Abstract Botanical 19 September 2018

Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.

Abstract Botanical 16 September 2016

Angela Porter 16 September2018

Another abstract botanical. Here are the steps I took in creating it.

  1. Draw the black and white line art design on dot-grid paper from Rhodia using Sakura Micron pens.
  2. Scanned the drawing in, removed the dot-grid, removed noise and created a transparent background in GiMP opensource photo editing software.
  3. Imported the image with a transparent image into Autodesk Sketchbook Pro and added colour and texture.

It took a couple of hours to draw the design and several hours to colour and so on.

My digital tools are a Microsoft Surface Pen and Microsoft Surface Studio.

I love the way many of the elements seem to glow against the dark green-blue background.

Many of my latest works like this seem to have an ocean, watery background going on. So, in the one I have on the go at the moment I’ve done a kind of sunset background. I’ll see how that turns out. Working digitally means I can alter my backgrounds really easily for sure.

I’ve been creating backgrounds digitally, but I want to create some on paper with Distress Inks and scan them in to use instead of the digital backgrounds.

I also made use of a more limited colour palette in this work – going for a more cohesive look/feel. These aren’t colours I’d normally choose to go together, but they seem to work fine.

I now have a fair few of these images and so now really need to try to work out what to do with them. I may try to import them into Repper and create repeating patterns from parts of them; that could be an interesting exercise for sure, but a fun one!

If you have any ideas of how my artwork could be used, leave a comment – I’d love to hear!

 

Wednesday Wisdom – Fear…

Angela Porter 18 July 2018

Another Sirius Black quote.

I printed the quote out, then hand-drew the design around it.  I enjoyed using some of my Lamy ink pens to do this. However, I needed to clear some smudges and smears up when I scanned it in.  Thank goodness for GiMP, and the magic that I’m learning to use in Autodesk Sketchbook Pro.

I can see I do have some details to add to the drawing, but as I want to, eventually, colour this in in my more usual style, they can wait until then, perhaps. With colour there may be no need for additional details in pen and ink lines.

So, as well as this being a #wednesdaywisdom artwork, it’s also a #wipwednesday work too!

It’s #wipwednesday over on the #angelaporterscoloringbookfans facebook group. New members are always welcome!

Today is also the release day for Eerie Entangled Art, at least in the USA.

Don’t forget, you can pre-order A Dangle a Day and Entangled Butterflies, both of which are due out in the Autumn

 

Repeating pattern

Tile11 onelayer Angela Porter small and watermarked

Oh, I’m having so much fun creating repeating patterns!  There is something inside me that loves geometry and symmetry and messing around with dimension, and it gives me a bit of a creative break from the contract work I have at the moment.  Not that I’m not enjoying that, ‘cos I am, but sometimes it’s nice to do something a bit different.

I used one of my entangled drawings of late with the Repper program, GiMP and Autodesk Sketchbook Pro along with my Microsoft Surface Book and Surface Pen to create this.

The colours came from this months color palette challenge over on the Angela Porter’s Coloring Book Fans facebook group, though I added the teal green into the palette.

Repeating patterns, my first experiment

Pattern 18 coloured v01 watermarked

Over the past few weeks, I’ve been thinking about and looking at how to make repeating patterns.

I’ve tried the old fashioned way of working on paper and cutting the paper and so on, and not found the results at all satisfactory.

I’ve had a bit of a go in Adobe Illustrator, but I find Illustrator so confusing and frustrating to use.  There seems to be a total disconnect between my brain and the software architecture of Illustrator, and other similar pieces of software.

A day or two ago I found a little app in the Microsoft Store called Amaziograph that lets me create repeating patterns in sheet form, which is great if I want a sheet of black and white repeating, entangled line art, but not what I want if I want a coloured repeating pattern.  Oh, the app is a lot of fun to mess around with for sure and no doubt I will use it to generate patterns.

Looking around at software today, a lot of it either works in Illustrator or is prohibitively expensive given that I just want to have a play, see what I can come up with and see if it’s something that I’d like to spend more time with.  Where they offer free trials, I know they’re not going to be a long enough trial for me to get to grips with Illustrator and the software/plugins, so I’d not be able to make my mind up.

So, on a wander around the corners of Google, I found a lovely little program called Repper. It had an online trial version that I could play with quite happily, and I decided to purchase it afterwards.

In Repper, you open your own artwork and use parts of it to create repeating patterns.  The pattern above is an example of that, kind of.

What I did was to take one of my coloured mandala patterns and use that to create a pattern that was pleasing to me.  Actually, I had many, many patterns that were pleasing to me, and I saved them as tiles that would form a repeating pattern.  With some, I saved them as a surface pattern, where the tiles were already repeated.

What is nice is that the program lets me set both the size and quality of the tile or surface image.

Next, I put the  tile I particularly liked into GiMP (GNU image Manipulation Program, open source software) to copy the black lines and create a new, uncoloured tile with a transparent background.

Autodesk Sketchbook Pro was my next destination so that I could colour the tile as I liked.  Not so easy where the edges of the tiles will meet  and to have no edges showing up.

The tile is partly finished in terms of colour, but I wanted to see how it would look tiled.  Go, back to GiMP I went and the above was the result!

My head now hurts a little after this, which means I need more tea, LOTS more tea and a bit of a break.

I absolutely love that I can take my artwork and use it to create more interesting designs and patterns with.  It’s absolutely fascinating, very easy to get lost in it all.

Definitely a very nice way to spend a few hours on a chilly and very rainy afternoon!  My Surface Book and Surface Pen have had a good workout in the process too!