Entangled Drawing

©Angela Porter | Artwyrd.com

This morning, I used the random tangle pattern generator and it came up with ‘Tripoli’. This is a tangle pattern I’ve had trouble with so often in the past. For some reason I find it awkward to draw the triangular motifs that make up this pattern in a way that I find pleasing. I almost clicked the button to generate another tangle pattern. Instead, I chose to work with Tripoli and this is the result.

I used one of the tiles I’d coloured with Distress Inks at the weekend, along with Unipin Uniball pens. No pencil ‘string’ or guidelines. I also chose to use a variation of the classic Tripoli pattern (see it on Tangle Patterns or here).

It was an enjoyable and relaxing process to draw this 5½” x 5½” tile.

I’ve been ‘zentangling’ long before Zentangle was a thing. I love pattern. I love stylised motifs. I draw inspiration from architecture, nature, Prehistoric art, pottery, Celtic and La Tene, illuminated manuscripts, and more.

I’ve always been fascinated with deconstructing patterns in order to replicate them in my own way.

Well being check in…

Today I’m tired. I look like I have a pair of black eyes. I really didn’t sleep well last night, again. I may well nap this afternoon; I’m finding it hard to keep my eyes open even as I write this blog.

Even though I’m tired, more than bone tired, the sunshine and warmth of the rays of light finding their way to me through the windows really lifts my spirits.

As I went to put some recycling out this morning, a neighbour’s cat came to say hello. He’s a strange kitty, likes a fuss, but not too much and only in very specific places on his body, but he’s a friendly chap. It was nice to make a fuss of him in the sunshine, his black fur soft, silky and warm from absorbing infrared light.

I had two deliveries today. One an organic fruit and veg box along with some other goodies. Some things weren’t available though, but it’ll be just fine I’m sure. The other was a box containing some tea bags – English Breakfast tea bags containing rolled leaves of tea in biodegradable mesh. And a rather nifty tin to keep them in!

Tea, twice and thrice blessed tea! Always a pleasure and always one to look forward to.

Little things to be grateful for even when limited to home for the foreseeable future.

Mandala 29 Jan 20

Mandala 29 Jan 2020 © Angela Porter | Artwyrd.com

A simple, monochrome mandala today, using some of my favourite patterns (plus a couple that are entirely mine).

Drawing mandalas is so soothing, mindful, meditative. The repetitive nature of drawing patterns is part of that relaxing experience.

It was also nice to use some of the patterns from my ‘visual dictionary‘ or ‘visual zibladone’ in some art.

I have some new patterns and motifs to add to my visual dictionary; they spontaneously appeared as I was drawing. I like when this happens, when I don’t over-think things and just go with my instincts.

I wanted to add a colour gradient to the mandala. However, when I tried to do so, it just didn’t feel right. So monochrome it is.

Drawn digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

Mail Art – sneak peek

Mail art – sneak peek © Angela Porter | Artwyrd.com

Making the mail art

I woke this morning and had a fancy to make a card along with a coordinating envelope. I’m going to be sending these to someone, so I didn’t want to show the whole design, so a sneak peek it is. I don’t think it gives much away about the mail art. I hope it doesn’t spoil the surprise for the recipient.

I used a pre-made card blank and envelope. The card is nearly 8½” x 4¼” in size and is plain white.

I cut a piece of Winsor and Newton Bristol board to 3½” x 7½”. I added some score lines ⅛” in from each edge and let them overlap to form little squares at the corners. To do this I used a score board and bone folder. I’ve never done this before, but it actually adds a nice touch. It also gives me an even border to work within, which is always useful.

My next step was to add colour to the top layer and the envelope. I decided to do some ink blending with Distress Inks. Here’s a list of the colours I used:

  • scattered straw
  • wild honey
  • crushed olive
  • candied apple
  • evergreen bough

Once I was happy with the colour gradient, I broke out my Uniball Unpin pens and started to draw the design. As I had a coloured background, I made use of lines and patterns to add texture and dimension.

When I was happy with the design, it was missing something. It needed some colour or shading. I decided to add some colour with Copic markers, being mindful of using colours that would work harmoniously with the background.

My final step was to add some dots of gold glitter to add some ‘bling’ to the card.

My attention then turned to the envelope.

First, I added some pencil lines to help me keep my hand lettering level and neat. I then used a black Tombow Fudenosuke pen to brush letter the recipient’s name. I then used a grey Tombow Fudenosuke pen to add shadow to the letters.

I then used a Uniball Unipin 08 pen to add the address. For this, I used simple capital letters for the hand-lettering.

My next task was to draw the design on the envelope. I used some elements from the card for this, plus a couple of extra ones. I also added texture and shadow with lines.

My final task, after I’d written my name and address on the back of the envelope, was to seal the envelope art with a thin layer of Distress Micro Glaze, carefully avoiding the area where stamps will be affixed. The Micro Glaze creates a waterproof layer so the Distress and Tombow inks shouldn’t run if they get wet.

Once the recipient has the card, I’ll post a full image of the mail art, carefully obscuring their information.

So, Angela, how are you today?

I’m ok today. I’m a tad tired, but I don’t seem as emotionally fragile as I have been. There’s still a bit of ‘flatness’ or ‘heaviness’ inside me, but the contentedness is of equal or greater intensity.

Today I need a quiet day at home; the last week or so has been crazy busy with either emotional upsets occurring or commitments I have to keep. The next commitment I have is on Thursday evening, so I’m going to make the most of the time I have to myself. Creating mail art was one activity in self-soothing.

I doubted that I would find this more settled state any time soon. That it’s appeared today is a real bonus. How long it stays for I don’t know as I know what is in my diary.

I’m not going to worry about that, well not much. I’m going to enjoy the contentedness and Use my quiet time to soothe my still fragile emotions.

Yes, I feel mostly content, but I also know that it won’t take much to provoke me to tears and some emotional distress.

One thing we talked about in therapy on Monday was the need for me to protect myself in situations where I’m emotionally vulnerable. I’ve had a lot of time interacting with people over the past few days. I now need time to relax, breathe, re-energise.

I enjoy being with people, but it also drains me. That’s one of the consequences of being an introvert. When I’m socially exhausted, it makes me more emotionally vulnerable than I usually am. So, I need time to recover from this.

I will recover. Nowadays, I always do given enough self-care and self-soothing time.

I also am self-aware enough to know that to start important projects is not a good idea at this time. It becomes all too easy for me to find fault with everything I do and for me to end up spiralling downwards into a mood where I am harsh to myself.

It is still hard to be kind to myself on days like this. There’s a nagging voice that I should be doing this or doing that and not indulging myself in activities that help me to heal. Other inner critics join in, telling me I’m worthless, useless, a failure, unloveable then join in, sensing the vulnerability in me. So, I’m learning to ignore that voice, even if I still feel a little guilty. As I feel better, refreshed and re-energised and more emotionally resilient, the inner critics become inaudible once again.

So, as hard as it is to accept that I need to be kind and to spend today doing what will help me heal, this is precisely what I am going to do. And that starts with me writing a letter to accompany the mail art. I also want to create some designs that I can print to colour and use to create greeting cards.

A monogram

Angela Porter 29 June 2018 watermarked

Carrying on my theme of playing with ideas and paper and pen, I decided to do a monogram, and here’s the result.

If I’d thought ahead and either made this smaller or made the paper bigger, I could’ve added dangles to it.

I’m not at all sure of the coloured patterns I added around the outside of the monogram display; I didn’t choose some of the colours wisely. I do like the subtle grey “feathers” there though.

I also think I may need to thicken the outlines of the letter and/or create shadows on the design behind the letter so it looks like it’s standing a bit proud of the design.

All the same, I’m enjoying creating and exploring and experimenting with my art again, and it definitely gets the #weekendvibes going!

It’s also #furbabyfriday across the interwebs, and more particularly at the facebook group ‘Angela Porter’s Coloring Book Fans’. Why not pop over, join in and share your furbabies with the lovely people there!

Watch out for an exclusive giveaway related to my book, “A Dangle A Day”, which is due to be released in September and is available to pre-order right now. It’ll be announced, along with details of how to get your free dangle design here, on twitter @wyrdsmithing, on facebook @angelaporterartist.

Geometric arty goings on …

 

Both worked in the last 24 hours or so.  Same media for both – Sakura Glaze pens, watercolours and Cosmic Shimmer iridescent/metallic watercolour paints.

Each ‘dot’ on the mandala has a metallic centre or ring around it.

Fun to do! Engaging to create and colour … very meditative.