#wednesdaywisdom

Angela Porter 5 September 2018 small watermarked

Another Goethe quote today, this time hand-lettered.

The design was drawn using Sakura Pigma Micron pens, and then scanned in and the black and white line drawing altered to this.

Abstract Botanical 28 August 2018

Angela Porter 28 August 2018

Another abstract botanical. This one has gold dot highlights as well as white dots. Fun to do!

I dug out my old Ohto Graphic Liner pens to draw this one. I’d forgotten all about them until I was looking for some new Uniball Unipin pens in my pen stash.

The Ohtos are roller ball pens with pigment ink which is waterproof and fadeproof. The beauty of a roller ball, unlike fibre-tips like the unipins or Sakura Microns, is that the roller ball tip is practically indestructible, even for one with a heavy hand like me.

They work well on the lightly textured hot pressed watercolour paper I used (which is 10″ x 14″ in size).

I applied the colour first, then worked with the way the colours spread and mixed to draw the patterns generally, though I do work rather intuitively.

Abstract Botanical 27 August 2018

Angela Porter 27 August 2018 small

Started yesterday, finished this morning. Another intricate, abstract botanical

I coloured the paper first and worked with the patterns made, mostly. Intuitive drawing with detail and intricacy and black lines is my favourite to do. Botanical things, abstract motifs, from my imagination are also some of my favourite things to draw.

My colour choices are a bit different for me, the way I blended the colours resulted in some unusual, subdued, almost grungy tones. I think I like it.

 

Abstract botanical drawing

Angela Porter 8 August 2018 coloured 01

Happy times drawing! I drew this one with a Lamy Safari fountain pen with black ink on some mixed media paper from Claire Fontaine.

The colours are digitally added after scanning the drawing in, just for a bit of fun. I have ideas I want to try out digitally, but I’m going to wait for my Surface Studio to arrive for those explorations.

My own piece of wisdom for #WednesdayWisdom is that when you get to a point in a creative project where you think it just isn’t going to work out, don’t give up. Push past your own doubts. It can help to put the project to one side and come back to it later with ‘fresh eyes’ and a ‘fresh mind’, but don’t give up on it.

When you think you’ve finished the project there may be bits you don’t like, but there will be parts you really do like about it. The bits you like are ones to take forward and work with further.

What I’ve noticed over the years is that sometimes it’s the bits I wasn’t sure about that are the ones I really like when the project is completed. Often, the bits that are ‘mistakes’ end up being ‘happy accidents’ or ‘creative opportunities’ – discoveries of new things to try out again in the future.

I’ve most probably said this before, but I’ve been getting a lot of self-doubt lately in work I’m doing. As I often work directly in ink on to paper, my mistakes are permanent, so I have to work with them and incorporate them into the design. That’s what happens when you’re an intuitive artist; I’ve learned to trust to the process and that I can work with whatever happens.

You too can do this! I promise you, you can!

It’s also #wipwednesday over on the Angela Porter’s Coloring Book Fans facebook group. Plenty of people show their works in progress, but there is always, always room for more! We all love to see what people are up to.

Bookmarks – #makeitmonday

Angela Porter Bookmarks 30 July 2018

Amongst other things, I’ve had a lovely crafty time over the weekend drawing tall and think designs that make lovely bookmarks, and here they are!

I love black and white line art, but I thought I’d try working in colour too with a mid-blue and a dusky kind of purple. Not too sure about the coloured drawings; I think that’s because I do like high contrast.

The first task was to cut paper (Winsor and Newton Bristol board and Claire Fontaine Paint On mixed media paper) into strips that are 30.1cm x 5cm or 30.1cm x 5.5cm in size. For each, I drew a pencil border around them that is approx 3mm wide.

Then, came the inky drawing. Usually, I start with one motif and let the design grow out from that one. However, with these I scattered large motifs across the space, then slightly smaller ones. Finally I used small patterns and even plain colour, to fill in the gaps.

I tried to keep to just three or four patterns in each design (a self-imposed challenge); some have just two patterns, others have 4 or so.

I really enjoyed doing these!

Now, I have to decide what to do with the originals. Do I scan them and then gift/sell the originals? Do I use them as the focal points for some mixed-media work? Do I use them to created some printable pages for people to make their own book marks? Do I scan and re-colour them in the way I have my recent quotes? Do I scan, print and set small parts into bezels to create my own custom jewellery? Do I turn them into greetings cards? Do I add shadows/shading to them?

So many possibilities and I feel quite overwhelmed.

I do know I need to turn my attention to my next coloring book for the Creative Haven series from Dover Publications Inc; I need to get a few templates done in the next couple of weeks, with one to be coloured as the cover illustration.

All #makeitmonday projects!

Talking of #makeitmonday; I uploaded a bonus colouring template to the Angela Porter’s Coloring Book Fans facebook group yesterday. It is a group exclusive, so if you’d like to print and colour it and share it with the group, pop along and join in with the lovely group of people over there.

Wednesday Wisdom – Fear…

Angela Porter 18 July 2018

Another Sirius Black quote.

I printed the quote out, then hand-drew the design around it.  I enjoyed using some of my Lamy ink pens to do this. However, I needed to clear some smudges and smears up when I scanned it in.  Thank goodness for GiMP, and the magic that I’m learning to use in Autodesk Sketchbook Pro.

I can see I do have some details to add to the drawing, but as I want to, eventually, colour this in in my more usual style, they can wait until then, perhaps. With colour there may be no need for additional details in pen and ink lines.

So, as well as this being a #wednesdaywisdom artwork, it’s also a #wipwednesday work too!

It’s #wipwednesday over on the #angelaporterscoloringbookfans facebook group. New members are always welcome!

Today is also the release day for Eerie Entangled Art, at least in the USA.

Don’t forget, you can pre-order A Dangle a Day and Entangled Butterflies, both of which are due out in the Autumn

 

Illustrated Quote 9 July 2018

 

Angela Porter 9 July 2018

This is the fruit of my Sunday ‘labours’, and I’m quite pleased with it, truth to be told. Now that’s not something I say about all my works. However I am, quite pleased with it.

I’ve been playing around with hand lettering and design for a while now. From placing the words on curvy lines to straight lines. Trying having the word(s) sit above the drawing with white space above and using them to split the drawing, as in this case.

I’ve used simple hand lettering, like here, and a bit more ornate.

It has been a bit of an adventure, with some successes, some not quite so. With this one, though, I think I’ve found my kind of ‘style’ for it. I like the way the flowery ‘poles’ join the top and bottom part of the design. I really like the jewel-rich tones of reds and blues that I’ve used.

If there’s one thing I wanted to do, and forgot about until now, it was to use a metallic gold pen to add dots to the centres of the circles in the bushes at the bottom. Also, maybe tiny gold dots to the centres of those little purple flowers. It’s that inner raven that loves sparkle having an influence yet again.

I like my quirky hand lettering. It may not be the best, it may not be the most precise or even. If I wanted that, then using something like Publisher or the text tool in Autodesk Sketchbook would or could work. Or I could select and move individual words, or even letters around, in Sketchbook. That, however, would remove the imprecision that gives the art a ‘human’ touch.

To create this, I used a Pentel Energel 0.5 pen to draw the design and do the hand lettering. My Copic Ciao’s were used to colour the image in, and I added white dots with white Sakura pens – Souffle and Gelly Roll 08, both of which worked well over the Copics.

I enjoyed using the Energel pen. The line is consistent in width and intensity, and my heavy hand doesn’t wreck the tip within a short space of time. I also tried out a Uniball Eye Needle point 05 pen for some of the fine details, but it didn’t seem to like writing over the paper that had been coloured with the Copics. It does, however, write smoothly on plain paper, whether that’s Bristol board or Heavy weight cartridge paper. The solvents in the Copics changes the surface structure of the paper; the Uniball Eye didn’t write smoothly on it, and it also bled into the paper, which it doesn’t do on un-Copic-coloured Bristol board.