Truth

“Truth” ©Angela Porter | Artwyrd.com

I like to use a word in my artwork from time to time. Truth was the word I knew I had to use as the central point for some artwork, and that’s where I started, along with one of the Distress Oxide backgrounds I made yesterday (in the middle of the image).

After I’d decided on the typography and placed it centrally, I then started to draw digitally. I made use of the symmetry tools in Autodesk Sketchbook Pro, along with a flexible nib and fineliner brushes.

I had no idea what kind of design would result, I just went with the flow and intuition and thoroughly enjoyed doing so and losing myself in the art.

I added shadows and highlights once the drawing was finished for that sense of dimension and ‘life’.

I am really pleased with the finished artwork. There’s something about symmetry, spirals, repeating patterns, and intricate, abstract designs like this that just makes my arty heart smile and sing. I always return to this style, it seems to be at the core of my being.

I also love to draw on coloured and textured backgrounds. I also think I’ve found a way to combine more traditional media (making the backgrounds) with digital art (drawing and adding shadows and highlights) in a way that really works for me.

My only problem is that I do tend to try to branch out into other kinds of art and never seem quite so satisfied with them. This doesn’t mean I’m going to abandon them; they need a lot more work and thought and maybe structure.

Perhaps that’s why I like this particular piece of art so much – it has clearly defined structure. The colour palette is defined by the background and so I’m not struggling with what colours to use. Having the black line structure defines clearly where shadows and highlights need to go.

Hello February!

©Angela Porter | Artwyrd.com

A new month and a new coloring template, exclusive to members of the Angela Porter’s Coloring Book Fans facebook group. If you’d like to download and print this template for your personal use, then pop along to the group.

The days are slowly lengthening here in the Northern Hemisphere. The first signs of nature waking up can be seen in the form of snowdrops and crocuses. It can also be heard in the raucous and beautiful birdsong.

To the template. I drew this on Rhodia dot grid paper using a Sakura Pigma PN pen. For my partially coloured version, I added a coloured background and colour digitally.

Art is love.

I love to draw and create. Creating art is also very much part of my self-care, self-compassion routine. This drawing was very much done for self-care after a couple of very ‘people-y’ days left me emotionally and mentally drained.

So, being creative is both a way of me expressing my love of creating art, sharing that love with people, and also showing myself self-compassion and self-care.

I always hope my art will warm people’s hearts, make them smile, bring a little bit of beauty into their lives and the world.

An Entangled Sunday

An Entangled Sunday ©Angela Porter | Artwyrd.com

Yesterday evening, I took a combination of Tombow Fudenosuke, Sakura Pigma Micron and Faber-Castell Pitt Artist pens to a 6″ x 6″ piece of Strathmore vellum surface Bristol Board. I ended up with a black and white entangled drawing. This morning, I scanned the image in and added a kraft paper background and then some subtle shading and highlights in Autodesk Sketchbook Pro.

After Inktober and my focus on digital art, it was nice to draw traditionally for a change. My mood and energy levels were such that I needed to slip back into the familiar, comforting entangled style of art to soothe my emotions once again.

This drawing worked out OK. However, I don’t feel it flows at all well, though that does reflect yesterday’s mood and mindset.

The part I really like is the rectangle towards the bottom left. I’m also fond of the arcs to the right. Actually, I like all the design elements, I’m just not happy with how they’ve been lumped together. Maybe I’m just being overly self-critical here.

It’s a sunny Sunday morning in the Valleys of South Wales. I think it’s going to be a quietly artsy day, with a trip out for some essential groceries in a short while I think.

Inktober 2019 – Day 29

Inktober 2019 Day 29 ©Angela Porter | Artwyrd.com

A simple illustration of a toucan skull along with a mandala background. I turned down the brightness of the white patterns a tad; pure white was just too stark against the blue chalkboard background. Also, it distracted from the skull.

I drew this design digitally using Autodesk Sketchbook Pro along with a Microsoft Surface Pen on the screen of a Microsoft Surface Studio (the digital equivalent of pen/brush/pencil on paper!).

I’m tired this afternoon. It’s been a busy day so far; also, I’m still reeling a bit from EMDR therapy yesterday. It’s all for the good, though – progress is being made, step by step. The fact I’m tired shows that good work has been done in healing my past traumas and changing how I perceive myself. I may have time for a nap before I dash out to do something this evening…

Hidden letter?

Hidden letter? ©Angela Porter 2019 - Artwyrd.com
Hidden letter? ©Angela Porter 2019 – Artwyrd.com

I spent some time drawing this design yesterday (around 4 hours) and didn’t finish it. This morning I woke up wondering if I could tuck a letter away in the design, making it part of the design rather than putting the design around the letter, kind of.

So, I looked at the small-ish space I had left to the right of the design and managed to, rather clumsily, tuck a capital A in amongst the design.

The A is a bit more obvious than I’d wanted, but I worked with what I’d already done to see how it could work, or how I’d mess it up and learn from it.

Yes, I know, another A. There are letters of the alphabet I’ve never either done as a monogram or used in a design of some kind.

I quite like the idea of adding letters as part of the design, either as one occurrence of the letter or by creating a motif of some kind that contains the letter which can then be repeated as part of the overall design.

My mind is ticking over on this one…I definitely need at least one more, if not several more, cuppas before I get my head around my own idea!

I’m positive that this idea is not likely to be unique in the realms of creativity, but it is a new idea for me. Now all I have to do is to follow through with it and see where it leads.

The original drawing is approx 6″ x 6″ (15.5cm x 15.5cm) in size. I used Tombow Fudenosuke, Sakura Pigma Sensei 04, Unball Unipin 0.1 and Pentel Sign pens to draw the design on Daler Rowney Simply… Sketch extra white paper. The paper isn’t as smooth as I usually like and it tends to ‘grab’ pencil lines, even in soft 2B, but it did the job.

Digitally all I did was to clean up the image and create a transparent background and then add a coloured, textured watercolour paper as a background to the drawing before adding my watermarks.

I do want to do some shading on this drawing, but I also have hankering to draw a mandala. Which will win out with me?

I definitely need another big cuppa!

WIP Wednesday

Angela Porter Wednesday 11 April 2018 This is my current work in progress, with a little bit of wisdom thrown in.

I planned the lettering out on Rhodia dot grid paper before scanning it in. I then re-drew the letters digitally.

I did a blog post with tips for hand lettering  yesterday, but there’s also some in my upcoming book A Dangle A Day, available for pre-order.

The patterns around the quote were also drawn digitally, using my faithful Microsoft Surface pen, along with my Microsoft Surface Book and Autodesk Sketchbook Pro.

I’ve started to add colour, though there’s quite a lot to do, including adding textures. It’s a pleasant way to spend time.

What I’m quite pleased with is the stone background behind the letters.  It’s not perfect, but I got my head around how I could achieve this.  Working in layers means I can do things I can’t do with traditional media, try as I might, but it involves working out how I can use layers to do different things as well as becoming aware of what I could use layers for.

Yes, I could watch and read tutorials, but there’s something satisfying about working out for yourself how to do things, and creating things in your own way.  That’s the sheer bloody-minded independence I have at times.

Perhaps I could learn quicker with tutorials, but I also know I can become quickly overloaded with information and instructions and ideas (something that frustrates me as before my two episodes of severe depression and anxiety I had no trouble at all…) so bit by bit I discover what I need to be able to do at any one time. Then practice using it until it’s easy to do and natural.

I do love how I can flip-flop between traditional media and digital work, as well as combining the two, whether it be a sketch that is then worked on digitally or using traditional media backgrounds to draw upon digitally. It also takes me a little bit out of my ‘comfort zone’ too, but in an enjoyable way.