‘J’ Monograms

©Angela Porter 2018

What a troublesome letter J is! Well, as far as creating a monogram. Early sketches showed me that if I add too much fanciness outside of the letter, the letter gets lost in the embellishments! So, here are a few that I’m vaguely pleased with.

I used Daler Rowney Marker Paper to draw these letters on, with a mixture of black pens. I used Copic Markers to colour some of the letters. Others I used to experiment with Tombow Dual brush pens and a blender pen. Chameleon Color Tones pencils were used on a couple more.

The Copics work really well on the marker paper – no surprises there!

The Tombows tend to cause the pen I use to draw the designs with – Uniball Unipin and Sakura Pigma Sensei pens – to smear. I keep forgetting the Tombows do that. So, I tried drawing a J with the Tombow Dual Brush pen and then add the lines and patterns after it had dried. That worked. But white space needs to be created outside of the letter, and again, if I got too intricate, entangled, ornate with the embellishments I would’ve lost the letter. Or perhaps not if it was only the letter that was coloured in.

I was surprised at how easily colour from the Chameleon Color Tones coloured pencils laid down on the marker paper. Surprised because I’d forgotten how nice it is to colour on the marker paper! I did need a good layer of padding paper beneath the 70g/m² or 48lb marker paper.

I foresee similar problems with the letters I, L, and S. Not sure about the other letters I’ve not tried this kind of decorating with yet. Time will show!

What I can see here is that the style of embellishment I’ve used, while not always successful, such as the heart and arrow one (where did that idea come from? Sheesh!), it is different to the previous letters I’ve played around with. That is all down to the shape of the letter and the edges I have to play around with, while keeping clarity of the letter too.

What to do today? Well, I do have the 2019 template to colour for the colour explosion over on the Angela Porter’s Coloring Book Fans facebook group set to run through New Year’s Day. I’m also aware that I haven’t done a cutely whimsical cat monogram dangle design for a few weeks. I also have three templates to colour for ‘Entangled Forests’ so that book can be put to rest ready for publication, before I start on the next one.

Practice…

Angela Porter 28 June 2018 watermarked

I had some fun with this one. Lots of zentangle-y patterns in a zentangle style ‘string’. I eventually worked out how to get a better ‘separation’ of the areas that worked aesthetically for me (and was more my kind of style). I added a quote and some darker shades of the same colours in the background it was all done.

I am enjoying my current phase of just creating for the sake of creating, especially adding quotes in very simple hand-lettering. I expect there’s going to be quite a few more created as time goes on.

Oh, the holes are in the top as I took the sheet out of my A5 discbound sketchbook; I’ve coloured most of the pages with distress ink in various ways. Should I wish to frame or reproduce this, I can easily remove that area of  the page.

I also quite like having the empty space above the quote and design. My art can become very, very busy and intricate, but this seems to bring some balance to the overall design.

Supply Saturday

Angela Porter 5 May 2018 watermarkedThis little pattern was created using Inktense pencils from Derwent, and a Pitt Artist Pen from Faber-Castell. Oh, I also used a Kuretake Zig water-brush to blend out the Inktense pigment.

I started by using washi tape to mark out a rectangle to work in.  The washi tape did remove some of the paper to the left hand side, but as this is more of a sketchbook experiment, I’m not too bothered.

Next, I drew in the pattern of arches using a deep rose Inktense pencil and used a just damp water-brush to activate and move the Inktense colour.

Once I had the pattern of loops, and loops within loops, I added more colours to the pattern.

The colours will lie over others as a glaze, but once the wet Inktense pigments have dried, they are permanent. That makes them an excellent medium to create such a colourful pattern.

Finally, as this is an experiment, I used the Pitt Artist Pen to add black lines and details to part of the design to see what difference this makes.

I like the loops of pure colour, but there is something about black outlines and patterns that makes me feel something is finished, complete, defined. I do like how the loops without black outlines seem to recede into the background.

I may add some gold and white details to this design as well later on today, as well as resisting the temptation to add black line details to all of the loops. It would be a nice way to keep the #weekendvibes going!

It’s also supply saturday over on the facebook group called Angela Porter’s Coloring Book Fans.  There’s a lovely group of people over there and they will make you most welcome if you visit and join!

 

Cool Calm – mixed media, Vida Collection

CoolCalm Angela Porter Small

I’ve spent the last couple of days completing this mixed media drawing/painting where I focus on colour and line.  I’ve called it Cool Calm.  It reminds me very much of stained glass.  I love the warm highlights I’ve added, as well as those sharp, bright green tones too.

What I do want to do, now it’s been scanned for things like Vida and printing, is to add metallic/iridescent elements/patterns to it and then, maybe, put it on Etsy as an original work of art.

I’ve also used it to add new items to my Vida collection, including this tee-shirt: