Entangled 02 Jan 2018

02 Jan 2018 Angela Porter watermarked

Today’s entangled image.  Drawn using a Sakura Micron PN pen on bristol board.  A little less than A4 (Letter) in size.

Entangled 01 Jan 2018

01 Jan 2018 Angela Porter watermarked

I finished this today. Sakura Pigma PN pen in blue on A4 dot grid paper.

Note to self – use a dark coloured pen, not blue, on dot grid paper otherwise it’s going to be a nightmare to remove all the little dots on the drawing!

Intricately Entangled Abstracts

24 Dec 2017 Angelaporter_watermarked25Dec2017_AngelaPorter_Watermarked

Two drawings I did over the Christmas period using my new Sakura Micron PN pens.  These are different to the usual Micron pens as they have a solid, plastic nib, which is a lot more durable in use.

I’m rather heavy handed with pens, and as much as I love Sakura Microns, Uniball’s Unipins and Faber-Castell’s Pitt pens, their nibs don’t last as long with me as their ink supply does.  I end up chucking the pens way before the ink has run out.

Yes, I could use my Rotring Isographs, but the ink takes a while to dry and I tend to smudge my work.

Previously, I’ve found the Sakura Pigma Sensei in 0.4mm to works well for me, and the nibs are similar to the PN.

The big drawback at the moment to both the Sakura Pigma Sensei and the PN is I can’t order them here in the UK, I have to source these pens either from the USA or from Japan/Hong Kong, so it takes a long while for them to get to me, often with a high shipping fee.

The Sakura Micron PNs are definitely on my shopping list when I need more of them!  I’ll stick to the other brands for the finer line work that appears in my pen and ink drawings from time to time.

Autumnly Entangled 7 to 11

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Lots of drawing done over the past three or so days and I haven’t had a chance to upload these.

The set of four are approx. 4″ square and the paper has been coloured with distress inks.

The bigger one is drawn on ombre paper for ‘scrapbookers’.  The central image is 6″ square.  It was a bit of a ‘mare to draw; the paper isn’t absorbent and the ink takes ages to dry, which means smudging was a bit of a problem, but I’ve managed to mostly disguise it with patterns.   I need to dry different pens on this paper, as I do like the colours.  If I can’t find a way to draw on it, then I’ll be using it to mount other artwork on and in mixed media and card making endeavours.

Yes, it did seem a good idea at the time!  It could be back to colouring all my own paper again ….

Entangled Icosohedron

Icosohedron1 montage Angela Porter 19 Sept 2017

Having more fun!  This time a 20-sided icosohedron.  And I’ve just noticed I lost the plot slightly in creating the montage above – the same image repeated, d’oh go me!  First time I’ve ever done a photo montage though, so maybe I can be forgiven!

Autumnly Entangled 5 and 6

AutumnlyEntangled5and6_AngelaPorter_18Sept2017

Last two of the six Distress Oxide coloured 14 x 10 cm sheets of paper.

Making stamps and more Autumnly Entangled

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Stamp Carving

I woke up the other morning, Thursday I think it was, and had the overwhelming desire to try my hand at carving stamps from rubber blocks again.

I enjoyed doing lino cuts when I was doing my A level in art over a decade ago, well apart from the way my finger and wrist joints would hurt after doing this.  So, I thought I’d have a go with soft rubber, and above you can see the first of my efforts.

The weird flower was the first, and I’m not happy with it, though I think it would be fine as a background stamp in mixed media work, maybe.

The other circular stamps followed fairly quickly after that one, but the stylised thistle was one I did this morning. The white rubber discs are made by Essdee, and I used lino and stamp carving tools by the same company.

The leaf, heart and geometric patterns I carved this morning from a different kind of pink rubber: Speedy Carve from Speedball.

Both kinds of carving material were easy to work with, perhaps a little too soft for my liking, but only time will tell.  The only other tools I used were a pencil to draw the designs on the stamp carving material and a craft knife to cut the Speedy Carve.  Oh, and some sepia Archival Ink from Ranger, and an acrylic stamp block for the circular discs to adhere to while I stamped with them.

Autumnly Entangled

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Two more, drawn on paper coloured with Distress Oxide inks, with highlights of white gel pen and metallic gel pens added.  Also, the bottom one has had colour added using Zig Clean Colour Real Brush Pens from Kuretake and also some Prismacolour pencils.

I still have two more 10cm x 14cm sheets of coloured paper to draw on… so at least two more to come!