Digital watercolours?

Another morning, another play around with watercolours, this time digitally.

Soft balls of watercolour, fuzzy edges, with white ink details added on top. Layers of transparent colour.

I overlaid a watercolour paper texture, which helps give the right ‘feel’.

This is my favourite attempt at digital ‘watercolours’ so far. I definitely like using white ink in this instance; black ink was just too harsh, hard and jarred uncomfortably with the softness of the watercolours.

I tried lots of ways of adding colour; not just brushes, but different brush effects. In the end I was happiest with white ink.

A nice way to spend a couple of hours as I wake up.

Sketchbook Sunday

Sketchbook Pages – 26 April 2020 ©Angela Porter | Artwyrd.com

Over the week I’ve been adding to my sketchbook- notes and images, ideas and reflections.

Each page has been coloured with combinations of Distress Inks, applied using the black side of a piece of Cut and Dry foam, followed with a spritz of water to bring out some water-staining grungy loveliness.

All the little drawings have been done on either Daler-Rowney Smooth watercolour paper (300gsm) or mixed media paper, either from Claire Fontaine or Daler-Rowney. The papers have been coloured with Distress Oxide Inks, Distress Inks, or a combination of them. Most of the pieces have had the inks applied with the foam, but some were made by brayering Distress Oxide inks onto a gelli plate and taking a print of them.

The reflection about what I like, what I don’t like, and ideas that arise is important to me in my sketchbook/journal. I do reflect on my art, a bit too much in my head. When I write it down, it forces my sometimes abstract and swirling thoughts into some kind of order. When I make these thoughts a material manifestation by writing them down, it helps me to recognise the thoughts, sift through that which is useful, and still record those that are not particularly useful at this moment but may be in the future.

I think I need to find a way to do this with my digital art. My mind goes to using One Note to do this. I shall think on this one, and make a note of it in my physical sketchbook/journal.

Coloring Template

Coloring Template 16 April 2020 © Angela Porter | Artwyrd.com

Coloring Template

Gosh, Thursdays seem to come around so quickly these days! Thursday is the day I post a new colouring template for the members of the Angela Porter’s Coloring Book Fans facebook group, and above is this weeks offering.

I drew the line art on mixed media paper from Claire Fontaine with Tombow Fudenosuke flexible nib brush pens. I like to use variable line widths in my art from time to time. They give instant depth to the drawing and increase the graphic nature of the design.

I’ve used some really weird colours, for me, in my sample coloration. They’re really quite muted. That’s a hint to me that something is awry with my emotions/mood. I feel quite subdued and ‘meh’ at the moment, which is reflected in my colour choices.

Anyway, if you’d like to colour this, or any of many others in the archives, please pop along and join the Angela Porter’s Coloring Book Fans facebook group. I create these exclusive templates as a way of saying thank you to those who like my coloring books.

Truth

“Truth” ©Angela Porter | Artwyrd.com

I like to use a word in my artwork from time to time. Truth was the word I knew I had to use as the central point for some artwork, and that’s where I started, along with one of the Distress Oxide backgrounds I made yesterday (in the middle of the image).

After I’d decided on the typography and placed it centrally, I then started to draw digitally. I made use of the symmetry tools in Autodesk Sketchbook Pro, along with a flexible nib and fineliner brushes.

I had no idea what kind of design would result, I just went with the flow and intuition and thoroughly enjoyed doing so and losing myself in the art.

I added shadows and highlights once the drawing was finished for that sense of dimension and ‘life’.

I am really pleased with the finished artwork. There’s something about symmetry, spirals, repeating patterns, and intricate, abstract designs like this that just makes my arty heart smile and sing. I always return to this style, it seems to be at the core of my being.

I also love to draw on coloured and textured backgrounds. I also think I’ve found a way to combine more traditional media (making the backgrounds) with digital art (drawing and adding shadows and highlights) in a way that really works for me.

My only problem is that I do tend to try to branch out into other kinds of art and never seem quite so satisfied with them. This doesn’t mean I’m going to abandon them; they need a lot more work and thought and maybe structure.

Perhaps that’s why I like this particular piece of art so much – it has clearly defined structure. The colour palette is defined by the background and so I’m not struggling with what colours to use. Having the black line structure defines clearly where shadows and highlights need to go.

Microbial

Microbial © Angela Porter | Artwyrd.com

I started this yesterday before I hurt my back. I started with a Distress Ink background. Next, I used water and a brush with Tombow Dual Brush pen ink to create the circles and splashes. Finally, I added some line and pattern to the ‘blobs’. As I was finishing it up this morning, they reminded me of microbes, so that’s why I’ve named it ‘Microbial’. A classic bit of abstract, intuitive Angela art, and a bit of a blast to the past as well, but fun.

My back is a bit better today, but as well as painful I’m now stiff and with pain down my thighs. Hot gel pads really work with the pain/stiffness and I’ll be sorting that out very soon, as soon as I’ve finished posting this in fact!

Poppies

© Angela Porter | Artwyrd.com

I’ve had a play around with Distress Ink backgrounds, painting on the basic shapes of flowers, leaves and stems, and then adding black line art to it.

And, as I got up to put this on the scanner, I hurt my back. So, today I’ll be finding somewhere to sit/lie where my back doesn’t hurt and most probably crocheting and hoping the pain/stiffness eases off soonest. My back was a bit niggly as I woke up – I’d slept in a different position to usual and I wonder if that’s what had started it off.

Ho hum, so no arty stuff today, it’s too painful to sit at my studio desk and work.

Golden Mandala

Golden Mandala © Angela Porter | Artwyrd@aol.com

This morning, the rain has finally stopped once again, albeit for a short while no doubt. Blue skies and sunlight shine betwixt the broken clouds. Yesterday and last night the rain was relentless, including high winds at times, thanks to Storm Jorge.

I thought I’d do a golden mandala this morning, while I come around. A simple line-art drawing.

Art Quote

Artwork (c) Angela Porter | Artwyrd.com

This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.

I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.

I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.

I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.

I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.

After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.

I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.

My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.

My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.

I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.

By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.

This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.

Flowery

Flowery© Angela Porter | Artwyrd.com

Today, I’ve been drawing little flower motifs and borders to go along with a lovely quote about flowers and hope.

The line art was drawn using Tombow Fudenosuke pens on ClaireFontaine dot grid paper. Colour, typography and background texture have been added digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

Flowers are some of my favourite things to draw, whether they be highly stylised or more realistic.

My snowdrops and crocus have the feel of being wood cut or lino cut and printed, that kind of vintage feel. The flexible nibs on the Fudenosuke pens help me achieve this look. Also, the fairly simple colouring and addition of texture help too.

I’ve left the colouring as is, maybe for now. However, I now have these motifs ready to use in other projects, as they occur to me. Colour certainly helps to lift them off the background and bring them to life.

Inktober52 – Weeks 3, 4 and 5

Inktober52-Weeks 3, 4 & 5 © Angela Porter | Artwyrd.com

I managed to miss #Inktober52 weeks 3 and 4 so I thought I’d combine them into a sketchbook page along with week 5.

The prompts were
*week 3 – brick
*week 4 – snake, and
*week 5 – balloon.

I’ve not been imaginative with those prompts. I’ve included some sinuous snake borders and bricks. Some classic brick patterns. I’ve only added a smattering of balloons, and a repeating balloon pattern.

Of course, I’ve also practised my hand lettering.

I hand lettered and drew this page on ClaireFontaine dot grid paper and I used Uniball Unipin pens to do so.

I added the kraft paper background and colour digitally. It never ceases to amaze me that, as much as I love my line art, colour really brings it to life. I especially like the way the colours seem to glow against the kraft paper.

I’ve just had a giggle. I realised I coloured the balloon that is hanging down in leaden greys, almost like it’s filled with mercury. That was a totally unconscious decision of mine!