Mail Art

Mail Art ©Angela Porter | Artwyrd.com

Yet again I woke with my mind swimming with an idea I wanted to try out. I’d had a problem when I was trying to add colour to drawings I’d done on distress ink backgrounds. Whether I used water and a brush or a Tombow Blender pen, the pigment from the Sakura Micron and Uniball Unipin pens bled, and I really wasn’t happy with that.

I spent some time yesterday trying different pens out, with no luck in finding any that didn’t smear/bleed. So, I put this to one side until I had a chance to think about it.

I slept on it and woke with an idea to try.

Why not use the Tombow blender to draw the basic shapes of my design in colour and then add black lines afterwards. Seed pods seem to be my default design when I’m experimenting, but I’m fine with that.

So that’s what I did. And this card is the result.

As I was starting to add the black lines to the design I thought I’d made a horrible mistake, had a bad idea. However, as I added more and more detail, I realised it would work out, and I think it did.

I added some gold to the seeds in the seed pod with a glitter gel pen. I also splattered some gold watercolour paint over the design.

The envelope is really simple; three seed pods, black line art with golden seeds.

Not a unique artistic approach, but it is something that has never worked for me before.

It’s not a dissimilar approach I take to my digital art, where I start with the basic shapes and then add shading and detail. I do use line art as a guide for my design, and that is an approach I can apply to traditional art in that I may need to pencil in the design, then colour, then add the line art.

Who would’ve thought it – working digitally is helping me develop my traditional art methods and skills.

Zentangle ‘toppers’ for cards

©Angela Porter | Artwyrd.com

I’ve been awake way too long already today. I just couldn’t settle to get back to sleep when I woke around 4am. I gave up trying just before 6am and thought I’d do some drawing to see if it would settle me.

The soothing style of choice at the moment is zentangle, so I made use of some of the coloured ’tiles’ I made yesterday, and these are the result. I’ve yet to decide whether I will actually turn them into cards, or whether I’ll just keep them as references for the future.

I thought plain black line looked a bit ‘flat’. That may be a consequence of me working digitally so much and the way I achieve dimensionality in my art.

So, in the top design, I used brush, water and some colour from Zig Clean Colour Real Brush Pens by Kuretake. I enjoyed adding shading with colour, though it was hard work with the fine brush I’d chosen, especially when I turned my attention to the one on the bottom left. So, I used a Tombow Blender pen with the colour for the third card on the bottom right. I’m much happier with the smoothness of the gradients here, compared to the other two.

What I’m not happy with is the way the pigment from the black lines seems to move, particularly when I used the brush. I’m not sure whether this is a result of me drawing on top of the distress ink coloured paper, or whether it’s to do with the friction of brush on the lines. I did get a little bit of movement of the pigment with the Tombow blender pen, but not so much it seems.

As I’m digging into my stash of media from past times, I remembered I had some Nuvo Drops from Tonic. So, instead of using a metallic gel pen to add some embellishments, I added some of these drops.

I’m not entirely sure they work. I think I’ll have to look at these cards again after I’ve had a good sleep and a break from them

I am glad I tried adding more saturated colour to the designs to give that illusion of dimension, even though I had to rediscover the joys of using a blender pen. I do find pens so much easier to work with than brushes, that’s for sure. That may be a knock on effect of me using pen ‘brushes’ so much in digital art.

I’m exhausted now, but I won’t go back to bed until my grocery deliveries have arrived.

A floral wreath card

Angela Porter 12 May 2018 watermarked

Saturday morning and I do my best to settle into a creative mode, and this is the result.  A pretty, floral wreath, drawn on watercolour paper with copic multiliner sp pens.

It’s been a hard couple of weeks and being creative has been difficult for me.  I’m beginning to settle after the upheavals that have occurred, but it’s taking a while. I will get there, and being able to draw this, and colour it, shows I’m starting to settle. I am doing my best to find those weekend vibes.

The watercolour paper is 5″x 5″ and has been mounted on a 6″ x 6″ square side.

 

Friday is Dangle Day!

Angela Porter Artwyrd 29 March 2018 Dangle Cards

Angela Porter Artwyrd 29 March 2018 Dangle Cards1

That’s right!  From henceforth Friday shall be known as Dangle Day.  Well, on my blog and the other places I can be found on the interwebs.

As you may know, I have a book coming out later this year that’s all about drawing dangle designs; it’s called A Dangle A Day and is available to preorder now.  In it, I’ll be leading you through, step by step, drawing dangle designs, amongst other things, so you too can create dangle designs like these!  Yes, you can do it!

So, I plan to post at least one completed dangle project each Friday, and this week there’s a bumper crop of five of them.

The cards I’ve made over the last day or two are dangle designs, but not ones to be found in the book. These are all drawn with pen on paper and coloured with either Tombow Dual Brush pens or Kuretake’s Zig Clean Colour Brush Pens.  I’ve also added dots and highlights using Sakura’s Metallic and Stardust Gelly roll pens, not that you can easily see them in the photos.

I will, in the near future, have an announcement to make about a giveaway.