Saturday Entanglements

Today’s art is a selection of the small, detailed, intricate and fairly abstract drawings I’ve done over the past day or so, all in varying states of completeness.

Sometimes, just sometimes, I have a need to immerse myself in something that’s kind of familiar. Call it ‘comfort drawing’ if you like. But that’s what this has been; drawing to comfort and self-soothe.

My emotions are out of sorts. I’m dissatisfied with almost everything I do artistically at the moment, so I stepped back in time to do entangled zentangle-style drawings, with a twist here and there. Small projects. Pens and pencils on various paper. If something doesn’t work out, well it’s not great shakes, I just carry on and try to accept it for what it is, and learn a bit more about what works and what doesn’t.

I’m tired today. Not just physically but emotionally. The sun is shining and that is helping my mood somewhat. But I’m still tired.

Past experience tells me this will pass. It’s just emotional weather. I’m aware of the source of it, and I just need time to process, heal and learn from it.

I don’t really sit and think my way through things in the way people describe how they think. With me it’s all abstract and difficult to communicate in words. It happens on a more intuitive, subconscious level. When I’m ready, I’ll write about it, and give form to the abstract and symbolic processes of my inner self.

I’ve never really been able to express my emotions artistically. Sometimes they creep out in terms of colour choice. I do think my choice of more geometric, repetitive patterns in these artworks is an expression of my need to build a new structure in my emotional self.

My EMDR therapist was always saying I was too much in my head, not much in my body. A lot of the work we did was very somatic and a process of learning I did have emotions and recognising what these emotions are. It’s a troublesome realm, but an important one, even if it gets rather messy at times.

Messy. That’s something my art never is. Something my emotions rarely are. Everything so tightly controlled and precise; at least that’s how I seem to the outside world.

My older sister used to call me the ‘ice maiden’ as I never showed much enthusiasm or reactions to anything. I learned early in life that if I showed that I loved something or that it was valuable to me, then others would go out of their way to wreck it. I learned if I showed ambivalence, that things may not be wrecked by others.

The first time I can remember showing awe and wonder was on a trip to the British Museum, with my older sister and youngest brother. We went to see the mummies, but took a wrong turn and ended up at the Sutton Hoo treasures. I couldn’t help expressing the awe and wonder I felt on seeing them in person for the first time.

I feel a sense of awe and wonder often now, some thirty or more years on from that day. That day cracked open the seals on those emotions and I was able to share them with others through my teaching career and beyond. But not with everyone. Some in my life didn’t want me to be excited about anything. So I learned to choose how and when they were shown.

Now, I feel no embarrassment at showing awe and wonder. I’m able to lose myself in the beauty of nature, the grandeur of architecture, the magic of music, and more.

But other emotions are still a bit tricky for me. Messy. Confusing. Troubling.

And when I feel messy, confused and troubled emotionally, I fall back to comfort art. Often entangled style art, like these. And entangled is an apt way to describe emotions and life.

Just as one small drawing comes to a close, it being good enough for now, so will my confused and troubling emotions work their way to a good enough state of resolution, leading to contentment and peace.

Entangled Parchment Craft Cards

Entangled Parchment Craft Cards © Angela Porter | Artwyrd.com
Entangled Parchment Craft Cards © Angela Porter | Artwyrd.com

Entangled in blue – a greeting card.

Yesterday, I mentioned some things I’d like to try out after my experience creating a greeting card using vellum and Distress Inks along with some die-cutting.

So, rather than take the nap I’d said I was likely to, I endeavoured to make another card in the same kind of entangled art style. This time, the two Distress Inks I used were Peacock Feathers and Mermaid Lagoon. 

I used these inks to colour the reverse of the vellum and to add colour to the card base – Mermaid Lagoon at the top, Peacock Feathers at the bottom and blending them in the middle.

I used the piece of card I’d cut the frame from as a stencil for the addition of colour, so I was sure it wouldn’t bleed out of the edge of the frame. 

After dry embossing the design on the vellum, I passed it just once through a hot laminator. The vellum became flat without losing too much of the definition given by the dry embossing.

I trimmed the vellum panel so it would fit neatly under the frame. I adhered the vellum to the frame using strong double-sided tape.

I wanted to lift the vellum above the card base. I doubled up some double-sided foam tape, using thin strips. In hindsight, I would’ve been happier with just one thickness of the foam tape. 

By applying the Distress Inks to the card base the colour has been intensified, and the dry embossing stands out better. I’m quite pleased with the result of this card.

I do wish I hadn’t added the gold dots around the frame though; I thought I needed some to complement the gold dots that I added to the entangled design. 

On the whole, I’m much happier with the entangled in blue card. 

I’ve just thought that it could be relatively easy to turn that panel into a shaker card by making sure the space beneath the vellum is completely sealed by the foam tape at the edges and then adding some sequins and/or glass beads — something for me to try another time maybe.

Comfort art.

The drawings in both of these panels are an example of me slipping into ‘comfort art’ mode. I tend to draw this way when I’m feeling emotionally vulnerable or fragile. Entangled art like this is familiar to me, like a comfortable pair of old slippers, and it soothes me somewhat.

Entangled art is very much my ‘style’ of art. Digitally, I’m pushing my boundaries with it by not using black outlines or outlines in any colour. When I feel the way I have in the past few weeks, it can be tough for me to settle into art that challenges me even a little bit and digital art has been doing that. That’s why I’ve started many projects and not finished them; I get dissatisfied with what I’m doing and just stop it. That’s a sign that I really am not feeling as balanced as usual. 

In the past, I’ve mentioned that redrawing my favourite patterns and motifs in a zibladone ( a mixture of journal and random notes or interesting things) is comforting, soothing to me. I have only just noticed that drawing in this way is also so.

The challenging thing in these cards is the die-cutting and the use of various adhesives. And scissors. Scissors always cause me problems. Although I’m mostly right-handed, I use scissors in my left hand. I use right-handed scissors, and I find that problematic, but left-handed scissors are even worse for me! Craft knives have their own added issues for me.

A little more of a challenge.

Today I received two die sets in the post, both from Lawn Fawn and from Seven Hills Crafts. They’re the foursquare landscape and portrait backdrop die sets.

I want to try to make a pair of dangle design cards with these for tomorrow. So that’s one of my tasks for this afternoon.

So, Angela, how are you feeling today?

I’m OK. I’m tired; I drove for over four hours yesterday, and when I got home, I was not only exhausted but cold as well. I didn’t sleep all that well as I didn’t warm up until around 6 am and I kept waking up shivering.

I’m experiencing a lot of anxiety and even fear about the current state of the world; I feel tearful about this a lot of the time and not very optimistic. 

Other than that, I think my life is settling down into a new kind of ‘normal’ after spending time with my friend and his partner last week. I still have lots of things to sort out that were stirred up from the pandora’s box of trauma within me. But now they’ve been identified they can be processed in EMDR.

Being tired makes me a lot less resilient to all this.