment and it would be suitable for an autumn celebration. Alternatively, it would look great framed and hung as part of a quartet of designs that cover the four seasons; now there’s a project for me to do!
I drew the design on squared paper using Sakura pigma micron pens.
Then, I scanned the image in, used GiMP to remove the squares and create a transparent background
Next, I used Autodesk Sketchbook Pro to colour the image, create the textured background and add a shadow to the design.
I’ve said it before, and I’ll say it again, I love autumn! I love the way the world changes in terms of colours over the space of a few weeks, and the colours can be absolutely glorious.
I don’t know how the long, very hot and dry summer in here in the UK will affect autumn this year.
If you would like to design some dangles and not quite sure how, then my upcoming book A Dangle A Day (available for pre-order) will lead you through the steps as well as giving you plenty of ideas for dangle design.
Just a reminder that today is the last day for you to enter any of my giveaways, the prizes being signed copies of Eerily Entangled Art, my latest book in Dover’s Creative Haven series of coloring books.
See my previous blog postfor details on how to enter. I’ll be drawing the winners at random tomorrow evening, UK time.
If you’d like to access to September 2018’s uncoloured template, which is exclusive to members of the group, just wander over to the group, join and download. Please note, that terms and conditions do apply.
I drew this in Autodesk Sketchbook Pro on my Microsoft Surface Studio using my Microsoft Surface Pen.
Autumn is a-coming!
With the calendar turning to September, my heart lifts with the expectation of the glory of nature as autumn asserts it’s influence.
It’s my favourite season of the year. I love the bright, vivid colours that replace the darker, duller greens of summer. Nature’s picks out it’s most glorious paintbox and sets the world alight in fiery autumnal hues.
I also luxuriate in the cooler evenings and mornings and look forward to waking up to see dew, or even frost, on Binky, my Smartcar.
The fresh, clean, clear air that the turning season brings blows away the dustiness of the hot, dry summer.
There’s also the return of the pleasure and comfort of snuggling up under a duvet as night time is cooler. Not to mention the relief of sleeping well throughout the night.
There are other things I’m looking forward to this year too.
It’s hard to remember now the fear and trepidation that the return to school as a teacher that would come with the start of this month as the new school year starts.
Now, I look forward to the start of the new school year as the world is calmer, quieter during the school day and I can begin to venture forth from my home without my CPTSD panic kicking in when I hear the sound of teenagers shouting and arguing and swearing and being belligerent, just them being themselves really.
It’s not their fault, I know, but their sounds are triggers for my fear, anxiety, panic and cause me to want to hide in a quiet dark corner of my safe home. So much so, that I find it so difficult to venture out of my front door during daytime during the school holidays.
Through therapy, I will overcome this, but the reaction is so ingrained in me and goes right back to my earliest years; teaching, dealing with the dramas of teens on a daily basis as well as being the focus for some to vent their anger, just reinforced these automatic responses. This means not just unraveling the web of trauma that resulted in the panic response, it means learning a healthy response to such triggers, one that I’ve never, ever had in the first place.
Now, with the start of the school year, and a daytime world that is quieter, I’ll be able to find my courage to venture forth during the day once again. Maybe not often, but from time to time.
With it being my favourite season, with the theme of my next book being forests, to sketch and find inspiration in woods and forests during autumn is something I want to do this year.
It’s all part of my road to recovery from CPTSD. Autumn always feels like a time of new starts, more so than New Year. As nature begins to shed what is unnecessary so survival through winter is possible, so I work on shedding the trauma that has kept me in a metaphorical winter in terms of my mental and emotional health for a very, very long time.