Entangled Art

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

This morning I started my day with some warm-up drawing. I drew this one with Sakura Pigma Micron pens on Daler-Rowney Bristol Board that measures approx. 7cm x 30cm. I added the coloured background digitally, along with the watermarks.

You may be curious why I use a square of coloured and textured paper behind my art work. Well, for Instagram, a square image fits perfectly without being cropped weirdly, and as many of my pieces of art are not square…well, you get the idea! So, for consistency across my social media, I use the same image.

I enjoyed drawing ths one. There’s some new patterns and motifs in it. I spent yesterday looking at ‘Art Forms in Nature’ by Ernst Haeckel for inspiration to add new patterns and motifs to my visual reference book. This little A5 dot grid notebook from Claire Fontaine is becoming rather useful. I add my favourite patterns, new patterns, motifs, doodles to it as I need to. I make use of the idea of ‘threading’ used in Bullet Journals to help link sections together.

What a brilliant idea ‘threading’ is. I used to get so frustrated with either folders with drawings in or having sections scattered in a book with a clumsy index to help find them. Now, I just follow the page numbers to direct me to where the particular collection continues. The index then lists just the first occurrence of that particular collection. My collections include abstract botanicals, foliage, floral, fungi, trees, feathers, crystals, Christmas, favourite patterns, dangles and charms.

I’m sure that when I start a new book, there’ll be a way to thread to the new book!

Why am I doing this? Well, as well as keeping track of patterns and motifs I like and organising them roughly into collections it’s also a source book of inspiration for art when I feel I’m lacking in inspiration or I feel my work is getting more than a bit samey.

It’s also something that is part of my self-care on days where it’s too much of a challenge to do something completely new and different. Sometimes this means adding familiar patterns and motifs. At other times it means researching new ones.

Yesterday I was really tired and feeling quite low after a very tiring day on Saturday followed by a poor nights sleep. Last night my sleep was even worse. I woke from disturbing dreams with my mind busy, busy, busy. Not sure why this is, or why I just feel more anxious than usual. There’s no reason at all for me to feel this way. Just some stormy emotional weather in advance of EMDR today and starting to process something new to EMDR but old to me. The CPTSD recovery journey continues…

K monogram

©Amge;a {prter 2-19

I wanted to start my arty day with some intricate fountain pen drawing, and this is the result.

I didn’t draw on coloured paper though. I tried on some parchment paper from Manuscript, but the ink smudged so easily…so I thought I’d try some mixed media paper from Claire Fontaine, and I still had some faint smudging, but not as much as on the parchment paper, so I worked with it, knowing that I’d be able to clean it up digitally, which is what I’ve done.

I also added a coloured background to the artwork, trying to mimic the parchment paper. I think I’m going to have to scan those papers in to create texture backgrounds I can use digitally.

I kept the monogram shape really simple, though as I look at it now there’s space inside for some embellishment – maybe a bar or two with finials or beads on, nothing fancy though. Mind you, I’d love to add gold leaf to the borders and colour to the K as well. Maybe something I can do sometime in the future, with another monogram styled like this one but without the ink smudging that I could only remove digitally.

Note to self:-
use paper that fountain pen ink will dry thoroughly on, on bleed
on and won’t smudge easily!

I enjoy the tiny, intricate drawing as well, it is something that brings a gentle smile to my being.

Oh, I did use fountain pens to draw with. I used a broad Kaweco pen for the outlines of the letter and boxes. I then used a fine point Kakuno pen by Pilot for the patterns.

Yesterday I paid a visit to a stationers in Cowbridge called The Pencil Case.

There were lots of oohs and ahhs and wows from me as I browsed around and picked up a fair selection of pens and pencils – a pink Brunnen fountain pen, a teal Faber-Castell Poly Matic 0.7 automatic pencil along with a couple of cases of 2B leads, some spiral pen/pencil grips by Tombow, an set of coloured Pentel Energel pens (12 pens in fabulous colours!), and an R2D2 fountain pen from Shaffer!

I know, I have a problem!

I had a lovely chat with the lady in the shop (whose name I’ve forgotten) about stationery, pens, drawing, teaching and so on. We also experienced a huge bang as a car collided with a big van outside the shop. We weathered the ensuing drama quite well, all things considered.

My pen stash has some lovely new additions, especially the R2D2 pen! If you didn’t know, I love Star Wars, amongst other things.

I’ll definitely be visiting The Pencil Case again, and I’ll be using the pens, fountain and Energel, to draw with alongside my other fountain pens.

Another cool-toned mandala

© Angela Porter 2019

I’ve spent another quiet, calm and contented few hours drawing this mandala. Admittedly some of the shapes look a bit weird around the edges. However, it’s all about me learning and embedding new skills when it comes to drawing digital art.

Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro were my tools for this one.

Some of the areas have patterns in them that remind me of Celtic, La Tene art, or of illuminated manuscripts such as the Book of Kells. These are art forms I’ve loved for as long as I remember and I think there are times when those patterns bubble up to the surface of my mind and find their way out through the tip of my pen! It’s nice when that happens and it surprises me!

Entangled Art ‘b’

© Angela Porter 2-19

Yesterday, I just felt the need to do a bit of an entangled drawing. So, I started with the lower case b and added designs around it.

Not at all sure this works. The letter just looks ‘plonked’ on top of the design rather than part of it.

I do like the entangled stuff though.

Always something to learn – that’s my piece of Wednesday Wisdom. If you don’t try something, you never know if you can either do it or if it’ll work out. This one isn’t one of my better lettering adventures, but, I can reflect on what I like and what I don’t like and then try again another time.

I’m not at all sure I can ‘fix’ this one, but I can try again.

For this one I used Daler Rowney Bristol Board along with 08 Unipin Uniball and 04 Sakura Pigma Sensei pens.

Snowflake Mandala – WIP

This one is very much a work in progress. Drawn using a Microsoft Surface Pen on the screen of a Microsoft Surface Studio, I made good use of the symmetry tools in Autodesk Sketchbook Pro.

When ice crystals form they have a symmetry based on hexagonal shapes, so my mandala is separated into 12 sections, though I’m choosing to bring out the six-pointed patterns in different colour schemes.

I’m not sure if that makes sense – I know what I mean!

Of course, there’s only so much pointy-ness I can have in anything I draw, so curves have to make an appearance. And this is very much apparent in the fine detailed patterns within each section. Here I’ve used simple line patterns to more complex pattern fills using spirals and swirls. I’ve played around with adding a drop shadow and a highlight to these patterns to add a sense of dimension, not that it’s easy to see in a low-resolution image for the web.

I do like my colour choices of cool purples, blues and aquas so far. I think I’ll go with a more blue-purple to complement the purple in the design so far.

I do have an idea or two as to what I can do about the black lines as well, though they may not work out. As I’ve said often before, I do like black lines in my art; I like the way they define spaces and patterns and often give that feel of ‘stained glass’ to my work. However, sometimes I think they look a tad childish too, but that’s mostly on days where I doubt myself an awful lot, rather than the usual little to a lot.

The design isn’t quite as open as perhaps a snowflake is considered to be, but I rather like filling spaces in, though I may leave some of these spaces open so the background, when I add one, can shine through. That means I may end up erasing some of the colour I’ve added already to created a more open feel to the design.

It’s a lovely way to spend a Sunday morning, especially now I’ve finished downloading all the Amazon invoiced for the last financial year in preparation to getting my accounts to my lovely accountant, Leah.

If you want to know what a person’s like – revisited

Angela Porter 16 July 2019

I thought I’d revisit the previous quote, alter the words a bit and this is the result.

I used an oldy looking type-writer font for the quote and printed it out, I used a Sakura Pigma Micron PN pen to draw the design around it. I then scanned it in and altered the colours in Autodesk Sketchbook.

I learned a new ‘trick’ when using sketchbook, completely by accident, and it’s one I want to explore a little more in the future, especially for adding gradient colours to black and white work.

This would look lovely printed out and added to my BuJo, or even framed and hung on my wall.

‘Believe’ bookmark

Angela Porter believe bookmark 15April2018Believe … in yourself.

I thought I’d spend sometime today finishing off this bookmark design.

I’m not too happy with the colours, a bit too dark, but I can always re-colour at some point.

Digitally drawn and coloured, though I did sketch the writing out and scan it in to help me write it on my Microsoft Surface book with my Microsoft Surface pen.

#fundaysunday #sundayfunday #weekendvibes