I finished this artwork off this morning, finding a perfect quote about shadow, this week’s prompt for #inktober52.
Border design drawn using Unipin pens on dot grid paper. Typography was done using Affinity Publisher. Colour, background and composition were achieved in Autodesk Sketchbook Pro using a Surface Pen and Surface Studio by Microsoft.
I’ve enjoyed creating this sketchbook sampler page. I drew the designs with a mixture of Uniball Unipin pens, Faber-Castell Pitt Artist pens, a medium nib Schaeffer fountain pen, and an extra-fine nib Faber Castell fountain pen. I used dot grid paper from Claire Fontaine.
After scanning the page in, I removed the dot grid and added a grungy paper background. I then decided I’d like to add some colour and shadow/light to the designs. To do this, I used a messy chalk brush, so my colouring isn’t as precise as I usually like it. However, it’s loosened up my expectations of myself as I went with it.
Pastel colours were my palette of choice as I like the way they seem to almost glow against the grungy kraft background. I also like the way they help to enhance the 3-D appearance of the designs. I do enjoy playing with shadow and light.
Some of the designs are examples of my organic, entangled style of drawing. Others are repeating, geometric zentangle-style patterns. And then there’s some inspired by Medieval illuminated manuscripts.
I also enjoy working within a clear border. I like the sense of structure it brings to my work. It also satisfies some kind of aesthetic need within me. Every now and then I try work without a border, but the artwork I produce just never feels quite right to me. So, it’s time for me to accept the need for borders is part of my artistic voice.
There is a purpose for me creating these borders. I’m building up a library of them that I can use to embellish quotes and other projects.
Some of these borders would look fab as greeting cards note cards, bookmarks, and to use in other paper craft projects. They’d also work well as embellishments for BuJo, planner, diary, scrapbook and journal pages.
Others would be a great foundation for dangle designs (my book “A Dangle A Day” is a good place to start drawing dangle designs).
What I do know, is that I find drawing soothing and relaxing. So, I’m going to be spending the rest of my Sunday drawing more borders.
I’ve created a simple bit of line art to celebrate the day, and it’s available exclusively to members of the Angela Porter’s Coloring Book Fans facebook group. It’s free to join and I have a number of templates that are exclusive and free to members of the group.
I love to see how people use colour to bring my drawings to life. I provide the bones, the colorists add the flesh in the form of colour.
Another mandala today, this time with my favourite Hafiz quote in the centre.
I wanted a mandala that seemed to be almost glowing for this quote. Also, I added a very subtle rainbow colouring to it too. I’m quite happy with this mandala, though some darker shading behind some of the parts, along with some subtle highlights, would’ve helped with the dimensionality of the design.
I didn’t hand-letter the quote; instead I used a clear and simple pair of fonts. I do want to learn how to create circles of typography; I think the quotes would then be more sympathetic to the circular geometry of mandalas. I’ll need a bit of time to play around in Affinity Publisher and Affinity Designer to see if I can achieve this. Mind you, I do need to practice my hand lettering a lot more too.
All the same, I’m still happy with this design. The lettering will do – for now.
I always enjoy drawing mandalas, and it’s nice to revisit the line-art style of mandalas with lots of intricate patterns in them once again. They are so delicate, airy, lacy in feel compared to my more arty, abstract, coloured mandalas. They’re also a lot quicker to create!
Pen drawing with digital shading and texture added.
I’m quite happy with this one, though I messed up a bit with the twiddly swirly foliage. I also can see how I could’ve had the flowers growing out of some of these curly bits. However, if I ever choose to rework this drawing I can do so at another time.
This one is much more stylised than yesterday’s drawing of a chameleon skull. I like how I’ve used a combination of patterns and stippling to add shadow and depth to the skull. I also like how I’ve kept the rest of the design fairly simple in contrast.
I decided not to add colour to this, for now.
To draw the design I used Sakura Micron and Uniball Unipin pens on an 8″ x 8″ piece of Claire Fontaine Paint On multi techniques paper.
For the digital texture and shading I used Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Surface Studio.
This is a little bit of a different blog post from me.
As I’ve mentioned before, I experience CPTSD (complex post-traumatic stress disorder), which presents itself in many ways, including anxiety, depression, and a low self-esteem.
I’ve had lots of counselling over the past eight years or so, and for the last two and a half years I’ve had a lovely therapist who specialises in EMDR therapy. It’s taken a long while for me to get to the point where I believe that such a gentle kind of therapy works, and works for me. It’s still a slow process…but progress is being made. A major change in employment nearly a year ago seriously helped with that.
Last week, my counsellor suggested I read a book called ‘Tapping In’ by Laurel Parnell. In the book, Laurel Parnell describes how the process of bilateral stimulation by means of tapping the knees or outer thighs can be used to reinforce a safe place, helpful guardians and other tools to help during both therapy and everyday life. My own therapist has successfully used it to reduce anxiety during a dental appointment as well as aiding in sleep.
She suggested I read the book and we do some work on the resources I need before continuing with EMDR as the last few sessions have left me rather upset, fragile, and, unsually for me, unable to find my ‘safe place’ at the end of a session, so that I can leave the fragile and upset state behind.
So, yesterday we worked on my safe place, with me coming up with a new one and ‘tapping in’ the contentment, peace and safety I feel when I imagine myself there. The bilateral stimulation from alternating taps to the outer knees, helps to reinforce the feeling of the place, and actually helps to intensify it.
I have no problem imagining places I can go to in my imagination; I’ve used guided meditations over the years for various purposes. When it comes to me coming up with my own imaginary places, it never ceases to surprise me what these places are like!
The other thing that was suggested after I’d verbally described my place, was to spend time over the week drawing/painting/creating images of this place, as well as practicing the process of tapping in my safe place and using it to help me manage my current high anxiety levels. (My anxiety intensified greatly yesterday, not as a result of counselling, but by the decision to hold a ‘snap general election’ and my worries about what is happening in this country, in the world, which then gets transferred to worrying about finances as I’m now self-employed, and so on and the constant chatter of anxiety winds itself up if I’m not careful).
Me being me, I get to it almost straight away…starting with these mandalas
“My mandalas were cryptograms concerning the state of the self which was presented to me anew each day…I guarded them like precious pearls….It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation. ” – Carl Jung
So, I started with some abstract, intuitive mandalas to try to express the feelings I have when I think of my safe place, when I remember the feelings I have when I’m there.
Next, I wanted to draw some kind of representation of a view from one of the windows of my place. And this is what I came up with, though the view changes all the time!
Yes, I know water isn’t yellow, but in my inner world it can be! It also shimmers with gold and has lots of shining gold and blue ‘dots’ in it. Lots of happy creatures and colours there, all entertaining me … diverting my attention away from my anxiety.
Yes, I use art to help me manage my mental health. When anxious, doing art helps me become less so; when depressed, art lifts my mood. I’m sure the inner critic chatters away even when I’m ‘arting’, but the art takes my attention so the critic’s voice can be ignored.
Oh, before I drew anything, I took time to write a clear description of my safe place, as words are how I build up mind images.
I’m looking forward to ‘tapping in’ help for creativity, amongst other things… I’m also looking to intuitively drawing and creating some more of the living things that I can see from my safe place – all friendly and protective of course, nothing scary allowed there! Which suits my tendency to rather whimsical, cutesy, artistic style.
So, I’ve shared a little of my ‘safe place’, but I’m keeping a lot of details to myself – no offence, but I don’t want any gate crashers there!