Yesterday, I used one of my rather mechanical entangled drawings last week to generate some tiles and surfaces in Repper. I figured out my colour palette and how I wanted to add colour yesterday, and this morning I continued to work on the design for over an hour.
Rather than having radial symmetry, this design has two axes of symmetry – horizontal and vertical.
I did record this process, and I found myself talking about some things that are too personal to share. These were some things I needed to voice, to hear with my ears rather than my inner voice. The process was valuable to me, but not something I want to be available to all and sundry.
Instead, I deleted the audio, and replaced it with a brief voice over introduction and some music to accompany the sped up video recording. I condensed over an hour of work into about fifteen minutes.
I also learned that voice over is entirely possible to do, but that I need to find a different way to do this. The function I used in Movavi only gave me a few seconds of voice over time. I’ll work it out for sure.
It’s always a lovely way to start the day – mandala drawing. Symmetry is one of the things that I love.
There’s also plenty of detail in this one – lots of line work to add dimension, which is then enhanced by highlight and shadow.
I chose a rather muted kind of background for this mandala. Sometimes, I tend to make things too bright and colour-saturated. Today, it’s soft and dusky purple.
There’s plenty of my favourite kinds of patterns and motifs in this one – seed pods, arches, spirals, leaves and hearts. But there’s also some unusual, for me, spirals.
This morning’s art brings a warm and gentle smile to my heart, soul and my lips. As I said, it’s a lovely way to start a day and sets me up just nicely for whatever else I need to do this day, and the first task of the day will be breakfast!
I like to use a word in my artwork from time to time. Truth was the word I knew I had to use as the central point for some artwork, and that’s where I started, along with one of the Distress Oxide backgrounds I made yesterday (in the middle of the image).
After I’d decided on the typography and placed it centrally, I then started to draw digitally. I made use of the symmetry tools in Autodesk Sketchbook Pro, along with a flexible nib and fineliner brushes.
I had no idea what kind of design would result, I just went with the flow and intuition and thoroughly enjoyed doing so and losing myself in the art.
I added shadows and highlights once the drawing was finished for that sense of dimension and ‘life’.
I am really pleased with the finished artwork. There’s something about symmetry, spirals, repeating patterns, and intricate, abstract designs like this that just makes my arty heart smile and sing. I always return to this style, it seems to be at the core of my being.
I also love to draw on coloured and textured backgrounds. I also think I’ve found a way to combine more traditional media (making the backgrounds) with digital art (drawing and adding shadows and highlights) in a way that really works for me.
My only problem is that I do tend to try to branch out into other kinds of art and never seem quite so satisfied with them. This doesn’t mean I’m going to abandon them; they need a lot more work and thought and maybe structure.
Perhaps that’s why I like this particular piece of art so much – it has clearly defined structure. The colour palette is defined by the background and so I’m not struggling with what colours to use. Having the black line structure defines clearly where shadows and highlights need to go.