Zentangle Fengle variations, Pokeleaf and Mooka

I enjoyed drawing this design, though I wasn’t sure of the grubby-looking graphite and white charcoal on the big leaves. However, I persevered and am now fairly happy with this design.

I started with the Zentangle pattern Fengle and drew it in two different ways. The Fengles are stacked on top of each other.

Rather than try to squash another Fengle in, I elected to add some large, furled Pokeleaves, and of course, some Mookas had to grow with them.

The paper I used to draw on was a piece of Fabriano Toned paper in sand. The paper becomes the mid-tone of the design, so it’s perfect for using both graphite and white charcoal to add shade and highlight. Which I did, and the leaves ended up looking rather grubby.

So, while the video was uploading and processing, I completed adding all the shades and highlights. Then, I re-drew all the black and brown lines. Next, I added dotted highlights using white Gellyroll and Posca pens. Finally, I used a brown Arteza Everblend marker pen to fill the background gaps and draw around the design.

I’m so glad I added so many white dots to the pokeleaves and mookas. They just lifted the colour so much. The richer brown background also helped with this, though I think I need to tidy up the edges somewhat.

For someone who really doesn’t like using graphite/white charcoal in this way, I’m quite pleased with how this has turned out. I’m so glad I remembered I had this toned paper in my stash!

Oh, the patterned background is actually my drawing board! I decided to decorate it with all kinds of patterns and motifs. I’ll finish this side, seal it with some tough spray varnish, then start on the t’other side! Inspired by Zentangle’s Maria Thomas’s suede mat.

Entangled Botanica, Part 3 – Inking all done!

Click here to view today’s draw with me video on YouTube for part 3 of this design.

This morning, I finished all the pen drawing for this design. And filmed it for YouTube!

I’m fairly happy with this design because I felt myself breathing out and relaxing into it. I found myself smiling as I drew. And I felt creatively comforted as I returned to something that is so part of my arty heart – entangled, intricate, abstract, stylised botanical drawings.

Next step? Colour, shadow and/or highlight. But I’m not sure what media to use, or colours! So, I’ll need a bit of time away from this particular drawing to figure that one out!

Template Thursyay Colouring Page

This week’s colouring page (or template) is a rambling one, full of clusters of botanical motifs. There is no right way up for this design, despite me having included my initials somewhere.

I’ve gone for fairly pastel colours for this design, but the possibilities for colour palettes are endless.

If you’d like to download and print the colouring page, you need to visit and join the Angela Porter’s Coloring Book Fans Facebook group. It’s totally free to join and the template is free to download too.

Drawing simple flowers, leaves, #tanglepattern spoolies and adding colour with coloured pencils.

Click on this link to watch the accompanying video on YouTube.

One of my YouTube subscribers (Chen Keith) requested I draw some simple flowers and show how I’d use coloured pencils to colour and add contrast.

Drawing, not a problem! Colouring? Yeuch colour choices! But I do show different approaches I use to adding colour with coloured pencils, or rather what I’ve done in the past. I rarely ever used coloured pencils now. Digital coloring or marker pens are my mediums of choice, with Inktense and the Karin Brush Markers close behind.

While the video was uploading and processing, I did try out other ways of adding colour and/or contrast. It’s way too hot here in the Valleys of South Wales for me to think clearly and explain things at the moment. The heat is making me feel very, very tired.

#DrawWithMe – A pattern and motif sampler #sketchbook page – Part 1

I’m really not feeling too grand again today. Tummy cramps kept waking me up through the night. I know what the cause of them is – hormones is all I’ll say. But I am so tired today, but I don’t want to sleep as that will impact on my sleep tonight. So, quiet art time it is!

I like the idea of pattern and motif sampler pages in my sketchbook. However, I like to work on paper on the worksurface rather than in a book. So, I dug out one of my Distress Ink coloured papers to work on.

I used a selection of Zentangle tangle patterns for the first row. They are, from left to right
Savana by Yvette Cambell CZT
Holly by Linda Farmer CZT
‘Nzepple by Zentangle Inc
Dorsal by Anita Aspfors Westin
Crazy ‘Nzeppl by Zentangle Inc
Pufanflower by YuRu Chen

I used alcohol markers to add shadow to the patterns and a white Gelly roll for the highlights.

This will be a series of posts with accompanying videos until the page is done.

Here’s the link to the video for Part 1 in the series.

Draw With Me | Embrace Beautiful Chaos – Part 2

Please click on the ‘Watch on Youtube’ option. Cheers!

I spent some lovely time adding a bit more to this drawing. In the video, I share how, step by step, I draw some of the motifs so you can use them too!

Peace, calm, and just creating for the contentment it brings me.

Template Thursyay! | 12 May 2022

It’s that time in the week again – Template Thursyay! Each week during the pandemic I’ve created a colouring page for the members of the Angela Porter’s Coloring books fans Facebook group. The template is only available to members, and it’s free to join the group and free to print the template for personal use.

It’s been almost two months since I last drew a mandala! So it’s understandable I felt the urge to create one today.

I used some of the motifs from my video in yesterday’s post. It’s always an enjoyable process using my favourite, organic motifs.

Using a limited, spring-time-ish colour palette also helped me get a coherent finish with the colours, almost. I’m really not at all sure about the purple pods!

Of course, the number of colour schemes that could be used is endless and down to personal preferences or desires at any time.

I can’t just leave a mandala on the page, there has to be a background of patterns too! The result looks like a huge dish floating above a window into some kind of sea habitat. I think that’s fun, even though I’ve only just realised that!

The fifth and final part of Draw With Me… A Sketchbook Page Full Of Oyster Shells

Click on this link to view today’s drawing tutorial on YouTube.

Finally, the page is as full as I’d like it to be of oyster shells! I did some hand-lettering before filming the video. I just wanted to add a quote about oyster shells and practice hand lettering.

I really enjoyed drawing all of these shells. The last one, a more whimsical one than the others, is my least favourite. It did, however, give me the chance to do something a little different when adding textures.

I really didn’t think out the layout of the hand-lettering. Maybe I’ll work that out, eventually. Maybe!

Overall, I now have a great reference page in my sketchbook as far as oyster shells are concerned.

I may do some further work on this page. Part of me wants to add words/quotes/facts as a background to at least one shell. I’ll see how I think about that after a little break from it.

In the process of drawing this page over the past five videos, I’ve gained some insights and understanding about my motivation to start a YouTube channel. I didn’t seem to have any clear purpose for making the videos, but with time and working on it all I think the pennies have finally dropped. That’s a good thing, maybe. All I have to do is to keep this purpose in mind (and remember it!). Fortunately, I’ve recorded my ah-ha moments in a journal, just in case I need to refer to them.

Now all I need to do is work out the next motif to focus on!

Draw With Me … Sand Dollars and Cockle or Scallop Shells

Click on this link to view the tutorial that goes with this post on YouTube.

After drawing whimsical fish floating through the air, I thought it was time to draw some other water-based things. Sand dollars (or sea urchins) and cockle/scallop shells seemed like a good place to start. And I do my best to start simple and gradually get more complex!

Sand dollars begin with a circle and a five-pointed star. Then things get more complicated, one step at a time. The first step is to divide the space up. The next step is to add pattern/texture and/or colour and/or shadow. The steps are totally interchangeable and can be repeated.

This is sketchbook work. A chance to practice drawing skills. A time to exercise creativity. And a time to relax and enjoy what you’re doing with no expectation of perfection. The only expectation is to do, experiment, explore, learn and, most importantly, experience the simple joy of a creative process.

Joy, contentment, inner peace. These are such important things to experience, even if for a short while each day. That’s why I draw so much just for pleasure. And that’s why I’m finding my feet in the realm of YouTube and realising that I can help others, you, to do the same, simply and one step at a time.

Draw with me … A flower border

There are never enough flowers in my life. I’ve really enjoyed drawing flowers (and seed pods) over the past couple of days. So, I thought I’d make use of one of the flower motifs from yesterday to create a border on a page edge in my sketchbook.

I like the graphic contrast of the black background and the flowers and foliage. It’s going to be a lovely page to make notes or record thoughts about whatever I’m drawing in my sketchbook at this time.

If you’d like to see how to draw this, and follow along with me, then please take a look at today’s video on YouTube.