Finishing Up a Zentangle Greetings Card

Link to today’s video/vlog on YouTube.

Actually, the title should be ‘How Not to finish up…’. I had a bit of an accident. More about that in a minute.

This morning, I decided to work on finishing up one card design. I knew I wanted to add another layer beneath the panel already finished before gluing it to the cream-coloured card blank.

I dug out some scrapbook paper from my stash. Nothing felt right. The colours were just ‘off’. That’s when I realised I needed to use Distress Inks to colour the lower panel.

I could have used them to colour the panel, then use pens (black, fineliner or metallic) to draw a pattern on it. Instead, I decided to try to emboss the pattern into the paper using a dotting tool / parchment craft ball tool / embossing tool.

Before I did this, I experimented on some scrap paper to see how I could colour the paper (more on this in today’s video).

I decided to emboss the paper first, then add Distress Ink (pine needles) with the black side of a piece of Cut ‘n Dry foam. That kept the embossing white. I found that if I used a blending brush (aka make-up brush!) more ink settled in the embossing. That is also a lovely look, but not what I wanted.

Inside this border, I added some gold ink to create a gold border around the upper panel.

That looked fine and dandy. The horror story came with the next step…

I added some foam tape to the back of the upper panel to add some dimension to the card, along with some glue so I had some wiggle time to make sure I got the panel centred.

The glue was the mistake I think. I had the panel nicely centred until I turned it over to add some pressure to get it to stick firmly. It must have wiggled and become de-centralised.

And when I noticed it was very firmly stuck.

I was so annoyed with myself as I know this is something that nearly always goes wrong when I try to make cards.

The only way I can ‘fix’ things is to cut out that central panel and re-make the embossed border and reassemble the card once again. This time I’d consider having the embossed pattern going under the central pattern so that if it is a little off it won’t be quite so noticeable.

I’m not, however, going to do that. This time, I’m going to make notes in the card about what I did, the media used, what I like, what I don’t like, and what I need to be very, very mindful of the next time I make a card.

Reflecting on the card creation

I know I’m fairly happy with the design. I like the central motif of holly leaves. The sutble pattern in the border around it is nice too, as is the embossed border.

I do wish I’d not used chalk pastels to add colour to this panel. There’s something dusty and muted about it that I’m not at all sure of. I think that keeping things mostly monochrome on a coloured background works best for me, with touches of gold and white, with some shading perhaps.

It’s that thing again. I love colour, but making use of it always has me feeling that it’s where I mess things up, unless I keep the colours really simple. Simple as in black, white, the background colour, and a shadow colour, and maybe touches of metallics for some sparkle and shine.

I do better with colour when I work digitally, but in traditional media I always feel like I struggle.

It’s always a learning experience, more so when things don’t go as planned or when I’m not entirely happy with what I produce. My problem is I try the same kind of thing over and over and expect it all to improve. I think I’m hoping that I’ll work out how to make the various media work for me at some point.

I say, often, I’m going to stick to monochrome, and then go and try working with colour, often with the same kind of feeling at the end. The feeling I like the pen drawing, but the colour/media isn’t what I’m looking for.

Perhaps time for me to make use of this colour printer and add colour digitally and print it out!

Zentangle Greetings Cards

Click this link to see today’s video on YouTube.

I was awake way too early this morning, but just couldn’t get back to sleep. So, what am I going to do? Art of course, after a while of tossing and turning that is.

Completing the holly design.

I spent some time yesterday adding colour with various chalk pastels. I finished off the last few areas with fineliner pens. Then, I added another layer of gold to the stars and inked around their outlines again.

To finish the holly design, I wanted to seal the surface. I’d done some experiments to see how a multi-media gloss finish and micro-glaze would work. With both, there was very little shift of any of the media I’d used on my test pieces – chalk pastels, graphite pencil, tinted charcoal, and Ecoline watercolour inks. The only difference was the gloss medium was a bit glossy, while the micro glaze lacked any brush strokes.

I decided on the microglaze. It helped to bring out the colours, as well as stop them being rubbed off. There’s also less chance of me making a total mess of things too.

All in all, I’m fairly happy with this panel for a card. Despite all my doubt and misgivings during the process of drawing the design, it’s turned out quite OK.

Notes on the mistletoe design

For this design, I decided to create a separate centre panel. I also painted a square of gold beneath where this panel would go.

I used Ecoline watercolour ink to add colour to the drawing on the Distress Ink coloured panel. Then I attached it to the base ’tile’.

Next, it was time to decide what to do with that big border around the mistletoe. I went with the tangle pattern Diva Dance Rock and Roll.

I knew this tangle pattern would add a lot of black to the border, but I think I wanted that to be the case. The black helps the central panel to stand out, I think.

I still have some work to do on this panel, but I to focus on inking in more of the last couple of templates for Adorable Dogs.

“Holly” Zentangle Greeting Card

This morning, I thought it was time I made a start on this year’s batch of cards. You can see the video by following this link.

I know, I know, I’m really late, but … so much else seems to have got in the way this year. Still, I thought I’d share the drawing process of one design today.

I just started with the idea of having a small focal area on the 4″ square ’tile’. I also had decided that holly would be the motif I’d use. The rest was really not thought about, until I started working.

In the video I share not only how to draw the card, but my thoughts and reflections. I start with a plain piece of paper and end up with this design.

This isn’t finished yet. Colour, shadow, highlight, and, perhaps, more gold need to be added to really lift the design. That’s for another arty session.

For now I need to work on the last few templates for ‘Adorable Dogs’ and get them nailed before the weekend is out!

Winter Solstice 2020

All the best of the blessings of the season to you one and all!

Today, the Sun passes into Capricorn, marking the astronomical start of winter. It’s one of the shortest days of the year as well, and so it seems right that as the days get longer, the intensity of sunlight that reaches the Earth in the Northern Hemisphere strengthens, that it is seen as the ending of one orbit around the Sun, and the start of a new one.

Of course, if you’re in the Southern Hemisphere, Happy Summer Solstice!

Template Thursday

It’s that day again – Template Thursday!

Each Thursday throughout the pandemic I’ve designed a colouring template for the members of the Angela Porter’s Coloring Book Fans facebook group.

This week, the design has one big focal point motif of a zentangle-inspired Christmas Tree. It’s cute and whimsical, and is surrounded by holly, mistletoe, gifts, stars and baubles. Of course there’s some hearts there too.

Although the drawing is quite detailed, it’s split into smaller sections. This is great if you only have a bit of time or feel overwhelmed by the whole image. This way you can do one section at a time.

There’s a couple of reasons I usually only colour part of the template. One is a question of time when I have other things that have to be done. The other is that it shows the difference colour makes to the drawing, how it brings it to life.

I love to see how colourists bring my drawings to life with colour and how unique each person’s approach to colouring is. Every time I see one coloured it brings a smile to my face. I have so many colouring books published, so many templates drawn that I don’t have time to colour them all myself.

But when I see a template I wasn’t happy with all coloured in and how wonderful it looks, it not only makes me smile, but it gives me a little confidence boost that my drawings may be just good enough after all.

Yes, I suffer with imposter syndrome and a lack of self-confidence still.

For the rest of the day I really do need to get on with my Christmas card design for this year and get the moonpig ones sorted out and sent off.

Template Thursday

It’s template Thursday! As it’s December, my templates will have wintry, themes, all with the emphasis on bringing light and colour into our lives during the last weeks of the year.

As I live in the Northern Hemisphere, we’re in the last few days of autumn. However, no matter where you live in the world, there are always starry night skies, and I suspect stars will feature a lot in the templates. Not just because I love stars, but because I’m working on Entangled Starry Skies.

This template is available to members of the Angela Porter’s Coloring Book fans facebook group.

Season’s Greetings Coloring Template

Season’s Greetings (c) Angela Porter | Artwyrd.com

I’ve created a third December colouring template for the members of Angela Porter’s Coloring Book Fans facebook group, and here’s my partly coloured version.

If you’d like to download and print the template to colour, then all you need to do is pop over to the group and join! It’s free!

I’m flagging at the moment. I didn’t sleep much last night; I’ve picked up some kind of stomach bug and so was back and forth the bathroom. My tummy is still not well today. I was, however, determined to get a seasonal greeting out to one and all.

Drawn with Faber Castell Pitt Artist pens. Typography and colouring done digitally.

A festive dangle design video

This morning, I made a video of me drawing and colouring this festive dangle design and turning it into a card.

This video shows me drawing in real time, and I hope you enjoy it, despite the wobbliness in places.

Here’s a list of materials I used:

  • 8″x 8″ Winsor and Newton Bristol Board folded to make an 8″ x 4″ card
  • 7″ x 3″ piece of Winsor and Newton Bristol Board to draw the design on
  • Faber-Castell Pitt Artist Pen, medium
  • Pencil and ruler
  • Various Chameleon Color tones marker pens
  • White Uniball Signo gel pen
  • Tombow Mono glue
  • Tumbled Glass Distress Ink and a mini foam blending tool

I hope you have a go at drawing this dangle design and making your own papercraft or craft projects with it. If you do, I’d love to see them!

If you’d like to know more about drawing dangle designs, or would like more inspiration, step by step instructions, and encouraging words, then my book “A Dangle A Day” is a good place to start.

Winter Solstice 2019

Winter Solstice 2019 ©Angela Porter | Artwyrd.com

I’ve been awake since way before dawn drawing this mandala to celebrate the Winter Solstice. I’m looking forward to the increased hours of daylight, though it will be a couple of weeks, or so, before there’s any noticeable difference in the length of day.

It’s been a lovely way to spend the hours as night gradually gives way to the sun. Not that I can see the Sun itself; grey skies and patches of rain obscure the golden wonder of that glowing ball of nuclear fusion.

I created the mandala using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

Festive Mandala

©Angela Porter | Artwyrd.com

I needed to create a cute, whimsical, simple mandala this morning (and on into the afternoon). This is what I came up with. Plenty of bright colours glowing against the dark background.

Stars and hearts are motifs that often appear in my work, as well as arches that can be like petals, sunshine or architectural. The holly leaves and berries mark this mandala as a winter one.

Digital art worked using Autodesk Sketchbook Pro and Microsoft Surface Pen and Surface Studio.