stylised art

Mandala Colouring Page – 3 Feb 2023

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This week’s template for the Facebook group Angela Porter’s Colouring Book Fans is a mandala.

I need soothing, calming art today. One day I may share why I’m so topsy-turvy emotionally and mentally. But not now.

For now, I’m being creative in a way that soothes my inner maelstrom. It’s a mini maelstrom, but still enough to provoke unease, fear, and unsettling emotions. Still, these things pass in time. And I have a lot to experience and learn connected to this unease and fear. I just don’t know the timescale and that kind of makes it worse!

But art is always my solace, though I need to find others too. There’s my illustrated journal – writing and, erm, art! It’s been a long while since I played my flute. Nearly a week since I went out for a walk. I still have an electric folk harp I’ve not learned how to play! And there’s plenty of tea to drink.

Tea! Twice, thrice and twice-twice blessed! Tea is always soothing, especially at that magic temperature where it just feels like every part of you relaxes, and a sigh of relief and pleasure is released!

So, once I’ve finished all my social media stuff, I’ll get another mug of tea and get a YouTube video done. Yes, more art. But I love drawing!

Hearts and flowers mandala

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Today’s art is a mandala with hearts and flowers as the main themes. I’ve only used three colours – red, green and gold! That’s surprising to me; usually, I go to town on colour. However, in this case, it gives a coherency to the design I prefer.

One thing I may do is to revisit it and add textures to the spaces between the design elements. And a drop shadow would help to lift it off the paper a bit more.

Mandalas are really soothing and meditative to draw and add colour to. And I certainly need that today.

The last few days have had me intensely inking in colouring pages and adding colour to some of them. Yesterday I was determined to get the last couple done, and I overdid it a bit; my damaged muscles/tendons/ligaments between two ribs are rather stiff and sore. But I got it done! Whimsical Houses is complete, and the cover and back art for the next book is also done. So, now I can take a bit of a breather and spend some time on personal projects.

I’m also so tired today. My mind was working twenty-nine to the dozen last night. I woke before 4 a.m. and couldn’t get back to sleep. So, I see a nap not too far in the future. But before that tea. Lots of tea. Probably some lunch too!

Entangled Drawing Practice

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I’ve been slowly working on this drawing over several days. Little by little, it’s been finished and brought to life with colour.

I’m not quite finished yet; I’m still adding white dots as highlights! That’ll take me a goodly amount of time, no doubt.

Slowly is the correct description of my ability to work, slowly and a little at a time with breaks in between. This muscle healing process is very slow and I’m really learning I can’t push myself too hard. But I really do feel I’m making some kind of progress, which is all that matters.

William Morris Inspired Botanica

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Click on this link to view the accompanying Draw With Me tutorial video on YouTube.

William Morris, one of the primary founders of the Arts and Crafts Movement, is one of my favourite artists. I love the ornate botanical and nature-inspired designs of quite stylised motifs. I also love the way that colour is used simply in them. That is definitely something I can learn from!

It can take a while for pennies to drop with me, and I don’t know how it has taken so long before I took a look at Morris’s work.

Like myself, Morris was inspired and influenced by Medieval manuscripts. That explains a lot!

I use some motifs from Morris’s designs in this drawing. I applied colour with chalk pastels to the pen drawings, with subtle white highlights from white charcoal. I’m quite happy with the result; I’ve not decided what to do about the background.

Where is this study going to take me? I don’t really know! But I know it’s going to be an interesting one. I’m particularly interested in how Morris used colour, and I hope that will make me comfortable with my own simple way of adding colour to my art.

Taiga and Elm Seeds

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Click on this link to watch the accompanying video tutorial on YouTube.

I do love seeds! There’s such a huge variety across the globe. Today, I chose some elm seeds to stylise for this drawing.

I also had a hankering to tackle, once again, Tomos Padros’ beautiful Zentangle pattern “Taiga”. It took me two attempts to work out how to do it, but I got there in the end. It is a beautiful woven pattern with so much volume when high contrast shade and light are used.

Zentangle Fengle variations, Pokeleaf and Mooka

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Click on this link to view today’s drawing tutorial on YouTube

I enjoyed drawing this design, though I wasn’t sure of the grubby-looking graphite and white charcoal on the big leaves. However, I persevered and am now fairly happy with this design.

I started with the Zentangle pattern Fengle and drew it in two different ways. The Fengles are stacked on top of each other.

Rather than try to squash another Fengle in, I elected to add some large, furled Pokeleaves, and of course, some Mookas had to grow with them.

The paper I used to draw on was a piece of Fabriano Toned paper in sand. The paper becomes the mid-tone of the design, so it’s perfect for using both graphite and white charcoal to add shade and highlight. Which I did, and the leaves ended up looking rather grubby.

So, while the video was uploading and processing, I completed adding all the shades and highlights. Then, I re-drew all the black and brown lines. Next, I added dotted highlights using white Gellyroll and Posca pens. Finally, I used a brown Arteza Everblend marker pen to fill the background gaps and draw around the design.

I’m so glad I added so many white dots to the pokeleaves and mookas. They just lifted the colour so much. The richer brown background also helped with this, though I think I need to tidy up the edges somewhat.

For someone who really doesn’t like using graphite/white charcoal in this way, I’m quite pleased with how this has turned out. I’m so glad I remembered I had this toned paper in my stash!

Oh, the patterned background is actually my drawing board! I decided to decorate it with all kinds of patterns and motifs. I’ll finish this side, seal it with some tough spray varnish, then start on the t’other side! Inspired by Zentangle’s Maria Thomas’s suede mat.

Entangled Botanica, Part 3 – Inking all done!

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Click here to view today’s draw with me video on YouTube for part 3 of this design.

This morning, I finished all the pen drawing for this design. And filmed it for YouTube!

I’m fairly happy with this design because I felt myself breathing out and relaxing into it. I found myself smiling as I drew. And I felt creatively comforted as I returned to something that is so part of my arty heart – entangled, intricate, abstract, stylised botanical drawings.

Next step? Colour, shadow and/or highlight. But I’m not sure what media to use, or colours! So, I’ll need a bit of time away from this particular drawing to figure that one out!

Template Thursyay Colouring Page

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This week’s colouring page (or template) is a rambling one, full of clusters of botanical motifs. There is no right way up for this design, despite me having included my initials somewhere.

I’ve gone for fairly pastel colours for this design, but the possibilities for colour palettes are endless.

If you’d like to download and print the colouring page, you need to visit and join the Angela Porter’s Coloring Book Fans Facebook group. It’s totally free to join and the template is free to download too.

Drawing simple flowers, leaves, #tanglepattern spoolies and adding colour with coloured pencils.

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Click on this link to watch the accompanying video on YouTube.

One of my YouTube subscribers (Chen Keith) requested I draw some simple flowers and show how I’d use coloured pencils to colour and add contrast.

Drawing, not a problem! Colouring? Yeuch colour choices! But I do show different approaches I use to adding colour with coloured pencils, or rather what I’ve done in the past. I rarely ever used coloured pencils now. Digital coloring or marker pens are my mediums of choice, with Inktense and the Karin Brush Markers close behind.

While the video was uploading and processing, I did try out other ways of adding colour and/or contrast. It’s way too hot here in the Valleys of South Wales for me to think clearly and explain things at the moment. The heat is making me feel very, very tired.

#DrawWithMe – A pattern and motif sampler #sketchbook page – Part 1

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I’m really not feeling too grand again today. Tummy cramps kept waking me up through the night. I know what the cause of them is – hormones is all I’ll say. But I am so tired today, but I don’t want to sleep as that will impact on my sleep tonight. So, quiet art time it is!

I like the idea of pattern and motif sampler pages in my sketchbook. However, I like to work on paper on the worksurface rather than in a book. So, I dug out one of my Distress Ink coloured papers to work on.

I used a selection of Zentangle tangle patterns for the first row. They are, from left to right
Savana by Yvette Cambell CZT
Holly by Linda Farmer CZT
‘Nzepple by Zentangle Inc
Dorsal by Anita Aspfors Westin
Crazy ‘Nzeppl by Zentangle Inc
Pufanflower by YuRu Chen

I used alcohol markers to add shadow to the patterns and a white Gelly roll for the highlights.

This will be a series of posts with accompanying videos until the page is done.

Here’s the link to the video for Part 1 in the series.