Capybara skull, Rhodotus palmatus and Antidots tangle pattern (from Inktober prompt lists by the Instagrammers @book_polygamist, @nyan_sun and @havepen_willdraw respectively).
I drew the skull digitally, printed it out on Winsor and Newton Bristol Board and then used Sakura Pigma Micron pens to draw the design around it. I scanned the finished black and white line art back into the ‘puter and then digitally added the background and a texture to it.
Digitally drawn and coloured using Autodesk Sketchbook Pro and a Surface Pen and Surface Studio by Microsoft.
Again, the symmetry is pleasing to me; however, I think I’ve gone over the top with areas of pattern on this skull! I seem to have a thing going on with fungi growing out of the top of the skull. I did add some seaweed and sea shells beneath the skull, as a nod to the oceanic origins of the turtle.
Hmm, maybe I’ll redraw this one with some dangle designs later today; after all, it is dangle day!
Entangled in blue – a greeting card.
Yesterday, I mentioned some things I’d like to try out after my experience creating a greeting card using vellum and Distress Inks along with some die-cutting.
So, rather than take the nap I’d said I was likely to, I endeavoured to make another card in the same kind of entangled art style. This time, the two Distress Inks I used were Peacock Feathers and Mermaid Lagoon.
I used these inks to colour the reverse of the vellum and to add colour to the card base – Mermaid Lagoon at the top, Peacock Feathers at the bottom and blending them in the middle.
I used the piece of card I’d cut the frame from as a stencil for the addition of colour, so I was sure it wouldn’t bleed out of the edge of the frame.
After dry embossing the design on the vellum, I passed it just once through a hot laminator. The vellum became flat without losing too much of the definition given by the dry embossing.
I trimmed the vellum panel so it would fit neatly under the frame. I adhered the vellum to the frame using strong double-sided tape.
I wanted to lift the vellum above the card base. I doubled up some double-sided foam tape, using thin strips. In hindsight, I would’ve been happier with just one thickness of the foam tape.
By applying the Distress Inks to the card base the colour has been intensified, and the dry embossing stands out better. I’m quite pleased with the result of this card.
I do wish I hadn’t added the gold dots around the frame though; I thought I needed some to complement the gold dots that I added to the entangled design.
On the whole, I’m much happier with the entangled in blue card.
I’ve just thought that it could be relatively easy to turn that panel into a shaker card by making sure the space beneath the vellum is completely sealed by the foam tape at the edges and then adding some sequins and/or glass beads — something for me to try another time maybe.
Comfort art.
The drawings in both of these panels are an example of me slipping into ‘comfort art’ mode. I tend to draw this way when I’m feeling emotionally vulnerable or fragile. Entangled art like this is familiar to me, like a comfortable pair of old slippers, and it soothes me somewhat.
Entangled art is very much my ‘style’ of art. Digitally, I’m pushing my boundaries with it by not using black outlines or outlines in any colour. When I feel the way I have in the past few weeks, it can be tough for me to settle into art that challenges me even a little bit and digital art has been doing that. That’s why I’ve started many projects and not finished them; I get dissatisfied with what I’m doing and just stop it. That’s a sign that I really am not feeling as balanced as usual.
In the past, I’ve mentioned that redrawing my favourite patterns and motifs in a zibladone ( a mixture of journal and random notes or interesting things) is comforting, soothing to me. I have only just noticed that drawing in this way is also so.
The challenging thing in these cards is the die-cutting and the use of various adhesives. And scissors. Scissors always cause me problems. Although I’m mostly right-handed, I use scissors in my left hand. I use right-handed scissors, and I find that problematic, but left-handed scissors are even worse for me! Craft knives have their own added issues for me.
A little more of a challenge.
Today I received two die sets in the post, both from Lawn Fawn and from Seven Hills Crafts. They’re the foursquare landscape and portrait backdrop die sets.
I want to try to make a pair of dangle design cards with these for tomorrow. So that’s one of my tasks for this afternoon.
So, Angela, how are you feeling today?
I’m OK. I’m tired; I drove for over four hours yesterday, and when I got home, I was not only exhausted but cold as well. I didn’t sleep all that well as I didn’t warm up until around 6 am and I kept waking up shivering.
I’m experiencing a lot of anxiety and even fear about the current state of the world; I feel tearful about this a lot of the time and not very optimistic.
Other than that, I think my life is settling down into a new kind of ‘normal’ after spending time with my friend and his partner last week. I still have lots of things to sort out that were stirred up from the pandora’s box of trauma within me. But now they’ve been identified they can be processed in EMDR.
Being tired makes me a lot less resilient to all this.
Yesterday was a quiet yet busy arty day. I worked on some projects, but by the evening, I had a hankering for ‘comfort art’ to soothe my fragile emotions. I’d seen a similar list on facebook and thought it would be nice to do one of my own. Naturally, I just had to add some embellishment in the form of my style of drawing. The drawing then needed some colour. So, I started to add colour.
After typing out the list using Affinity Publisher and printing it out, I used a 08 Uniball Unipin pen to add the drawing. Next, I scanned the design in and then started to add colour in Autodesk Sketchbook Pro using my trusty Surface Pen and Surface Studio, both from Microsoft.
My lines are a little less than perfect in the drawing. I’ve noticed a few tiny smudges and some places where the lines have overrun each other a little. I’ve left them as they are, this time.
I thought it might be a good idea to make the colouring a little less than perfect too; so I added a background texture.
I seem to have started a lot of projects and not finished them of late. I’m not quite sure why that is. I know I’ve had a really tough time of it emotionally speaking over the last couple of weeks. I think that has a lot to do with it.
I have managed to settle down to get work done for a commission. The main artwork is now done, it’s just doing all the other stuff to go with it. Today isn’t the best day simply because I’ll soon have to sort myself out to go off to EMDR therapy; that’s likely to be emotionally distressing as there’s been a confluence of events in my life that have all triggered emotional reactions. I’ve also not had that much time to let the emotional waves calm. There have also been changes that need to become familiar too.
Today is the first time in a few days I’ve felt anything like settled. Yet I’m not settled fully. I keep having waves of fear followed by tears rising up for no apparent reason.
I think I know what the fear is about. The way I think and feel about a part of my life is changing. It had started to change before the experience, but now it’s really settling in. A yearning in me to ‘belong’, to have that sense of companionship, has been awakened once again. I’ve been given a taster session of what it’s like. So, I’m grieving the lack of that in my life, and fearful I won’t find it going forward. Kindred spirits are few and far between.
This is all part of the journey towards releasing trauma and healing from cPTSD. It’s also about replacing old, unhealthy outlooks with more positive and healthier ones. Grief is involved; even if the old beliefs are harmful, they have been a part of my life, and it’s still a loss. But go they must so something healthier can replace them.
Change is never easy, but it is necessary; for growth, for healing, for a better life.
I’ve had a quietly arty morning today. I’ve been adding to my visual zibladone (journal, reference book).
Then, I had the urge to create a little tangled, entangled drawing. So I did.
I cut up some Winsor and Newton Bristol Board into 4″ squares (approx. 10cm squares) and used some Uniball Unipin pens to do the drawing and shading.
I’m quite happy with the result. I may add some colour, perhaps with my Chameleon pens and pencils; I may need the sharp point of a pencil to get into some of the small spaces to add some shadow.
I do need to get out for a walk today. I’ve been letting myself stay in the safety of my home. Mind you, and I think that’s what I’ve needed this week as part of my self-care.
However, I now am feeling a lot less anxious than at the start of the week. So, it’s time to venture forth for more than just a quick trip out for vittles.
Maybe. I do need to have breakfast first. Oh, I’ve just seen the time. I need lunch first!
Each month, I design a coloring template that is an exclusive free gift for the members of the Angela Porter’s Coloring Book Fans facebook group.
It’s my little way of saying thank you for supporting my work. I have also posted a colour palette colouring challenge for the month, which colorists can use with this template or any other template from my books, the choice is entirely theirs.
I had some fun drawing this one. I’ve missed drawing cute fishies and the like. I even sneaked a couple of simple dangles in there too.
You’d be made most welcome if you pop along and join in. It is a friendly group for sure.
I’m looking forward to seeing how people bring this one to life with colour for sure.
I drew this one with Unipin pens from Uniball on Winsor and Newton Bristol Board. Yes, traditional drawing. I did use digital tools to clean up some smudges and where the lines went a little too far into another section, but that was it.
Can you believe it? Half of 2019 has passed to history. Time has flown by.
With the start of July I also have an exclusive coloring template available free to members of the Angela Porter’s Coloring Book Fans facebook group.
This is my way of saying thank you to those who follow my work, particularly the colouring books I have created.
If you’d like to download and colour, you need to be a member of the group and agree to follow the T’s & C’s.
I’m looking forward to seeing what members of the group will do with this one! I love to see the different colour schemes and media that they use to bring the drawing to life with the magic of colour.
To create this template, I started with a sketch on square gridded paper. It was a very basic sketch with just outline shapes, lines and so on. I then scanned it into the Surface Studio and completed this drawing using my Surface Pen along with Autodesk Sketchbook Pro.
I had to include some of my favourite design elements – butterflies, stars, flowers, fungi, seed pods, arches and geometric patterns.
It was fun to draw, even the sketch was as I love to use a Koh-i-Noor Magic pencil to do the sketching with, one that has quite different colours in the lead so that I get a fair rainbow of colours.
I’m warming to sketching things out before drawing them in ink (either traditional ink/pens or digital) to give me a skeleton I can put flesh on in terms of details and patterns.
I’m feeling contented. My stomach/digestive system is back to normal. All just in time for today’s EMDR session this afternoon.
That’s all I have to say about that today. I’m sure I’ll have more tomorrow post EMDR.
As it’s Friday it’s time for a dangle design, and here it is. All in monochrome, well nearly. I added some subtle colour to the photograph.
If you’d like some ideas and step by step instructions on drawing your own dangle designs then my book “A Dangle A Day” is a good place to start. Just saying like.
I decided to use one of the images from the ‘Photobooth’ collection in the Idea-ology range by Tim Holtz. I thought that around it it would be nice to create an entangled frame, and to add a simple dangle design to this frame.
With the vintage nature of the photo I thought that the hand lettered sentiment of ‘golden memories’ would be a good one to add.
In keeping with the vintage design I thought a monochrome colour scheme would be appropriate. Mind you, a color palette of subtle vintage colours would work quite nicely too. It would be nice if I’d changed the colours from greys and blacks to sepia tones.
I drew the design and did the hand lettering with Unipin pens on Winsor and Newton Bristol board. I then cleaned up the scanned image, and added the subtle colours to the photo, using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. I also added some subtle grey shadows to the design.
This would look absolutely charming framed, a lovely way to display cherished photo-booth images. I drew this image on a sheet of A4 paper (approx. letter size).
However, this would work on a smaller scale for a scrapbook, journal or even a BuJo. It would also make a lovely greeting card or note card for someone too.
It’s also an idea that can easily be altered for a more masculine tone, perfect for father’s day or a male birthday.
Today is Brett’s birthday. Brett is a lovely person who works hard with the Angela Porter’s Coloring Book Fans facebook group.
So, I thought I’d design an entangled design for her birthday and ask members of the group to colouring using some or a lot of pink and shower the facebook group with pink in the coming hours and days (Brett loves pink!). I will be adding colour to the design in the coming day or two as well, to join in the colourful coloring celebration!
If you’d like to join in, just pop over and sign up to the group – you’ll be made most welcome there!
As it’s Friday it’s also dangle day and I sneaked a couple of dangles into the design, just for a bit of fun and also to make sure there’s some white space.
My tutorial book “A Dangle A Day” shows you how, step by step, to draw your own dangle designs.
To draw this design I used a 0.8 Uniball Unipin pen and an A4 sheet of Winsor and Newton Bristol board. I added the colour gradient digitally.
My day started off rather flat and a tad ‘meh’ as I woke. It was raining-pouring and the skies were dark and leaden. The clouds have now broken and some sunshine is streaming through. As the sun has shone my mood has improved to a fairly content status.
I think I’ve confirmed what I finally noticed earlier this week – the weather really does affect my mood. I may have to get some lamp bulbs that mimic the qualities of sunlight for gloomy days to prevent gloomy moods.
Off I go now to add some colour to the design above!
Three more hours work done colouring this drawing in digitally. Slow process, but an engaging one, especially as I’m still exploring how different brushes and effects work. Slow but I think it’s coming along quite nicely.
I do need a bit of a break from it now for a little while, however. More tea is needed and it’s about lunchtime.
Drawn with Tombow Fudenosuke and Lamy fountain pens on Winsor and Newton bristol board. Digitally coloured using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
This section is becoming a regular feature on my blog, isn’t it?
It’s important for us to talk about our mental and emotional health and recognise how they are in the way we do for our physical health. I hope that when I share little bits of my continuing tale of recovery from CPTSD it may help to break down the stigma and discrimination that there is around mental health and wellbeing.
Today I’m feeling ok, content. That’s all I have to say about my emotional and mental state today – contented.
Art is the Adventure 