Inktober 2018 days 15 and 16

Angela Porter Inktober 2018 Day 15 Clock
Inktober 2018 Day 15 ‘Clock’ finished

First up is the coloured version of Inktober 2018 day 15 ‘Clock’. I got so frustrated trying to color it digitally that I printed the drawing out and used Chameleon Color Tones and Color Tops to colour it.

I’m really not happy with some of the colours I’ve used in some places, however. But I went with it. It’s not as vibrant as I’d like and some of the colours have ended up a bit murky.

I also added some highlights with a white Sakura Gelly Roll pen, and a few shadows/textures with a fineline Faber Castell pen.

It took me most of yesterday and another hour today to complete colouring this image. It does take me a lot less time to draw the outlines!

Angela Porter Inktober 2018 Day 16 Angular

Today’s prompt is ‘Angular’, so I had to go with geometric designs based on straight lines and point and create a pattern sampler. Some of these patterns aren’t in my pattern directory.

Yes, I have a kind of visual directory for patterns and other images that I can refer to when I need some inspiration. So, some of these will be added to that directory later on today after I’ve run some errands.

It was not easy to draw all straight lines; I miss my curls and swirls and spirals and arches.

Having said that, it was a good workout for my straight line drawing skills.

It took me around 2 hours to draw and it’s only a tiny drawing at 12cm x 12cm in size! That’s a tad shy of 5″ x 5″ for those who work in ‘old money’.

I used Fabercastell Broadline and Fineline pens on Rhodia dot grid paper. I then scanned it in and used Gimp to remove the dot grid, mostly.

Tiny botanical tile 23 September 2018

Angela Porter 23 September 2018

Yesterday, I had an enjoyable couple of hours drawing fairly cute designs that are 6cm x 6cm (approx. 2½” x 2½”).

I drew my little designs (twelve of them in total, and not all of them I’m all that fussed on at the moment) on Rhodia dot grid paper with a Uniball Unipin 05 pen. Then, I scanned them into the computer and did my usual magic to remove the dot grid and create a transparent background.

Finally, I used Autodesk Sketchbook Pro and a Microsoft Surface Pen, along with my Microsoft Surface Studio to colour the image.

I used various brushes and brush textures to achieve the colouring.

It’s really small, for me. A 6cm x 6cm size would look darling on a small greetings card or note card. I also think they’d make a lovely addition to a BuJo, Planner or Scrapbook page.

Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.