After a day of focusing on inking in colouring pages, I needed something a little familiar and soothing to calm some overwhelmed emotions. So, I chose to make a little tag for my accordion journal. To decorate the tag, I created a monogram, a Zentangle style embedded letter A.
As I was drawing it, It struck me how much the folded patterns remind me of metamorphic rocks. That made me smile for sure!
I enjoyed the graphic black and white of the finished design, so I chose not to add any shade.
I’m continuing with my exploration of monograms and patterns. This one is a bit odd with the ba sitting above a pool or pebble..or something. But I quite like the patterns I’ve used to embellish it. I’m also rather fond of the background patterns, especially the very faint ones to the bottom right.
I’m not too fussed about the greens, yellows and the colours I used for the flowers. Pretty much every colour apart from the background colours and the colours of the patterns around the b!
Must write a HUGE reminder and stick it where I can see it “WORK IN MONOCHROME!”
All the same, it’s a learning exercise for me, as drawing always is. The ones that turn out not quite to my liking at the ones I learn most from. Having said that, I still haven’t learned that ‘work in monochrome’ thing yet! One day, maybe, I will.
Apart from completing the colour, I coloured over the brown section in the bottom right. I used dark and light grey Gellyroll Moonlight pens to add the crazy ‘N’Zppel’ Zentangle pattern. It needs tidying up and perhaps some highlight within the inner black spaces.
But for now, it will do. I think I need a break from it to eat and do other things for a while.
This morning, I thought I’d share how I’m exploring creating some Entangled art, particularly monograms, via YouTube.
This little drawing is 11cm by 11cm, which is approximately 3.5″ square – took about an hour or so to get to this point. I wasn’t sure of the green, but I think it’ll work out just fine. There’s quite a way to go yet, but that will have to wait for another time.
The materials I used are: * 03 black Sakura Pigma Micron * Various Arteza Everblend marker pens * Various fineliners in grey and green * A white Sakura Gellyroll pen * A metallic gold Uniball Signo pen
Today, I woke with the idea to create an ATC (Artist Trading Card) using a monogram from one of the hand lettered alphabets I’ve been drawing in my lettering sketchbook.
The monogram is a simple one, with some of the spaces filled with tangle patterns. The background is formed from the tangle pattern A-Frame by Angie Gittles CZT. When I chose it, I wasn’t fully aware it was based on the letter A; I really can be a bit dense at times!
Some indigo chalk pastel and a tortillon to add shadows and some gold watercolour paint to frame the monogram and all was done!
I enjoyed the process of drawing. I’m fairly happy with the end result. However, I think a more organic background may have worked better with such a strongly geometric shape. It’s all a experimenting, exploring, experiencing and learning.
I may end up doing a series of monograms. It’s a good way to work with lettering and to get some practice in of figuring out how patterns and letters/words can work for me.
Today’s YouTube video is a step by step tutorial of how you too can create this ATC.
This is my current drawing. I’m adding tiny patterns to various areas of the ‘skeleton’ of the design. That’s making me feel a little happier about it, but I’m still not all that satisfied with this drawing.
It just feels disjointed, incoherent. Just a tumble of bits and pieces that just happened to fall together. I started with the monogram “a”, thinking I’d do a series of drawings with little monograms like this kind of hidden in the design. But I don’t think this has worked out at all.
I think this drawing is a snapshot of that shows I’m feeling out of sorts with my art at the moment, and that is a reflection of me feeling out of sorts with myself.
I know I can be hard on myself when it comes to art, or anything actually, and I’m sure others will view this differently to how I do. Maybe there’s even a story in the drawing of how my emotional weather has shown itself in how I’ve put together the patterns and motifs.
This happens from time to time – I get into a funk with my art. Eventually, however, I find my way again, often a slightly new way, and off I go again! So I’m not worried about this. I just know I need to be kind to myself and perhaps take a little break from arty stuff, though with what I don’t know. Whatever I’m trying at the moment is irritating me, even digital art.
“This, too, shall pass,” shall be my mantra until it does pass.
One thing that’s not frustrating me is my foray into baking with a bread machine. I’ve had success with a delcious spelt flour loaf. At first I thought it was a disaster as it was flat on the top. But, it’s absolutely fine when cut – pleasantly moist, as airy as proper wholemeal bread can be, and nutty in flavour.
I’ve also just baked a spiced fruit loaf, the second I’ve done, and I know how delicious it will be! My home is filled with the delicious and heart-warming smells of sweet spices and yeasty goodness.
That’s all the baking I’ll need to do for a couple of days, however. There’s only so much bread I can eat! And I really don’t want either to go to waste.
I’ve enjoyed doing these! The squares are 3.25″ x 3.25, 3.5″ x 3.5″ or 4″ x 4″ in size. The circles are almost 3.5″ in diameter.
The tiles were cut from a variety of papers – watercolour, bristol vellum and heavyweight smooth cartridge paper. I used Distress Inks to colour the paper tiles before drawing on them.
I’ve used Sakura Pigma Micron pens (05 and 01), along with some brown and one blue-green Stabilio fineliner pens.
I like them all, But my favourites are the ones that are much more geometric in nature – my initials and the A in particular. My least favourite is the E; the background to the letter just feels disjointed. I think that’s why I like the more symmetrical, geometrical designs more.
I’ve enjoyed using one or two tones of colour to add variety, interest and ‘dimension’ to the tiles. I’ve not added any shadow or highlight to these. That’s when things tend to go wrong for me as far as traditional media is concerned!
It also occurred to me that if I were to draw these on a different shaped paper, I could add dangle designs to them. (My book “A Dangle A Day” is still available). Maybe I’ll try that out in a while. Of course, I’d like to get a full set of monograms done too.
I got this monogram finished yesterday evening. I think I may have been a bit heavy handed with shading in some places. However, overall I like it and I like the volume or dimension that the shading adds.
I definitely enjoy working in such a detailed, intricate and organically intuitive kind of way. Having the monogram as a design to work around does help quite a bit.
On a kind of related point, I had a new A5 dot grid notebook delivered yesterday so I can start to make a collection of motifs and patterns as I use them or create them. The idea is I can winnow out those that I never/rarely use. The reason for this is that the dot grid notebook I’ve kept as a visual dictionary for the last couple of years is just about full! I will keep it as a reference, but it’s time to start a new, more relevant one I think.
I have a snazzy, teal coloured notebook, covered in vegan faux-leather. It has 218 numbered white pages that are a tad thicker than the usual dot grid notebook pages, The paper is velvety smooth and a pleasure to write/draw on. It’s made by Wordsworth & Black and I came across it on Amazon. Oh, the ink doesn’t feather, bleed through or ghost on the pages. I paid £15 for it and I’m very happy with it so far.
Finally finished it! It’s taken many hours to do – probably around 15 I think, and it’s taken some perseverance by myself to get it done.
Uniball Unipin pens (05, 03 and 01) on Claire Fontaine Paint-on mixed media paper. Two pen nibs now wrecked; the paper is velvety smooth to touch, but just too rough for the tips of the Unipin pens. Will move to Bristol board for the next monogram.
Wednesday is WIP day! WIP is work in progress, and this is one of my current one.
I’m working on A4 (29.7 cm x 21 cm) Claire Fontaine Paint-On mixed media paper with 05 and 01 Uniball Unipin pens.
It’s taken several hours so far, and there’s several yet to go! I’m enjoying creating such detailed drawing in just black and white. Lots of botanical elements, but there’s also arches and spirals and geometric patterns in there too.
I never have much of a plan in mind when I tackle a drawing like this. I know what patterns I like, and if I lack inspiration I can always refer to my visual dictionary or design motifs and patterns. It’s all about intuition. It’s not entirely mindless. I do make conscious decisions about what design element to use, how to use line and pattern to add volume and contrast.
I sometimes wonder, when I see my work like this, why I try to work with colour. I always feel I struggle with colour, but black and white, with or without grey, always seems to work so well for me.
I love to play with the illusion of volume in a drawing, and whether that is done with density and shape of line/pattern, or with colour (even though I really do feel I struggle with colour).
I will persevere with this illustration, drawing, artwork over the coming days. In fact, I may spend time on it today. I’ve completed my morning errands, so I can remain at home, which is where I need to be. I’m tired today; I didn’t sleep at all well last night, or for the past few nights and my mood and ability to concentrate is suffering as a result.