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Just because – Autumnal Dangle design mail art

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Just because - Autumn dangle design greeting card © Angela Porter | Artwyrd.com
Just because – Autumnal Dangle Design mail art © Angela Porter | Artwyrd.com

Making coloured backgrounds.

Yesterday evening I had a pleasant hour or so using Distress Oxide and Distress inks to make some backgrounds for future card projects.

I used a soft rubber Brayer roller to add distress oxides to a small Gelli Plate. I then spritzed the Gelli plate with water containing either pearl, copper or gold Perfect Pearls before lifting the print with some Claire Fontaine Mixed Media paper. The water in the spray reacts with the inks to give an oxidised look. The Perfect Pearls in the spray add some subtle shimmer to the finished background.

Once the Distress Oxide background layers were dry, I used a rectangular die to cut a section from them.

To create backgrounds with Distress Inks, I used a mini foam blending tool to cover the card with colour. I then sprayed the card with some water containing pearl, copper or gold Perfect Pearls. Again, the water reacts with the Distress Inks, but this time creating small watermarks. The Perfect Pearls again add shimmer.

Making the card.

I chose a background coloured with Wild Honey, Tea Dye, Old Linen and Walnut Stain Distress Inks which were then spritzed with pearl Perfect Pearls infused water.

I wanted to create a dangle design card. From experience, I know that drawing on backgrounds with added Perfect pearls that my fine-liner Uniball Unipin pens can become clogged by the tiny flakes of mica that comprise Perfect Pearls.

So, I tried using a Uniball Vision Elite rollerball pen. The ink in it is supposed to be water-resistant, tamper-proof, fade-proof. It’s also very black, which suits me just fine.

 I was surprised at how well the pen wrote on the background – not just because of the Perfect Pearls and Distress Ink, but also because the mixed media paper is lightly textured. 

Once I’d completed the design, I used a needle=tip Pentel Energel Liquid Ink Gel pen to add smaller details.

While the plain black line on the coloured background looked OK, I thought it needed some colour to help lift it from the background.

I launched myself into using Copic markers, using somewhat darker colours than I usually would. That meant it wasn’t until I was adding some colour to the ribbon banner that I discovered that the Copic reacts with the inks in the pens and smears them. I was so disappointed in myself for not checking the pens were Copic safe. Oh well, you live and learn!

Rather than start again, I carried on with the card. I wanted to add some clear embossing powder to help the colours of the Copic markers stand out even more. So, I used a Versamark pen to colour over the designs, and then I sprinkled on the clear Wow Embossing Powder. I used a heat tool to melt the Embossing powder and achieve a glossy, dimensional finish on the dangle design.

The final step was to adhere the dangle design to a card blank, after adding some gold dots with a Uniball Signo glitter gel pen.

Fancy having a go at drawing your own dangle designs and not sure where to start? Well, you could start with my book “A Dangle A Day” where I lead you through the process. I have over 100 designs in the book where I take you step by step through drawing them. I have also included ideas for where you can use them including as cards, bookmarks, in BuJos, journals, scrapbooks and more.

Making the envelope.

I used the pre-made envelope that came with the card blank. I decided to keep the envelope white and add a border using some of the motifs from the dangle design.

I did use the Uniball Vision Elite gel pen and Pentel needlepoint pen to draw the design. This time, I coloured the design with some Mitsubishi Uni coloured pencils. 

The low quality of the paper envelope wasn’t conducive to really amazing colouring, but it worked well enough.

Reflecting on the card and envelope.

I could’ve kicked myself for not testing the pens to see if they were Copic friendly. I don’t think I could send this card to anyone as it just isn’t up to scratch. I need to remember this in future projects.

Also, the Versamark pen smeared the ink a little too, but nowhere as much as the Copics did.

I used much darker Copic colours than I usually would without thinking that heat embossing them would intensify the colours even more. The colours aren’t as dark as in the photo, but they are still darker than I would like.

The coloured pencils colouring worked much better and perhaps I would’ve been better off using them on the card panel. Again, something to remember for the future.

I also noticed that the anti-static powder I used before using the Versamark and embossing powder has either removed or covered the Perfect pearls. I used the anti-static powder so prevent the embossing powder sticking to places it didn’t belong. This is always a possibility, especially when using Distress Inks to colour the background.

In hindsight, I may have been better drawing, colouring and heat embossing the design before colouring the background. However, I do like to have pre-coloured backgrounds to use for arty projects.

So, Angela, how are you? 

I’m OK, still tired from a busy few days at the weekend and start of the week. I also have a flare-up of an ovarian cyst which is rather painful and achy. I’m feeling content and optimistic otherwise, though still tired even though I slept well last night. The exhaustion that comes with interacting with people, therapy and not enough me-time can linger for a good while — the joys of having CPTSD and being an introvert.

Yesterday, I was fatigued, and the flare-up ramped up in intensity as the day progressed. I wasn’t in the right place to create art or focus on work. I needed to practice self-care.

I chose to do some crochet after hearing about Crochyay, the online presence of a young woman called Olivia who makes flowers and leaves them with a little message tag for people to find and keep – random acts of kindness. She uses crochet to help manage her anxiety and depression as well.

I thought it was a beautiful idea and I thought flowers or little amigurumi hearts or similar would be lovely to make. Small, quick to finish projects that I feel I could manage. I’ve lost the oompf to do larger crochet projects such as shawls and blankets, but some little ones would be lovely to do. 

I do find crochet and other crafts quite soothing and calming. I also feel I’m doing something, and they can stop me from just sleeping my day away. Little projects like flowers are fab for me when the thought of anything bigger fills me with procrastination and disinterest. Also, I find it much more motivating to do projects for other people than for myself, even if I don’t know those people.

So I managed to make quite a few flowers yesterday. I now need to make leaves and assemble them into little posies. Then, there are tags to make.

I’m also looking forward to making the tags as I can draw and decorate them too! So, little projects in their own right.

Finally, I’ll need to overcome my self-consciousness and anxiety about leaving them for people to find them.

Dangle Design Greeting Cards

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Dangle Design Greeting Cards © Angela Porter | Artwyrd.com
Dangle Design Greeting Cards © Angela Porter | Artwyrd.com

Today I have two card designs for you, both featuring dangle designs, but in different ways.

If you like dangle designs and you’d like to give drawing them yourself but need a little help or inspiration, then you may find my book “A Dangle A Day” of interest. In the book, I take you, step by step, through how to draw over 100 dangle designs, along with some ideas of how you could use them. 

Love Ya and With Love Card.

I started by using the Foursquare Backdrop: Portrait die from lawn fawn to cut the frames and panels from a piece of Winsor and Newton Bristol Board. I purchased this die, and the one in the second card, from Seven Hills Crafts here in the UK.

Next, I used Stormy Skies and Broken China Distress Inks to add a subtle colour gradient to the panels.

My idea was to draw four different dangle designs for each small square panel. I also wanted to include some hand-lettering, which I did.

So, I used Unipin pens from Uniball to do the drawings and lettering. I did use pencil outlines for the ribbon banners and lettering to make sure their placement was just right.

I coloured the design elements and charms using Copic markers. As the individual design elements were so small, I just used two colours to achieve shading in the bigger ones.

I also added a drop shadow around the designs using a BV marker that is a greyish-violet. It’s a very subtle drop shadow.

I had to add some sparkle and shine to the card, so I used a clear Spectrum Noir Sparkle brush pen along with a gold glitter Signo gel pen to do this.

To assemble the card, I glued the frame to the card base using Tombow Mono adhesive. Then, I glued the square panels into place.

I managed to get glue onto the front of the card and trying to rub it off while wet just left a dark, dirty smear. I’ve ordered some Tombow Sand erasers to see if they’ll remove the mark. If not, I’ll have to either work out another way to cover it up or just consign the card to the pile of things not to do again!

Black and white floral card.

Again, my first job was to cut out the frame and panels using a die. For this card, I used the Foursquare Backdrop: Landscape die from lawn fawn along with Winsor and Newton Bristol Board. I also decided to use this die in portrait mode.

To draw the design elements, I used Unipin pens from Uniball. I hung dangle designs from the top of each card to fill in some of the space that was there. I wish I’d used a slightly thicker pen than the 01 though. They look almost like an afterthought.

Anyway, once I finished the drawings, I wasn’t sure whether to add colour or not. So, I’ve left the pictures as black and white line art for now.

I used Tombow Mono glue to attach the frame and panels to a 5″x7″ piece of Winsor and Newton Bristol board. I did this as I realised that the dies are made to fit card blanks made from half a sheet of US letter-sized paper folded in half. In the UK, we use A4 sized paper, which is different enough in size to make it awkward to cut the paper to fit the card. I have ordered some 5″ x 7″ card blanks with envelopes, and then I can finish assembling this card. I’m likely to trim the foundation panel down a little and maybe try to carefully add some colour around the edge. Maybe.

It’s at this point I’ll decide whether or not to add colour and to see if I can thicken the lines around the dangles without messing it up. Mind you, if I do mess it up, it’s another experiment I can learn from, hopefully remembering not to do this again.

Things I’ve learned and techniques I want to try.

The lawn fawn dies work great! They come with smaller dies – heart, cloud, small star, large star, sun, small sun and speech bubble – which may be useful in the future. I had made my mind up that I’d limit myself to die sets that are simple in shape to for cutting out panels to draw on and maybe for layering. 

I rolled my eyes at myself when I worked out that dies from an American company would work best with American sized paper for card bases. However, I can work around that now I’ve realised that. I’m comfortable working with inches; most of my craft tools have both inches and centimetres on them. However, the inches are visibly the most dominant measurement system. 

Glue. Me and glue. Not sure how I can avoid smearing in the future. Hopefully, the sand eraser will help to remove my gluey, sticky, dirty-looking mistakes.

I like using Distress Inks for backgrounds. However, the pale colours of markers that I prefer to use are translucent and so combine with the background. I could use other media such as coloured pencils for colouring. Or I could use distress inks or water-based marker pens with a damp brush to add colour. I could also use a damp brush to remove some of the distress inks. In that case, I may have to use watercolour paper instead of Bristol Board.

I could also use a Versamark pen – which contains transparent, sticky ink – to colour over my design elements once coloured and then use clear embossing powder and a heat gun to protect the colours. I could then add the distress inks after heat-setting the embossing powder. The embossing powder would add some dimension and shine to the cards. If I used a sparkle pen or gold gel pen, for example, the embossing would encase it and highlight these embellishments Ieven more, I think. I need to try this idea out!

So, there are lots of possibilities for going forward with this.

So, Angela, how are you feeling today?

I’m feeling the more content and optimistic than I have for the past two or three weeks.

I’m still feeling out of kilter; changes are happening in my perceptions around my emotional/mental wellbeing. I’m also aware of shifts that are happening in other parts of me.

I’m still poop-scared about what is going on in the world. I can’t see that ending anytime soon, however. This, and the rest of the emotional rollercoaster I seem to be on, are still upsetting my digestive system, so I’m not feeling too well much of the time. 

Yesterday, I was so unsettled and scared that I couldn’t settle to do much art, and I became so dissatisfied and frustrated with whatever I did. I couldn’t settle to anything else either – not crochet, reading, nothing. 

As I’ve said, today I do feel better, so I need to turn my attention to trying out Affinity Publisher to create some materials I’ve been commissioned to do (the artwork and inserts for a CD by a band!). I’ll see about setting the templates up first and go from there. I’ve not tried to do this the past couple of days as I know my head and my emotions weren’t in the right place. I’m not sure that they are today; it’s only by doing that I will find out whether they are or not.

Nature

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Nature © Angela Porter | Artwyrd.com

This image is in the vein of experiments in digital art. It reminds me very much of chalk/soft pastels, a traditional medium I did experiment with many, many years ago. However, I abandoned it as I didn’t like the feel of the soft pastels nor the messiness of them.

Using a kind of digital version of them means no mess!

I like this pot potpourri of motifs quite a lot. The softness of the lines and translucency of the colours appeals to me. I also like the way the colours glow against the black background. Surprisingly, the simplicity of the motifs appeals to me as well, giving a folk art kind of vibe to this work. Overall this design has an ethereal, ghostly, perhaps even magical feel to it.

My usual style of art is quite intricate and detailed, so this is definitely a departure from this. It’s certainly a style I want to experiment with more.

As it’s digital art, I used Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Microsoft Surface Studio.

Congratulations – A Dangle Design

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Congratulations Dangle Design ©Angela Porter | Artwyrd.com
Congratulations Dangle Design ©Angela Porter | Artwyrd.com

Friday means it’s dangle day!

Congratulations to you all as you’ve made it through another week and the weekend is upon us!

I made it a cute and simple design today. Easy motifs to draw. Simple hand lettering. Even the colouring is simple as I used flat colours with the only gradient being behind the sentiment.

My first step is to write the sentiment; I use this as the anchor for the rest of the design. I just used simple letters today; I made them all the same height. Actually, this is my favourite way of lettering sentiments; I think it looks quite cute and whimsical.

Also, I used squared paper as a guide for my design. It helps to keep my lettering on the level (and the letters the same height in this case). It also helps to keep the dangles vertical and the design symmetrical.

My sketch was really basic. I used concentric semi-circles for the leafy bush the flowers are growing out of. I used circles for the flower placement. I drew really sketchy butterflies. I drew lines for the dangles and placed the main motifs on them.

Once I was happy with the sketch, I inked it in using a digital brush pen in Autodesk Sketchbook Pro. Varying pressure on the pen varies the line width. I think it adds a bit more human character to the drawing, and a bit more interest.

During the inking phase, I refined my sketch – adding petals to the flowers, detail to the leaves and groups of beads to complete the dangle.

Once I was happy with the inked design, it was time to add colour.

I chose fairly pastel colours with a summery feel for the design. Also, I used the same colours above and below the sentiment to give a more coherent design. I did add two extra colours to the dangles to give some more variety in the beads that join the dangles.

My final task was to add a bit of colour behind the dangle design. This is a simple gradient from a pale yellow, to aqua to blue.

I didn’t add any drop shadows this week – I wanted to keep the design simple.

And it really is simple to draw, honestly! Have a go! I’d love to see what you create using this as inspiration, be it a card, BuJo page, journal page, in a scrapbook, diary or any other way you can think of to use dangles. Post on my facebook page or tag me on Instagram!

Just a little reminder that I have a book called ‘A Dangle A Day‘ if you’d like to find out a little more about drawing and using dangle designs.

Hello July!

Angela PorterLeave a comment
July 2019 Colouring Template for members of the Angela Porter Illustrator's Coloring Book Fans facebook group ©Angela Porter 2019 | Artwyrd.com
July 2019 Colouring Template for members of the Angela Porter Illustrator’s Coloring Book Fans facebook group ©Angela Porter 2019 | Artwyrd.com

Can you believe it? Half of 2019 has passed to history. Time has flown by.

With the start of July I also have an exclusive coloring template available free to members of the Angela Porter’s Coloring Book Fans facebook group.

This is my way of saying thank you to those who follow my work, particularly the colouring books I have created.

If you’d like to download and colour, you need to be a member of the group and agree to follow the T’s & C’s.

I’m looking forward to seeing what members of the group will do with this one! I love to see the different colour schemes and media that they use to bring the drawing to life with the magic of colour.

To create this template, I started with a sketch on square gridded paper. It was a very basic sketch with just outline shapes, lines and so on. I then scanned it into the Surface Studio and completed this drawing using my Surface Pen along with Autodesk Sketchbook Pro.

I had to include some of my favourite design elements – butterflies, stars, flowers, fungi, seed pods, arches and geometric patterns.

It was fun to draw, even the sketch was as I love to use a Koh-i-Noor Magic pencil to do the sketching with, one that has quite different colours in the lead so that I get a fair rainbow of colours.

I’m warming to sketching things out before drawing them in ink (either traditional ink/pens or digital) to give me a skeleton I can put flesh on in terms of details and patterns.

So Angela Porter, how are you feeling today?

I’m feeling contented. My stomach/digestive system is back to normal. All just in time for today’s EMDR session this afternoon.

That’s all I have to say about that today. I’m sure I’ll have more tomorrow post EMDR.

Happy Birthday Brett – all coloured

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Happy Birthday Brett © Angela Porter 2019 Artwyrd.com
Happy Birthday Brett © Angela Porter 2019 Artwyrd.com

I finally got round to finishing colouring the Happy Birthday coloring template I created for Brett, the lovely person who runs the Angela Porter’s Coloring Book Fans facebook group.

I drew the design on Winsor and Newton Bristol Board using Unipin pens and then I’ve added colour digitally, as well as a rose gold coloured and textured background.

I chose pink as a fairly dominant colour as Brett loves pink so much.

Oh, to colour I used Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

So Angela, how have you been?

I’ve been quiet on social media over the past few days. I’ve needed some quiet time to myself, which has involved an awful lot of crocheting. I’ve not even done anything much that has been arty either.

The reason for this is that I’ve not been feeling all that well. Nothing serious. just not well. I had a migraine on Sunday that took all day to go and left me exhausted.

Also, I’ve not been feeling right in my digestive system/stomach for a few days. This happens on a fairly regular basis (monthly) but this time it was rather unpleasant.

Last night, it hit new highs as I woke hot, sweaty, nauseous and headachy. Thank goodness it was rather chilly here in the UK and I had the windows open. The cool air was pleasant as I lay uncovered. It all passed eventually without me being sick, however I still feel yeuchy today and very, very tired.

Yesterday I had EMDR and that was an interesting session that left me rather tired later in the day. Another inner child made their presence known and I had help to communicate with them, which was so much easier after last weeks session. This child was all to do with loud voices, arguing voices and being startled and upset by them. So, we did some EMDR work with the emotions that came up from that child. A lot of body work was being done with pains around my body as the trauma was being processed with EMDR. Also, lots of memories of raised voices, harsh voices, argumentative voices…and just noisy environments.

I’ve known for a long while that I can be triggered into startle or panic mode when I hear a sudden loud voice or noise around me. I try to remember to take noise cancelling headphones or earphones with me so I can listen to music and not hear such sounds when I’m out and about, especially when I’m feeling rather fragile.

Saturday I flinched and became a bit panicked as I was talking to someone while waiting for a meeting outside a building in my local town. Sunday evening someone spoke quite harshly to me. I don’t think they realised it, but the response in me was one of upset and to withdraw from the situation, permanently.

So, we work with this in EMDR to heal those traumatised parts of me represented by these children.

Hmm, I wonder if these different aspects of me from times when I’ve been traumatised are coming forward so easily because I have so few concrete memories of events.

Either way, as crazy as it may seem to you, it seems to be helping me, and that is all that matters as far as I’m concerned.

“Inspiration” WIP

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Inspiration WIP ©Angela Porter 2019 - Artwyrd.com
Inspiration WIP ©Angela Porter 2019 – Artwyrd.com

I’ve started colouring “Inspiration”, the drawing I completed yesterday.

The drawing was done with a Tombow Fudenosuke and a Lamy medium fountain pen on Winsor and Newton Bristol Board. I’m colouring it digitally using my favourite trio of Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

So far, I’ve spent 3 hours colouring, so it’s going to take me a while longer to complete.

To be honest, it would be a lot quicker to colour using Chameleon markers or other traditional media. Weird, when computers make doing other tasks so much quicker and easier.

That doesn’t mean I don’t enjoy adding colour. I mean, I could do that a lot quicker if I chose to use gradient fills. However, this time I wanted to add colour as if I was using traditional media, being able to follow the shapes of the design more closely, having more control over where I add shadows and highlights.

So, I’ll take the time over this one, like I do with many of my artworks.

So, how are you today Angela?

EMDR yesterday was a little different. We didn’t do any EMDR but we worked with my inner child on helping her to heal from past traumas.

I felt silly and daft initially. I didn’t have a clue what I was being asked to do, but my therapist guided me through the process, and eventually I relaxed a little and tried.

I was surprised. Emotional too. It’s not something that I’m comfortable sharing other than in general.

After EMDR I spent sometime in a Starbucks drinking tea, eating a piece of chocolate truffle cake and drawing. Partly this was to wait out the rush hour, mostly it was to give myself a treat after sticking with a therapy session that seemed silly and turned out to be an emotional, insightful and helpful process.

So, the healing journey from CPTSD continues, taking an unexpected turn.

Yesterday, as the sun came out as the day waned my mood brightened a little from just about content to a little more on the happy side. Today I’m a bit tired after a broken night’s sleep with weird dreams but I’m quite content.

Inspiration – Entangled drawing

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Inspiration © Angela Porter 2019 - Artwyrd.com
Inspiration © Angela Porter 2019 – Artwyrd.com

My morning task, afore heading out for my EMDR session later, was to finish this drawing.

I used a combination of a Tombow Fudenosuke pen along with a medium nib Lamy fountain pen on Winsor and Newton Bristol Board, A4 in size, to draw this design and add the hand lettering.

The white space really helps to break up the intricate details; helps to separate out the sections and gives the eyes and brain a bit of a rest from it.

I will add colour to this in the fullness of time, most probably digitally.

So, how are you today Angela?

I’m content. Not quite as smiley happy as yesterday, but content. Calm too, or relatively so. There’s a low level background noise of anxiety there.

I do wonder if the weather affects my moods more than I thought it did. Yesterday was both sunny and rainy – rather heavy spells of rain. The sun and driving in the sun was lovely and helped to lift my spirits somewhat.

Today there’s no sun. Just grey clouds and there’s been rain. I’m not quite as tickettyboo as yesterday.

I think I may need to add a weather tracker to my BuJo alongside my mood tracker to see if there is a correlation.

I have my EMDR session in a couple of hours time. I have no idea how that will affect me at this point in time, nor what memory we’ll work on. I won’t dwell or ruminate on it for now. Just get myself sorted to make the hour-long journey to Neath in a little while. Yes, I think that’s best for now.

Monogram I – 13/05/19

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Monogram I © Angela Porter 2019 – Artwyrd.com

Tombow Fudenosuke and Uniball Unipin pens on Bristol Board.

Approx 6″ x 6″ (15cm x 15cm) in size.

I think this one is my favourite so far. I feel almost like I’m finding my feet with them. I suppose time will tell with that though, like everything I guess.

Entangled Monogram F

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Entangled Monogram F ©Angela Porter 2019 - Artwyrd.com
Entangled Monogram F ©Angela Porter 2019 – Artwyrd.com

I drew this a little while ago and thought I’d show it today. Another in my Entangled Monogram series. I’m up to H now, though I’m not happy with them all, this being one of them.

I’m not sure if it’s the rather thick outline around the F, or the complex pattern inside the F, or the disjointed pattern to the top left of the letter.

Drawn on bristol board with Tombow Fudenosuke and Uniball Unipin pens.