Mandala

Mandala © Angela Porter 2019 Artwyrd.com
Mandala © Angela Porter 2019 Artwyrd.com

I worked on this mandala over a couple of days. it has a whole range of new motifs in it and is rather organic in nature, with plenty of pods and seeds included. I’m quite happy with it. I think there’s a kind of flow of design and the colours are vibrant enough to please me.

I really wasn’t at all sure about my colour choices as I added colour to the mandala. The beauty of digital art is that it’s much easier to change the colour, which I did do in just a couple of sections. The colour changes means I’m a lot happier with it.

It has no name as I’m not very good at thinking up names for my artwork. Perhaps I should just find some kind of quirky way of lettering or numbering the designs in future.

Drawn and coloured using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.

Mental Wellbeing

Today I’m feeling really tired and I don’t feel I have many words at the moment – despite what my blog may suggest.

My fingers, hands and wrists are also rather achy which is making typing or drawing (either digitally or traditionally) rather painful. I don’t know what’s caused that. Yesterday I did do a lot of drawing with pencil on paper – sketches for my new book – and a lot of digital art too. No more than I often do though.

I suspect a bit of self-care is needed. I am feeling a bit low. Tiredness doesn’t help, but I’ve slept really well the last couple of days.

Maybe it’s the grey, wet, windy day.

Maybe it’s just emotional weather with no real cause.

Maybe it’s the start of the buildup to EMDR on Monday.

I just know that like the weather my mood will change and brighten.

Friday Flutterby

© Angela Porter 2019 - Artwyrd.com
© Angela Porter 2019 – Artwyrd.com

I thought I’d dig through my image archives today and I found this charming butterfly, or flutterby as I sometimes refer to them.

It’s one of my early pieces of digital drawing that I was happy with and it was done on my first Surface – a Surface Book – back in 2016, I think it was.

I drew the flutterby using a Microsoft Surface Pen and Autodesk Sketchbook Pro and the original image is black and white with some greyscale shading. Today, I thought it would be nice to add some rainbow colours to the butterfly and a textured background too. So I have done.

I also have realised that this flutterby would make a nice focal point for a dangle design. Maybe I’ll have a go at doing that later on.

I’m still reeling from EMDR on Monday, still not found my balance point. It’s been a week of self-care. I am getting better, bit by bit, but this was a surprisingly tough session.

As I reflect on it, it’s interesting that I chose to post a butterfly today as butterflies are seen symbolic of transformation. But it’s also interesting that I chose to take a greyscale drawing and add a brightly coloured rainbow to it, as well as adding a textured and slightly coloured background.

I think I’ve lived my life mostly in greyscale. Not my art, though I do tend to enjoy drawing black and white line art a lot, but when I do use colour I do tend to go for really bright colours.

No, I mean my life, my emotional life particularly. All shades of grey and black.

I am in my fifties now and I’d like to think that I’ll be able to live a more colourful life for the rest of my human existence.

Perhaps this butterfly is one of those intuitive messages that’s telling me I am transforming into someone who does have a rainbow of emotions, is able to see them now. Maybe it’s telling me I’m transforming as I heal from cPTSD too.

EMDR does turn me into a chrysalis from the caterpillar I’ve been in life – a chrysalis that needs rest and time to complete that transformation, and when ready, the butterfly emerges, colourfully resplendent, able to fly and soar… the potential that was inside the caterpillar all the time now realised.

Entangled Quote

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

I stumbled across this quote from Albert Einstein yesterday. It sums up how I feel about my art and how I create art. I work very intuitively, generally. I choose one place to start, with one motif and I just let everything else flow from that point. If I am thinking about what I’m doing, I’m not aware of those thoughts. In this way, drawing is, for me, a rather mindful activity where I can lose myself in the flow.

My art tends to go wrong if I over-think or try to over-plan it, as I’ve found out recently as I did the first sketches for the coloring book I’m working on.

For this drawing, I printed out the quote and borders on an A4 sheet of Bristol Board. I then used various sizes of Uniball Unipin pens to draw the designs in. If you’re interested, I started at the top left corner of the quote box and it is from this point that the rest of the design flowed out from, sort of.

I’m actually quite pleased with this one. I actually like use of thicker lines to delineate the individual motifs and to give a more structured, layered feel.

I also dug into my visual reference libraries to revisit patterns and motifs I’ve not used in a while, as well as using some of my most favourite ones.

I like the stark, graphic nature of the pure black and white, but I may very well add colour to this one in a way similar to yesterday’s quote. I haven’t finished colouring that one yet, but it is something I will return to later today, though I may not finish it today.

Entangled Quote

©Angela Porter 2019

I’ve worked on this design over the past three days. I wanted to do another version of this particular quote in my more characteristic pen and ink, intricate, entangled style of art.

I used various pens to draw this on recycled copy paper (I know, but it’s preserved for posterity as a digital file now). The quote and the boundary lines were printed out on a laser printer. I could have hand lettered it, but I wanted a typewritten look for the quote.

I did add colour and texture to the background using Autodesk Sketchbook Pro along with a Microsoft Surface Pen and Microsoft Surface Studio, but the drawing was all done traditionally with various black pens.

This is so characteristic of my work from quite a few years ago, before I worked on colouring books. I think last week’s stresses and strains – EMDR, Time to Talk Day – had me wanting to escape into the familiar, the comforting, the easy (for me at least) which is why I defaulted to this style of art.

I do have to push myself out of this very comfortable art zone to work on templates for my next coloring book, one which could have an added bit of stress for me concerning its theme. I’m determined to do it though!

It’s taken me until today to fully recover from all of last week’s emotionally tiring events, just in time for my weekly EMDR session! So, I plan to get some drawings done for the book this morning before I head to Neath in what looks like it’s going to be a sunny late winter day. I also really need to get a brisk walk in nature in today. My fragile state has had me remaining in the safety of my home or car. Today, I feel the need to move my body a bit more.

Entangled art

©Angela Porter 2019

I found this lovely quote a couple of days ago and knew I wanted to add entangled patterns around it.

About the art.

Rather than hand letter, I decided to print the quote by J.M. Storm out, along with the outlines to the boxes. I do very much like a well defined space to work within. I know I’ve done art where I’ve left an organic, uneven edge in the past, but I still like those clear boundaries.

To draw the patterns I used a Sheaffer fountain pen along with 06 and 04 Pigma Sensei pens from Sakura. The 06 led to me using some heavy lines to define the patterns and sections, something I’ve not often done for a very, very long time and I find it pleasing. Again, clear boundaries. I also like when art like this is coloured; it looks like stained glass and I love stained glass.

I may spend time colouring this today. I woke with a terrific headache this morning. Although it’s mostly passed, thanks to some Anadin Extras and copious quantities of tea, I still feel kind of spacey and tired and not able to focus much.

Why I like this quote.

She is a beautiful piece of broken pottery, put back together by her own hands. And a critical world judges her cracks while missing the beauty of how she made herself whole again.
J.M. Storm

I like it because it almost perfectly describes how I think about what is happening to me during therapy, about my journey to recovery.

The traumas of my life, right from a very young age, left me cracked and over time those cracks led to my mental health and emotional health breaking into pieces.

I’m the one who has to put the pieces back together, however I don’t have the skills and tools to do that. That’s where my therapist, my counsellor comes in. EMDR therapy helps to reprocess the traumas that led to me developing cPTSD and helps me to change the old, unhealthy, harmful thoughts and behaviours that I have into healthy thoughts and behaviours. My therapist helps me learn the tools I need to do this as well as to be more resilient as my life progresses, and so much more I’m sure.

I don’t know if it’s possible to make myself whole. My aim, though, is to be whole enough to have a life where I can do what I currently am unable to do – set healthy boundaries, be confident in myself, be less scared of the world around me, and so on.

I’ll always have cracks – evidence of the life I have led – but I want those cracks to be filled with gold or silver or copper so that they are things of beauty in themselves. They are evidence of where I’ve come from and what has led me to be the person I am.

I’m well aware that as I heal I won’t be quite the same person I was and many people won’t be happy about that. But those are the people who have wanted me to fit into their image of how they have thought I should be for their own ends, not least of which is my narcissistic mother.

No doubt my becoming the person I was meant to be, a mentally and emotionally healthy, resilient, self-aware, self-compassionate woman would be a source of great criticism for those who don’t like the changes in me as I heal the mental and emotional wounds.

Part of the process is learning from the past and freeing myself from the limitations placed upon me in the past by others with their own agenda, whether conscious or unconscious.

I’m sure there’s a lot more reasons why I like this quote, but the fluff-filled post-headache spaced out mind just can’t focus just now.

Entangled Monogram N

©Angela Porter 2019

Fountain pen and ink on marker paper. A4 in size.

Enjoyable few hours (around 6) drawing this one. I have toyed with the idea of mocking up gold foil for the N…not sure if it works though having tried it out.

I still think the edges of the N are either too wobbly or too straight … not sure if the patterns should just peek over the edge in places with clear lines in others …

Let’s go try another letter out! I will eventually crack this … I will …

K monogram

©Amge;a {prter 2-19

I wanted to start my arty day with some intricate fountain pen drawing, and this is the result.

I didn’t draw on coloured paper though. I tried on some parchment paper from Manuscript, but the ink smudged so easily…so I thought I’d try some mixed media paper from Claire Fontaine, and I still had some faint smudging, but not as much as on the parchment paper, so I worked with it, knowing that I’d be able to clean it up digitally, which is what I’ve done.

I also added a coloured background to the artwork, trying to mimic the parchment paper. I think I’m going to have to scan those papers in to create texture backgrounds I can use digitally.

I kept the monogram shape really simple, though as I look at it now there’s space inside for some embellishment – maybe a bar or two with finials or beads on, nothing fancy though. Mind you, I’d love to add gold leaf to the borders and colour to the K as well. Maybe something I can do sometime in the future, with another monogram styled like this one but without the ink smudging that I could only remove digitally.

Note to self:-
use paper that fountain pen ink will dry thoroughly on, on bleed
on and won’t smudge easily!

I enjoy the tiny, intricate drawing as well, it is something that brings a gentle smile to my being.

Oh, I did use fountain pens to draw with. I used a broad Kaweco pen for the outlines of the letter and boxes. I then used a fine point Kakuno pen by Pilot for the patterns.

Yesterday I paid a visit to a stationers in Cowbridge called The Pencil Case.

There were lots of oohs and ahhs and wows from me as I browsed around and picked up a fair selection of pens and pencils – a pink Brunnen fountain pen, a teal Faber-Castell Poly Matic 0.7 automatic pencil along with a couple of cases of 2B leads, some spiral pen/pencil grips by Tombow, an set of coloured Pentel Energel pens (12 pens in fabulous colours!), and an R2D2 fountain pen from Shaffer!

I know, I have a problem!

I had a lovely chat with the lady in the shop (whose name I’ve forgotten) about stationery, pens, drawing, teaching and so on. We also experienced a huge bang as a car collided with a big van outside the shop. We weathered the ensuing drama quite well, all things considered.

My pen stash has some lovely new additions, especially the R2D2 pen! If you didn’t know, I love Star Wars, amongst other things.

I’ll definitely be visiting The Pencil Case again, and I’ll be using the pens, fountain and Energel, to draw with alongside my other fountain pens.