Colouring Page – 3 November 2022

This week’s colouring page is a typically ‘Angela’ entangled one; it’s just what wanted to flow out of my pen today. And that most probably has a lot to say about what’s going on in my subconscious today. I’m well out of sorts for sure. I think I know what is causing it, but, like the weather, it will pass along.

Colouring Page – 28 October 2022

October is nearly at a close. So, this week’s colouring template for Angela Porter’s Coloring Book Fans Facebook group is my last Halloween-themed one for this year.

I absolutely love Halloween; it’s the only yearly celebration that isn’t filled with triggers for emotional upsets. If I could change the date of my birthday, it would be Halloween! It’s not the horror-filled aspects that grab me, it’s the fun and laughter I associate with this time of year.

I love creating whimsical art all year round, but changing the scary for cute is a lot of fun at Halloween. It makes me smile and fills my heart with joy. As far as I’m concerned, skulls and pumpkins, ravens and potions, ghosts and ghoulies and all the other wonderful things associated with Halloween are not just for Halloween!

“Thistle” – An Art Nouveau Inspired Drawing

I’ve spent some time over the last day or two looking at Art Nouveau flower designs. I was particularly fascinated by a thistle design.

This is my interpretation of the design drawn with Copic Multiliner SP pens (0.1, 0.25 and 0.5) on paper. Then, after scanning the drawing, I added colour digitally using Clip Studio Paint. So, this counts as ‘tradigital’ art!

I chose a simple colour palette; I was inspired by William Morris, the Arts and Crafts Movement and Art Nouveau. And, the colours are more mellow than is, perhaps, characteristic of my work.

The version on the left has just flat colours, no shade or highlight; I let the contour lines suggest volume. This is more true, I think, to the Arts and Crafts Movement and Art Nouveau.

To the version on the right, I added some shadows and highlights, but subtly for me. And even though they are subtle, they have a distinct effect, which surprised me.

These show just two of the many coloured backgrounds I tried out. This is why I love adding colour digitally! It’s so easy to try out different colour combinations, methods of adding colour, and so on.

Which version do you prefer?

I like them both, but I think the one on the right is my favourite; I like the stronger background colour which allows the flower to ‘pop’. I also think the subtle shadows and highlights do add a little something to it too.

Illustrated Journal Page “Heatwave” – WIP

This was fun to do, though it’s not quite finished yet.

It’s tradigital art. I started by drawing the design on dot grid paper, then completed the inking and colour and so on digitally.

I’ll finish adding colour when it’s a tad cooler! It truly is sweltering here, and I need to find my way to cooler parts of my home.

Template Thursyay! 11 Aug ’22

Click here to view today’s video where I draw the bottom right panel.

This week’s colouring page is a little different. It has four designs on it. Each one would look adorable when coloured and mounted on a blank or postcard card. They would make a lovely decoration for a bullet journal, journal or diary.

The template is available to Angela Porter’s Coloring Book Fans Facebook group members.

Illustrated Journal Page and Lettering Practice

Sunday morning (and Saturday evening, which was when this page was started) is the perfect time to practice my lettering, a quirky kind of illustrated journal page, and digital art practice.

I had intended to use just three, maybe four, basic colours for this page, but the vegetables threw me a tad!

I drew the page on paper with a fine Zig Mangaka Flexible pen. The Colour was added digitally after scanning the page. And I had a lot of fun as ideas clicked into place to add colour to the lettering.

Admittedly, some of the inking work is a tad clunky, but that could be fixed if I wanted to. It is a sketchbook page, and so perfection isn’t required. Giving myself permission to work with what I deem as less than perfect is an important lesson I’m trying to learn. Expressing myself in this wobbly, wonky, imperfect, quirky, eccentric, whimsical kind of way is a work in progress.

Oh, I’ll still draw detailed, intricate black and white pen designs. But I suspect I’ll do much more of this style of art. I have much to learn about it, using colour with no black lines, for instance. But I know it’s all a process, and I’ll get to where I need to be. I know that I’m really enjoying the combination of traditional ink drawing with digital colour – tradigital?

I’m not sure my Doodleworlds critters belong, but I just couldn’t resist popping them in to fill an awkward space!