I’ve spent several hours exploring and trying ideas out in the realms of both digital and abstract art, and this is the result.
I’m really not at all sure about it in any shape or form. I think I was influenced by watching a few YouTube videos about mixed media and abstract art.
It’s been an “interesting” time, as well as a frustrating time in some ways. I also have a bit issue with choice of colours.
I’m pleased to say that I’ve calmed down an awful lot from the stresses of the last week or so. I actually slept for nearly 12 hours last night, which happens once all the adrenaline/cortisol have left my body. It’s nice to be back to my ‘normal’ state of contentment.
I’ve become a bit obsessed with making art journal bits and bobs over the last couple of days. This morning has been no exception, other than the more I do and watch, the more ideas that come to me.
Yesterday, I created some blank, printable, templates for inchies, twinches and tea cards. I printed them out on plain paper so I could draw in them. I also made a list of themes I could tackle for them too.
I spent an hour or two filling in a sheet of inches with various designs. Then, I printed them on plain paper and also vellum for calligraphy. The vellum has a rough texture, interesting colours and subtle patterns in them. I have a laser printer, so wasn’t sure if it would print on the vellum; it did, however the print does come off if I’m a bit rough with it.
Nevertheless, I coloured some of the inches with Distress Inks and then adhered them to some 1″ tiles of thick chipboard card. I edged them with tresure gold wax from Imagination Crafts. Then, I gently applied a thin layer of Ranger’s gloss multi-media medium, to see if it would seal the laser printing; it did! It also brought out the colours of the Distress Inks.
These are simple enough to make. There are plenty of tutorials online for them. I made them from ordinary printer paper, then coloured them with Distress Inks.
Next, I added some dot embellishments using a small ball tool with Imagination Crafts’ Starlights metallic paint in rich gold. This is a beautiful, glittery, shiny paint that leaves some dimension when applied this way.
Finally, I adhered the inchies I’d made, along with some vintage book paper, to the envelopes.
I’m not sure if these envelopes are finished. I do want to use them to store either journaling notes in, or little pieces of art or mementos in them.
I haven’t been at all sure about tags and using them. However, I thought I’d see what I could do with them after yesterday’s mucking about with a tri-fold tag that turned into one single tag.
I wanted to make some templates for cutting the corners at the top of the tags, so I did that, using various widths of paper and slopes to remove the top corners.
I then realised I needed something to store them in, so I made an envelope for them.
The envelope has a more rectangular top flap and a plain front, perfect for embellishments.
Something occurred to me this morning while watching someone make tags using background paper. I thought that I could use my colouring sheets and entangled designs as my own background paper. So, I thought I’d try to use some.
I found some old designs on my computer and printed a couple of them both as the black line originals and with a grey line.
I made a tag and cut out a piece of one of the designs. I coloured the design with Distress Inks and used them to subtly colour the tag.
I didn’t like the way the neatly cut out background pattern looked when I placed it on the tag. So, I tore the edges. I still wasn’t happy, so I tried tearing it into strips. That looked better, but I still wasn’t happy with it, but I stuck the pieces down.
I used a gold glitter gel pen to add lines and patterns between the torn pieces, which created some pattern and interest.
Finally, I added a distress ink coloured belly band along with a word, “creativity” to the tag. For now, I tucked one of the seed packets behind the belly band.
The background drawing may be just too busy, detailed, and varied to work well. I need to bear this in mind going forward.
I am keeping notes of how I make tags, pockets, and other bits and bobs in an A5 dot grid notebook, along with ideas for other things to do or try. It’s turning out to be rather useful as a reference.
I’m struggling with accepting that what I’m creating for my art journal is “good enough”, “attractive enough”, “pretty”. It’s not like others I’ve seen, which is part of my problem.
I seem to like, mostly, neat edges, borders on work, very organised, neat, and carefully, geometrically arranged elements in my designs. I know I want to use my own artwork to create a journal, but I’m not sure it’s going to be successful in any kind of way. I have no idea if I’m on a wild goose chase.
I know I enjoy making these bits and bobs, I just don’t know if the overall end products actually work, so I’m doubting myself. I’m not sure I like what I’m creating. I mean, I really like individual elements such as the inchies and little panels on the envelopes. It’s when I start to actually combine them or put them into a journal that it all seems to go more than a bit skew-iffy.
I’m at that uncomfortable place I often find myself in when I’m creating a mandala or drawing or digital painting; partway through I want to give up as I think that what I’m creating is awful and not working. With the mandalas, drawings and digital art, I’ve learned to work through that point and, mostly, to complete the work. I’ve learned by experience and perseverance that I can produce art I’m happy with.
I’m not at all sure of that with this art journal type stuff. I’m not sure at all if I can find my own creative ‘voice’ with this, or whether I have to accept that as much as I’d like it to be one of my ‘things’ it’s not meant to be and that I can continue to watch and admire others for what they create.
Maybe, I’ll end up making digital elements for journals for others to use in their creations. Maybe, I’ll find that collections of inchies are my thing (along with twinchies and tea cards and other little designs).
For now, I’ll take a bit of a break from it all, and come back to it with fresh eyes and a fresh mind.
I woke at around 4:30am again today and couldn’t get back to sleep. So, I got up, made tea, and did some work on my art journal / sketchbook.
Making Distressed Paper
I spent a good two or three hours making the papers you can see to the left. I used the following:
printer and layout paper, cut to A6 in size (UK size)
Distress Oxide Inks
5″ x 7 ” Gelli plate
small Brayer roller
water in a spray bottle
pieces of cut and dry foam
metallic inks and paints
For some of the pieces, I brayered the Distress Oxides onto a Gelli plate and then pulled the print onto a piece of paper. For others, I used the Brayer to apply the ink to the paper. I also used the black side of a piece of cut and dry foam to apply ink to some of the papers.
I sprayed the papers with water to activiate the Distress Oxide, and used the heat tool to dry them. After doing this, I crumpled up a lot of the papers and then used the brayer to flatten them out. Both of these techniques resulted in textured paper. So, I used the cut and dry foam and some Distress Oxide ink to lightly brush the paper to help to accentuate that texture.
Finally I used cut and dry foam to brush metallic paint or ink over the paper to add some shimmer and shine. I used some textured cut and dry foam to add patterns too.
I now have quite a stash of very distressed papers to use in my art journal in the future.
Both the printer paper and the layout paper are much thinner than I would usually use for such a task. The light spritz of water on each, however, created a lovely, bumpy texture. They were also easy to crumple up, adding that kind of leathery texture.
The subtle shine that the gold metallic ink gave is rather lovely, though I do like the bright, shiny gold of some paint I found in my stash.
I can see me using these papers for collage, for making pockets/envelopes and other bits and bobs for a journal, and no doubt for other things I’ve not yet thought of.
Storing my custom papers.
I realised the papers I’ve made over the past couple of weeks have been piling up and I really needed to do something that would let me find them easily. So, the quickest and easiest solution was to use A4 poly-pockets and a ring binder, both of which I had to hand! That certainly has let me have a tidier desk, and I’ll be able to find the papers easily too.
Art journal pages.
I also finished up the two pages shown to the right. I attached inchies, to fill in some gaps.
I used simple paper hinges to attach the ATC cards on page seen in the bottom image. If I ever wish to remove them to swap/share/gift, then I can remove them easily. That simple solution has relieved my anxiety about adhering them permanently into the sketchbook!
I’ve also folded some squared paper, used distress inks to colour the edges and folds, and put them in the vellum pockets I’d made earlier, all ready for me to journal on. Unusually for me, I made use of some washi tape to embellish the pockets.
I’ve also noticed that I’m very ‘regimented’ about how I put things in my art journal. I much prefer carefully cut paper to torn edges most of the time. Everything needs to be arranged ‘just so’ with me. Just as it is with my line-art – precise and neat. I suppose it’s another example of me expressing my personality through my art.
So, Angela, how are you today?
I’m exhausted. I’m practically falling asleep as I type this; that’s what happens when I wake up at stupid o’clock once again. I’m now officially overtired! I may try to get back to sleep soon; I do have work I need to do today!
As far as me being under the weather goes…
Well, I still have a sensitive digestive system and I feel nauseous from time to time. I did wake with a bit of a headache today, but that could just be lack of sleep, as is the tiredness I feel. I have eaten and my tummy doesn’t seem to be objecting as it has done. This all makes me hopeful that I’m almost over this bout illness. I was really quite grumpy about it yesterday, and I’m entirely sure I’m not grumpy today!
Other than that, emotionally I’m doing just fine. The sunshine helps with my mood for sure, as did being able to hear the bird song as the world was slowly waking up this morning.
Background – Distress Oxide inks and water spray on Daler-Rowney mixed media paper.
Flowers and background foliage – digital art using Autodesk Sketchbook Pro.
I had a lovely time creating this artwork. Flowers are something I love and find in my art an awful lot. It took a few iterations to get the drawing of the flowers and leaves as I wanted them. A lot more iterations were needed to get the colour and texture of the flowers and leaves so that I was happy with them.
I wanted a bit more interest in the background, so I drew a leafy, simple mandala that was coloured with shades of green. I then replicated it, resized it, and applied different layer effects to each copy of the mandala.
As I was doing this, it was reminding me of the mixed media work I did a few years ago, particularly using stencils to add interest to a background.
Digital mixed-media … without the mess! I’ve said it before – I’m averse to creating a mess!
Anyway, this has been an interesting experiment in the realms of digital art and my brain is now ticking over with ideas for the future. All I have to do is make a note of them!
My morning warm up art session today was this little bit of hand lettering. I had a completely different idea in mind when I started this off but, as often happens, the creative energy flowed in a different direction.
I had wanted to do a monogram, perhaps with a dangle or maybe one set into a pattern border as a drop capital to a quote.
As I worked on first the pencil outline of the A, and then inking it in using fine and extra fine fountain pens filled with black ink, the lines that flowed out dictated the form of the letter rather than me consciously trying to force it into what I thought I wanted to create.
I think I’ve over patterned the inner space of the monogram, or not used the right kind of patterns there. However, it’ll do.
I wanted to use some birdwing copper FW Pearlescent ink from Daler-Rowney to add metallic highlights with a dip pen. I soon found out that dip pens and parchment paper that has been coloured with black ink don’t work well together. So, I ended up with the copper highlights at the bottom of the letters that fade up naturally. Adding dots of metallic colour to the monogram was easier on the unworked parchment. Over the black ink dots it wasn’t so easy. I’m also not sure that the ‘string of beads’ in the monogram actually works but I know it’s missing something. I need some time to reflect on this. As I do about adding any more copper highlights to it. I may yet decide to add some dangles to the word.
On the whole, I’m quite happy with how this turned out. I could add ‘You are’ in small letters above the letters. Either way, I think this would make a lovely notecard. I also think it could be used in a bujo, planner, journal, scrapbook or as framed art. I think I need to review the card making and mixed media techniques I once knew and have sidelined to focus on other aspects of art and adapt them to my current needs/ideas.
It’s Sunday, so that means it must be #fundaySunday #Sundayfunday.
This was my bit of fun for the day. I created a background using Distress Inks, a mini-blending tool and a stencil.
After scanning it into my Microsoft Surface Book, I imported it into AutodeskSketchbook Pro and started to draw entangled patterns on the top of it.
It was just an experiment to see how it worked out, including the use of colour gradient fills for the entangled patterns.
I think it worked out ok. I think there’s some more things I’d like to try out using this method; scanning backgrounds and then working on them digitally opens a new world of possibilities for me, as well as keeping me playing with more traditional media. I do love the mix of the old with the new.
Of course, drawing on my Surface with the Surface pen is a lot like drawing with pen and ink on paper but with more possibilities…
I’ve been hard at work on my ‘A Dangle A Day’ book and felt I needed a break from the computer screen. As much as I love working digitally, I believe it does the soul good to work in different ways from time to time. A change is as good as a rest, it is said, and also a change can get the creative juices flowing!
A trip to Hobbycraft in Newport, Gwent, yesterday had me buying some A4 Daler-Rowney Mixed Media boards.
These are 1.4mm thick and sturdy board forms of their mixed media paper. The board did warp when I added tissue paper with matt medium, and it’s still a little wobbly today.
The pictures shows how far I’ve got for now. I’m letting the little drops of copper and golden glitter dry as I take a break from it to decide if I need to do any more to it.
The image I drew and then coloured using Distress Inks.
I’ve enjoyed getting a little inky, painty and messy for a change.
I’ve been quiet around ‘tinternet for a couple of weeks – problems with my mood, instead of starting many new things I’ve been spending time organising a reference collection of my favourite patterns and designs of things like fungi and buildings and creatures and so on and its very much a work in progress! The process of going through the familiar and organising them is comforting to me …
I have done some new drawings for the Eerie project for Dover – not many left to do for the book, then the hard work is deciding which two I would like to colour in the most, always a problem.
Plans are afoot for a change in my online presence too … more as that happens!
The above images show one artwork I started last night and finished this morning. Most probably about 8 or 10 hours of work. Distress Oxides, Cosmic Shimmer watercolours and a Sakura Glaze pen were used. When light strikes the artwork at just the right angle, the metallics and iridescents bring the artwork to life; it’s like it lights up all by itself. A joyful feeling for sure as I look at it.
It was nice to work with colour and the more traditional media rather than digital art, though, yet again, I noticed how drawing with the Surface Pen on my Microsoft Surface Book are having an effect on my work on paper.
One thing I did enjoy was adding the sparkle and shimmer to the artwork, something I’ve not found out how to do digitally (or even if you can!).
So, I now have satisfied a need in me to work with colour and pen and I can turn my attention back to the illustrations for the Eerie book, and on to other things after that is done.
For today, I head off soon for counselling/EMDR, and to have my acrylic nails removed once again as they really do get in the way of me typing, art-ing, using my phone…and no doubt I’ll do some drawing while I have a late lunch between nail removing and counselling.