I’m continuing with my exploration of monograms and patterns. This one is a bit odd with the ba sitting above a pool or pebble..or something. But I quite like the patterns I’ve used to embellish it. I’m also rather fond of the background patterns, especially the very faint ones to the bottom right.
I’m not too fussed about the greens, yellows and the colours I used for the flowers. Pretty much every colour apart from the background colours and the colours of the patterns around the b!
Must write a HUGE reminder and stick it where I can see it “WORK IN MONOCHROME!”
All the same, it’s a learning exercise for me, as drawing always is. The ones that turn out not quite to my liking at the ones I learn most from. Having said that, I still haven’t learned that ‘work in monochrome’ thing yet! One day, maybe, I will.
Apart from completing the colour, I coloured over the brown section in the bottom right. I used dark and light grey Gellyroll Moonlight pens to add the crazy ‘N’Zppel’ Zentangle pattern. It needs tidying up and perhaps some highlight within the inner black spaces.
But for now, it will do. I think I need a break from it to eat and do other things for a while.
This morning, I thought I’d share how I’m exploring creating some Entangled art, particularly monograms, via YouTube.
This little drawing is 11cm by 11cm, which is approximately 3.5″ square – took about an hour or so to get to this point. I wasn’t sure of the green, but I think it’ll work out just fine. There’s quite a way to go yet, but that will have to wait for another time.
The materials I used are: * 03 black Sakura Pigma Micron * Various Arteza Everblend marker pens * Various fineliners in grey and green * A white Sakura Gellyroll pen * A metallic gold Uniball Signo pen
More small pieces of artwork today. These are perfect for when I’m feeling overwhelmed by a large sheet of paper. Also, they are sources of ideas for patterns and motifs for future work. I do need to spend some time with all this art and add some of the newer motifs and patterns to my visual dictionary/zibladone. Or, just stick them all into a sketchbook. At least then I’d know where they are!
It’s snowing outside. It’s cold outside, and warming up inside as I put the heating on a couple of hours ago. I think I may curl up in bed today with Din Djarin and Grogu. I still have three episodes of Season 2 to watch, and that sounds like a good plan to me!
I’ve enjoyed doing these! The squares are 3.25″ x 3.25, 3.5″ x 3.5″ or 4″ x 4″ in size. The circles are almost 3.5″ in diameter.
The tiles were cut from a variety of papers – watercolour, bristol vellum and heavyweight smooth cartridge paper. I used Distress Inks to colour the paper tiles before drawing on them.
I’ve used Sakura Pigma Micron pens (05 and 01), along with some brown and one blue-green Stabilio fineliner pens.
I like them all, But my favourites are the ones that are much more geometric in nature – my initials and the A in particular. My least favourite is the E; the background to the letter just feels disjointed. I think that’s why I like the more symmetrical, geometrical designs more.
I’ve enjoyed using one or two tones of colour to add variety, interest and ‘dimension’ to the tiles. I’ve not added any shadow or highlight to these. That’s when things tend to go wrong for me as far as traditional media is concerned!
It also occurred to me that if I were to draw these on a different shaped paper, I could add dangle designs to them. (My book “A Dangle A Day” is still available). Maybe I’ll try that out in a while. Of course, I’d like to get a full set of monograms done too.
I got this monogram finished yesterday evening. I think I may have been a bit heavy handed with shading in some places. However, overall I like it and I like the volume or dimension that the shading adds.
I definitely enjoy working in such a detailed, intricate and organically intuitive kind of way. Having the monogram as a design to work around does help quite a bit.
On a kind of related point, I had a new A5 dot grid notebook delivered yesterday so I can start to make a collection of motifs and patterns as I use them or create them. The idea is I can winnow out those that I never/rarely use. The reason for this is that the dot grid notebook I’ve kept as a visual dictionary for the last couple of years is just about full! I will keep it as a reference, but it’s time to start a new, more relevant one I think.
I have a snazzy, teal coloured notebook, covered in vegan faux-leather. It has 218 numbered white pages that are a tad thicker than the usual dot grid notebook pages, The paper is velvety smooth and a pleasure to write/draw on. It’s made by Wordsworth & Black and I came across it on Amazon. Oh, the ink doesn’t feather, bleed through or ghost on the pages. I paid £15 for it and I’m very happy with it so far.
Wednesday is work in progress (WIP) day. So, I thought I’d share my monogram “a” and the progress I’m making on it.
There’s a clutch of pens there! I decided to see if I could add grey to heop areas of the design stand out more, as well as adding some depth and dimension. I figured I had nowt to lose if I tried as the the design was becoming all much of a muchness to my eye. Looking at the image above, it seems to be working well in some areas!
I started using some grey unipin pens to add shades of grey to the design. They worked kind of well enough, but they were picking up pigment from the black and moving it around.
So, I thought I’d see what greys in Pitt Artist Brush pens I had and found some warm greys. They worked better as the colour could be laid down more smoothly.
I do have some new motifs to add to my visual dictionary, a corner of which you can see at the top right of the photo.
I’m not sure if I like adding the greys more than if I don’t add them. I suspect I’ll like them more as I work with them as I love the sense of volume that has appeared in various areas thanks to the contrast they confer on the design.
Over the past couple of days I’ve started work on the next monogram. I took a fancy to a lower case ‘a’, so that’s what I’ve gone with!
Instead of working on the Claire-Fontaine Paint-On mixed media paper, which wrecks the nibs of my UniPin pens, I’m using some Daler-Rowney Marker paper. It has a smooth, soft texture and the pens glide over it and it’s a joy to use. The ink seems a lot darker on this paper, probably because of the way it’s treated to work well with marker pens and stop them bleeding. The paper is also quite thin and this makes it translucent enough that I can easily see the letter template below.
I’m trying to use some different motifs in this template instead of my go-to ones. Of course I’m still going to use some of my favourites, but it’s nice to branch out too.
It’s going to take me a while to get this one done in between contract work. But I will get it done.
Finally finished it! It’s taken many hours to do – probably around 15 I think, and it’s taken some perseverance by myself to get it done.
Uniball Unipin pens (05, 03 and 01) on Claire Fontaine Paint-on mixed media paper. Two pen nibs now wrecked; the paper is velvety smooth to touch, but just too rough for the tips of the Unipin pens. Will move to Bristol board for the next monogram.
Wednesday is WIP day! WIP is work in progress, and this is one of my current one.
I’m working on A4 (29.7 cm x 21 cm) Claire Fontaine Paint-On mixed media paper with 05 and 01 Uniball Unipin pens.
It’s taken several hours so far, and there’s several yet to go! I’m enjoying creating such detailed drawing in just black and white. Lots of botanical elements, but there’s also arches and spirals and geometric patterns in there too.
I never have much of a plan in mind when I tackle a drawing like this. I know what patterns I like, and if I lack inspiration I can always refer to my visual dictionary or design motifs and patterns. It’s all about intuition. It’s not entirely mindless. I do make conscious decisions about what design element to use, how to use line and pattern to add volume and contrast.
I sometimes wonder, when I see my work like this, why I try to work with colour. I always feel I struggle with colour, but black and white, with or without grey, always seems to work so well for me.
I love to play with the illusion of volume in a drawing, and whether that is done with density and shape of line/pattern, or with colour (even though I really do feel I struggle with colour).
I will persevere with this illustration, drawing, artwork over the coming days. In fact, I may spend time on it today. I’ve completed my morning errands, so I can remain at home, which is where I need to be. I’m tired today; I didn’t sleep at all well last night, or for the past few nights and my mood and ability to concentrate is suffering as a result.