Entangled flora

©Angela Porter | Artwyrd.com

One of the nice things about being between contracts is being able to indulge myself in art. It’s also a chance for me to do ‘comfort art’, art that is in a familiar style that I don’t often do.

This is an example of ‘comfort art’. Art that is soothing to do, is intuitive and surprising in how it turns out. I start with pen and paper (dot grid in this case), and just start with a single motif. I then let the design grow from that point, organically and intuitively.

There are always sticking points where I want to give up as it doesn’t look right, or I’m not happy with what I’ve just drawn. However, I’ve learned to persevere past these points and the end design is usually one I’m happy enough with.

There were many sticking points in this one, some of which I thought were going to be shatter points.

Although I’ve deemed this illustration ‘done’, as I reflect on it now, I can see places where some added line texture would help the design be less homogeneous in places and would add some contrast.

Also, some shadows would help add dimension to the illustration. Having said that, colour would really bring the drawing to life too.

For now, though, this design is finished. Whether I work some more on it remains to be seen.

I used Uniball Unipin pens to draw this design, along with ClaireFontaine Sketch dotgrid paper. The only things I did digitally were to scan the design in, remove the dots of the dot grid, and add the background colour and texture and watermarks.

Copper complexity

Copper Complexity © Angela Porter | Artwyrd.com

Seven plane symmetry, using a flexible nib pen to carve through black to reveal the design in copper. Done digitally using Autodesk Sketchbook Pro, Microsoft Surface Pen and Surface Studio.

I really have been enjoying creating this kind of design lately and I make no apologies for showing so many that seem to be similar. I find creating these so soothing and calming.

Here, I wanted to see how a metallic background texture would work, and it does really well, just not on WordPress and how the website shows images. The colours never seem to be as vibrant as they do elsewhere.

What I love about this process is that I have no idea of what the end product will be. It’s all about being in the flow, working intuitively, and trusting my skills and creativity.

Often, I’m so zoomed in to the section I’m drawing I’m not aware of how the overall design is looking and working. That means I really do have to trust my instincts, and trust that it will all fit together to create a satisfying end result, and I am happy with it.

Entangled Art ‘b’

© Angela Porter 2-19

Yesterday, I just felt the need to do a bit of an entangled drawing. So, I started with the lower case b and added designs around it.

Not at all sure this works. The letter just looks ‘plonked’ on top of the design rather than part of it.

I do like the entangled stuff though.

Always something to learn – that’s my piece of Wednesday Wisdom. If you don’t try something, you never know if you can either do it or if it’ll work out. This one isn’t one of my better lettering adventures, but, I can reflect on what I like and what I don’t like and then try again another time.

I’m not at all sure I can ‘fix’ this one, but I can try again.

For this one I used Daler Rowney Bristol Board along with 08 Unipin Uniball and 04 Sakura Pigma Sensei pens.

Arty goings on…

Non-dotty Flowers 15Aug12 © Angela Porter 2012

Non-dotty flowers – a reworking of the dotty flowers below.  3″ x 5″ approx.

Busy, busy, busy…

I’ve been kind of busy, but not busy-busy, since my last entry, busy with art.  Being engrossed in arty pursuits has kept me up until the wee-small hours as the dark outside has given me no idea about the passage of time.  Good thing I’m still on the long summer break from teaching.

I must admit that I’m not looking forward to going back to work.  I think I’ve said before I need a different environment to flourish in.  My only problems in changing career are that I need a certain income and I have no particular idea what I’d like to do instead of.  I’d love to do more things that are creative – arty/crafty would be good.  I’d also like to work in an environment where people actually get along, without the constant rumble of poor attitudes, disrespect for self and others and an unwillingness by the majority to want to learn or to see the point of having a good education and doing their best.

Anyway, before I drag myself down into a gloom, I still have two and a half weeks or so away (apart from a need to go in for a few days towards the end of the break to mark work, prepare work, and sort out displays for the walls) and so will be making the most of the time to be creative and explore my artsy-craftsy nature.

Torc – statement necklace – bib necklace – collar necklace.

I managed to complete this torc.  It took over 30 hours of work.  It is available for purchase at Etsy at the time of this blog entry.

Torc © Angela Porter 2012

As always, spirals, circles and curves feathre in my work, along with some of my ‘custom made’ sequins.  I enjoyed the work in this, and realised how many of the ‘tricks’ I had forgotten from previous endeavours like this.  My earlier torcs can still be seen on Artwyrd at deviantART.

Experimental landscape number two.

I’ve also managed to complete another experimental landscape – this one from a photograph of a ‘real’ landscape in North Wales.

Landscape Experiment 2 © Angela Porter 2012

A dear friend of mine has made some interesting suggestions about how I can approach the ‘patterns’ for different land-uses. When I’m ready to do another landscape I will take his suggestions to heart.

There are glimmering, metallic, glittery highlights on the drawing/painting that don’t come out well when photographed/scanned.  I do think I’m beginning to find my ‘style’ when it comes to landscapes – and that style involves simplifying the shapes/lines of the land, trees and so on, and then working out how to fill those shapes in.  Spirals are, as always, a favourite motif of mine, along with circles and curves, influenced as I am by prehistoric rock art, early Celtic art, and anything with curves and curls in!  If I try to work with perfectly straight lines and sharp corners in my work, well it just doesn’t seem to work or scream out ‘Angela’ at me.

Abstract Floral.

This was an experiment in something a little different for me – pastel colours on a grey paper, with an open kind of design.  The usual spirals and swirls are there, but there’s a lot of ’empty space’ which also works.  The pastel colours are a definite change from me!

AbstractFloral1 10Aug12 © Angela Porter 2012

Flowers…

This started as a good idea and ended up a right ‘mare of an experience.  A dear friend of mine reckons it is lovely and very William Morris…

Flowers 14Aug12 © Angela Porter 2012

I realised the rising flowers were on the wrong side if I wanted to add words to it as I was inking it all in.

Then, as I blended the coloured pencils, the ink rubbed off to mix with the coloured pencils, so it all had to be inked in again, which is often the case with my kind of work, but the ink subdued the colours somewhat.

I then started to fill in the blank space to the left with tendrils, without putting pencil lines down first as a guide, and ended up making a right hash of it.  So, the shading under the leaves and so on was meant to disguise some of that, and cutting it all out and sticking it on blue paper … well it was a good idea, but not the blue!  I also rediscovered how useless I am with a pair of scissors or craft knife too.

However, some of the most important lessons we learn are when things go wrong…

Geometricity 1

So, after the pastel colours and the disaster, a return to bright colours, and flashes of metallic gold.

Geometricity1 14Aug2012 © Angela Porter 2012

A small piece of work – 7cm x 10.5cm, but jewel-bright watercolours used to fill in the pattern.  I’m pleased with the work (though not with the scanned image – photographing/scanning my work is a major problem with the shiny Sakura Glaze pens that I use and the highlights of metallic/iridescent/glitter paints/inks that I so love.  However, you get the idea.

I think that I’m going to play with geometric patterns and colour for a while, on a small scale, to see where it leads me.  Of course, I may just change my mind as time goes along!

More flowers…

I completed this one with Geometricity1, and there are too many ‘dots’ on the flowers – another lesson to learn!  I’ll be reworking this one in a little while.  It will keep me occupied during the torrential rain that is falling here in waves.  I love the sound of the rain…

Bright flowers 14 August 2012 © Angela Porter 2012

Landscape experiment

Landscape Experiment 2©Angela Porter July 2012

I have spent the day working on this.  I have used Rotring pens, watercolour paints and metallic watercolours on watercolour paper to create this imaginary landscape.

I thought I’d use colours that represent the different seasons, as well as autumnal and spring/summer trees.  Spirals and curls are a feature of my artworks, as well as the highly detailed pen lines/textures.

I find it easy to do this kind of work, yet if I was to try to express a real landscape, I would end up bogged down in trying to make it real, to get it perfect, to use realistic colours …

I’ve had a ponder about such things in my journal today…but I’ve enjoyed working on this and am pleased, mostly, with it.  It’s certainly something to continue experimenting with.

Oh, it’s 4″ x 6″ in size, if you were wondering!