I’ve been awake way too long already today. I just couldn’t settle to get back to sleep when I woke around 4am. I gave up trying just before 6am and thought I’d do some drawing to see if it would settle me.
The soothing style of choice at the moment is zentangle, so I made use of some of the coloured ’tiles’ I made yesterday, and these are the result. I’ve yet to decide whether I will actually turn them into cards, or whether I’ll just keep them as references for the future.
I thought plain black line looked a bit ‘flat’. That may be a consequence of me working digitally so much and the way I achieve dimensionality in my art.
So, in the top design, I used brush, water and some colour from Zig Clean Colour Real Brush Pens by Kuretake. I enjoyed adding shading with colour, though it was hard work with the fine brush I’d chosen, especially when I turned my attention to the one on the bottom left. So, I used a Tombow Blender pen with the colour for the third card on the bottom right. I’m much happier with the smoothness of the gradients here, compared to the other two.
What I’m not happy with is the way the pigment from the black lines seems to move, particularly when I used the brush. I’m not sure whether this is a result of me drawing on top of the distress ink coloured paper, or whether it’s to do with the friction of brush on the lines. I did get a little bit of movement of the pigment with the Tombow blender pen, but not so much it seems.
As I’m digging into my stash of media from past times, I remembered I had some Nuvo Drops from Tonic. So, instead of using a metallic gel pen to add some embellishments, I added some of these drops.
I’m not entirely sure they work. I think I’ll have to look at these cards again after I’ve had a good sleep and a break from them
I am glad I tried adding more saturated colour to the designs to give that illusion of dimension, even though I had to rediscover the joys of using a blender pen. I do find pens so much easier to work with than brushes, that’s for sure. That may be a knock on effect of me using pen ‘brushes’ so much in digital art.
I’m exhausted now, but I won’t go back to bed until my grocery deliveries have arrived.
I woke this morning and had a fancy to make a card along with a coordinating envelope. I’m going to be sending these to someone, so I didn’t want to show the whole design, so a sneak peek it is. I don’t think it gives much away about the mail art. I hope it doesn’t spoil the surprise for the recipient.
I used a pre-made card blank and envelope. The card is nearly 8½” x 4¼” in size and is plain white.
I cut a piece of Winsor and Newton Bristol board to 3½” x 7½”. I added some score lines ⅛” in from each edge and let them overlap to form little squares at the corners. To do this I used a score board and bone folder. I’ve never done this before, but it actually adds a nice touch. It also gives me an even border to work within, which is always useful.
My next step was to add colour to the top layer and the envelope. I decided to do some ink blending with Distress Inks. Here’s a list of the colours I used:
Once I was happy with the colour gradient, I broke out my Uniball Unpin pens and started to draw the design. As I had a coloured background, I made use of lines and patterns to add texture and dimension.
When I was happy with the design, it was missing something. It needed some colour or shading. I decided to add some colour with Copic markers, being mindful of using colours that would work harmoniously with the background.
My final step was to add some dots of gold glitter to add some ‘bling’ to the card.
My attention then turned to the envelope.
First, I added some pencil lines to help me keep my hand lettering level and neat. I then used a black Tombow Fudenosuke pen to brush letter the recipient’s name. I then used a grey Tombow Fudenosuke pen to add shadow to the letters.
I then used a Uniball Unipin 08 pen to add the address. For this, I used simple capital letters for the hand-lettering.
My next task was to draw the design on the envelope. I used some elements from the card for this, plus a couple of extra ones. I also added texture and shadow with lines.
My final task, after I’d written my name and address on the back of the envelope, was to seal the envelope art with a thin layer of Distress Micro Glaze, carefully avoiding the area where stamps will be affixed. The Micro Glaze creates a waterproof layer so the Distress and Tombow inks shouldn’t run if they get wet.
Once the recipient has the card, I’ll post a full image of the mail art, carefully obscuring their information.
So, Angela, how are you today?
I’m ok today. I’m a tad tired, but I don’t seem as emotionally fragile as I have been. There’s still a bit of ‘flatness’ or ‘heaviness’ inside me, but the contentedness is of equal or greater intensity.
Today I need a quiet day at home; the last week or so has been crazy busy with either emotional upsets occurring or commitments I have to keep. The next commitment I have is on Thursday evening, so I’m going to make the most of the time I have to myself. Creating mail art was one activity in self-soothing.
I doubted that I would find this more settled state any time soon. That it’s appeared today is a real bonus. How long it stays for I don’t know as I know what is in my diary.
I’m not going to worry about that, well not much. I’m going to enjoy the contentedness and Use my quiet time to soothe my still fragile emotions.
Yes, I feel mostly content, but I also know that it won’t take much to provoke me to tears and some emotional distress.
One thing we talked about in therapy on Monday was the need for me to protect myself in situations where I’m emotionally vulnerable. I’ve had a lot of time interacting with people over the past few days. I now need time to relax, breathe, re-energise.
I enjoy being with people, but it also drains me. That’s one of the consequences of being an introvert. When I’m socially exhausted, it makes me more emotionally vulnerable than I usually am. So, I need time to recover from this.
I will recover. Nowadays, I always do given enough self-care and self-soothing time.
I also am self-aware enough to know that to start important projects is not a good idea at this time. It becomes all too easy for me to find fault with everything I do and for me to end up spiralling downwards into a mood where I am harsh to myself.
It is still hard to be kind to myself on days like this. There’s a nagging voice that I should be doing this or doing that and not indulging myself in activities that help me to heal. Other inner critics join in, telling me I’m worthless, useless, a failure, unloveable then join in, sensing the vulnerability in me. So, I’m learning to ignore that voice, even if I still feel a little guilty. As I feel better, refreshed and re-energised and more emotionally resilient, the inner critics become inaudible once again.
So, as hard as it is to accept that I need to be kind and to spend today doing what will help me heal, this is precisely what I am going to do. And that starts with me writing a letter to accompany the mail art. I also want to create some designs that I can print to colour and use to create greeting cards.
Yesterday I decided to make a second card with a coordinating envelope. I wanted to try out using the Chameleon fine-liners to add colour in the form of lines and cross-hatching. Finally, I added some gold dots to the points of the petals on the flower design.
To draw the design and execute the hand-lettering, I used a Uniball Unipin pen. I then used various pairs of Chameleon fineliners to add the colour.
I prefer this way of adding colour with the Chameleon fine-liners, though I’m not entirely happy about it either. Looking at it now, in the clear light of dawn, I think I could have added a flat colour below the coloured lines. I may go and add that colour in a little while. After all, it’s just a card, an experiment, and if I mess it up, I can always make another one! A lesson learned, an experience gained is worth the few pennies worth of materials and the time it took just as long as I remember the lesson in the future.
I’m also not happy with my hand-lettering; I like the idea of the letter layout, but it’s not centred between the arcs.
I do like the ‘banner’ I’ve used to enclose the hand-lettering. However, there’s something about the rectangular ribbons and the patterns within that I don’t particularly like. I’ll work out what it is in time.
For now, I’ll try adding flat colour to the coloured sections to see how that works out and not worry about messing up the card. I’ll use it as a learning experience.
And that reminds me, I’ve still not set up my One Note journal for my private critiques and what kinds of methods and techniques I use in my art.
A piece of yellow card cut to 4″ x 11″, scored and folded in half to make a top-fold card measuring 4″ x 5½”.
A piece of white card approx. 4″ x 5″ for the top layer.
A We R Memory Keepers Envelope Punch board and an piece of paper measuring 7⅞” x 7⅞” or a blank envelope that will fit a 4″ x 5½” card.
A pencil and ruler for the guide-lines and a good eraser to remove them.
A black fineliner pen for drawing and hand-lettering; I used a Uniball Unipin pen.
Pens to colour the design; I used Chameleon fineliner pens.
A gold gel pen for the dot embellishments; I used a Uniball Signo gold gel pen.
If you’d like to learn more about dangle designs or are looking for some more inspiration for them and how they can be used in cards, BuJos, scrapbooks, bookmarks, journals, and more then my book ‘A Dangle A Day’is a good place to start. It takes you through how to draw monograms and dangle designs for all kinds of occasions around the year in simple steps.
I had a bit of a surprise package today. Inside were some more stamps and dies that I designed and have now been produced by Hampton Art. They’re perfect for card making, paper crafts, planners, journals and scrapbooks!
I’ve also coloured in the doodle art from yesterday. I used a mixture of Copic Ciao markers, Chameleon markers and some coloured pencils. I’m quite pleased with the colouring, learned some new tricks with the Chameleon markers, which means I’d do things a little differently if I coloured it again.