Tranquility

Tranquility ©Angela Porter | Artwyrd.com

Not sure I’ve captured the sensation of tranquility all that well. All I can say is that I gained a sense of tranquility whilst drawing the mandala.

I’m tired today. Again, I woke way too early and couldn’t get back to sleep. So, I thought I’d try to do some art to soothe and relax me.

Background texture – Distress Oxide inks on Daler-Rowney mixed media paper.

Mandala – Digital art using Autodesk Sketchbook Pro and Microsoft’s Surface Studio and Surface Slim Pen.

November’s coloring template

November colouring template ©Angela Porter | Artwyrd.com

A new month means a new colouring template exclusively for members of the Angela Porter’s Coloring Book Fans facebook group. If you’d like to download, print and colour a template, then pop over to the group, join (it’s free!).

A few, simple terms and conditions apply. All I ask is that you follow them and mention myself and the facebook group when you share the coloured template on social media. Tag me in your posts and I’ll definitely get to see them!

Autumn is well established here in the UK, so I wanted to combine leaves, berries and some acorns in a mandala.

I used an autumnal colour palette to bring the template to life. I think mine looks like a rich, decorative rug. However, I love to see how creative you people are with your colour schemes, particularly those of you who are heading into Spring or who don’t really experience Autumn in your part of the world.

I did draw and colour this mandala digitally, using Autodesk Sketchbook Pro along with my Microsoft Surface pen and the paper that is the screen of my Microsoft Surface Studio.

Work in progress

Work In Progress ©Angela Porter 2019 - Artwyrd.com
Work In Progress ©Angela Porter 2019 – Artwyrd.com

It’s a new month so that means a new coloring template is available to members of the Angela Porter’s Coloring Book Fans facebook group, and this is the template! I thought I’d add some colour to it before I head out for the rest of the day.

I drew the template with Fudenosuke pens from Tombow on Bristol Board from Winsor and Newton. The paper is A4 in size (that’s approx. US letter size).

I’ve started coloring it digitally (Autodesk Sketchbook Pro, Microsoft Surface Pen, Microsoft Surface Studio), as that’s what I’m enjoying at the moment.

This month I’ve gone for my signature entangled style of art, but using the Fudenosuke pens, which I’m really enjoying using, gives varying linewidths and heavier lines and a more graphic feel to the art.

It’s free to join the group, there are some terms and conditions attached to the template use. If you’d like to download and colour the image then pop along to the group and you’d be made most welcome!

I’d also love to see how you colour this template. Yes, really, I would!

The difference colour makes …continued

©Angela Porter 2019 Artwyrd.com
©Angela Porter 2019 Artwyrd.com

I thought I’d show you the progress I’ve made on this drawing. I hope you find it interesting to see how things are progressing with it.

Yesterday, I didn’t get much done as I was whacked out after EMDR therapy in the afternoon. It was very intense with some very powerful physical pains as well as some emotionally upsetting insights. Tears flowed. An hour of discomfort to help to release years and years of emotional/mental pain and suffering isn’t too bad is it?

Today I’ve not done anything. I did an anti-stigma talk to a group of health-care employees for the ABMU Health Board at Singleton Hospital in Swansea. This was on behalf of Time to Change Wales in my role as a champion.

The drive there was horrendous. The rain was absolutely hammering down. Then, it was really difficult to find somewhere to park. I did find somewhere eventually. Then, there was the walk to the hospital and the problem of finding my way to the Chapel/Multi-faith Centre. By that time, the stress of not finding parking easily had caused me to flip into hypervigilance mode and it wasn’t easy to see or decode information.

Eventually I must’ve looked totally lost, a nice man asked me if he could help. When I said the chapel, I noticed another chap had come over and he had a Time to Change Wales badge on and it turns out he was Martin, one of two new champions who had come to observe me.

We had directions to the chapel and the other champion was waiting outside.

I did my talk, became, for me, quite emotional, and left, after chatting with people and Martin and Connor, the other TTCW champion.

I was glad to find my way back to my car, and started to feel a bit spaced out as I drove home. Thankfully the rain had mostly stopped though the spray was horrible.

I’ve eaten and had some tea but I still feel drifty and floaty and I really, really could do with a long nap now. It’s taken nearly 4 hours for me to feel ready to nap. However, I can’t take a nap as I have to drive to Hereford this evening for around 7:15pm. My sat nav said it would be an hour and a half journey there. Perhaps I could have a quick nap …

I know tomorrow I have another anti-stigma talk to do – this time with a group of police officers at Ton Pentre police station – and a medical appointment later in the day. Thursday I’m doing another antistigma-talk to a group of trainee nurses and midwives over in Abergavenny.

I foresee some early nights ahead of me, though most probably not tonight!

Tiny botanical tile 23 September 2018

Angela Porter 23 September 2018

Yesterday, I had an enjoyable couple of hours drawing fairly cute designs that are 6cm x 6cm (approx. 2½” x 2½”).

I drew my little designs (twelve of them in total, and not all of them I’m all that fussed on at the moment) on Rhodia dot grid paper with a Uniball Unipin 05 pen. Then, I scanned them into the computer and did my usual magic to remove the dot grid and create a transparent background.

Finally, I used Autodesk Sketchbook Pro and a Microsoft Surface Pen, along with my Microsoft Surface Studio to colour the image.

I used various brushes and brush textures to achieve the colouring.

It’s really small, for me. A 6cm x 6cm size would look darling on a small greetings card or note card. I also think they’d make a lovely addition to a BuJo, Planner or Scrapbook page.

Autumn Equinox 2018

Angela Porter Autumn Equinox 23 September 2018 coloured

I’m a day early as tomorrow is the Autumn Equinox (Spring Equinox in the Southern Hemisphere), but here’s my mandala for this year’s equinox.

I’ve made the uncoloured template an exclusive ‘freebie’ for members of the Angela Porter’s Coloring Book Fans facebook group. Terms and conditions apply to it’s use, so please make sure you read them if you choose to wander over and join in.

Drawn and coloured in Autodesk Sketchbook Pro using a Microsoft Surface Pen and Microsoft Surface Studio.

Dangle Day Friday 21 September 2018

Angela Porter Dangle Day 21 September 2018

It’s Friday, so that means it’s #dangleday!

A simple, elegant design with a sweet sentiment for this week’s dangle design. I like the symmetrical nature of the dangles.

I did sketch the design out in pencil on dot grid paper which I scanned in to ink in digitally and make use of the symmetry tool in Autodesk Sketchbook Pro. I also coloured and added texture with various brushes in Sketchbook. Naturally, I made use of a Microsoft Surface Pen and Microsoft Surface Studio to do this.

I kept to a really simple colour scheme, using just one pink, golden, blue and green colour gradient for the design, with the exception of the rainbow beads in the central dangle.

It would be really easy to put a different sentiment or greeting in the box, but I like this one.

A different colour scheme, of course, would result in a very different ‘feel’ to the card, matching all kinds of seasons and occasions.

This would make a lovely greetings card or note card. I think I’d like to use it for the beginning of each month in a BuJo, planner or diary, changing the colour scheme as appropriate for that month. I do like playing with themes for my BuJo, but there’s something in me that likes a cohesiveness in design/style.

What would you do with this design? Let me know by leaving a comment.

Of course, I could print the uncoloured version out and colour with different media. It would be no great chore to re-draw the design on paper more suitable for, say, watercolours, where my printer doesn’t cope with decent quality watercolour paper.

Just a little reminder that my book ‘A Dangle A Day’ is available for pre-order, just click on this linkIn the book I give help, guidance and advice on creating your own dangle designs, as well as providing many examples of monogram dangles and dangle designs that you can use for your own projects.

Repeating patterns 20 September 2018

Angela Porter Seamless Tiles 20 September 2018 small

The other day I had a bit of fun with a program called Repper Pro. It allows you to easily make tiles from any image you have saved on your computer. These tiles can then be turned into tiled patterns which are seamless.

I used just two of my latest abstract botanicals and after less than an hour I had saved over 100 tiles to my hard drive! You can see some of my favourite ones above.

Some of these tiles were made from tiles I’d created rather than the original artwork.

I would love to see some of these as patterns for cushions or framed pictures in canvas work or cross stitch. I also think they’d make beautiful fronts for greetings cards or note cards just as they are. In fact, some of the patterns I prefer as single tiles rather than as repeating tiled patterns.

Here are just four of these as tiled patterns. I think they’re lovely, and I’m amazed how easy it is to use the Repper software and how my artwork can be used in this way too.

I’m not sure if they’d make wonderful fabric, they could be too busy for lots of applications, but then this is all personal preference for sure.

Angela Porter Repeating pattern 20 September 2018 04

Angela Porter Repeating pattern 20 September 2018 03

Angela Porter Repeating pattern 20 September 2018 02

Angela Porter Repeating pattern 20 September 2018 01

Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.