Illustrated Quote 9 July 2018

 

Angela Porter 9 July 2018

This is the fruit of my Sunday ‘labours’, and I’m quite pleased with it, truth to be told. Now that’s not something I say about all my works. However I am, quite pleased with it.

I’ve been playing around with hand lettering and design for a while now. From placing the words on curvy lines to straight lines. Trying having the word(s) sit above the drawing with white space above and using them to split the drawing, as in this case.

I’ve used simple hand lettering, like here, and a bit more ornate.

It has been a bit of an adventure, with some successes, some not quite so. With this one, though, I think I’ve found my kind of ‘style’ for it. I like the way the flowery ‘poles’ join the top and bottom part of the design. I really like the jewel-rich tones of reds and blues that I’ve used.

If there’s one thing I wanted to do, and forgot about until now, it was to use a metallic gold pen to add dots to the centres of the circles in the bushes at the bottom. Also, maybe tiny gold dots to the centres of those little purple flowers. It’s that inner raven that loves sparkle having an influence yet again.

I like my quirky hand lettering. It may not be the best, it may not be the most precise or even. If I wanted that, then using something like Publisher or the text tool in Autodesk Sketchbook would or could work. Or I could select and move individual words, or even letters around, in Sketchbook. That, however, would remove the imprecision that gives the art a ‘human’ touch.

To create this, I used a Pentel Energel 0.5 pen to draw the design and do the hand lettering. My Copic Ciao’s were used to colour the image in, and I added white dots with white Sakura pens – Souffle and Gelly Roll 08, both of which worked well over the Copics.

I enjoyed using the Energel pen. The line is consistent in width and intensity, and my heavy hand doesn’t wreck the tip within a short space of time. I also tried out a Uniball Eye Needle point 05 pen for some of the fine details, but it didn’t seem to like writing over the paper that had been coloured with the Copics. It does, however, write smoothly on plain paper, whether that’s Bristol board or Heavy weight cartridge paper. The solvents in the Copics changes the surface structure of the paper; the Uniball Eye didn’t write smoothly on it, and it also bled into the paper, which it doesn’t do on un-Copic-coloured Bristol board.

Friday is Dangle Day!

Angela Porter Artwyrd 29 March 2018 Dangle Cards

Angela Porter Artwyrd 29 March 2018 Dangle Cards1

That’s right!  From henceforth Friday shall be known as Dangle Day.  Well, on my blog and the other places I can be found on the interwebs.

As you may know, I have a book coming out later this year that’s all about drawing dangle designs; it’s called A Dangle A Day and is available to preorder now.  In it, I’ll be leading you through, step by step, drawing dangle designs, amongst other things, so you too can create dangle designs like these!  Yes, you can do it!

So, I plan to post at least one completed dangle project each Friday, and this week there’s a bumper crop of five of them.

The cards I’ve made over the last day or two are dangle designs, but not ones to be found in the book. These are all drawn with pen on paper and coloured with either Tombow Dual Brush pens or Kuretake’s Zig Clean Colour Brush Pens.  I’ve also added dots and highlights using Sakura’s Metallic and Stardust Gelly roll pens, not that you can easily see them in the photos.

I will, in the near future, have an announcement to make about a giveaway.

It’s Friday…

AngelaPorter11Aug2017

This week, I’ve been doing my best to get images drawn for the Eerie themed book.  Various appointments and just generally feeling down and unwell have got in the way, and today hasn’t been much better.

I have spent sometime drawing a ‘DoodleWorlds’ image, which is sitting in a file on my computer to be re-drawn and so on.

The zentangle kind of thingy above is something I’ve done not too long ago.  I drew the design using Sakura Micron pens and a white Sakura Gelly roll pen on natural coloured Mixed Media Paper from Claire Fontaine.  The paper size is 10cmx14cm.

Last weekend, I created this bit of art work:

deviantart-17-birthday

It was deviantART.com’s 17th Birthday and a challenge was set there.  I wanted to have a go as it was a bit of a challenge, it let me try out new techniques/ides with Autodesk Sketchbook Pro and my Surface Book and Surface Pen, but mostly it’s because deviantART is where various editors/publishers/artwork managers have found my art and engaged me to do work for them.  That is the reason I was able to leave teaching, how I’m able to look after my mental health more, and to find a different way of life as well as being able to heal.

Thank you deviantART! And thank you everyone else who has believed in me, my work, and given me opportunities, even when I’ve not believed in myself, my ability, or the quality of my work.  And thank you everyone who has bought the books and stamps and so on … I am so grateful.

Rainy-day Friday Fish!

Approx 18cm x 13cm.  Worked in a fine black Sakura Gelly Roll pen with Inktense coloured pencils with a water wash on white cartridge paper.  The colours aren’t quite this garish – I keep saying I’m useless with scanners and cameras!

I found some of my old Art Nouveau books today and thought I’d have a play around with simple line drawings.  This fish caught my eye, though I’ve adapted it to suit me.

I’ve always loved the flowing lines and simplified and stylised forms of Art Nouveau; just like Early Celtic Art and Prehistoric Rock Art  and ammonites and Romanesque architecture natural forms and so on, the organically flowing curved lines and spirals really appeals to me and they often come out in my work.  OK, not often, but most of the time!

This was a really quick drawing to do too – it took around an hour to pencil out, then outline, then colour in and then scan!  That’s super speedy for me!  Usually my works take many, many more hours.

Now, I just have to decide where I go with this … it really is an experiment.