Just a quick bit of fun this morning. I thought it would be nice to create a little banner for my facebook account and page, and this is the result. Something a bit mystical in nature.
Digital art created with Autodesk Sketchbook Pro along with the usual Surface Slim Pen and Surface Studio from Microsoft.
I used this as an opportunity to try out some new ideas, and it’s worked out well enough I think.
Today, I’m feeling content, at ease and that inner smile is back. It’s nice, once again, to have the windows open a little and to feel the gentle flow of cooler air into my work space warmed by hazy sunlight.
Being creative certainly does help me to find and keep my sense of contentment and to keep the anxiety and fear at bay.
Now, it’s time for me to go get my breakfast. I was so determined to create this new border that I got lost in it!
After a very late night talking to a friend and not enough sleep, today is a self-care day. I’m going to go back to bed soon and try to sleep some more before driving for four hours tonight.
While waiting for sleep to catch up with me again, I thought I’d make some mail art. The photo isn’t the best; I’ve said it before, I’m not a brilliant photographer. However, I’m sure you get the idea. Also, I wanted to catch a glimpse of the metallic highlights I’ve added to this card, so the angle of the photography was just plain weird!
My brain seemed to have ticked over some ideas while I was asleep and I woke with some things I thought I could try out. This card is the result of some of them.
I started by using a 4″ x 4″ piece of watercolour paper and applying Distress inks to it to create a background.
I used a torn piece of paper to mask off the bottom of the panel so that could use an ink blending tool to apply Pine Needles and Crushed Olive Distress inks to create some land.
A sky was required, so I used Broken China Distress ink to create it so that it faded from top to the land.
I then sprayed the background with a mixture of gold Perfect Pearls and water to create a less perfect appearance.
While this was drying, I flipped through my Zibladone (visual dictionary) and found some motifs I liked. I used Pitt Artist pens from Faber-Castell to draw the motifs on the panel. I chose these pens because they’re waterproof when dry and I knew I wanted to add colour and sparkle to them later on.
To give a sense of dimension, I used black pens for the foreground motifs and a grey brush pen to create the foliage in the background.
To help the seed pods stand out, I used washes of Dusty Concorde and Seedless Preserves Distress inks. Then, I used some Cosmic Shimmer gold iridescent watercolour paint to add the gold highlights.
Once everything was dry, I used a piece of Cut’n’Dry foam to edge the panel with Dusty Concorde Distress Ink. The design was framed nicely by this edging; it also added a sense of dimensionality.
Next, I mounted the panel on a piece of black card and then adhered these layers to a 6″ x 6″ blank Kraft card, all done with Tombow Mono glue.
Finally, I carefully used a gold glitter Uniball Signo gel pen to add lines around the edge of the design panel and also the black mat.
I then turned my attention to the envelope. I drew some more of the seed pods before adding a light wash of Dusty Concorde and Seedless Preserves Distress Inks, being careful not to overwet the envelope. I added dots of gold watercolour paint to the seed pods and the space around them too, making sure I left enough space to write the name and address of the eventual recipient.
I’m quite pleased with the card. I’ve done this style of drawing digitally in the form of a mandala, but never like this. However, as I look at the card, it seems to need a focal motif in the space between the seedpods. I may be wrong; it may just be my constant need to fill up space with line and pattern and the difficulty I have in leaving white space in a design.
I shall let the card ‘sit’ for a while before making my mind up on that issue.
Creating this mandala has had me smiling. Gentle smiles on my face and in my heart. There’s something about the graphic black and white, the grey foliage in the background and the mystical, magical moonlight illuminating the design. I look at it and I feel a sense of achievement and satisfaction with this one. It’s not perfect. There’s things I want to do with it, and working digitally allows me to do that. However, for now, it’s more than good enough. I need more tea and a bit of a break from it.
I have to say that it looks really nice in just black and white. but, the simple gradient background really sets the atmosphere for the design. I did use a gradient fill tool to create the coloured background, but I do want to go back and create one that I can have a bit more control over for sure, maybe using watercolour brushes to do that, and adding spots of glow too.
I’m really pleased with the lighter foliage in the background, adding depth and dimension to the design, adding interest. It’s delicate and ephemeral, misty too.
I want to try not letting the background colour the motifs. That’ll involve me adding white to the white spaces. For some reason I created them with transparent ink.! No great problem to go back and sort that out though.
I also want to try working on a landscape that isn’t a mandala, using the same kind of style of drawing and adding magical, mystical coloured backgrounds.
But overall, I’m pleased with this and I’m pleased with the progress I seem to be making in both digital art and in developing my art ‘voice’.
There’s been quite a few pieces of art I’ve created that have made me smile recently – many of my mandalas and entangled drawings, my cute kitty ‘cartoons’ spring to mind, especially one I did of the pink anti-stigma badger as a Jedi knight!
I can honestly say that this mandala, and my previous one, have made me smile more than most.
I have spent the day working on this. I have used Rotring pens, watercolour paints and metallic watercolours on watercolour paper to create this imaginary landscape.
I thought I’d use colours that represent the different seasons, as well as autumnal and spring/summer trees. Spirals and curls are a feature of my artworks, as well as the highly detailed pen lines/textures.
I find it easy to do this kind of work, yet if I was to try to express a real landscape, I would end up bogged down in trying to make it real, to get it perfect, to use realistic colours …
I’ve had a ponder about such things in my journal today…but I’ve enjoyed working on this and am pleased, mostly, with it. It’s certainly something to continue experimenting with.