Working with the ‘aha moment’

Sketchbook page

After a walk and lunch yesterday, I eventually settled to working with my aha moment. This sketchbook page is the result, though I have work left to do with it.

The designs are inked in with Pitt Artist Pens and I’ve used watercolours and Inktense paint pans and pencils to colour the motifs. Well, most of them. I’ve left some parts in black and white to show the difference that colour makes.

I used a Daler-Rowney artist’s sketchbook. The paper is acid free, but is not specifically for watercolours. It held up surprisingly well to multiple layers and glazes of colour, though it does grab the colour and it’s difficult to move it around as on watercolour paper.

I also found the wet brush lifted some of the pigment from the Pitt Artist Pens. That surprised me as they were totally waterproof on watercolour paper.

Reflections

Having an ‘aha moment’ and working with that realisation can be quite different. It’s nice to try different ways of using line and stippling to add shadow and volume to the drawings.

The half-beetle was an interesting one to work with. On the lower wing I could’ve used lines to add the illusion of curves, but for some sections I just used colour. I also used the beetle to practice adding lines and stippling.

I tried drawing the beetle digitally, but it just didn’t feel ‘right’. I didn’t get the same satisfaction as I did drawing it with pens on paper. I’m sure that’s due to me having my brushes set up incorrectly. That’s something I’m going to have to work on. I ended up with a drawing that was too perfect. That surprised me too, as I love to work digitally. Perhaps that was a function of my current mood and energy levels.

I do tend to switch between digital and traditional media, sometimes mixing the two. That is certainly an option moving forward – drawing the line art on paper, then colouring digitally.

I do like the earthy tones I’ve used to add colour to many of the design elements on this page. That still continues to surprise me, as much of my work has been brightly coloured, often with ‘in your face’ colour palettes used.

The smaller designs I’ve drawn here also have their own sense of satisfaction and enjoyment for me. Usually, I draw full page designs for colouring books. But here, I’ve drawn small compositions, and that is not so overwhelming for me at this time.

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