This week, it’s another of my collections of little windows. Yesterday was a day where I needed to draw a template that wouldn’t overwhelm me, and a collection of tiny drawings and patterns is a way to break the task down into bite-size, cute, whimsical pieces. As I result, I enjoyed the process and found some contentment and peace too.
In fact, some of the colorists in the group have told me that the really like the way the page is broken down into pieces that can be finished quickly if they are limited for time. The different sizes allow them to choose something that can be coloured in the time they have available. That part can then be left finished, freeing them of the worry of leaving something unfinished.
Coloring, like any creative activity, can help calm, relax, soothe and give a break from negative self-talk, to name a few of the benefits. I know that scientific studies have shown this to be the case and that losing yourself in coloring has a similar effect on brain activity as mindfulness meditation.
I use art to help me with times when my emotional weather is stormy, dull, unsettled. As I said earlier, drawing a collection of small designs was far less overwhelming than drawing a full page illustration yesterday. Yet, I still end up with a full page of mini-templates to colour.
I feel I struggle with colours. I tend to try to put all colours available to me into one template. Every now and then I do work with a limited palette, which also has it’s own problems. My window templates take away any pressure I put on myself regarding colour. Each window is a unique image in it’s own right and I can use whatever colours I wish in it without worrying about the overall cohesiveness of the project.
These window templates are also great fun for trying out different colour combinations, for blending colours, and even for trying out new techniques. You could make notes on the template, or cut out the pictures you want to keep and start an art journal where you note down the media, colours and techniques used to get the effects/blends you like. No longer any need to remember what they are, just refer to the journal!
Talking of cutting the designs out, that is a perfect way to make use of a finished coloring page like this one. The individual images, or groups of them, can be used to make greeting cards, bookmarks or to embellish art journals, journals, scrapbooks, diaries, planners and bullet journals!
As always, I love to see what people create using my templates – share with and/or tag me on social media : f: @artwyrd t: @artwyrd i: @artwyrd
I’ve had a stressful couple of days to say the least and all my plans to edit templates and create new ones went out of the window. It was like I had ‘ants in my pants’ and I just couldn’t settle to anything that required concentration and focus.
Last night I was beginning to settle a bit. I’d had some news that had helped to calm me a little, but not enough. While I was attending an online talk, I drew this design on watercolour paper. I used a 05 Sakura Pigma Micron pen. I also scanned the finished drawing into the ‘puter. I really like this drawing, I have to say.
This morning, I wanted to start the day with something relaxing and meditative, so I broke out the watercolour pencils. I have a collection of Derwent Aquatone and Faber-Castell Albrecht Durer. I used them to colour the trios of large flowers at the bottom left and bottom right. For the small flowers, leaves, tendrils and the large flowers at the top I used White Knight watercolours.
I found the watercolour perncils slow and laborious on such a large scale, and I had to lay down layers to get the intensity of colour I like. However, they did mean I could control the gradients a lot more.
On larger flowers, watercolours frustrate me a bit. I can’t seem to get to the right amount of dampness so that colours will flow one into another.
I also found that by drawing the flowers to begin with, I felt compelled to paint each petal one at a time, and I found that may work against me in terms of making the most of watercolour.
Watercolour has always been a medium that vexes and frustrates me, and it’s continuing to do so at times, even as I explore adding colour. I think I’m realising that the best way for me to work with watercolor is by using it for backgrounds which I then draw upon and add more colour to the drawings.
Or, its where I make use of the randomness of loose watercolour, droping colours into a damp surface where they can bloom, flow and blend as they will, without me trying to make them anything in particular. Then, I can draw on this, picking out shapes and colours, bringing structure to where there is none, and I can get intricate with the details too.
Anyway, with the flowery drawing above, I tried to add details using some Paul Rubens metallic watercolours to add patterns of dots, as well as drawing more black or white lines onto the drawing. I really don’t feel they worked out at all well.
I knew this was going to be a bit of an experiment, and I have plenty of flowers to try out different media, such as Inktense pencils, and maybe adding more lines to to add more detail before I start coloring.
It’s been a nice way for me to spend Saturday morning, lost in art whilst listening/watching season 1 of The Clone Wars. I think I’ll continue to watch that this afternoon as I turn my attention to drawing.
This morning, I woke early-ish and thought I’d spend a little time on my journal.
On page 2 I’ve added one of my silhouette irises backed onto some pearlescent card that i coloured with Chameleon Color Top marker pens. I’ll be adding a quote beside the flower, when I find the perfect quote to go there!
Above the flower you can see a little tag with a semi-circular bottom that has a little pocket in it. The tag will flip up so I can hide some journaling or quote or something pretty and surprising behind it.
On both pages you can see paperclips that have inchies embellishing them. This is a fab way for me to use my inchies in a practical way.
Finally, you can see three mini paintings – two floral, one abstract – that I can use in future pages.
Unusually for me I started by painting the basic shapes of flowers and leaves. Then, I added stems and details using various colours of fineliner pens as well as a white Sakura Gelly Roll pen. I added some sparkly dot details with Sakura Stardust and Uniball Signo glitter gel pens.
For the abstract pattern, I painted arcs on the watercolour paper and when they were dried I added curved lines using a white Sakura Gelly Roll pen and a gold glitter Uniball Signo pen.
I’m not at all sure how I’ll use these, other than the colours of the three cards go really well together so they’ll help me with the colour scheme for another pair of pages further on in the journal, as well as making other ephemera and so on for it.
I do like relatively straight edges, neatly regimented bits and bobs in my journal. I’m not one for lace and frills and frothy additions. It’s not completely clean and simple; I do like old book paper that’s been torn. It’s like I need to control shapes and positions and arrange things ‘just so’, neat and tidy like. That may very well be my way with journal creation, which is in juxtaposition with those I see on youtube.
Being confident with something new, like making my own journal, is something that takes time, perseverance and patience – the patience mostly being with myself until I gain enough confidence.
It’s also the confidence that doing something different to others is perfectly fine.
I was missing in action yesterday. I was unsettled, dissatisfied with anything I tried to do, and needing a lot of sleep it seems. I kept away from the ‘puter and social media. So, no art was done (other than a couple of templates for Entangled Gardens) and no blog post was written (nor any other social media).
One lesson I have learned from my time in counselling/therapy was the importance of knowing when to exercise self-care. I try my best to do this, though sometimes it’s difficult as I know there are expectations and pressures I place on myself.
However, I have learned that if I try to push myself to do things when I’m just not in the right place to do them, I just get more and more frustrated and fed up. If I give myself the time and space to do what I need to do to take care of my emotional and mental health, when I settle down to work, the work flows more easily and I’m more satisfied with what I create.
Although I did draw two templates yesterday, I started three or four others and just threw them as I really wasn’t at all happy with them, and they really were nonredeemable.
Once those two were complete, I felt better about my deadline for the book, a bit more settled in myself. However, any other artistic things I tried I was just frustrated with. So, a complete break away was needed. So, it was crochet while binge watching American Gods on Amazon Prime Video.
I don’t know if I’m feeling any better today as far as art goes, I do know I need breakfast before I consider doing any!
I wonder how many are trying to keep busy, busy, busy during the lockdown? And how many are learning how to just ‘be’, relaxing and taking time for self-care?
Self-care has been a long, difficult series of lessons for me. It’s a practice and not a perfect situation. However, self-care is important.
I don’t mean personal grooming, which is important, but it means taking care of your emotional and mental needs as much as your physical needs.
Today is a day where I’ll need to practice a lot of self-care. Migraine-style headache woke me up way too early and although the pain has gone it has left me exhausted, unfocused, and needing sleep. So, I’ll soon be returning to bed to sleep the lingering effects of the migraine away.
To help me cope with the migraine, I spend a few hours working on my mosaic crochet blanket/throw, and then created the above. Both very self-soothing activities for me.
This is the centre ring of a mandala I’m working on. I have no idea how the rest of it will turn out, but I’m quite happy with this first part, though I may add some bits and bobs to it, or maybe not.
I really do enjoy creating mandalas. The symmetry and rhythm of the designs that result appeal to heart and soul.
I love mandalas made out of geometric patterns, but I also like to create ones made from organic motifs and lines too. This mandala is likely to be one of the latter, though I suspect I’ll be trying out some more geometric patterns here and there through the design. Whether they remain in the finished piece is a different matter!
I’m working digitally using my preferred trifecta of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
As always, it’s a soothing process to create art. And I need some soothing today. A people-y evening last night has left me with an ‘introvert hangover’, and some quiet, self-care time is needed. Along with some painkillers to deal with the headache!
I love to draw and create. Creating art is also very much part of my self-care, self-compassion routine. This drawing was very much done for self-care after a couple of very ‘people-y’ days left me emotionally and mentally drained.
So, being creative is both a way of me expressing my love of creating art, sharing that love with people, and also showing myself self-compassion and self-care.
I always hope my art will warm people’s hearts, make them smile, bring a little bit of beauty into their lives and the world.
Jake Parker, the originator of Inktober, has come up with #Inktober52 – a year-long series of weekly drawing prompts.
I’ve completed Inktober in the last two years and really enjoy having a prompt list to work to, all for fun. It is crazy, full-on for that whole month. I most probably will do Inktober again this year, in October.
#Inktober52 will be less pressured as the prompt lasts a week, so plenty of time to think and draw. Of course, it could result in a series of drawings on the same theme each week.
The first prompt of the challenge is ‘Flight’. It took a little while, but then a flash of inspiration came, and I wanted to draw seeds that fly!
I do like botanical things a lot. And though this may not be way outside my usual themes of drawing, it’s still a good one to do. I also thought it would be nice to do a sketchbook page of drawings of these seeds, trying out slightly different ways of drawing with different scales and so on. Oh, and I got a little bit of hand lettering practice in as a bonus!
I drew the seeds with a mixture of Uniball Unipin, Faber-Castell Pitt Artist and Tombow Fudenosuke pens on ClaireFontaine dot grid paper.
After scanning my illustrations, I removed the dots, added a kraft paper background, and used a rough chalk brush to add some shadow and light to some of the seed pods. Add that hint of shadow and light does seem to bring them to life for sure.
I enjoyed creating this page of illustrations. I needed some time to relax and destress today. Yesterday turned out to be a bit of a day. The engine warning light went on in Binky, my SmartCar along with a quick flash of a malfunction warning when I turned the engine off. Luckily I wasn’t far from home and managed to get back quite safely.
A call to Mercedes, then to Smart Assist and within an hour, an AA patrol was at my home to see if they could find and rectify the issue.
It turns out there’s an error in the turbocharger (yes, I have a turbocharged SmartCar).
The patrolman did his best to work out what the problem was, but with no luck. So, he towed Binky to the Mercedes dealership and garage in Cardiff to be fixed. Luckily, Binky is still under warranty, so it should be repaired free of charge.
Before doing that, the Smart Assist cover also provides me with a hire car for three working days, and he arranged for that for me too.
So, by around 4:30 pm, I’d been given an almost brand new hire car to use until late on Tuesday at least, and I was on my way back home to try to breathe, calm and destress.
I worried about driving a car that is much bigger than my SmartCar. However, I surprised myself at how confident I was. Mind you, I’ve not been anywhere where I have to park the hire car in limited space!
Unfortunately, the anxiety this caused is causing me to worry and get scared of all kinds of random stuff. I woke up stupidly early worrying about things I don’t need to worry about!
When this happens, it shows me just how far I’ve come in my CPTSD recovery. So, despite the elevated anxiety, it is already fading as the day proceeds. Creating art has helped with that.
Yesterday was one of those strange days where nothing goes as you hoped it would. Phone call after phone call coming in that needed to be dealt with. Other things that needed doing, and I ended up with absolutely no time for any arty pursuits. One of the phone calls ended up with me in a panicked state, anxious and in tears.
Today, I’m making sure I have some self-soothing time. I have a busy, busy evening ahead of me – a very people-y and noisy one and probably quite frenetic too. So, self-care, self-soothing, and probably a nap is required as I’ve just about reached the limit of my anxiety/stress about it for now.
Part of my arty self-soothing has been completing the dolphin illustration for Specatcular Sea Life for the Creative Haven series of adult coloring books from Dover Publications Inc. And here’s a sneak peek of part of that illustration.
I’m really surprised at the reactions to my little video of me drawing the other day. Plenty of people are asking me to do more. So, I will do so, as well as invest in some equipment I think…
Happy Hallowe’en to you all and here is my last skully Inktober drawing for 2019.
The skull prompt was ‘duck’, so I just had to draw a duck-billed dinosaur (hadrosaur) skull! I’ve always had a love of dinosaurs and prehistoric critters, so it’s fab I can include one of their skulls.
I wanted to do a woodcut style skull drawing, but I wanted to use white ink as well as black. So, I used some digital craft paper to draw on. I think it’s worked out well, though some areas of highlights look a bit too geometric. I’ve also just realised that I didn’t add highlights/shadows to the teeth. Oh well.
The mushroom prompt was, quite appropriately, Rubroboletus satanus, and you can see outline drawings of the mushroom in the mandala.
The tangle pattern for today was Florz, and that forms the tiled floor pattern.
When I’d completed the mandala on the same kraft paper as the skulls, I realised that I needed a lighter background, so I just added a different kraft paper to the background.
Reflecting on Inktober
I’ve enjoyed Inktober this year for sure. Picking prompt lists that appealed to me helped a lot. I did start off trying out different ways of approaching drawing skulls and the like. However, I settled on combining the skull illustrations with a mandala. I’ve also discovered a great fondness for woodcut-style drawings.
I now need to work out what to do with my Inktober artworks. Some of them will become available as tee-shirts and other products in the days and weeks ahead; I do want to tweak some of them first.
I’m feeling a bit sad at it being over. Having a ‘brief’ to work to certainly helps to focus my sparkly, grasshoppery mind and takes me out of my ‘comfort zone’ (I absolutely hate that phrase!). I’ve certainly found a passion for skulls; so many more to draw, so many different angles too.
It’s the focus that has been the most helpful. This is something I need to sort out, I think. I do have themes for the colouring books I do, but I think I could do with a theme (or series of themes that repeat over a week) that will help focus my creativity outside of the book.
Inktober has taken over my creativity this month. However, I think I needed that to freshen me up.
So, I shall look forward to Inktober 2020, while doing my best to put into practice some of the things I’ve learned from this year’s challenge.
So, Angela, how are you feeling today?
I’m OK today, a bit tired and the grey, gloomy, damp weather isn’t helping much. I have used my light therapy lamp this morning; that did lift my mood somewhat, to be fair.
Yesterday was the toughest day, emotionally, I’ve had for a while. I was really feeling rather low. It had been coming, however, for over a week. I’m not entirely over it; I’m still feeling emotionally vulnerable and fragile today, but nowhere near as bad as I felt yesterday.
I do know what has caused the stormy weather; being aware of such things shows I’ve come a long way from the start of therapy for CPTSD. I also know that these storms don’t last forever, and that self-care and self-soothing is needed.
That will be the order of the day today. I do have an errand or two to run as soon as I post Inktober, and I do have something happening this evening. However, the rest of the day will be self-care, starting with making a hot, nutritious meal from scratch. I’m tending towards a veggie bolognaise, the leftovers of which can be turned into a veggie chilli for tomorrow.
So, I’d better get this social media stuff done and get on with my day!
Yesterday evening I had a pleasant hour or so using Distress Oxide and Distress inks to make some backgrounds for future card projects.
I used a soft rubber Brayer roller to add distress oxides to a small Gelli Plate. I then spritzed the Gelli plate with water containing either pearl, copper or gold Perfect Pearls before lifting the print with some Claire Fontaine Mixed Media paper. The water in the spray reacts with the inks to give an oxidised look. The Perfect Pearls in the spray add some subtle shimmer to the finished background.
Once the Distress Oxide background layers were dry, I used a rectangular die to cut a section from them.
To create backgrounds with Distress Inks, I used a mini foam blending tool to cover the card with colour. I then sprayed the card with some water containing pearl, copper or gold Perfect Pearls. Again, the water reacts with the Distress Inks, but this time creating small watermarks. The Perfect Pearls again add shimmer.
Making the card.
I chose a background coloured with Wild Honey, Tea Dye, Old Linen and Walnut Stain Distress Inks which were then spritzed with pearl Perfect Pearls infused water.
I wanted to create a dangle design card. From experience, I know that drawing on backgrounds with added Perfect pearls that my fine-liner Uniball Unipin pens can become clogged by the tiny flakes of mica that comprise Perfect Pearls.
So, I tried using a Uniball Vision Elite rollerball pen. The ink in it is supposed to be water-resistant, tamper-proof, fade-proof. It’s also very black, which suits me just fine.
I was surprised at how well the pen wrote on the background – not just because of the Perfect Pearls and Distress Ink, but also because the mixed media paper is lightly textured.
Once I’d completed the design, I used a needle=tip Pentel Energel Liquid Ink Gel pen to add smaller details.
While the plain black line on the coloured background looked OK, I thought it needed some colour to help lift it from the background.
I launched myself into using Copic markers, using somewhat darker colours than I usually would. That meant it wasn’t until I was adding some colour to the ribbon banner that I discovered that the Copic reacts with the inks in the pens and smears them. I was so disappointed in myself for not checking the pens were Copic safe. Oh well, you live and learn!
Rather than start again, I carried on with the card. I wanted to add some clear embossing powder to help the colours of the Copic markers stand out even more. So, I used a Versamark pen to colour over the designs, and then I sprinkled on the clear Wow Embossing Powder. I used a heat tool to melt the Embossing powder and achieve a glossy, dimensional finish on the dangle design.
The final step was to adhere the dangle design to a card blank, after adding some gold dots with a Uniball Signo glitter gel pen.
Fancy having a go at drawing your own dangle designs and not sure where to start? Well, you could start with my book “A Dangle A Day” where I lead you through the process. I have over 100 designs in the book where I take you step by step through drawing them. I have also included ideas for where you can use them including as cards, bookmarks, in BuJos, journals, scrapbooks and more.
Making the envelope.
I used the pre-made envelope that came with the card blank. I decided to keep the envelope white and add a border using some of the motifs from the dangle design.
I did use the Uniball Vision Elite gel pen and Pentel needlepoint pen to draw the design. This time, I coloured the design with some Mitsubishi Uni coloured pencils.
The low quality of the paper envelope wasn’t conducive to really amazing colouring, but it worked well enough.
Reflecting on the card and envelope.
I could’ve kicked myself for not testing the pens to see if they were Copic friendly. I don’t think I could send this card to anyone as it just isn’t up to scratch. I need to remember this in future projects.
Also, the Versamark pen smeared the ink a little too, but nowhere as much as the Copics did.
I used much darker Copic colours than I usually would without thinking that heat embossing them would intensify the colours even more. The colours aren’t as dark as in the photo, but they are still darker than I would like.
The coloured pencils colouring worked much better and perhaps I would’ve been better off using them on the card panel. Again, something to remember for the future.
I also noticed that the anti-static powder I used before using the Versamark and embossing powder has either removed or covered the Perfect pearls. I used the anti-static powder so prevent the embossing powder sticking to places it didn’t belong. This is always a possibility, especially when using Distress Inks to colour the background.
In hindsight, I may have been better drawing, colouring and heat embossing the design before colouring the background. However, I do like to have pre-coloured backgrounds to use for arty projects.
So, Angela, how are you?
I’m OK, still tired from a busy few days at the weekend and start of the week. I also have a flare-up of an ovarian cyst which is rather painful and achy. I’m feeling content and optimistic otherwise, though still tired even though I slept well last night. The exhaustion that comes with interacting with people, therapy and not enough me-time can linger for a good while — the joys of having CPTSD and being an introvert.
Yesterday, I was fatigued, and the flare-up ramped up in intensity as the day progressed. I wasn’t in the right place to create art or focus on work. I needed to practice self-care.
I chose to do some crochet after hearing about Crochyay, the online presence of a young woman called Olivia who makes flowers and leaves them with a little message tag for people to find and keep – random acts of kindness. She uses crochet to help manage her anxiety and depression as well.
I thought it was a beautiful idea and I thought flowers or little amigurumi hearts or similar would be lovely to make. Small, quick to finish projects that I feel I could manage. I’ve lost the oompf to do larger crochet projects such as shawls and blankets, but some little ones would be lovely to do.
I do find crochet and other crafts quite soothing and calming. I also feel I’m doing something, and they can stop me from just sleeping my day away. Little projects like flowers are fab for me when the thought of anything bigger fills me with procrastination and disinterest. Also, I find it much more motivating to do projects for other people than for myself, even if I don’t know those people.
So I managed to make quite a few flowers yesterday. I now need to make leaves and assemble them into little posies. Then, there are tags to make.
I’m also looking forward to making the tags as I can draw and decorate them too! So, little projects in their own right.
Finally, I’ll need to overcome my self-consciousness and anxiety about leaving them for people to find them.