Repeating patterns 20 September 2018

Angela Porter Seamless Tiles 20 September 2018 small

The other day I had a bit of fun with a program called Repper Pro. It allows you to easily make tiles from any image you have saved on your computer. These tiles can then be turned into tiled patterns which are seamless.

I used just two of my latest abstract botanicals and after less than an hour I had saved over 100 tiles to my hard drive! You can see some of my favourite ones above.

Some of these tiles were made from tiles I’d created rather than the original artwork.

I would love to see some of these as patterns for cushions or framed pictures in canvas work or cross stitch. I also think they’d make beautiful fronts for greetings cards or note cards just as they are. In fact, some of the patterns I prefer as single tiles rather than as repeating tiled patterns.

Here are just four of these as tiled patterns. I think they’re lovely, and I’m amazed how easy it is to use the Repper software and how my artwork can be used in this way too.

I’m not sure if they’d make wonderful fabric, they could be too busy for lots of applications, but then this is all personal preference for sure.

Angela Porter Repeating pattern 20 September 2018 04

Angela Porter Repeating pattern 20 September 2018 03

Angela Porter Repeating pattern 20 September 2018 02

Angela Porter Repeating pattern 20 September 2018 01

Perfectly Imperfect and an Abstract Botanical 21 August 2018

Angela Porter 21 August 2018

My latest design. It took nearly 2 days work to complete, though I may add some metallic highlights here.

I used Inktense pencils and blocks with water brushes, Uniball Unipin pens and Daler-Rowney Aquafine smooth watercolour paper.

Black line definitely keeps my need for that high contrast work happy, but the ability to add layers of colour or create gradations in colour with the Inktense also keeps me happy. Together, they work for me.

I did start off the central area with shapes of colour, but then I started to draw in the designs around the edge and then add colour. Both ways work for me for sure. Also, there’s a kind of randomness to the colour and some over-spill outside the lines, and that is something I’m learning to live with and like.

Perfectly imperfect.

Just like me. Just like us all. We are all perfectly imperfect and that is OK. In fact, it’s more than ok, it’s just perfect and I think we should all embrace it. The imperfections are what contribute to our uniqueness, our individuality as much as anything else (perhaps even more). Society sends a message we all need to be perfect as people with perfect lives and perfect homes and perfect bodies and perfect smiles, hair and so on.

The reality is, however, that we aren’t.

We are all imperfect. Life is imperfect. Nature is imperfect.

But all is perfectly imperfect.

And that is good. It is. At any moment in our lives we are all doing the best we can.  Sometimes things work out perfectly. Sometimes they go wrong. The balance of it all is that it is all perfectly imperfect.

My artwork is perfectly imperfect. I do my best with digital art, but I’m not really happy with what I do often. I learn each time I do some, and move forward, improving. The same is true when I use traditional media.

The same is true of life. Of my life. Of all our lives, our perfectly imperfect lives from which we can learn and grow as people.

 

 

Angela Porter 18 August 2019

Here’s today’s drawing, design, artwork; yesterday’s ‘just colour’ design.

I did try a small design using coloured pens to add lines, but it just doesn’t feel or look right.

I’m happy with this one, like I was with the one yesterday.

These last couple of artworks have been a bit of a change in the way I usually work. Perhaps more of quite a change.

Usually, I start by drawing my design and then adding colour. Over the past couple of days I’ve been drawing the basic shapes/design with colour from a brush, starting with the broad structure of the design. Then, I add the architecture of the design in pen.

The laying down of colour first means there is, for me, not a lot of control over the gradation of colour/tome and the precise shapes. Using watercolours means that colours can bleed from one shape into another if I forget to move to another area and let each shape dry before adding another next to it.

The resultant colour design, the variations as mentioned, is then the basis for my drawing. I work with the shapes as they are, trying not to be overly concerned if my pen lines done precisely match the edge of each shape. I try to work with the variations in colour/saturation/tone as I add the patterns.

I have tried doing something like this digitally, but so far haven’t been all that happy with the results. I will keep trying though. I know eventually I’ll work out how this will work for me.

It’s a nice way to spend a Sunday, no matter what I do precisely.

If you want to know what a person’s like – revisited

Angela Porter 16 July 2019

I thought I’d revisit the previous quote, alter the words a bit and this is the result.

I used an oldy looking type-writer font for the quote and printed it out, I used a Sakura Pigma Micron PN pen to draw the design around it. I then scanned it in and altered the colours in Autodesk Sketchbook.

I learned a new ‘trick’ when using sketchbook, completely by accident, and it’s one I want to explore a little more in the future, especially for adding gradient colours to black and white work.

This would look lovely printed out and added to my BuJo, or even framed and hung on my wall.

Wednesday drawing

Angela Porter 4 July 2018

Can you tell I’m really enjoying drawing intricate illustrations and designs at the moment?

Pen and ink on paper, with pencil shading. Some dangles have crept in at the top, a touch I rather like.

I meant to leave some space to add a quote or inspirational word, but got so engrossed in the dangles that I forgot!

A Dangle A Day, Eerie Entangled Art and Entangled Butterflies are books of mine available to preorder now.

Over on the Angela Porter’s Coloring Book Fans facebook group it’s work in progress wednesday. Pop over and you’d be made to feel welcome I’m sure!

It’s Friday!

Angela Porter 6 April 2018 colouredFriday means it’s #dangleday, #freebiefriday #fridayfreebie and #furbabyfriday all over the web!

I’ve designed the dangle to the left for #dangleday.  I will also be putting an uncoloured version of it on my facebookpage – Angela Porter Illustrator – for you to download and colour for free.  So that makes it a #fridayfreebie.  It’s also great for getting into that #weekendvibes going – nothing like a bit of creativity to relax you after a busy week.

I’ve left the banner blank so you can add your own message.

Perfect for a bullet journal (BuJo) cover page.  Lovely turned into a greetings card.

Make sure you print it out to the size you need; the image is sized to fit on an A5 BuJo page, but it will print out cleanly to A4 (US letter) sized paper.

All I ask is that you don’t share the uncoloured image, but feel free to share the coloured image stating where you got it from. Also, the template is not for resale either in it’s uncoloured or coloured form; it’s for personal use only, though you can give the finished project away as a gift if you wish.

I’d love to see how you use the template, so please share on my facebook page.  You can also tag me on Instagram as @angelaporterillustrator or on Twitter as @wyrdsmithing.  On facebook you can tag me either as #angelaporter.

Don’t forget, my new book ‘A Dangle A Day’ is available to preorder.

It’s also #furbabyfriday over on the facebook group Angela Porter’s Coloring Book Fans, and I love to see everyone’s furbabies!  I don’t know if I’ll manage to get my very camera shy kitty to allow me to snap a pic of him…

 

 

Entangled in 3D…

Angela Porter Entangled Tetrahedron 1_19th Sept 2017

I’ve had an idea rattling around the old brainbox for a while – to use 3D nets and entangle them to form a 3D entangled drawing.

Ok, the patterns don’t wrap around all of the edges, however, on all but one the patterns kind of match up even though they’re not the same.

I’ve not coloured or added shading to the drawing (which I scanned and printed out so I could keep the original for future use) as I just wanted to see if it was something that would work.

I think it does work.  I suspect my yuletide decorations may be made from such things, with plenty of sparkle and glimmer!  Not to mention the more spooky ones for Hallowe’en…

Fancy having some to colour and construct?  Let me know!