You can tell I love autumn! I just couldn’t resist another drawing with pumpkins and assorted autumnal motifs. In the video accompanying this picture, I get all the drawing done and start adding colour. This photo is of the completed drawing so far. There’s plenty of space for some more autumnal goodies!
As I worked on some warm, grey paper (‘Clay’ Toned Paper from Fabriano), the colours are muted and feel a bit washed out. Usually, Inktense pencils with a light wash of water are bright and vibrant, but the grey tones mute them somewhat. But I like that. It gives a vintage and nostalgic air to the artwork.
From time to time, I can circle back to drawing styles that I’ve not done for a long time. This kind of drawing, which has an etched ‘feel’ to it, is an example of something I’ve not done for what seems an age. I am, however, enjoying it very much. Exploring working on toned paper with various colouring media is fascinating for sure.
This morning, the first one of astronomical autumn, I felt the need to draw things autumnal. What better than oak leaves and acorns, mushrooms and pumpkins and a smattering of berries.
This wasn’t quite what I expected to flow out of my pen. Although the elements are stylised, there’s also a lot of contour line work and stippling to bring some volume and texture to the design. It’s a bit like an etching, lino cut or woodcut. A bit.
I can see where I started adding precise contour lines, but then they became much more expressive.
I’ve just added a coloured background to my drawing for now. I’m not sure about how to add colour yet. Do I risk messing it up by using traditional media? Or do I play safe and add colour digitally? At the moment, I don’t know. But there’s no rush. The image is scanned in and saved safely on my hard drive.
All I will say, for now, is that I really enjoyed drawing this. And I quite like it, even when considering the yeuchier areas of stippling.
Today is the last day of astronomical summer; tomorrow is the autumnal equinox, the first day of astronomical autumn. Autumn is my favourite time of year. I love the warm, balmy days and the cooler, snuggly evenings cwtched up under a warm blankie. The changing colours are glorious – nature in her fiery finery!
I’m hoping that the glories of autumn will entice me out from home a bit more often, camera in hand. I can hope. I’m still finding it hard to go out and about. But little by little, I am getting out a bit more, from time to time.
Anyhoo, today’s colouring page is an autumn-themed mandala. Now I know that for those south of the equator, spring is incoming for them, but Hallowe’en and Thanksgiving and other celebrations take place according to the calendar rather than the seasons. So though I’ve coloured this template in rich autumn tones, it could be coloured in any way you wish.
I love to draw mandalas, and this one was no exception, especially the cute, whimsical mushrooms and pumpkins! And not forgetting the acorns and oak leaves too. I even managed to sneak a few hearts in there. And of course, stars and moons, berries and botanicals are always most welcome!
Wednesday means it’s time for a sneak peek at this week’s coloring template for the facebook group “Angela Porter’s Coloring Book Fans”. And here it is!
Autumn is really beginning to show her splendour in the world around me in the Valleys of South Wales, UK. I know that not everyone is in the Northern Hemisphere, but even though this mandala is autumn themed, any colour scheme you like would work with it!
I do enjoy drawing mandalas, and this one was fun to do, that’s for sure. It’s also nice to see how the bare lines become fleshed out with colour.
I always enjoy seeing the many different ways people add colour to the templates I design.
This week, I was asked to create a mandala by Brett, who runs the group. So I did. And this one has a very autumnal theme to it. It is the first day of September and summer is waning away with autumn starting to make it’s way from the wings.
I’ve chosen a rather subdued palette for today’s addition of colour. No doubt I’ll have a different version for tomorrow’s posting!
Here, in the Valleys of South Wales, the sun is shining, autumn is gradually taking over the land and Hallowe’en is fast approaching. So, this week’s template has some Hallowe’en elements to it. It’s also a cute and whimsical template for people to have fun with colour.
‘Tis coloring template day for members of the Angela Porter’s Coloring Book Fans facebook group. Each Thursday throughout the pandemic, I’ve created a coloring page for members of this facebook group. The template is free to members, and it’s free to become a member!
This week’s features an iteration of one of my moth drawings, this time drawn with colouring books in mind. I just had to pair the moth with a mandala as that’s been my ‘thing’ for a few days now. Naturally, the mandala is less detailed than my drawings and the page is mostly filled with pattern and interest, as is my style for colouring templates.
I have autumn on my mind and in my heart, so the motifs reflect that – acorns, seed pods, berries and leaves. I’ve chosen autumnal colours to partly colour the template, but any colour scheme would work – a good thing for those of you in the southern hemisphere where spring is on it’s way.
‘Tis the first day of autumn in the northern hemisphere, astronomically speaking. The day started bright and sunny, but the clouds have closed in, the breeze has picked up and the temperature has dropped a little.
Even though today may not be a typically autumn day, today’s arty offering has warm, fiery tones reminiscent of autumn leaves and bonfires. Of course there’s a black and white, graphic moth illustration.
This moth is an iteration of the first moth I drew a few days ago. it’s fun to work with images, alter and change them and create something new and different each time. It’s also a good way for me to experiment with line to achieve volume and texture in the illustration.
Having the mandala of acorns, leaves and berries become a texture upon the background means it doesn’t detract from the moth. It does add interest and another hint that I created this with autumn in mind.
A few, simple terms and conditions apply. All I ask is that you follow them and mention myself and the facebook group when you share the coloured template on social media. Tag me in your posts and I’ll definitely get to see them!
Autumn is well established here in the UK, so I wanted to combine leaves, berries and some acorns in a mandala.
I used an autumnal colour palette to bring the template to life. I think mine looks like a rich, decorative rug. However, I love to see how creative you people are with your colour schemes, particularly those of you who are heading into Spring or who don’t really experience Autumn in your part of the world.
I did draw and colour this mandala digitally, using Autodesk Sketchbook Pro along with my Microsoft Surface pen and the paper that is the screen of my Microsoft Surface Studio.
Yesterday evening I had a pleasant hour or so using Distress Oxide and Distress inks to make some backgrounds for future card projects.
I used a soft rubber Brayer roller to add distress oxides to a small Gelli Plate. I then spritzed the Gelli plate with water containing either pearl, copper or gold Perfect Pearls before lifting the print with some Claire Fontaine Mixed Media paper. The water in the spray reacts with the inks to give an oxidised look. The Perfect Pearls in the spray add some subtle shimmer to the finished background.
Once the Distress Oxide background layers were dry, I used a rectangular die to cut a section from them.
To create backgrounds with Distress Inks, I used a mini foam blending tool to cover the card with colour. I then sprayed the card with some water containing pearl, copper or gold Perfect Pearls. Again, the water reacts with the Distress Inks, but this time creating small watermarks. The Perfect Pearls again add shimmer.
Making the card.
I chose a background coloured with Wild Honey, Tea Dye, Old Linen and Walnut Stain Distress Inks which were then spritzed with pearl Perfect Pearls infused water.
I wanted to create a dangle design card. From experience, I know that drawing on backgrounds with added Perfect pearls that my fine-liner Uniball Unipin pens can become clogged by the tiny flakes of mica that comprise Perfect Pearls.
So, I tried using a Uniball Vision Elite rollerball pen. The ink in it is supposed to be water-resistant, tamper-proof, fade-proof. It’s also very black, which suits me just fine.
I was surprised at how well the pen wrote on the background – not just because of the Perfect Pearls and Distress Ink, but also because the mixed media paper is lightly textured.
Once I’d completed the design, I used a needle=tip Pentel Energel Liquid Ink Gel pen to add smaller details.
While the plain black line on the coloured background looked OK, I thought it needed some colour to help lift it from the background.
I launched myself into using Copic markers, using somewhat darker colours than I usually would. That meant it wasn’t until I was adding some colour to the ribbon banner that I discovered that the Copic reacts with the inks in the pens and smears them. I was so disappointed in myself for not checking the pens were Copic safe. Oh well, you live and learn!
Rather than start again, I carried on with the card. I wanted to add some clear embossing powder to help the colours of the Copic markers stand out even more. So, I used a Versamark pen to colour over the designs, and then I sprinkled on the clear Wow Embossing Powder. I used a heat tool to melt the Embossing powder and achieve a glossy, dimensional finish on the dangle design.
The final step was to adhere the dangle design to a card blank, after adding some gold dots with a Uniball Signo glitter gel pen.
Fancy having a go at drawing your own dangle designs and not sure where to start? Well, you could start with my book “A Dangle A Day” where I lead you through the process. I have over 100 designs in the book where I take you step by step through drawing them. I have also included ideas for where you can use them including as cards, bookmarks, in BuJos, journals, scrapbooks and more.
Making the envelope.
I used the pre-made envelope that came with the card blank. I decided to keep the envelope white and add a border using some of the motifs from the dangle design.
I did use the Uniball Vision Elite gel pen and Pentel needlepoint pen to draw the design. This time, I coloured the design with some Mitsubishi Uni coloured pencils.
The low quality of the paper envelope wasn’t conducive to really amazing colouring, but it worked well enough.
Reflecting on the card and envelope.
I could’ve kicked myself for not testing the pens to see if they were Copic friendly. I don’t think I could send this card to anyone as it just isn’t up to scratch. I need to remember this in future projects.
Also, the Versamark pen smeared the ink a little too, but nowhere as much as the Copics did.
I used much darker Copic colours than I usually would without thinking that heat embossing them would intensify the colours even more. The colours aren’t as dark as in the photo, but they are still darker than I would like.
The coloured pencils colouring worked much better and perhaps I would’ve been better off using them on the card panel. Again, something to remember for the future.
I also noticed that the anti-static powder I used before using the Versamark and embossing powder has either removed or covered the Perfect pearls. I used the anti-static powder so prevent the embossing powder sticking to places it didn’t belong. This is always a possibility, especially when using Distress Inks to colour the background.
In hindsight, I may have been better drawing, colouring and heat embossing the design before colouring the background. However, I do like to have pre-coloured backgrounds to use for arty projects.
So, Angela, how are you?
I’m OK, still tired from a busy few days at the weekend and start of the week. I also have a flare-up of an ovarian cyst which is rather painful and achy. I’m feeling content and optimistic otherwise, though still tired even though I slept well last night. The exhaustion that comes with interacting with people, therapy and not enough me-time can linger for a good while — the joys of having CPTSD and being an introvert.
Yesterday, I was fatigued, and the flare-up ramped up in intensity as the day progressed. I wasn’t in the right place to create art or focus on work. I needed to practice self-care.
I chose to do some crochet after hearing about Crochyay, the online presence of a young woman called Olivia who makes flowers and leaves them with a little message tag for people to find and keep – random acts of kindness. She uses crochet to help manage her anxiety and depression as well.
I thought it was a beautiful idea and I thought flowers or little amigurumi hearts or similar would be lovely to make. Small, quick to finish projects that I feel I could manage. I’ve lost the oompf to do larger crochet projects such as shawls and blankets, but some little ones would be lovely to do.
I do find crochet and other crafts quite soothing and calming. I also feel I’m doing something, and they can stop me from just sleeping my day away. Little projects like flowers are fab for me when the thought of anything bigger fills me with procrastination and disinterest. Also, I find it much more motivating to do projects for other people than for myself, even if I don’t know those people.
So I managed to make quite a few flowers yesterday. I now need to make leaves and assemble them into little posies. Then, there are tags to make.
I’m also looking forward to making the tags as I can draw and decorate them too! So, little projects in their own right.
Finally, I’ll need to overcome my self-consciousness and anxiety about leaving them for people to find them.