Dimensions : 8cm x 8.5cm (3¼” x 3¾”) Smooth cartridge paper (acid free) Uniball Unipin pens (05 and 01) Digital editing and colour in Autodesk Sketchbook Pro
I drew this little drawing yesterday, but spent some time this morning scanning, cleaning and adding colour and shading digitally.
I deliberately left some ‘white space’ so I could fill it with colour. This contrasts rather well with the graphic black and white entangled art design. The coloured background adds depth to the image, and the subtle shading by grey and textural lines adds volume to the design elements and layers.
I often think I struggle with colour, unless I use a limited palette. This is a way to make use of colour in a way that adds interest to the design without detracting from the line work.
I’m a day late posting this Inktober drawing. My plans for yesterday went somewhat awry as I went to help out a friend in need. So, no beating myself up for the tardiness!
The prompts of the day were a snake skull, the Schizophyllum commune fungus and the Floo tangle pattern (from Instagrammers @book_polygamist, @nyan_sun and @havepen_willdraw respectively).
I started with the fungus as I really wasn’t really enthused by snake skulls. The caps and gills of the Schizophyllum c. formed lovely shapes and lines, and so I focused on areas of them to do some small drawings using a Sakura Pigma Sensei 04 pen on dotgrid paper. All I wanted to do was capture the flow of the lines and the interesting shapes and patterns too. I wanted to keep it simple, so no shading or highlights – just pure pattern.
As I was drawing the squares filled with line and pattern I was reminded of how I used to create sketchbooks while doing my AS and A level Art exams around 15 or so years ago. I used to colour the pages or use interesting paper to draw on and collect the patterns and shapes that really interested me. I often focused on small areas of the object of interest and drew the details in squares and rectangles. I added an example of the Floo tangle pattern to a rectangle, just to make sure I’d included that challenge for the day.
So, it was a natural segue for me to add the grungy, vintage paper to the background as I turned Inktober Day 12 into more of a sketchbook page.
I was also reminded of how I used to use charcoal and white pastel or chalk to draw on coloured papers, and I thought I’d do that with the skull, but with my signature black outlines. I drew this digitally, and mimicked the process of laying down charcoal and chalk and blending the colours. I think I’ve managed to do that quite successfully digitally, though, yet again, I could have done with a bit more contrast in places.
So, rather than an illustration that combines all three prompts for the day, I’ve ended up with an interesting melange of images.
If I were to spend more time on this page, I’d add some highlights/shadows and maybe colour to some of the drawings of fungi. I’d also overlay some dot grid paper to the background. I’d also add some hand-lettered information and commentary on the drawings.
However, if I did that it would eat into my time to take on Day 13 of Inktober today, as well as get some work done for commissions/contracts.
This morning, I’ve spent a pleasant four hours or so drawing this A5 design for the month of May.
It combines some hand lettering along with my signature style of entangled art. I’ve included plenty of floral motifs as here in the Northern Hemisphere the world is filled with flowers, especially on the trees.
Of course I’ve included more abstract motifs that are inspired by seedpods and patterns found in nature and architecture and so on.
I drew the design on white Bristol Board by Winsor and Newton. My pens of choice today were Tombow Fudenosuke, Sakura Pigma Sensei 04 and 0.1 Unball Unipin. Also, I’ve used some digital wizardry to add coloured paper as the background, along with my watermarks.
This would be lovely in a BuJo I think. I think it would be lovely in a planner, a journal or diary.
It’s perfect for colouring, as long as you’d be happy to colour across sections that have fine lines in them.
I think if I was more confident with metallic inks and either dip nib pens or fine brushes I’d’ve liked to do the lettering in metallic gold or copper. Of course, I could’ve done the lettering, scanned, laser printed it and then added the patterns around the lettering. I didn’t think of that until now though! Duh!
I’m fairly happy with adding ‘auras’ around the lettering to separate it from the entangled design around/below it.
I’m not sure I’m happy with the design spilling out over the edge as it has done; it doesn’t feel balanced to me, but other than that I’m quite happy with the design. Of course I could edit the image to even up the edges, but it is what it is for now.
EMDR was quite gentle yesterday but lots of body work occurring. During EMDR stored trauma is released through pains and other sensations in the body. Yesterday I had eyes that hurt, part of my head, my throat, my thumbs and wrists. I had a lot of pain where I broke my leg when I was six. Lots of prickling as well as electric shocks in various parts of my body.
I actually felt quite upbeat, if a little tired, when I left the session. But by late evening I was really tired and feeling a bit teary and lonely.
I’m tired today. I didn’t sleep too well last night. I had hoped to go out for the day today, but I really wanted to stay home and draw and I think I’ll be back in bed before too much longer. I really am tired.
One thing that I was asked about, without me mentioning it first, was what I was going to do about getting out and about a bit more! I’m sure my therapist must read my blog. Just joking, I know she doesn’t!
I need to make a list of places I’d like to visit. Familiar places to revisit to ease me back into getting out and about by myself. Then ones not so familiar that could involve some time away from home too.
I will be going out later this week. I have something to do this evening and tomorrow, however. Another reason I am having a quiet day today. I’m not just tired; I know that I’m also emotionally fragile still.
I am determined to heal as much as I can from the CPTSD and to do the things I’d like to do that the inner critic sabotages way too often.
Creating this mandala has had me smiling. Gentle smiles on my face and in my heart. There’s something about the graphic black and white, the grey foliage in the background and the mystical, magical moonlight illuminating the design. I look at it and I feel a sense of achievement and satisfaction with this one. It’s not perfect. There’s things I want to do with it, and working digitally allows me to do that. However, for now, it’s more than good enough. I need more tea and a bit of a break from it.
I have to say that it looks really nice in just black and white. but, the simple gradient background really sets the atmosphere for the design. I did use a gradient fill tool to create the coloured background, but I do want to go back and create one that I can have a bit more control over for sure, maybe using watercolour brushes to do that, and adding spots of glow too.
I’m really pleased with the lighter foliage in the background, adding depth and dimension to the design, adding interest. It’s delicate and ephemeral, misty too.
I want to try not letting the background colour the motifs. That’ll involve me adding white to the white spaces. For some reason I created them with transparent ink.! No great problem to go back and sort that out though.
I also want to try working on a landscape that isn’t a mandala, using the same kind of style of drawing and adding magical, mystical coloured backgrounds.
But overall, I’m pleased with this and I’m pleased with the progress I seem to be making in both digital art and in developing my art ‘voice’.
There’s been quite a few pieces of art I’ve created that have made me smile recently – many of my mandalas and entangled drawings, my cute kitty ‘cartoons’ spring to mind, especially one I did of the pink anti-stigma badger as a Jedi knight!
I can honestly say that this mandala, and my previous one, have made me smile more than most.
A black and white mandala today. No colour. No shading. Just black and white and varying line width.
I set up one of my pen brushes in Autodesk Sketchbook Pro to vary it’s width with pressure. I’ve only ever used brushes where I’ve had their thickness set at one size as that has usually been my style of drawing in both traditional and digital media.
My favourite pens to draw with on paper are Sakura Pigma Micron, Sakura Pigma Sensei, Uniball Unipin, fountain pens, or technical drawing pens from Rotring or Staedtler. So, it was natural for me to set the digital pen brushes to mimic them and the lines they leave on paper – which are usually rather uniform in thickness, but with a bit of feathering around the edges.
I’ve never had much success or satisfaction in using dip pens or brush pens with drawing. No matter how much I practiced I never got a result I thought was good enough. The only dip pen I like to use is a glass dip pen as it has a very uniform line and writes smoothly too.
Late last night, I thought it was time that I experimented with a pen brush where I could vary the thickness with the pressure of my Microsoft Surface Pen on the screen of my Microsoft Surface Book.
I did set the pen to have a sharp edge and to vary in size from 1px to 9px with pressure, Then off I went with the intention to draw a mandala.
It took me a few attempts to work out how the new kind of pen brush worked for me. It also reminded me of lino prints, so I wanted to get that kind of graphic quality into my drawing.
I like it just as it is. I may try adding colour, even if it’s a subtle background colour, at some point. But I do like it.
What I particularly like is that the brush pen made it possible for me to draw lines that started fine and became thick in a gradual way and with a neat edge, something I struggle with when using my favoured pens or brush pens or flexible nibs.
I feel that this experiment has taken my drawing to a bit of a different level.
What I think I need to consider in future is adding elements of the design in shades of grey to create depth and dimension to the image. Perhaps even using different colours to draw such designs on a coloured background.
I also need to use this pen on drawings other than mandalas, such as the fantasy garden type design I did the other day ago.
I also think playing a little with the pressure sensitivity settings is on the cards, until I get it just right for me!
My mental and emotional wellbeing
I’m feeling more resilient today and I have a soft smile on my lips and in my heart.
The feeling of satisfaction with the mandala, and also completing the edits of the templates for the new book has contributed to this, along with a goodly amount of rest.
Days like this are nice for me. Days where I’m content. Days where my emotional and mental wellbeing are ‘good enough’. And they are today.
I may not feel brave enough to go out into the busy and people-y world today. If I can find a crochet pattern for a pretty shawl I may head out later to get some yarn with which to create that. I’ve almost successfully finished a crochet shopping/market bag for a friend and that has given me the confidence to try a different project. I love pashminas at all times of year. So I’d love to successfully crochet a pashmina/shawl for myself in yarn that changes from one colour to another perhaps. First to find the pattern.
Yes, the success with something I’ve struggled with – two failed attempts at a bag for myself had me feeling really useless, but the perseverance and success has lifted me. In fact, there’s been a lot of perseverance this week, what with EMDR and foiling and now the different kind of pen brush for digital drawing.
I need to make notes of this in my ‘When it’s dark, look for stars’ book as a reminder that things can be surprisingly good and I do do good stuff on my darker days. In fact, I need to start to add patterns/designs around the quotes and so on in this little book, and colour some more pages with Distress and Distress Oxide Inks for future use.
My biggest problem at the moment is feeling overwhelmed with all the ideas I have that involve drawing, foiling, creating digital stamps, a mandala coloring book, another tutorial book, designs for RedBubble, and more. This is part and parcel of cPTSD. So much I could do that it overwhelms so much that I can think and organise myself at all…
Despite that, it’s still a day where I feel what I’ve done recently is good enough, at the least it’s good enough. And for me to recognise and accept that is quite a step forward.
Here’s to getting a ‘good enough’ life and opinion of myself through EMDR and recovery from CPTSD!
This became yesterday’s self-care drawing. When I’m not feeling all that right my default setting is this kind of drawing. It really does help soothe my unbalanced mental and emotional health. Thank goodness that today I’m feeling a lot more myself, whatever that means. In this context I think it means more emotionally calm and kind of content and a less worrisome and fretting mind. My background anxiety levels are still a tad elevated, but not as bad as they were over the weekend and through to yesterday.
I hand lettered the monogram on an A4 sheet of Daler-Rowney Bristol Board using Uniball Unipin pens. I then just let my pens draw some new and old favourite motifs and patterns to create this abstract, entangled art.
Yes, the P is a bit off-centre, but I didn’t measure it out! I just drew it. I didn’t plan on doing the entangled drawing stuff. I was just going to spend sometime with hand lettering…just goes to show that instinctively I knew what I needed yesterday to help soothe me. I could lose myself in the flow and give my mind and emotions a bit of a break.
It took me several hours to complete, and this morning I scanned it in, added a background texture and the watermarks with digital wizardry.
My only consideration for it at the moment is whether to leave it as is (black and white), to add shading in greys, or whether to add colour. I’m also quite tempted to add some gold to the monogram, just in places. I could print it out and try that on a copy before I commit myself to altering the original.
Today I do need to settle to inking in some sketches for the next coloring book. Maybe do some more sketches as well.
Can you believe there are just a few hours of February left and March is nigh? Time seems to be just flying by for me.
I’ve spent the last 4 hours or so sketching then drawing this design. It’s yet to be coloured. I need to get some other stuff done first.
I sketched the dragon loosely out on paper, scanned the sketch in, then digitally inked it in using various thicknesses of drawing pen brushes.
I just felt some giant daffodils were needed behind the dragon. Or is it a miniature dragon lounging beneath some daffodils?
It’s been a long, long time since I’ve drawn any dragon. At one time, many years ago, I used to draw them a lot. Often it was a sign that something wasn’t right with my mental or emotional health. As I’m getting better and better thanks to EMDR and some effort on my part, I draw dragons and other fantasical things less and less. Though I guess you could argue that a lot of my art is rather abstract and not realistic.
It’s going to be interesting colouring this one in. Of course the dragon has to be red as tomorrow is St David’s Day. The red Welsh dragon is iconic of Wales. Daffodils are too.
As I’ve said, I need to do some other things for a while. Not just because the other things need doing but because I need a break from this. I may very well add some more elements to the design before I get around to adding colour. I think I’d like the colour to bring up the feel of stained glass or perhaps a lino or wood cut. I’ll see when I do it. I may also use this design and add dangles to it too, as Fridays are when I do tend to post a dangle design (A Dangle A Day is now published and available – my tutorial book on how to draw dangle designs).
Tools used – Pencil and Rhodia dot grid paper. Microsoft Surface Pen. Microsoft Surface Studio. Autodesk Sketchbook Pro. Backgrounds purchased via Creative Market.
Monday is EMDR therapy day for me and my mind seems to go towards finding relevant quotes and then doing my usual thing of adding patterns around them.
This one has what seems to me to be rather heavy handed patterns around the quote. I drew the patterns with a broad nib Faber Castell fountain pen filled with Diamine Jet Black ink. I may have chosen too broad a nib for this illustration; the artwork is slightly less than A5 in size.
I enjoyed the process of creating this, however, and some quiet, calm, self-care time is needed this evening.
I had a yet another draining EMDR session today, one that had some insight for me. There were plenty of quiet tears too. I suspect that tomorrow will be a quiet self-care day also.
I’m used to this happening now and tend to plan my working time around the need for self-care. I’ve learned that self-care is important. I’m also learning not to be surprised at how something that seems as gentle as EMDR has such a profound effect on myself.
It’s a good thing I had quite a busy morning prior to heading off to my appointment and got a few templates sorted out for the coloring book I’m working on.