Cirque-doodle, mandala, zendala

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Sometimes, the simplicity of monochrome is enough!  Of course, there’s touches of gold , which don’t photograph very well.

The mandala, cirquedoodle, zendala, design was drawn using Sakura Micron and Uniball Unipin pens on a circle of mixed media paper that is approx. 4.25″ in diameter.

Cirque-doodle

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This is what I’ve done with one of the Distress Oxide coloured circles I blogged yesterday.

It’s essentially finished, though I may add a few metallic highlights, and maybe some drops of 3D Crystal Glaze.

The Distress Oxides give a lovely soft feel to the paper and it is lovely to draw on.  The mixed media paper on it’s own is quite hard and bumpy and not a surface I enjoy working on with pen; the Distress Oxides and water spray have changed that.

I still have a few circles to draw on, but shortly I need to turn my attention back to things of an eerie nature.

New Distress Oxide Colours – I finally have them!

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I finally got my happy hands on the new Distress Oxide colours today!  I had enough time between appointments to have a quick play, so four sheets of mixed media paper, some circle and tag dies and my Sizzix Big Shot as well as 1″ and 3/4″ square paper punches this is what I’ve ended up with.

The colours are lovely, different, kind of, to the original Distress Inks, but lovely.

So, I now have a lot of bits to doodle and draw on!

Today’s Entangled doodle

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This is today’s little piece of art; it’s 14cm x 10cm, drawn on natural coloured mixed media paper from Claire Fontaine.  I used a mixture of Sakura Micron and Uniball UniPin pens, along with a white Sakura Gelly Roll pen, a brown Kuretake Zig Clean Colour Brush Pen with a damp paint brush, and some dots of metallic copper paint.

It’s Friday…

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This week, I’ve been doing my best to get images drawn for the Eerie themed book.  Various appointments and just generally feeling down and unwell have got in the way, and today hasn’t been much better.

I have spent sometime drawing a ‘DoodleWorlds’ image, which is sitting in a file on my computer to be re-drawn and so on.

The zentangle kind of thingy above is something I’ve done not too long ago.  I drew the design using Sakura Micron pens and a white Sakura Gelly roll pen on natural coloured Mixed Media Paper from Claire Fontaine.  The paper size is 10cmx14cm.

Last weekend, I created this bit of art work:

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It was deviantART.com’s 17th Birthday and a challenge was set there.  I wanted to have a go as it was a bit of a challenge, it let me try out new techniques/ides with Autodesk Sketchbook Pro and my Surface Book and Surface Pen, but mostly it’s because deviantART is where various editors/publishers/artwork managers have found my art and engaged me to do work for them.  That is the reason I was able to leave teaching, how I’m able to look after my mental health more, and to find a different way of life as well as being able to heal.

Thank you deviantART! And thank you everyone else who has believed in me, my work, and given me opportunities, even when I’ve not believed in myself, my ability, or the quality of my work.  And thank you everyone who has bought the books and stamps and so on … I am so grateful.

Happy Coloring Day 2017!

Angela Porter National Colouring Day 2018 colouredSmall

Have a wonderful day, and find even a few minutes to colour, relax, unwind and calm!

Here’s my finished version of my Coloring Day Template 2017.  I’ve enjoyed colouring it, muchly, but now need to turn my attention back to drawing eerie lineart for Dover Publications.

Oh, I coloured it using my Microsoft Surface Pen and Microsoft Surface Book in Autodesk Sketchbook Pro.  It took around 15 hours or so to complete, I think; I lost time while doing it!

Doodles and zentangles…not digital!

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That’s right!  Not digital, but drawn using Pitt Artist Pens from Faber-Castell.

Something inside me told me I needed a break from playing around with digital art, and that my pen wielding skills needed a bit of a dusting off.

If anything, drawing digitally has resulted in me being a bit more confident and fluid with my pen strokes.  I also realised that it’s a lot easier for me to work out designs on paper (though I’m not happy with all of the drawings above – a bit out of practice, maybe).

I’m  my latest drawings for the Dover Publications project, I have been drawing out the bare bones of a sketch on paper, scanning in and then working on it digitally.  That has helped me with size and layout of the design for sure.

This makes me hanker after a Surface Studio even more, as I’d be able to work on a digital image at a 1:1 scale for A4 drawings at the very least.

It’s not easy for me, it seems, to get my brain around the the fluidity of scale of drawing digitally as compared to the fixed scale on paper.

All the same, I really enjoyed wielding a pen with creativity on paper rather than screen.  It has it’s own pleasures, and challenges, including having to work with the mark you make when you put ink directly on paper; there’s no easy ‘erase button’ to be used!  So, it’s more about going with the flow and the creative opportunities that the permanency of ink results in (creative opportunities being the positive way to view ‘mistakes’; as I was once told, there’s no mistakes in art, only happy accidents!).

Oh, the boxes on the images.  Well, I do intend to scan these in individually and create files for printing out, the boxes being there where a greeting or message or quote can be placed.

Also, each drawing is approx. 4″ x 4″ (10cm x 10cm)