So Thankful

So thankful ©Angela Porter | Artwyrd.com

Today, I have a simple dangle design greeting card along with a coordinating envelope. If you’d like some more ideas, inspiration and step by step instructions for drawing dangle designs then my book, A Dangle A Day, is a good place to start.

Materials and dimensions

4″ x 4″ Strathmore Bristol paper with a vellum finish
5″ x 5″ acid-free white card blank
White envelope that card will fit in
Distress inks in Tea Dye and Rusty Hinge
Small piece of foam and a mini foam blending tool
A piece of card with a 1.5″ x 0.75″ window cut in it to use as a stencil.
Faber-Castell Pitt artist pens in F, S and XS
Ruler and pencil
Adhesive
Glass pen and coppper ink by J Herbin

Making the card.
  1. Use the card stencil and a small sponge dauber to apply a rectangle of Distress Ink in the top left of the 4″ x 4″ top layer. I used Tea Dye to colour the whole rectangle in, followed by a subtle gradient of Rusty Hinge from the bottom up.
  2. Use a mini foam blending tool to add Tea Dye Distress ink to the edge of the top layer.
  3. Use a pen to draw the rectangles around the colour block. I like to do this free-hand as it gives a more organic, human feel to the design.
  4. Draw the sprigs and add the lines to the border. Dots help to add some interest to the more empty parts of the design.
  5. Use a ruler and pencil to lightly draw a vertical line as a guide for the dangle. Also, draw pencil lines as guides for the position and size of the hand lettering. Sketch in the letters of the greeting.
  6. Draw round and diamond shaped beads to form the dangle. I like to finish my dangles with a ‘heavier’ or larger bead.
  7. Ink the letters in. I did some faux calligraphy where I made the down-strokes thicker. I added some lines and shading to the top line.
  8. Carefully erase the pencil lines.
  9. Attach the top layer to the card blank.
  10. I used a glass pen and copper ink to add copper dots to highlight the dangle design and the hand lettering. I also drew a box just inside the top layer and another just outside it on the card blank. Again, I free-handed the lines, embracing the wobbliness.
Making the envelope
  1. I used Tea Dye Distress Ink and a mini foam blending tool to edge both the front and back of the envelope.
  2. I then used a sponge dauber and the card stencil to add a rectangle of Tea Dye ink in the top left.
  3. I drew the design on the envelope as I had on the card, including adding a line border in copper ink.
  4. Finally, I drew similar sprigs on the envelope flap, using the glass pen and copper ink.
Before mailing…

Once I’ve addressed the envelope, I’d apply a thin layer of Distress MicroGlaze to the front and back of the envelope to protect the Distress Ink and drawing from the elements. I’ve done this to other cards and they have traversed the UK and US postal systems with no problems.

Ideas for using the design.

Although I’ve presented this dangle design as a greeting card, which is, I think, a lovely way to share a little bit of artistic loveliness with others, there are many other ways the design could be used, with or without any hand lettering.

In a BuJo, journal, planner or diary it would make a lovely little design to fill in a blank space.

This is a design that would work really well as a bookmark.

I’m sure it would look charming as part of a scrapbook spread.

I also think it would look lovely on a ‘with compliments’ slip or decorating the edge of a hand-written letter.

I’m sure there are many other ways and media that this design would be suited to.

Final thoughts…

I’m really enjoying drawing these kinds of dangle designs. They’re simple and elegant, to my mind anyway. They’re also quite easy to draw.

I do prefer to free-hand the lines and let the wobbliness be part of my signature style. It gives that human, hand-made, hand-crafted feel to the finished project, and a warmth to the finished project.

I work hard at finding a way of drawing digitally that lets me keep this uniquely ‘Angela’ way of expressing myself through line and pattern. I’m still working on it and sometimes get frustrated that, to my eye, my digital art seems too, well digitally perfect.

It’s all part of the process though – learning, developing, experimenting, trying out new ideas, techniques and methods. That’s what helps me grow as an artist.

A simple and elegant Autumn Dangle Design.

Autumn Dangle Design ©Angela Porter | Artwyrd.com

Hello to November, and farewell Inktober. My blog post today looks a bit bare compared to my Inktober creations. However, I have neglected my dangle designs during October, so now’s the time to get back on track with them

Today, I’ve created a simple and elegant dangle design with an autumn colour scheme that could be used in so many different ways. I’ve also put together a step by step set of instructions how you too can create this design (and hoping that it’s not so simple that I come across as patronising).

This is my first time posting a set of instructions – post a comment to let me know what you think of them and if you’d like to see more of them in the future.

I’ve put the dangle design on one side of a slip of paper that would make a perfect compliment slip or a note to slip in with a gift, or just as a short letter to a friend. It would also be perfect for a coordinating piece of envelope art!

This dangle design would be absolutely charming as an embellishment in a BuJo, planner, scrapbook or art journal. It would also make a darling bookmark.

It would be easy to turn this design into a greeting card as well.

So many possible uses for such a simple design.

I do hope that you will give drawing dangles a go – no matter whether you think you’re good at drawing or not! This design is made out of just simple shapes; it’s the colour that brings it to life and masks all kinds of imperfections.

If you’d like more ideas for dangle designs, then please take a look at my book ‘A Dangle A Day’ – it’s filled with examples of dangle designs with step by step instructions and helpful and encouraging words of advice.

One step at a time to a dangle design.

Step 1

Step 1
Draw a square in the top left corner of a piece of paper. I used a piece of paper measuring approx 8.25″ x 3.5″. I used a Tombow Fudenosuke brush pen to draw the box, and outline it. I deliberately made the squares less than perfect to give that human touch as well as a uniquely ‘me’ way of drawing boxes. The Fudenosuke pen allows me to draw lines of variable width quite easily, which adds to the charm of the box. The ink in the pen is also alcohol marker friendly.
Letting your drawings be less than perfect is what makes them uniquely yours.

Step 2

Step 2
I used Chameleon marker pens (BR3 “Cinnamon” and YO3 “Warm Sunset”) to colour the inner box. Autumn is definitely here in the UK, and the combination of these colours reminded me of the leaves. However, you could use any colour combination you like and any medium you prefer to use.
Chameleon pens make it so easy to create a colour gradient – I prefer them to other alcohol marker pens, even Copics.

Step 3

Step 3
I added a simple leaf pattern to the coloured box using a Sakura Pigma Sensei 04 pen.

Step 4

Step 4
Add the dangle! For this dangle I used the same kind of leaves as in the box for a consistent design. I added some round beads as ‘spacers’. Finally, I added my ‘symbol’ to the end of the dangle.
Also, I did draw a faint pencil line with a ruler to help me keep my dangle hanging straight, more or less!

Step 5

Step 5
I coloured the beads and leaves in using the same colours of Chameleon Markers. I then decided I needed to add some shimmer and shine; I used a Uniball Signo gold glitter gel pen to colour in the border of the box and to add some dot highlights here and there.
The Chameleons caused the Sakura Pigma Micron ink to smear a little – I always forget that happens! I should’ve used the Tombow pen again. Oh well, you live and learn, eventually!