I had a lovely time drawing this little garden this morning. It includes some of my favourite things – round Romanesque-inspired arches and some Romanesque patterns, zentangle tangle patterns, crystals, flowers, mushrooms and frondage.
TWISBI ECO fountain pens with medium, fine and extra-fine nibs were my drawing tools of choice. An approx. 11cm x 17cm (4.3″ x 7″) piece of Ohuhu marker paper was my drawing surface. To add some shading, I used a set of three grey-green Arteza Everblend alcohol markers. Finally, a white 08 Sakura GellyRoll pen was used to add dots of white as highlights.
I have to remember not to use Dokumentus Ink, which fills my TWISBI pens, with alcohol markers; they can pick up some of the ink and spread it around. I must remember that Copic Multiliners or fineliners such as Sakura Pigma Microns, Uni Unipins, or Emotts are perfect for alcohol markers.
I do like the monochrome nature of the shading so far. I’d be intrigued to digitally scan it and add a coloured layer. Maybe when I’ve finished it, I’ll try that.
I absolutely love Halloween; it’s the only yearly celebration that isn’t filled with triggers for emotional upsets. If I could change the date of my birthday, it would be Halloween! It’s not the horror-filled aspects that grab me, it’s the fun and laughter I associate with this time of year.
I love creating whimsical art all year round, but changing the scary for cute is a lot of fun at Halloween. It makes me smile and fills my heart with joy. As far as I’m concerned, skulls and pumpkins, ravens and potions, ghosts and ghoulies and all the other wonderful things associated with Halloween are not just for Halloween!
This week is a fabulous fungi fantasia. I really enjoyed drawing this one, and adding colour really brings it to life. I’ve chosen rather bright, almost psychedelic colours, as is often the case! So, I’m intrigued to see how others will use colour magic to bring the drawing to life.
The design was drawn with a Tombow Fudenosuke pen on marker paper. This version is coloured digitally in Clip Studio Paint.
I’m still on the mushroom kick it seems. Today’s sketches/drawings for Sketchtember feature some mushrooms. One is a typically, perhaps, entangled style of art. The other is much more of a pen and ink drawing, making use of stippling and cross-hatching to add shadow and a sense of volume.
I used a Uniball Eye micro pen to draw on a piece of Distress Ink coloured mixed media paper from Claire Fontaine for the entangled drawing on the left.
For the drawing on the right, I used a Tombow Fudenosuke pen on a piece of Ohuhu marker paper. This paper is surprisingly nice to draw on.
I’ve yet to decide if I’m going to add colour to these drawings. I have scanned them in so that I have a record of them as they are.
This is now finished! Between drawing, adding colour and embellishments, it’s taken somewhere between six and seven hours, I think.
Materials used: * SeaWhite all media paper, 8″ x 8″ (195mm x 195mm) * Uniball Eye Pen – micro * Uniball Signo DX 0.38 Pen * Derwent Graphitint pencils * Brushes and water * Derwent Drawing Pencils * Cold Grey IV Pitt Artist Pen * White and yellow Sakura Soufflé pens * Clear Sakura Glaze pen
I actually managed to keep some white space in the design! I may have slightly overdone the dottiness. I did mess up by trying to use the Derwent Drawing pencils to add some darker tones to the green ‘leaves’.
Overall, I think this is good enough to move on to the next project, which is likely to be Thursday’s coloring template.
It’s been nice to lose myself in some art for the sake of art. Especially as my emotional weather is still damp, dull and grey and making me doubt myself. It’s been an emotional rainy spell that’s been brewing for a while, and that’s why I’ve returned to the familiarity and comfort of my entangled art.
I always circle back to entangled art, regardless of my experiments with other media and styles and getting frustrated with colour!
My tricksy emotional weather is only exacerbating my frustrations with colour. I know I need to get the coloured plates done for the Whimsical Cats colouring book, but as I am at the moment I will only get myself into a right royal kerfuffle. So, it’s time to just enjoy drawing, maybe using some colour – time for monochrome colour schemes I think.
Over the past week or so I’ve been gradually adding to this sketchbook page. It is entirely what a sketchbook should be, in my opinion. Pages full of ideas, sketches, unfinished drawings, practice of techniques, written notes… a visual zibladone for the creative soul!
It is a reflection of what is catching my attention in my world. That world encompasses the inner worlds of imagination and emotion, as well as the outer world of books, nature, architecture, photographs, and so on.
This page includes inspiration from Mayan glyphs/sculpture, rocks, nature, mushrooms, magic wands/staves/sceptres, pen textures and some inspiration from Hundertwasser.
Everything on the page is a bit wonky (not perpendicular), and I’m OK about that – it’s a sketchbook! But then wonky art, particularly colouring pages, seems to be part of my signature style. Perfectly straight lines just don’t look right to me, nor do sharp corners. Perhaps that’s why I like Hundertwasser so much.
The English gardener William Kent said, “Nature abhors a straight line”. Hundertwasser said, ” The straight line is godless and immoral.”
A sketchbook is always a work in progress (WIP), even when every page is full, it’s full of incomplete drawings and ideas, sketches and notes, jottings and doodlings. Nothing has to be perfect. Not a single thing.
A sketchbook is a place to try things out, experiment, just see what happens. With that comes an acceptance that not everything will work out, and where surprising things happen and discoveries are made that may otherwise never happen.
Sometimes the gems of ideas and colour combinations and ways of using media remain hidden until much later. A sketchbook is a place to practice and learn, to note down what is of interest at this time, what needs to be expressed, without any pressure to produce a finished, polished artwork.
That doesn’t mean, however, that a sketchbook can’t be something interesting to look at, even with it’s own kind of beauty. They are a reflection of the artist that creates them and so is a window into their arty heart and feelings. They are very personal things.
A sketchbook encourages me to use media that are gathering dust because I do so much art digitally. In a physical sketchbook, if I want any colour, then I have to use some of these media.
On this one page I’ve used Pilot Hi-Tec C4, Pilot Maica, Rotring Rapidograph and Uniball Unipin pens. To add colour, watercolours, Tombow Dual Brush pens, Derwent ColorSoft pencils, Derwent Procolour pencils, Derwent Inktense pencils have been used.
This week, it’s a hallowe’en themed mandala design. Lots of cuteness and whimsy in the design, as well as a geometric background and a funky border.
I enjoyed drawing this, and I’ve enjoyed the partial coloring. Sadly, I don’t have time for more colouring today. I have a chap coming to sort my central heating out in a short while and my anxiety is heading through the roof now I need to get showered and tidy up the house a bit.
I have some social anxiety at the best of times, but the increasing prevalence and transmission of Covid19 and having contact with anyone is having it skyrocket. Hopefully, I’ll be able to calm down quickly enough after he’s done what he needs to do.
Anyways, if you’re not a member of the facebook group you’d be made most welcome. Membership is free, as are the templates I create for the members of the group.
Here, in the Valleys of South Wales, the sun is shining, autumn is gradually taking over the land and Hallowe’en is fast approaching. So, this week’s template has some Hallowe’en elements to it. It’s also a cute and whimsical template for people to have fun with colour.