botanical

Entangled Garden drawing

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©Angela Porter | Artwyrd.com

Today, I have another entangled drawing for you to enjoy. I worked on it over the past couple of days. I think it’s taken me around six or seven hours to complete.

Because of all the floral and botanical motifs I’ve called it an Entangled Garden. A garden that has grown from my intuition and imagination.

I’m enjoying drawing these kind of illustrations at the moment. I really do have a fondness for botanical motifs, but also for arches and patterns inspired by Romanesque and Gothic architecture. There’s also some influence from Zentangle patterns too.

I’ve not added any shading to increase depth and dimension. There are places in the design that could benefit from a hint of shadow. However, I’m happy with it as it is.

As a drawing, it is a bit too fussy with intricate details to work as a coloring page as far as traditional media are concerned. However, I do know some colourists who would love the challenge of colouring a design like this!

Having said that, this kind of design, with less details, would be perfect for my next coloring book which I do need to start work on soon. I need the cover done for the publishers by the end of this month. So, I can take inspiration from the drawings I’ve been doing recently, though I do have some other ideas rattling around my brainbox too.

I used Uniball Unipin pens, along with ClaireFontaine dot grid paper. The size of the drawing is approx. 7.5″ x 10″.

I added the background colour and texture digitally, after removing the dots from the dot grid paper.

Entangled flora

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©Angela Porter | Artwyrd.com

One of the nice things about being between contracts is being able to indulge myself in art. It’s also a chance for me to do ‘comfort art’, art that is in a familiar style that I don’t often do.

This is an example of ‘comfort art’. Art that is soothing to do, is intuitive and surprising in how it turns out. I start with pen and paper (dot grid in this case), and just start with a single motif. I then let the design grow from that point, organically and intuitively.

There are always sticking points where I want to give up as it doesn’t look right, or I’m not happy with what I’ve just drawn. However, I’ve learned to persevere past these points and the end design is usually one I’m happy enough with.

There were many sticking points in this one, some of which I thought were going to be shatter points.

Although I’ve deemed this illustration ‘done’, as I reflect on it now, I can see places where some added line texture would help the design be less homogeneous in places and would add some contrast.

Also, some shadows would help add dimension to the illustration. Having said that, colour would really bring the drawing to life too.

For now, though, this design is finished. Whether I work some more on it remains to be seen.

I used Uniball Unipin pens to draw this design, along with ClaireFontaine Sketch dotgrid paper. The only things I did digitally were to scan the design in, remove the dots of the dot grid, and add the background colour and texture and watermarks.

Botanical designs – a sketchbook page

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Botanical Designs (c) Angela Porter – Artwyrd.com

I’m carrying on with creating art for the pure joy of creating art, and today’s sketchbook page is a series of botanical designs.

I used Faber-Castell Pitt Artist pens (F and S) along with some dot grid paper. After scanning them in, I digitally added a watercolour background, though I’ve left the dot grid in place. Also, I’ve not edited out any errors in my drawings, or tidied up where the lines may over-run in places.

In case you’re curious, the only pencil lines I used were for the circular motif in the bottom left design, and to arrange the spray of seed pods in the top left design. Otherwise, it’s pen straight to paper and purely intuitive artwork – I just let the designs flow, even if I get unhappy with what I’m producing, I just carry on and trust my intuition will lead to something I’m happy with.

And I am happy with all of these designs, now I can sit back from them and view them at a bit of a distance.

What am I going to do with them? I don’t know. They may just sit in my digital ‘flower’ sketchbook. Maybe I’ll use them as the start of one of my entangled drawings. Or maybe something else will occur to me. Or maybe you have some suggestions – leave them in a comment!

For now, they’ve served their purpose. I’ve had a nice couple of hours drawing pretty things just for the contentment that drawing brings me.

On another note, I continue to improve from the stomach bug I had earlier in the week. I still tire really easily though and my appetite is still not good. I am, thankfully, recovering slowly and taking the time to rest and recover, and rediscovering that I don’t need to be constantly busy anymore. I don’t know when that need to fill my days with constant busy-ness crept up on me, but it did.

Suddenly, my mind has become full of fluff once again, so it’s time for me to go and do that resting up thing again.

Self-care

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©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

I drew this one with Uniball Unipin pens using both black and dark grey pens, though the difference betwixt them hasn’t shown up all that well in the scan and the digital wizardry that followed to add colour, texture and watermarks!

The glyph in the box is the Zibu symbol for ‘self-care’. Most appropriate for me today as I’m reeling more than a tad from yesterday’s EMDR session. I keep thinking I’m ok, then I get overwhelmed by a wave of sadness, despair and such like. The wave eventually passes and I feel ok, but a tad light headed. Then, the wave returns …

I had some appointments this morning and after a quick lunch I thought I’d draw something small and found this blank postcard template in my pile of stuff, with the symbol already drawn upon it.

I’m not entirely sure I’ve done a good job with this one. The overall design has a feeling that it is disjointed, that the parts of it don’t flow from one to another at all easily. It feels stilted and stiff.

Perhaps that is just how I’m feeling at the moment and I’m just projecting it onto my artwork.

As I said the EMDR yesterday had me reeling both yesterday and today. My therapist took up the role of ‘blind therapist’ where I chose a memory that is too difficult for me to speak about, and we just went with the emotions, feelings and thoughts about myself as the EMDR session progressed.

There were some observations made yesterday that were quite upsetting, okay very upsetting to me. They’re not something I can talk about at the moment.

Even though it’s upsetting, I still think progress is being made. That is all that really matters at the moment, I think.

Entangled Art

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©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

This morning I started my day with some warm-up drawing. I drew this one with Sakura Pigma Micron pens on Daler-Rowney Bristol Board that measures approx. 7cm x 30cm. I added the coloured background digitally, along with the watermarks.

You may be curious why I use a square of coloured and textured paper behind my art work. Well, for Instagram, a square image fits perfectly without being cropped weirdly, and as many of my pieces of art are not square…well, you get the idea! So, for consistency across my social media, I use the same image.

I enjoyed drawing ths one. There’s some new patterns and motifs in it. I spent yesterday looking at ‘Art Forms in Nature’ by Ernst Haeckel for inspiration to add new patterns and motifs to my visual reference book. This little A5 dot grid notebook from Claire Fontaine is becoming rather useful. I add my favourite patterns, new patterns, motifs, doodles to it as I need to. I make use of the idea of ‘threading’ used in Bullet Journals to help link sections together.

What a brilliant idea ‘threading’ is. I used to get so frustrated with either folders with drawings in or having sections scattered in a book with a clumsy index to help find them. Now, I just follow the page numbers to direct me to where the particular collection continues. The index then lists just the first occurrence of that particular collection. My collections include abstract botanicals, foliage, floral, fungi, trees, feathers, crystals, Christmas, favourite patterns, dangles and charms.

I’m sure that when I start a new book, there’ll be a way to thread to the new book!

Why am I doing this? Well, as well as keeping track of patterns and motifs I like and organising them roughly into collections it’s also a source book of inspiration for art when I feel I’m lacking in inspiration or I feel my work is getting more than a bit samey.

It’s also something that is part of my self-care on days where it’s too much of a challenge to do something completely new and different. Sometimes this means adding familiar patterns and motifs. At other times it means researching new ones.

Yesterday I was really tired and feeling quite low after a very tiring day on Saturday followed by a poor nights sleep. Last night my sleep was even worse. I woke from disturbing dreams with my mind busy, busy, busy. Not sure why this is, or why I just feel more anxious than usual. There’s no reason at all for me to feel this way. Just some stormy emotional weather in advance of EMDR today and starting to process something new to EMDR but old to me. The CPTSD recovery journey continues…

Entangled Monogram N

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©Angela Porter 2019

Fountain pen and ink on marker paper. A4 in size.

Enjoyable few hours (around 6) drawing this one. I have toyed with the idea of mocking up gold foil for the N…not sure if it works though having tried it out.

I still think the edges of the N are either too wobbly or too straight … not sure if the patterns should just peek over the edge in places with clear lines in others …

Let’s go try another letter out! I will eventually crack this … I will …

Tiny botanical tile 23 September 2018

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Angela Porter 23 September 2018

Yesterday, I had an enjoyable couple of hours drawing fairly cute designs that are 6cm x 6cm (approx. 2½” x 2½”).

I drew my little designs (twelve of them in total, and not all of them I’m all that fussed on at the moment) on Rhodia dot grid paper with a Uniball Unipin 05 pen. Then, I scanned them into the computer and did my usual magic to remove the dot grid and create a transparent background.

Finally, I used Autodesk Sketchbook Pro and a Microsoft Surface Pen, along with my Microsoft Surface Studio to colour the image.

I used various brushes and brush textures to achieve the colouring.

It’s really small, for me. A 6cm x 6cm size would look darling on a small greetings card or note card. I also think they’d make a lovely addition to a BuJo, Planner or Scrapbook page.

Abstract Botanical 19 September 2018

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Angela Porter 19 September 2018

It’s a lovely, sunny late summer morning here in the UK and it’s been a perfect time to finish this design off.

Yes, it’s another abstract, zentangly, entangled botanical design, which seems to be my signature style of art, though I do dabble in other styles, as you know, particularly my kind of dangle designs.

This one, like many of my previous ones, was completed in these stages:

  1. Draw the black and white line art on Rhodia dot grid paper using a black 08 Sakura Pigma Micron pen.
  2. Scan the drawing into GiMP. Use tools to remove the dot grid and remove the noise. Save with a transparent background.
  3. Import the image into Autodesk Sketchbook Pro. Any edits to lines can be made here using a pen ‘brush’ that mimics the texture of the Micron pen on the dot grid paper. Then layers are used to create the background, add colour to the design before adding texture and highlights.

It takes a day or more to create a piece of art like this. The drawing of the design alone can take anywhere from 2 to 10 hours, depending on the intricacy and size. This one was A4 in size and isn’t very detailed; I let the colour and texture add details to the design in this instance. I want the colours to shine. The colouring etc. has taken a few hours to do.

It takes me at least as long to create a piece of digital mixed media art as it does to draw and colour the design using traditional methods such as Chameleon markers or Inktense pencils.

What I love about working digitally is the ability to change the colours I use for the elements, and then being able to add texture and highlights/shadows. I can see where I need to go back to the image and add or deepen shadows to increase the sense of depth in the design. A drop shadow on the background isn’t really needed as I think the background is like a sunset sky or alien sea.

The other thing about digital work, is the ability to use the black and white outline to re-work the design using a different colour palette, different textures. I also have the option to print the design out and colour using other media, such as marker pens, perhaps changing the size of the image so that I can create, say, a greetings card or note card, or even a page for my BuJo.

I spent some time on Monday playing with Repper Pro and had some fun creating repeating patterns using the last couple of abstract botanical images. Just from a couple of artworks, I have more than a hundred seamless tiles for patterns; it’s just sorting through them and working out which are the best. I may post some of the best ones later today or tomorrow, and maybe create some based on today’s art above too.

I actually think some of the tiles would, with a border, make amazing patterns for square cushions/pillows worked in tapestry, canvaswork, cross-stitch or similar. You can decide for yourselves when I post them.

Abstract Botanical 9 September 2018

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Angela Porter 9 September 2018

This one has taken many hours to do, and I’m not quite happy with the background colour/texture, but I need a break from it.

I drew the black and white line art on paper with Sakura Pigma Micron pens, scanned it in, created a transparent background and then coloured it digitally.

I used Autodesk Sketchbook Pro with a Microsoft Surface Pen on my Microsoft Surface Studio.

Fun to do. A nice way to spend time, jut playing. And it’s unusual for me to colour in one of my black and white pieces of line art.

Abstract Botanical 22 August 2018

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Angela Porter 22 August 2018

Another day, another drawing/artwork/illustration/design. This one is only a little one; it’s approximately A5 in size.

I used some new watercolour paper from Canson – Moulin du Roy. It’s smooth, slightly off-white, pure cotton mould made and seems to work nicely with Intense pencils and a waterbrush.

I’m waiting for some metallic paints to arrive so I can add some highlights to this – there are places where a dot of gold will really work nicely, but not too many places methinks.

Also, I chose just seven colours to be my palette – sherbert lemon, apple green, iron green, lagoon, violet, red-violet and sienna gold. I thought that a smaller number of colours could result in a more cohesive feel to the design, and I think that it may have done so!

For this one, I drew the design first in pen then added colour.

When I draw first I do tend to fill the space with drawings. When I add colour shapes first I end up with more white space and a more random ‘edge’ to the design.

Why that is, I don’t know, other than it may have something to do with me filling spaces in with pen and ink habitually.

A habit I need to modify I think.

All the same, it’s nice to do little designs. I already have another drawn out waiting for colour!