I’ve spent another quiet, calm and contented few hours drawing this mandala. Admittedly some of the shapes look a bit weird around the edges. However, it’s all about me learning and embedding new skills when it comes to drawing digital art.
Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro were my tools for this one.
Some of the areas have patterns in them that remind me of Celtic, La Tene art, or of illuminated manuscripts such as the Book of Kells. These are art forms I’ve loved for as long as I remember and I think there are times when those patterns bubble up to the surface of my mind and find their way out through the tip of my pen! It’s nice when that happens and it surprises me!
Yesterday, I just felt the need to do a bit of an entangled drawing. So, I started with the lower case b and added designs around it.
Not at all sure this works. The letter just looks ‘plonked’ on top of the design rather than part of it.
I do like the entangled stuff though.
Always something to learn – that’s my piece of Wednesday Wisdom. If you don’t try something, you never know if you can either do it or if it’ll work out. This one isn’t one of my better lettering adventures, but, I can reflect on what I like and what I don’t like and then try again another time.
I’m not at all sure I can ‘fix’ this one, but I can try again.
For this one I used Daler Rowney Bristol Board along with 08 Unipin Uniball and 04 Sakura Pigma Sensei pens.
This one is very much a work in progress. Drawn using a Microsoft Surface Pen on the screen of a Microsoft Surface Studio, I made good use of the symmetry tools in Autodesk Sketchbook Pro.
When ice crystals form they have a symmetry based on hexagonal shapes, so my mandala is separated into 12 sections, though I’m choosing to bring out the six-pointed patterns in different colour schemes.
I’m not sure if that makes sense – I know what I mean!
Of course, there’s only so much pointy-ness I can have in anything I draw, so curves have to make an appearance. And this is very much apparent in the fine detailed patterns within each section. Here I’ve used simple line patterns to more complex pattern fills using spirals and swirls. I’ve played around with adding a drop shadow and a highlight to these patterns to add a sense of dimension, not that it’s easy to see in a low-resolution image for the web.
I do like my colour choices of cool purples, blues and aquas so far. I think I’ll go with a more blue-purple to complement the purple in the design so far.
I do have an idea or two as to what I can do about the black lines as well, though they may not work out. As I’ve said often before, I do like black lines in my art; I like the way they define spaces and patterns and often give that feel of ‘stained glass’ to my work. However, sometimes I think they look a tad childish too, but that’s mostly on days where I doubt myself an awful lot, rather than the usual little to a lot.
The design isn’t quite as open as perhaps a snowflake is considered to be, but I rather like filling spaces in, though I may leave some of these spaces open so the background, when I add one, can shine through. That means I may end up erasing some of the colour I’ve added already to created a more open feel to the design.
It’s a lovely way to spend a Sunday morning, especially now I’ve finished downloading all the Amazon invoiced for the last financial year in preparation to getting my accounts to my lovely accountant, Leah.
I thought I’d revisit the previous quote, alter the words a bit and this is the result.
I used an oldy looking type-writer font for the quote and printed it out, I used a Sakura Pigma Micron PN pen to draw the design around it. I then scanned it in and altered the colours in Autodesk Sketchbook.
I learned a new ‘trick’ when using sketchbook, completely by accident, and it’s one I want to explore a little more in the future, especially for adding gradient colours to black and white work.
This would look lovely printed out and added to my BuJo, or even framed and hung on my wall.