Romanesque

Entangled Borders

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Entangled Borders ©Angela Porter | Artwyrd.com

I’ve enjoyed creating this sketchbook sampler page. I drew the designs with a mixture of Uniball Unipin pens, Faber-Castell Pitt Artist pens, a medium nib Schaeffer fountain pen, and an extra-fine nib Faber Castell fountain pen. I used dot grid paper from Claire Fontaine.

After scanning the page in, I removed the dot grid and added a grungy paper background. I then decided I’d like to add some colour and shadow/light to the designs. To do this, I used a messy chalk brush, so my colouring isn’t as precise as I usually like it. However, it’s loosened up my expectations of myself as I went with it.

Pastel colours were my palette of choice as I like the way they seem to almost glow against the grungy kraft background. I also like the way they help to enhance the 3-D appearance of the designs. I do enjoy playing with shadow and light.

Some of the designs are examples of my organic, entangled style of drawing. Others are repeating, geometric zentangle-style patterns. And then there’s some inspired by Medieval illuminated manuscripts.

I also enjoy working within a clear border. I like the sense of structure it brings to my work. It also satisfies some kind of aesthetic need within me. Every now and then I try work without a border, but the artwork I produce just never feels quite right to me. So, it’s time for me to accept the need for borders is part of my artistic voice.

There is a purpose for me creating these borders. I’m building up a library of them that I can use to embellish quotes and other projects.

Some of these borders would look fab as greeting cards note cards, bookmarks, and to use in other paper craft projects. They’d also work well as embellishments for BuJo, planner, diary, scrapbook and journal pages.

Others would be a great foundation for dangle designs (my book “A Dangle A Day” is a good place to start drawing dangle designs).

What I do know, is that I find drawing soothing and relaxing. So, I’m going to be spending the rest of my Sunday drawing more borders.

Romanesque bird ‘punked mixed media

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IMG_0621

I’ve come to a standstill on this one.  I don’t think it’s finished but I don’t know what is missing.

The focal point is a small sketch I did of a Romanesque bird; I used coloured pencils on coloured paper followed by Pitt Artist pen.  I also ‘distressed’ it with Distress Inks and water spray.  It is a very, very sketchy drawing, but I feel I need to be a bit more confident in using my own drawings/art in such mixed media art.

I just don’t know what else this needs, though.  I’ve tried out the idea of using wire spirals wrapped with finer wire and beads, and that doesn’t feel it would work, not unless it’s one of the first things I make and use.  Flowers don’t work, neither does foliage…

So, I’ll leave it be for a while and come back to it at a later time…sometimes that’s the best thing to do.

Let It Grow

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Let It Grow © Angela Porter

8″x 6″.  Rotring Rapidograph pen and black ink on heavy cartridge paper.

I’m not quite sure yet what I’m going to do with this outline – colour or not to colour, texture or not to texture.

Last night I had friends visiting and a look for the drawing that I did when visiting Tewkesbury Abbey a couple of years ago led they and I to looking through some of my old sketchbooks.  Suddenly, seeing all that had inspired me in the past, showed where my ‘visual vocabulary’ for my abstract art ‘doodles’ has come from.  Prehistoric art, Romanesque and Gothic architecture and sculpture, La Tene art, ammonites and other fossils, microscopic formanifera, microscopic images of cells, stained glass windows, insects, shells, flowers, ‘Celtic’ manuscripts and Anglo-Saxon art to name but a few.  I’d also picked up a copy of the BBC’s History magazine whilst out shopping as it had images of Anglo-Saxon artefacts which reminded me of patterns I use in my art.  Yesterday seems to have been a day of making links between all the work I’ve done in the past and how it flows out of me now, and a reminder of the things that inspire me as well as giving me a sense of validation with the way that I create art.

I think subtle colours for this one, with textures added in places, and just the hints of metallic highlights perhaps – after all, my inner raven demands the sparkle!

Synchronicity

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Synchronicity 1

Synchronicity 1 © Angela Porter 2012

Approx. 16cm x 12cm

Rotring pen, Sakura Glaze pen, Derwent Inktense pencils with water wash on heavy watercolour paper.

Small, intricate, full of spirals and swirls.  Typically me when in a fussy, detailed mood.

Many of the patterns and shapes are inspired by ammonites, nature, cells, Romanesque architecture, Prehistoric pottery and rock art.

Synchronicity because there have been a lot of  ‘coincidences’ noted in my life recently.

Back at work

Oh the joys of teaching!  There is an element of sarcasm there.  The lack of respect, manners and cooperation seems to have increased over the summer – either that or I’m getting old, having passed the 49 year mark during the long holidays.

I find myself emotionally drained at the end of each day after the constant hard work to get pupils to stop making assorted weird noises, disrupting the lesson in a myriad of ways, and just trying to bet them to be polite.  I feel ‘battle weary’.  Yet, teaching should not be such a battle.

The worst thing for me, however, is the effect this has on my creativity and the time to create.  I miss the hours I could spend creating art during the break.  If only I could earn enough from art reliably and sustainably to become a full-time artist…or writer…or or or…

Hypnotherapy

Well, yesterday, the Autumnal Equinox, saw the end of the hypnotherapy course.  I have an extension to complete the case studies, so the work isn’t quite over for me.  I managed, finally, to get a merit in one essay – hurrah!

Not sure if I’ll be able to start a hypnotherapy practice up for a few years for various reasons, but I’d like to keep my hand in and practice the skills I have learned until I’m ready to take that plunge.

Endings

Yesterday, in fact the past week or so, have been rather weird.  I’ve found myself very emotional, on the point of tears or past the point of holding them back on a number of occasions, including today.  I have no idea exactly what is the problem.  I thought it was hormonal, but I’m not too sure about that now.

Anyway, the hypnotherapy wasn’t the only ending this week.

I resigned from a committee that I perhaps have stayed on for a few months too long.

I’ve had various bits of a jigsaw puzzle about a friendship that ended a few months ago.  I’ve spent most of this time blaming myself as I was made to feel it was my fault.  However, the jigsaw pieces show that it isn’t my fault at all!

All this is quite apt for the equinox I think.

Crazy Contours

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Crazy Contours 1 © Angela Porter 2012

Approx 12cm x 12cm.  Black Rotring pen, Inktense pencils with water wash and various iridescent/metallic watercolour paints on Bristol Board.

The shapes and were inspired by one of the previous little textile pieces, the filling patterns by Romanesque architecture, prehistoric pottery, natural forms.

Fun to do something this fiddly and fussy and completely potty!

Angel – Finished

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12″ x 8″.  Sakura Glaze pen for outline (grey used), Inktense pencils and water wash for colours, Cosmic Shimmer gold and silver watercolour paints for various bits and bobs.

Just finished this experiment.  The photo isn’t really all that good (I’ve said before, often, photography isn’t one of my skills, and the painting/drawing is too big to fit in my scanner).  The outlines are glossy and so have reflected the flash too much, and there are places where the metallic highlights haven’t shown up well, but you’ll get the idea.

I’m actually fairly pleased with this, especially when it is shrunk in size as all the imperfections I perceive disappear.