Mixed media cards – shells and fish

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Over the past few days I’ve been drawing shells, flowers, fish and fungi and sorting them out to be digi-stamps, work all done on my Microsoft Surface Book.  Some have been printed, coloured using my Chameleon Color Tones and Color Tops pens, cut out and mounted on mixed media backgrounds.  The photos above show the fruits of my labours.

Apart from the Chameleon markers, the media I have used are:

  • Distress and Distress Oxide inks
  • Iridescent and metallic paints from Liquitex and Pebeo.
  • Perfect pearls sprays
  • Stencils
  • Stamps
  • Black Archival Ink
  • Inktense pencils
  • 3D Crystal Lacquer
  • Alchemy Wax

I think that’s the complete list of media.  I used mixed media paper for the backgrounds, and the paper was cut out using rectangular dies.  Behind the backgrounds, I used silver mirriboard as a mat.

I’m quite pleased with them.  No so sure about the kraft card bases (which are 5¾” x 4″ in size), but they were what I had.

Now, all I have to do is work out a price for them and pop them into my Etsy shop, though I think I will have to take better photos for that!

Yesterday’s Mixed Media Index Cards – update

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I spent some time yesterday and this morning adding some details to drawing on each of the index cards.

I added stippling and lines to add shading on the focal points, both in black and white.

I also added some ground for them so they weren’t floating in air; the grasses or plants in the background I wanted as black silhouettes just so interest/texture/pattern was added.

Finally, I added either white dots or black ‘popping bubbles’ to the ‘sky’ for more visual interest.

I’m now much happier with them and feel that they are complete.

Mixed media index cards

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I started these 5″x 6″ cards yesterday and finished them (I think) this morning.

The focal images I drew myself on watercolour card.  I used Caran D’Ache Supracolour watercolour pencils and a damp brush to colour them.  I was quite happy with the colouring; I do find pencils a lot easier to use than traditional watercolours.

Nex, I cut three of them out around their edges and used a black marker to colour the white edges (and disguise my poor cutting out skills).  I had to use a craft knife in a couple of places.  The other two I cut out as small panels.

The drawings are a little bare of detail, mabye, but I can go back and add detail once I’ve decided what I’d like to do.

I’m not all that happy about the torn paper behind the focal images; you try things out and learn, maybe.  The torn paper is Gelli printed tracing paper made using PaperArtsy Fresco paints.  I then ran them through my Sizzix Big Shot in various embossing folders, and on some the embossed images have had some metallic waxes gently brushed over them. I also added some Inktense to the papers to darken the edges and add shadows.

What I am really happy with are the index cards themselves.

I started by covering them with gesso.  Then, I used some foliage stamps from IndigoBlu with grey Archival Ink by Ranger to add patterns.  I really liked this, as the patterns were softer and already ‘ghostly’ in the background, a much better choice than black Archival.

My next step was to add colour using ink blending sponges and Distress Oxide inks, followed by a spray of Gold perfect pearls mixed with water.

This is where there was an unexpected effect – the wet Distress Oxides were repelled from the Archival ink.  I loved the result, as well as the way the colours mixed as they pooled around the stamped patterns.

Here’s a close up where you can see how the Archival Ink has repelled the Distress Oxide inks:

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Then, I used Versamark Ink to stamp more foliage on some of the cards, and mini-mandala type patterns on others.  I then sprinked WOW Embossing powder (clear holographic) over the ink then melted it with a heat tool.  This added an extra layer of interest – a subtle layer as it can only be seen from certain angles.

I framed the cards using black Archival ink and a foam blending tool to give a distressed looking edge.

Then, it was just assembly of the focal points and so on, before sticking the index cards to some really thick card to get them nice and flat; the cards are so thin that they curl a lot when working on them, even with the layer of gesso to seal the card in.  Cosmic Shimmer’s Specialist Acrylic Glue worked beautifully for this.

I had intended to make more ACEO cards, but I drew the focal images a tad too big for that format, so thought I’d try out an index card instead.  I quite enjoyed working on the slightly larger scale.

Mixed Media ACEOs/ATCs of today

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This morning, I woke way too early and couldn’t get back to sleep, so I decided to do some more ACEOs/ATCs – two sets of four this time!

Mixed Media ACEOs, and updates

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Mixed Media ACEOs/ATCs

I’ve spent the last four or five hours creating this set of four ACEO/ATC cards.  It’s been a while since I did any mixed media work, but I felt the need to get a bit messy.

Each card measures 2½” x 3½” (approx. 6.5 cm x 9 cm) with the substrate being some fairly thick Kraft card.

I started by using some yellow Frog Tape to hold the cards together so I could make the background at the same time.

I started by applying PaperArtsy Fresco Paints to the kraft card until I had a finish I liked.  The colours I used were Cheesecake, Rose and Sherbet.

The next step was to add some Windsor and Newton Modelling Paste through a couple of stencils (one was the dot fade stencil by Tim Holtz, the other a mini dragonfly stencil by Creative Expressions).

Once the modelling paste was dried, which I hurried along using a Tim Holtz Heat Tool from Ranger, I watered down some Alchemy Waxes from Imagination Crafts  (white gold, tulip and apple green)and used a paintbrush to colour the dragonflies.  I then used the wax and a piece of Cut and Dry Foam from Ranger to apply some of the waxes over the dot patterns.

Once I’d finished applying the wax, I wasn’t happy with the result on the dragonflies, so I used Daler Rowney System 3 acrylic paint in Rich Gold to re-colour them. I was much happer with the results, especially the dragonflies that I’d coloured pink/red.

The next step was to have a furtle through various coloured diecuts I have in my stash.  Every now and again, I spend a day cutting out various die cuts (mainly cogs, flowers and foliage, but sometimes other things too) and then colouring them to add to my stash.  It saves on time when I have the urge to do some mixed media work. It also makes use of my rare urges to do die cutting, which I find a very tedious process.

After a good furtle, I found some cogs that would work on two ACEOs that had just the dots on the background. I couldn’t find anything I’d want to add to the dragonflies; I was just happy with them as they were.

The die cuts were applied with Cosmic Shimmer Acrylic Glue from Creative Expressions, then some Vintage Photo Distress Oxide Ink with a wet brush was used to add shadows.

I used a Quickie Glue pen from Sakura and Gold Superfine Embossing Powder from WOW to add some gold dots and to areas where there was no embossing paste.  Following this, I edged the cards using a piece of Cut and Dry foam and black Archival Ink from Ranger.

 

I then chose some words from the Tim Holtz Chit Chat stickers and glued them down with the Cosmic Shimmer Acrylic glue, and used a damp brush and a China Black Inktense pencil from Derwent to add shadows around the stickers.

The very final step was to add some sparkly gems, and they were done!  Once all is dry, I can add my information to the back and so on, and I have some ACEO cards to use on other mixed media projects or in my art journal.

Other arty news

Over the past week I’ve been keeping myself artfully busy learning a bit more about Autodesk Sketchbook Pro and how it works for me; you could say I’m building up a relationship with it.

For now, I’ve been drawing LOTS of mandalas!  I’m keeping them back from t’internet as I hope to publish them (some are already spoken for by the Colorist app), and other people asked if I was going to make some available for purchase.  So, I’m building up a collection of them for that purpose – either with a publisher, or I’ll self-publish if necessary.  I’ve also done a couple more small mandalas that work nicely as designs to be coloured and made into greetings cards, kind of like digital stamps.

Talking of digital stamps (digi stamps), there are some ideas rattling around my noggin that I’d like to try out, so there’ll be more news on this later on no doubt.

It looks like I’m going to be doing a colouring book of spooky templates in the near future, so if anyone has any ideas for ‘spooky’ or ‘eerie’ then feel free to share!

I also have a few ideas for written books rumbling around my noggin; however, it’s really hard for me to do something with them as I doubt myself so much, think they’re silly ideas, and so on.  The ideas aren’t wholly in my noggin, I do have notes on them on the ‘puter which need tidying up…but I’m finding it difficult to do this because of all my self-doubt and self-criticism. I just need to keep saying to myself, ‘But you have recorded these ideas so they are there for you, so you have made progress).

Other things going on in my life

A week ago, I finally had the hedge at the front of the house removed, as well as the back garden completely cleared.  My garden is tiny, but it’s amazing how much space was hidden by the cotoneaster and forsythia!  I do have some clean up to do, but there’s no great rush on that.  I also need to consider what to do with the back garden.

The process of getting this done has caused me great anxiety, but there was an ah-ha moment when I realised that some voile panels in the windows in my front room would help me to feel ‘safer’ and more ‘private’ while letting in daylight.  For a long time I’ve hid behind curtains; well, I still am, but at least I can see out through the voiles even if people outside can’t see in!  Why I didn’t think of this a long while ago, I don’t know, but thank goodness I did!

I’ve done a couple of anti-stigma talks for Time to Change Wales, and I’m seriously wondering if I’m really making any difference as my story is so bland and ordinary … after all it’s not a dramatic tale to tell, and I really don’t think it’s anything people haven’t heard/seen on TV on the soaps and so on…so I’m really feeling quite downhearted about that at the moment.

I know it may very well pass, but at the moment … it’s difficult….my therapy?  Art of course!

 

Be Authentic – Mixed Media

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I’ve mostly finished this piece of mixed media art.  I think I need to add some pearls or similar, maybe some shadows around the flowers and foliage, but it is, in essence, complete.

I’m quite pleased with it, especially as I kept to a mainly monochrome colour scheme of blues and greens, but pinks and purples had to make a little bit of an appearance just to add some accents.

It’s another big one – A3 in size.  Lots of Foamiran flowers have been used; I used Distress crayons and a baby wipe to add colour to the white foamiran before heating and shaping each layer.  The colours are the same as some used in the background.

My focal point is an ACEO or ATC that I made a few weeks ago at the start of my mixed media explorations.

In places you can pick out the subtle sparkle on the background and foliage – achieved by spraying with a mist of gold perfect pearls.

Many of the coloured papers I used in the collage were created using a Gelli Plate and PaperArtsy fresco paints.

A fair amount of metallic and iridescent paints from Pebeo, Liquitex and Daler-Rowney have been used too.

Never give up and Foamiran flowers

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Back to playing with mixed media today, and this is the result…

It’s around 8″ x 6″ in size and 300lb Smooth watercolour paper by Daler-Rowney is the substrate.

First, I coloured the paper using Distress Oxide inks, with a light spray of gold mica mixture.

Once that had dried, I added the diamond motif and text to the background using texture paste through stencils.  Once the paste had dried, I used a rich gold System 3 acrylic paint from Daler-Rowney to paint the texture paste.

Yesterday, I had used embossing folders with my Big Shot from Sizzix to emboss coloured card which I then added metallic and iridescent colours to.  The dark red-brown layer of cogs is part of one of these papers. Behind it, there’s a piece of patterned paper.  Both have had their edges roughed up (distressed) and then inked using black Archival Ink from Ranger.

I next chose an ACEO or ATC card from my stash to act as a focal point.  I also firtled through my stash of steampunk diecuts to find some cogs and a clock dial to add to the background.

The diecuts were all made from kraft card and I used Distress inks to add the base colours of a rich blue, an intense blue-green and a red-brown before dry brushing metallic and iridescent acrylic paints from Liquitex over them to give the appearance of old metal.

Finally, I assembled everything together in an arrangement that pleased me.  I used a Payne’s Grey Inktense pencil and a water brush to add shadows, and finally a few sparkly gems (I can’t resist the use of sparkle!).

I thought I’d finished, however, the postman brought me a box that contained some Foamiran sheets I’d ordered a couple of days ago, and I just had to have a go at making some flowers.  You can see one of the flowers on the mixed media piece.

The flowers are quite easy to make.  I die cut flower shapes from the Foamiran.  I then used a couple of Faber-Castell Gelatos and a damp baby wipe to apply colour the the front and back of the flowers.

Next, I used my heat tool to warm the foam so it curled up a little and then shaped the petals before using hot glue to stick the layers together to make fluffy flowers.  Finally, I used an alcohol marker to colour some clear gems in so they complemented the flowers and attached to their centres.

I think I’m going to be making more of the flowers, they are easy to make, if a little fiddly given the current manicure I’m sporting.  Next time my nails are done, I’ll make sure they are kept fairly short!